Divine Liturgy in English Binotationalscores Optimized Divine Liturgy Music Cappella Romana

The Divine Liturgy in English
in Byzantine Chant
Scores in Chrysanthine (Byzantine)

and Western (Staff) Notation
Cappella Romana
GENERAL>RESPONSES
For Use Throughout the Divine Liturgy
Reader7s Mode 9Kliton9
1
!"# # # # # # # # # # $# # # # # # # # # # # # #$# # # # # # # # # # # # # # %&'# # # # # # # # # # # # # # !&# # # # # # # # # # # ()
!! " " 1" # #
(Mel.)
1 Lord+ have mer - cy.
!! " " 1" # #
3
!"# # # # # # # # # # # $# # # # # # # # # # # # # $# # # # # # # # # # # # # # %&'# # # # # # # # # # # # #()
!! " " 1" #
(Mel.)
3 Grant this+ O Lord.
!! " " 1" #
*## # # # # # # # # # # # # # # # +# # # # # # # # # # # # # # # # # # # !# # # # # # # # # # !&# # # # # # # # # # # # # # # # ()
! ! 1" " " " #
5 (Mel.)
To you+ O Lord.
! ! 1" " "$" " " #

5
!&# # # # # # # # # # !&# # # # # # # # # (#) # !

!! # #
8 (Mel.)
A - men.
!! # #
8
% !"# # # # # # # # # # # #$# # # # # # # # # # # # # $# # # # # # # # # "# # # # # # # +# # # # # # # # # # # # # # # # #!&# # # # # # # # ($

) # # # (Mel.)
# # # # # # # # # # # # # !"# # # # # # # # # $# # # # # # # # # # # # # $# # # # # # # # # # # "# # # # # # # # # # # +# # # # # # # # # # # # # # # # #!&# # # # # # # # # # # ()
%
! ! " "% 1 "% " "% 1 "%
9
" " # " " #

(Mel.)
% % %
!r
! ! " " 1 "% " "$ " " # " "% 1 "%
9 And to your spi - rit. And =ith your spi - rit.
" "$ " " #

Translation>©>Archdiocese>of>Thyateira>and>Great>Britain.>
Used>by>permission.>
Musical>text>©>Cappella>Romana.>
Permission>to>duplicate>for>liturgical>use>only.>>All>other>rights>reserved.>
GENERAL RESPONSES
For Use Throughout the Divine Liturgy
!"!! "
Reader’s Mode “Kliton”
L " !"# # #" $%& !%"'

! ! !! !!
ord___H have mer !- cy. ! ()#
G " !"# # #" $%&"'

!
rant !thisH
! !
O Lord. ! ()'
T *#"+!"!%"'
!
o !
youH!
O !
Lord. ! ()'
A "!%#!%"'
!
- !
men. () !"
! !
A " !"# # # #" + !% (" )'

!
nd ! to !!your
!!! spi !- rit. ! or "!!" #!#!!!!!your
And Jith #!!!!#" +
spi -!!%
rit. !"' ! ()"
Translation © Archdiocese of Thyateira and Great Britain. Used by permission.

Musical text © Cappella Romana. Permission to duplicate for liturgical use only.
All other rights reserved.
GENERAL>RESPONSES
Before the Gospel:(()# # #!
% % % !## # # # # !# # # # # !# # # # # # # # # # !# # !!&# # # # # #(#) # # # # # # # #!"# # # # # # # # # $# # # # # # # # # # # # # # $# # # # # # # # # # # # # %,'# # # # # # # # # # # # # # # # ()

% % %
" "% 1 "%
14
!! " " " " " " "&

(Mel.)
% % % % % %
" "% 1 "%
14 Glo - ry to you+ O Lord+ glo - ry to you.
!! " " " " " " "&
After the Gospel:(()# # #"
1# # # 2%# # # # # # # # # # # # # # # # # $# # # # # #(D)
!&# # # # # # # !!## # #%# !# # # # #-$## # # # # # .#/ # # 0(G) # # # $# # # # # # # # # # !"&# # # # # # # # # # # # # # # # # # # # # # # # # .# # # # # # # # # # # # # $!" " " " " " " " " " 3
% (G) 4# # # # # # # # # # # # # ()
!! # " " " " ""# # "" " "& " " #" " #&
18 (Mel.)
" " # " " "" "

Glo - ry to you+ O Lord+ glo - ry to you.
" " " " " " "$ " " " " " # " " # &
%
!! #
"
18
At the Litany of Fervent Supplication: ()# # #!
% !## # # # # # # # !# # # # # !# # # # !&# # # # # # # # # # # # # (#) # # # #!# # # # # # # !# # # # # # # !# # # # # #!&# # # # ()# # #!"# # #$# # # # # # # # # # $# # # # # # # %&'# # # # # # # # #!&# # # # # # # # ()
% % % % %
!! " " " " " " " " " " 1 "% " "
24 (Mel.)
% % % % % %
" " 1 "% "
Lord+ have mer - cyM Lord+ have mer - cyM Lord+ have mer - cy.
!! " " " " " " " " "

24
After the Megalynarion:()# # #$
!## !"# # # # # # # $# # # # # # # # # # $# # # # # # # # # %&'# # # # # # # # #()

28
! ! " " " 1" #

(Mel.)
28 And each and all.
! ! " " " 1" #

At the Elevation of the Holy Gifts: ()# # #!
% % % !## # # # !# # # # # #!# # # # !&# # # # # # # # # # # #()# # # # # #!# # # # # !# # # # # #!&# # # # # # # # # # # # # # # # # # # # # # # # # # # # # # # 5%# # # # # # # # # # # # # # # # # # # $# # # # # # # # # # # $6# # # # # 71# # # # #*# # # 8# # # #%
% % % %
"
31
!! " " " " " " " " "

(Mel.)
" 1 " "

% % % % % % %
One is No - ly+ one is LordO Pe - sus Christ+ to the
"
31
!! " " " " " " " " " " 1 " "
2
GENERAL RESPONSES
() $
Before the Gospel:
!
G "!#!!"!!!%(" )!"##"$,&"'
!
lo - ry
! !
to !!
youH !
O !
LordH !
!
glo - ry to you.
! ! !
! () " !
() #
After the Gospel:
!
G "!%#!!"$!"-#./0 1" 23$ 4##%"!"%./ ##5

!
lo - ry
! ! " 6"&#to !
youH !
O LordH
! !
!
!
glo-ry to you__________.
! ! ! ! ! !
()"
At the Litany of Fervent Supplication: () $

!
L $!#!%!!%($ !
!
) !%!!%($ !
) "##"$%&!%"()"
ord have mer - cyL LordH have mer - cyL Lord_H have mer - cy. !
After the Megalynarion: ()! !
A !#" !" # #" $%&'

!
nd
! !
each___ and all.
! ! ! ()"
At the Elevation of the Holy Gifts:'

() $
!
O $!#!%!!%($ )!!!%$74# % #8 9% 2*:$$

!
ne !
is !
Mo - lyH ! !
one !
is !
LordN Oe - sus ChristH
! ! !
!!!! !!!!!!!!!! !!!!
!
to____ the
! ! !
2 Translation © Archdiocese of Thyateira and Great Britain. Used by permission.

GENERAL>RESPONSES
%#
% # # # # # #!
% # # # # #!
% # # # # #!
% # # # # #!
% # # # # # # #!
% "# # # # # # # $# # # # # # # # # # 9# # # # # # # # # # #$# # # # # # # # # %,'# # # # # #()
" "% ' 1 "% " &
34
!! " " " " "

% % % % % %
! ! " " " " " " "% ' 1 "% " &
34 glo - ry of God the Qa - ther. A - men.
At the Communion of the Laity: ()# # #!
% % % % % % % %
5## # # # # # # # # # # # $# # # # # # # # # #!# # # # # # #!# # # # # # # #!# # # # # # # !# # # # # # # #!# # # # # #!# # # # # # # # # # !# # # # # # # !# # # # # !# # # # # # # #$6# # # # # # # # # # # # # # 71# # # # # # # # # # # # #$
% % % %
!! " " " " " " " "
37
" " " "

(Mel.)
1"
% % % % % % % % % % % %
Bles - sed is he =ho comes in the name of the Lord. The
!! " " " " " " " "

37
" " " " 1"
%'#
% ########!
% # # # # # # !%# # # # # # # # # # # #!
% # # # # # # #!% # # # # # # # # # #!% # # # # # # # # # # # # #!"# # # # # $# # # # # # # # # #$# # # # #%&'# # # # # # # # # # # # # # # #()
" " 1 "% "
39
!! " " " " " "

% % % % % %
" " 1 "% "
39 Lord is God and has ap - pearRd to us.
!! " " " " " "
3
GENERAL RESPONSES
$$ ! !%
!
glo - ry of
! !$ !" # ; #" $,&"'
! ! !
God the Qa - ther. A - men.
! ! ! ! !
! ()"
"
At the Communion of the Laity:'
() $
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B $!7# !#!!%!!!!%!!!!!!$!!!!!!%!#8!92!#$!
les -sed is he Jho comes in the name of the Lord. The
$'$&!!!%!!$!"##%$%&$#
! ! ! ! ! ! ! ! !
! ()#
Lord is God and has ap - peared_ to us.

LITANY OF PEACE
!"#! !" "

!"#$#" &'()*+ ,'-.
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1
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1 Lord, have mer - cy. Lord, have mer - cy.
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! !! # " $ # D# # & #" ## # # # &
## #
5 !"%$# !"#
'
# ### #
Lord, have mer - cy. Lord, have mer - cy.
# D# # & # #%# # &

%
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$ $
! !! # "
9
## # ### & #" ## # # # "# # # # &

Lord, have mer - cy. Lord, have mer - - - cy.
! !! # # # # # #
9
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% %
# # &
#
##
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! !! # &
14 !"#
# &"
To you, O Lord.
! ! ! # # #$ # # & "
14
Translation © Archdiocese of Thyateira and Great Britain.

Used by permission.
Musical text © Cappella Romana.
Permission to duplicate for liturgical use only. All other rights reserved.
LITANY OF PEACE
!"#! !"
Plagal Fourth Mode
L"!"$#$ %"&'(()*" +,!-.$/01#1"%20/3"4

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o you, O Lord.

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SUNDAY ANTIPHONS
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t the prayʹrs of the Mo-ther of God, O Sav - iour______,
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save________ us.
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t the prayʹrs of the Moth - er of God, O Sa - viour,
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SUNDAY ANTIPHONS
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on of God ris - en_ from the dead, save us who sing to you: Al- le -
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Used by permission.
2 Musical text © Cappella Romana.
5=>?$@;$>ABCD4>5
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DYNAMIS OF THE TRISAGION 
Modeled after Nileus Kamarados (1847 ‑ 1922) 

  
 
]                
 
      e      e      e     e    e   e    e      e     Du    u    u   u    u      u 
       Ne_________________________________     Dy   ‑          ‑           ‑          ‑         
      

     [u     u      u    u      na    a   a    a a   Du  u    na        a    a  mij 
        ny  ‑           ‑          ‑        ‑ na  ‑          ‑          ‑      Dy   ‑      na  ‑          ‑         ‑ mis. 
    H       

 
     o  ‑         ‑          ‑          ‑          ‑          ‑           ‑          ‑            ‑          ‑          ‑      
                 

     ‑          ‑            ‑        ly___________________________________________________ 
            

      _______________________        ho  ‑          ‑           ‑           ‑           ‑          ‑        ‑        ‑ 
Translation © Archdiocese of Thyateira and Great Britain.  
Used by permission. 
Musical text © Cappella Romana.  
Permission to duplicate for liturgical use only.  All other rights reserved.
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          
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            

     ly___________      God____________________________________,  
              

*
    H            o  ‑          ‑           ‑         ‑           ‑   ly_____________   Strong___________ 
      

____________________________________,   
      
H 
     o  ‑         ‑         ly________________________________________________ 
                  

    c______________________________          ]e____________    ho  ‑         ‑         ‑         ‑ 

2   Translation © Archdiocese of Thyateira and Great Britain.  
  Used by permission. 
  Musical text © Cappella Romana.  
  Permission to duplicate for liturgical use only. All other rights reserved.
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    
 
        
       
    ‑         ‑          ‑         ‑          ‑         ‑         ‑         [   ‑        ‑         ‑         ‑        ‑        ‑        ‑ 
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   ]e    im ‑ mor     ‑          ‑       tal_______________,  
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    H          
       ave___________    mer  ‑        ‑         ‑   cy____________________________ 
          

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     _______________ have   mer  ‑         ‑   cy______________________ on__________ 
        

          us____________________________________. 
3   Translation © Archdiocese of Thyateira and Great Britain.  
  Used by permission. 
  Musical text © Cappella Romana.  
  Permission to duplicate for liturgical use only. All other rights reserved.
PROKEIMENON!OF!THE!APOSTLE
A Psalm of David (75:12, 2, 3)
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Translation!©!Archdiocese!of!Thyateira!and!Great!Britain.!
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Musical!text!©!Cappella!Romana.!
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Modeled after Petros Peloponnesios the Lambadarios
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" " "" " " # " "

Used by permission.
COMMUNION RESPONSORIAL PSALM 
Modeled after Petros Vyzantios 
  
Plagal Fourth Mode 
    P                

     raise    the    Lord__  from    the  hea ‑ vens;    praise him in the high  ‑  est. 
 
    Al   ‑   le   ‑    lu    ‑    i     ‑    a.  
    P               

      raise   him,  all his   an   ‑   gels;    praise him, all    his   pow  ‑ ers.       Al ‑ 

     le   ‑    lu   ‑     i    ‑      a.  
   P                 
     raise   him,   sun   and moon,  praise him,  all you  stars  and light.      Al ‑  
Translation © Archdiocese of Thyateira and Great Britain. Used by permission. 
Musical text © Cappella Romana. Permission to duplicate for liturgical use only.   
All other rights reserved. 
-." " " " " " "%" " " " " " " " " " " %/0" " " " " " " " " " " " " " " " " " %1" " " " " "!2" " " " " " " " " " " " " ",*
&
18
! !! " " " % " #

18 lu . i . a.
! ! ! " " " "& " " #
!C#:!%& & & & & & & & & & & & !G# '& & & & & #(& & & & & & & & & & & $!" " " " " " " " " " " " " " " " %" " " " " " " " " "%" " " " " " " " " " " " %" " " " " " " " "%'
& & & & & & &%" " " " " " " " " " " %"& & & & & & & & #" " " #" " " " " " " " " +" "%" " " " " "62" " "();" " "%!C#
! !! D # " "" " " " " "D " # 1 " " (#
19
" " " 1"
" " "D " #

Praise him1 you high . est hea . vens1 and you wa . ters that are a .
! !! D " " " " " " " 1 " " (" " " " " 1 "
19
& &
" '"
-." " " " " " " %" " " " " " " " " "%/0" " " " " " " " " " " " " " " " " " " " %1" " "!2" " " ,*" " " " " "!" "#" " -." " " " " " %" " " " " " " " " %/0" " " " " " " " " " " " " %1" " " !2" " " " " " " " ",*
& " " " % "& #
22
! !! " " " % " # " "

22 bove the hea . vens. Al . le . lu . i . a.
! ! ! " " " "& " " # " " " "& " " #
" "
!C# " " " " "#!& & & & & & & & & &#" " " " " " !" " " " " " " " " " " " " " " " "%" " " " " " " " " " 9"& & & & & & & & & & & #" " "#!& & & & & & & & #2" " " " "()*" " " " " %"& & & & & &#" " " " " " " " $!" " " " " " " " " !G#
#<" " " " " " " " %" " " " ##
# " ""
25
! !! " 1 " " " " " "" " 1" # "" "
" "&" " " 1 "

)et them praise the name of the )ord1 for he spoke and they
"" " " " " ""

25
! !! " 1 " " " #

!
&
'"
!C##"" " " " " " "#.$" " " " " " " " %" " " " " " " " " " %" " " " " " " " " " " " " " " "#" " " " " " " " " " " " " " " "%" " " " " " " " " %" " " " " " " " " " " " " " " " "&#" " " " " " " " " " 72,*
#"" !" " " %"& & & & & & & & & & & & & & +!& & & & & %)& & & & & 62()*" "!
! ! ! " " " " ) " " D" " # " " '" " "
29
" " " " "" " #
! !! " " " " " D" " #

came in . to be . ing= he com . mand.ed and they were cre . a . ted.
" " '" " "

29
&
" " " " " " "$" " #
$ "
)"
!"" #" " -." " " " %" " " " " " " %/0" " " " " " " " " " " %1" "!2" " " " " " " ,*
" " " % "& #
34
! !! " )"
34 Al . le . lu . i . a.
! !! " ) " " " " "& " " #
Translation © Archdiocese of Thyateira and Great Britain. >

Used by permission.
  
     le   ‑    lu     ‑    i     ‑    a.  
   P               

    raise him you high ‑ est    heav  ‑     ‑ ens       and  you  wa ‑ ters that are a ‑ 
            

   bove the heav ‑ ens.          Al  ‑   le   ‑    lu    ‑     i   ‑    ‑  a.  
   L                

          et     them praise  the   name   of      the    Lord,      for  he  spoke and they 
               
  came    in  ‑ to   be  ‑      ‑  ing;         he    com‑mand‑ed and  they were cre ‑ a  ‑ ted. 

    Al   ‑   le   ‑   lu     ‑    i   ‑     a.  
2   Translation © Archdiocese of Thyateira and Great Britain. Used by permission. 
  Musical text © Cappella Romana. Permission to duplicate for liturgical use only. 
  All other rights reserved. 
!C# " #!& & & & #" " " " " "!" " " " " " " " " " " %" " " " " " " " " " " #" " " " " " " " " " " " " " #" "!" " " " " " " " %" " " " " " " " " " " " " " $!" " " " " " " " " " " " " " " " " " " " " " " "%" " " " " " " " " "%" " " " " " " " #" " " #
#<"
" " # " " " "
36
! !! " 1 " " " " " "
'" "
He es . tab . lish@d them for e . ver and e . ver1 he made an
" " " " " "

36
! !! " 1 " " " " " "

&
'"
#.$& & & & %" " " " " " " " " " " %" " " " " " " " " " " %" " " " " " " " " %" " " " " " " " " %'& & & & & & & -." " " " " "%" " " " " " " " " " %" " " " " " " " " " %" " " " " " " " " "!2" ",*" " " !#"" " -." " "%" " " " " %/0" " " " " " " " " " " " " %1" " " !2" " " " " " " " ",*
! !! ' " " " &
40
" " 1" " " " " # " " " " "% " #
or . di.nance and it shall not pass a . way. Al . le . lu . i . a.
! !! ' " " " " " 1 " " " " "
40
# " " " " " """ #

&
!"" " " " " !" " " " " =" " " " %"& & & & & & #" " "#!" " " " " #2" " " " " "(*)" " " " $!" " " " " " " " " " " " " " " " " " " " " " "%" " " " " " " " " " " " %" " " " " " " " " " " " " #." " " " " " " " " " " %" " " " " " " " " " " " " " " " "%" " " " " " " " " " " 7
#
44
! !! # " "
!C#
" " " "" " 1" " " " "
Praise the )ord from the earth1 praise him1 you sea . mon . sters and
" ' "& " " "

44
! !! " # "
" " "" " 1" " " " "
&#& & & & & & & & & & 72" " " " " " " "!" " #" " -." " " " %" " " " " " %/0" " " " " " " " " " " " " " %1" " " !2" " " " " " " " ",*
&
48
! !! "" " # " )" " " "% " #

48 all deeps Al . le . lu . i . a.
! ! ! " " "$" " # " )" " " " " " " #
&
" " " " " " " %" " " " " " " " " " " " $!" " " " " " " " " " " " " " " " "62" " "()*" " -." " " " " " " " "%" " " " " " " " " " " %" " " " " " " " " " " " " " %" " " " " " " " " " " " " " " " " %'" " " " ,*
!G#>"" " "*& &%"& & & & & & & #" ?" " " " #." " " " " " " " %" " " " " " " " " " " %" " " !C#
&
! !! " " " " D " " D " " "
50
"% "# " " " " #

Aire and hail1 snow and ice1 and storm . wind1 things that do his word.
! ! ! " "&" " " D " " D " " "

50
" "& " " # " " " " #
!#"" " -." " " " " " " " %" " " " " " " " %/0" " " " " " " " " " " " " %1" " " !2" " " " " " " " ",*
" " " % "& #
55
! !! " "
55 Al . le . lu . i . a.
! ! ! " " " " " "& " " #
Translation © Archdiocese of Thyateira and Great Britain. B

Used by permission.
   H              
       e         es  ‑   tab ‑ lish’d them for      ev   ‑    er   and  ev ‑ er, he  made  an  
                    

    ord ‑ in‑ance, and it shall not___ pass a‑way.          Al   ‑  le    ‑    lu ‑     ‑  i    ‑     a. 
    P               

      raise    the    Lord__   from   the    earth,      praise him, you sea‑mon‑sters and  
  

    all  deeps.      Al   ‑   le   ‑   lu  ‑    ‑  i    ‑    a.  
     F                  

       ire and hail___, snow and ice, and storm‑wind,    things that do his word. 
 
    Al  ‑    le    ‑   lu    ‑    i     ‑    a.  
!C#A." "$& & & & & %" " " " " " " " " " " " %" " " " " " " " " " " " " " " " " " " "&$" " " " " " " " " 72" " ()*" "#." " " " "%" " " " " " " " " " %" " " 6#& & & & & & & & & & & & &." " " " " " " " " " " " " " " "#" " " " " " " " " " " " " " " "%'" " " " " " ,*" " "!#
! !! ' " " " " '" # " " " " "" " " " "
57
# " "
Countains and all hills1 fruit.ing trees and all ce . dars= Al . le .
! !! ' " " " " " '" # " " " " " " " "& " " "
57
$
" "
"
" #
-." " " " " " %" " " " " " " " %/0" " " " " " " " " " " " " % !2" " " " " " " " ",*
1" " "
! ! ! " " " % "& #
62
62 lu . i . a.
! ! ! " " " "& " " #
@"" " " " " %" " " " " "#!& & & & $" " " " " " " " " " "7" " " " " " " " " " #!& & & & & & & & !#& & & ?" " " " " !2" " " ()*" " !." " " " " " %" " " " " " " " " " " " " " %" " " " " " " " "6" " " " " " " " " " " " " " " " " " " &#
63
! ! " " 1" " " 1" "" " # " " " " " "" "
!C#
!
63 Beasts of the wild and all cat . tle1 creep . ing things and wing@d
! ! ! " "& " 1 " " " 1" "

&
"" " # " " " " " "" "
72,*" " " " " " !#"" " -." " " %" " " " " "%/0" " " " " " " " " " " "%1" " " !2" " " " " ",*
&
68
! !! # " )" " " "% " #

68 birds= Al . le . lu . i . a.
! !! # " " " " " " "" #

&
!C#A." " $& & &%" " " " " " " " " " %" " " " " " " " " " " #." " " " " " %" " " " " " " " " " %" " " " " " " " " " " " $" " " " " " %" %1!245" -." " " %" " " " " " " %" " " " " " " " " "%'& & & & & & & & &-." " " " "%" " " " " " " %" " " " " " " " " "%
! !! ' " " " " " "
70
" ""# " " " 1" " " " "
Kings of the earth and all peop . ples1 rul . ers and all jud.ges of the
! !! " " " " " "

70
" "$" " " # " " " 1 " " " " "
!2" " ,*" " " " !" " #" " "-." " "%" " " " " " " " %/0" " " " " " " " " " " " " %1" " " !2" " " " " ,*
&
75
! !! # " " " " "% " #

75 earth= Al . le . lu . i . a.
! !! # " " " " " """ #

&
Translation © Archdiocese of Thyateira and Great Britain. G

Used by permission.
   M           

  oun‑tains and all   hills,       fruit‑ing trees  and    all    ce ‑ dars.      Al   ‑   le ‑ 

     lu      ‑    i    ‑    a.  
    B               

   easts  of   the    wild and    all      cat   ‑     ‑  tle,        creep‑ing things and wing’d 
  
 birds.      Al   ‑   le    ‑   lu      ‑   i     ‑   a.  
    K                   

      ings of the earth and all peo  ‑      ‑   ples,        rul ‑ ers and all   judg‑es of the 

  earth.        Al  ‑   le    ‑   lu     ‑    i    ‑    a.  
!G#8*& & & & & !" " " #" " " " " " " " " " " " " " " " " " &." " " " " " " " " " " " " " " " " %" " " " " " " " " " " "%" " " " " " " " " " " " #." " " " " " " " " %" " " " " " " " " " " "%" " " " " " " " " #" " " " " " " " " $" " " " " " " " " %" " %1!2" "(*)" " !C#
B
" D" " " " D" " D" " " " D" " #
77
! !! " "
" " " " D"
Houng men and maid . ens1 old men and youths to . ge . ther1 let
" D" " D" " " " " D" " #
77
! !! "
$ $
" "
"
!"" " " " " " " " #<"" #" " " $!" " " " " " " " " " " " " " " "6
& " "#" " " " " " " " " " " " " " &." " " " " " " " " %" " " " " " " " " " %" " " " " " " " " " " "%" " " " " " " " " " %" " " " " " " " -." " " " " " %" " " " " " " " " " " " "%" " " " " " " " "%" " " " " " " " " " " "&#
" " " " " "
82
! !! " " " "% " " " " " " " "" "
them praise the name of the )ord1 for his name a . lone has been ex . alt .
" " " " " "

82
! ! ! " " " " "&" " " " " " " " "" "
72,*" " " " " !#"" " -." " "%" " " " " " "%/0" " " " " " " " " " " " " " %1" " " !2" " " " " " " ,*
&
87
! !! # " " " " "% " #

87 ed. Al . le . lu . i . a.
! !! # " " " " " "" " #

&
!"" " " " " " " >" " " " " " "%" " " " "#" " "#" " " " " " $$& & & & & & 7" " " " " " " " " " " " +$& & &%" " " " " " %" " " " " !" " " " " " " " " " " " +$& & & %" " " " " "%" " " " " " " " " " %" " " " " " " " " " %" " " " " " " " " "%"
! !! " " " " " ' " " " ' " " " " " ' " " " " " " "
89
!C#
" "& " " " ' " "

His praise is a . bove earth and hea . ven1 and he will ex . alt the
"'" " " " ' " " " " " " "
89
! !! "
&"" " " " " " " " " " " " %" " " " 6" " " " " " " " " " " " " " " " "&#& & & & & & 72,*" !#"" " -." " " %" " " " " " " " %/0" " " " " " " " " " " " " %1" " " !2" " " " " " " " ",*
&
93
! !! " " " " " "" " # " )" " " "% " #
93 horn of his peo . ple. Al . le . lu . i . a.
! ! ! " " " " " " " " "$" " # " )" " " " " " " #
&
!"" " " " " " ">" " " " " " "%" " " " " #" "#" " " " " " " " "#.$& & & & %" " " " " " " " "%'" " " " ()*" " " " "C" " " " "%" " " " " " " " " "&." " " " " " " " " " " " %" " " " " " " " %" " " " " " " " " #." " " " " " " %" " " " " " " " " " " " % *
" " " " '" " # " " " " " " " " "
96
! !! "
!C#
*
'" " #
A hymn for all his ho . ly ones1 for the chil . dren of Is . ra . el1
" " " " " " " " " " " " "
96
! !!
&
'"
"
Translation © Archdiocese of Thyateira and Great Britain. K
Used by permission.
   Y            

    oung   men   and  maid‑ens, old men and youths to  ‑ geth  ‑     ‑   er,          let 
                 
  them  praise   the  name    of      the    Lord, for his name a ‑lone has been ex  ‑ al ‑ 
   
   ted.        Al   ‑   le   ‑    lu     ‑    i   ‑     a.  
   H          

     is    praise is    a ‑   bove  earth and  heav  ‑  en, and    he____ will ex‑alt the  
  

   horn of     his    peo ‑ ple.        Al   ‑   le   ‑   lu    ‑     i     ‑   a.  
      A                 

          hymn for  all      his      ho ‑ ly ones,      for   the chil‑dren of    Is  ‑  ra‑ el, 
" !" " " " -." " " " " " " %" " " " " "6#& & & & & & & & & & & & &&." " " " " " " " " " " " " " " #" " " " " " " " " " " " " " " %'" " " " " ,*" !#"" " " -." " %" " " " %/0" " " " " " " " " " " "%1" " " !2" " " ,*
&
101
! !! " " " " "" " " " " # " " " " "% " #
101 a peo . ple that draws near him. L Al . le . lu . i . a.
! !! " " " " " " " "& " " " # " " " " " "" " #
&
="" " " " " " %"& & & & & ##"" " " " " " " " " " " " " &." " " " " " " " " " " " " " " " "%" " " " " " " " " "%" " " " " " " " " " " " " " " %" " " " " " #" " " " " #" " " !" " " " " " " " " " D#& & & & &#" " " " " C" " "6
" " " "
106
! !! " " " " " " " " " " " " ") " "
Mlo . ry to the Aa . ther1 and to the Non1 and to the Ho . ly
" "$" " " "

106
! ! ! " "&" " " " " " " " "" " "
&
") " "
&#& & & & & &72,*" "!#"" " -." " %" " " " "%/0" " " " " " " " " " %1" " " !2" " " " " ,*
&
110
! !! "" " # " )" " " "% " #

110 Npi . rit. Al . le . lu . i . a.
! ! ! " " "$" " # " )" " " " " " " #
&
!"" " " " #<EF" " " " " " %" " " " " "#" " " " " " " " " " " " "+$& & &%" " " " " " " " %" " " " " " " !" " "!" " " !" " " " " " "!." " " " " %" " " " " " " " %" " " " " " " " " "%" " " " " " " " " " " " " " " " "&.
"'" " " " " "
112
! !! " """ " " " " " "" " "
" '" " " " " "

112 Both now and for ev . er1 and to the ag . es of ag .
! !! " """ " " "

$
" " " "" " ""
&
%"" " " " " " %" " " " " " " " " %'" " " " " " ,*" " !#"" " -." " "%" " " " " " %/0" " " " " " " " " " " %1" "!2" " " " " " " " " " " ,*
&
117
! !! " " # " " " " "% " #

117 es. A . men. L Al . le . lu . i . a.
! !! " " # " " " " " """#

&
* With Final Ending

!#"" " " "#." " " " %" " " " " " " %" " " " "G" " "$" %'" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " 9" " " " " " " " " " " " " " " " " " " " " " " " %" & & & & & & & & & EH!
120
! !! " " " " " " # %

!C# !G# !C#
" # "" )" +%
! ! ! " " " " " " " % "&" "

120 Al . le . lu . i . a.
# "" )" +%
NOTE: The Communion Prologue may also be repeated
to end the Psalm, rather than the final Alleluia.
Translation © Archdiocese of Thyateira and Great Britain. O
Used by permission.
   
*
     a        peo‑ple   that draws near him.     Al   ‑   le   ‑   lu     ‑    i    ‑     a.  
   G    

      lo  ‑ ry    to     the     Fa‑ther and to  the     Son   and     to    the     Ho   ‑   ly  
 
    Spi ‑  rit.         Al   ‑  le   ‑    lu     ‑    i     ‑   a.  
     B  

    oth    now______ and for     ev    ‑    er, and    to      the     ag     ‑  es  of   ag ‑ 
*
    
  es. A‑men.       Al   ‑   le   ‑    lu     ‑    i     ‑    a.  
* With Final Ending 
    A    

 
      l    ‑   le   ‑   lu     ‑     i       ‑         a__________. 
NOTE: The Communion Prologue may also be repeated 
 to end the Psalm, rather than the final Alleluia. 
COMMUNION!VERSE
Psalm!148:1(a)
Adapted!from!Ioannis!Koukouzelis
Intonation: Plagal!First!Mode
!"#$% % &% % % &!% % % % % % % % '% % % % % % % ()% % % % %&*% % % % % % % % % % % % % % % % % % % % % % +!"" ",% % % % % % % % % % % % %!" " " " " " " " " " " " " " " " " " " &-% % !.% % % % % % % ()/% % % #" " " " " " " " " " " " +0
(D))% % 1% % % % % % % % % % % &2
'
" " " " #" " " " $ '
1
! !! " $ " " "& "" " "& "

! " #$ " " " " " % " " " &% " " " #$'
" " " " & " " " " " " " " " " " " D" " " " " "'" "
1
! !! " " " " #" " "

!
" %
" " % "
A - ne - - - - - a - - - na - - - nes
(%% % % % % % "% % % % % % % % %34

7
! !! " "
7 !
! !! " "
!
(D)#$&% % %&!% % % % % % % '% % % % ()% % % % &*% % % % % % % % % % % % % % % % % % % % % +!

" ",% % % % % % % % % % % % %!" " " " " " " " " " " " " " " &-% % !.#% % % % % %(')/% % % #" " " " " " " " " " " " !$5%6 %7$&% % %&% % % % % % % &
! !! " " # " " " " $
8
"" " ( " " " " " $ " " "&
Praise the &
)
Lord from
! ! " " # " " " " " " " " " " " " " " " " " " #" " " " ! " " " " ( " " " "
8
! " ' %
(ne)
(.% % % % % %"-% % % % % 8% % % % % % % % 9$% % % % %(.:;<% %(D-G) % % % % &*% % % % % % % % % % 0%" " " " " " " " " "'" " " ?%@ % % % % % % % % (D-G)
%!% % % =>.&% % % % % % %(D) % % % % % (% % =$'% % % % % %&% % % % % % % % &*% % % % % % % % % % % &% % % % % % % % %'% % ('
! ! ! " & 1 "'" " * " $ " " +$ $ "& " $ " " +" " $ " " " +"
14
)
' % '
! ! ! " " "%" 1" " " " *" $ " " + " " " " $ " + " " " $ " " " + " " " " " & " " " "
14
!
!
% '
/&% % % % &*% % % % % % % % % % A% % % 9.% BC% % D%" " " " " " " " " " " " " " " " " " "'" " " " "?!%@ % % % % % % % % % % % % % % % % % % "'-!.% % %('E!%$ % %&% % % % % % % % % % % %&*% % % % % % % % % % % % % % % % &*% % % % % %5%6 % % F% % % % % % &()/
!'% % %&()(D)
! ! ! +" " " $ " " $
21
"& " #"& " "& " " " $ $ " ""
! the
)
! ! ! + " " " $ "" " " $ " " " "#" " " " " " " " " " " " $
21
"
% "
%
"
% "
%
"
% " """ "
!
COMMUNION VERSE
Psalm 148:1(a)
Adapted from Ioannis Koukouzelis
!"#! !
Intonation:
" '( %)"*!+ %," !

A ! "" #$ % %" & a ]e e e e- . '(/ "#"*01($ %,
e e a a [a a a ]e e
A - ne - - - - a - - na - - - nes___
' ""#
e ej
23#
_______
" '(%)"*!+ %,"!

P "#$$%%& - .'(/"4"!#5" 67$%%%"#
raise__________________ the_____[____________ Lord from_______
(ne)
"
$ '. "8 % 9 :$$ '.;<=!> !" " .?% %)%"0@ AB1 "'>$
!" & %"%) %&
" '&
_______________________________________________________________________
!& %'% ($/ %)%C%:

____________________
.D$ EF@AB1 ""8"!.'G!$%"%)%)5" 6H%'(/
the________________________________________________

Used by permission.
&%% % % % % % &% % % % % % % % % %&% % % % % % % % % % % 8% % % % (% % % % % % +!"" " BC% % % % % %(.% % % % % % % % % % % ( % % % % % "-% % +D)1% % % % % % % % % % %&2% % % % % 8&% % % % % % % % % % % % !%$ % &
' )/% %A% % % % % % % % % % 9.% % % % % % (D-G)
,% % % ' '
" " " "& " "& " " +" +" "
27
! !! " " " # " " " " $ & "&

) &
! ! ! " " " # " " " "' " " "% $ & " " "%" " " " " "% " " " +" " " " " + " "
27 . hea - - - - - - - - -
(nea)
% % % % % %+!"" " " " " " " " " " " " +#"" " " " " " " " " " "D% % % % % % % % % %&% % % % % % % % % % (G%%!H% % % % % % % % % % % %&%* % % % % % % % % % % % % % % % % % % % % % % &% % % % % (!/H
&%% % % % % % % % &% % % % % % % +D)1% % % % % % % % % % % % % % &2% % % (% % %"% % % % % % % (D)
'
" " " " " " " " " " "
33
! !! " " " & $ " ""

) from the hea - - - '- - -
! ! ! " " " " " " " " + " " " " "'" " "' " " " + " " " " "%" & " " " " "
33 (ea) - - - - -
6<% % % % (.>G% % % % % % % % % % &(%* % % % % % % % % % % % % % % % % % (D-A)

% %!.% % % % % ()/% %9.% % % % % % % % % %(.% % % % % % %()/A#% % %9.
Solo
% % % &*% % % % % % % % % % % % % % % % % %+#"" " " " " " " " " (.% % % % % % % 7"!.I(D-G)
" " $ $ $ " & ", $ # " & ," " " $
38
! !! $ " " $
" "" " " D$ ! " " " "" " " $ "# " "%" " " " $
vens. &% A - - - - - & - - -
! ! ! " " "%" " " "'" "' $ " "" " $
38
""
#% %
! (na) (na)
7J
" & % % % % % % % % % % % % #
% % "
( ) / " " " " " " " " &*(% % % % % % % % % % % % % % % % % % % % % %A#% & % % % % % % % %+9)1% % % % % % % % % % % % % % % % % % % % % &'2)% % % % % %(% % % % %")% % % % +(&2)(
" #"" " " " " " " " " " " " " " " "(D-G) K2&(&2!.I6<
" D$ 1" +" "& " " " " " "D " # " $
*" " ""
43
! !! ,
(D-A)
" & # " ""

& -
" " " " " " "D " # " $
%
(a) - - - - - al - le - - - - - - -
D$ 1 " + " " "* "# "-%" " " "

43
! !! ,
% ""
" '
"
(ne)
!
)/#'" " " " " " " " &% % % % % % =$'% % % % &% % % % % % % % % &*% % % % % % % % % % % % % % % % &*% % % % % % BC% % % % L% % % % % % % % % % &*% % % % % % % % % % % % % % % % % % % % % % % % % % % % "% % % % % % % % % % % % %(D-A)
(()&*% % % % % % % % % % ((D) %(.% % % % % (E'!9
! ! ! " " " & ", + " " " " " " " " " & ", " "
47
$ $ $
(D-G)
" " " " " " ! " &%
! ! ! " " "" "" " " " +" " " " " " " " "" " " $ " " " " "'" "%" " +" " " " " & ," +" &" " " ,"
47 (e) - - -! - - -
' -% --%
!
" % " "
"
! (na)
(.I<6% % % %(#% %"% % % % % % (& M% % % % % % % % % &()/N%" " " " " " " " " " " " " " " " " ?% % % % % % %"!% +(&2!(.% % % % % % % % % % % % % % % %&()/% % % &*% % % % % % % % % % % % % % % % % % % % % % &*% % % % % % % % % % % % % % % % % % % % %+(D)
&%% % %&2
! !! $ #" " $ " " " & " " # " "# " $ !" " $ $
52
, " "
#" " $& " " " " " " # " " " #" $ !" " " " " " $
(a) - - - - - - - - - - - al - le -
! !! $
52
%
" "
" %
"
!
Translation!©!Archdiocese!of!Thyateira!and!Great!Britain.! 2
COMMUNION VERSE
% %" % &' '"* !

__________________ hea + D$-E '.
[ - '(/ C%
- : %
c "8-$*!"F1(-%, 9- " !$ %
. -
(nea) (khea)
%
-
%"*-F1( %-, ' ""
-
I *!$
from
* "" F % 'J- !K" %)- % '
the hea - -
!K
-
/"
"%)*"&$'.$7"%!.L$ <6'.
vens_________________ [a
(
A -?J!" %)" !.
- '(
.!# [ .'(
- / :-$' - - ' %:
/C .
- $
(na) (na)
'
"7
-
M'
-
(/""- %( )!"C ' % "*:(N%-,)'")
al - le -
$*'%
- ,)'-
O- !#
, %( % % !. - $ <6
- , [ L
(ne)
- !" -
"' '( %) '(
-
/$ "&
-
$ %>
% - $& %$-%) %)-D" E P %) "" !.
[a - - !# 'G
-
&!
-
:"
-
(na)
"'
-
.L<
- 6
''
-
""'Q
-
%
-
'(- /"R@-AB ""*- '- %,"'.
-
%-'(/-"%)%) $*%%%
al - le -,

2 Used by permission.
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Divine Liturgy in English Binotationalscores Optimized Divine Liturgy Music Cappella Romana

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Divine Liturgy in English Binotationalscores Optimized Divine Liturgy Music Cappella Romana

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The Divine Liturgy in English

Scores in Chrysanthine (Byzantine)

Reader7s Mode 9Kliton9

1 Lord+ have mer - cy.

!! " " 1" # #

3 Grant this+ O Lord.

!! " " 1" #

! ! 1" " "$" " " #

!&# # # # # # # # # # !&# # # # # # # # # (#) # !

% !"# # # # # # # # # # # #$# # # # # # # # # # # # # $# # # # # # # # # "# # # # # # # +# # # # # # # # # # # # # # # # #!&# # # # # # # # ($

" " # " " #

" "$ " " #

L " !"# # #" $%& !%"'

G " !"# # #" $%&"'

A " !"# # # #" + !% (" )'

Translation © Archdiocese of Thyateira and Great Britain. Used by permission.

Before the Gospel:(()# # #!

% % % !## # # # # !# # # # # !# # # # # # # # # # !# # !!&# # # # # #(#) # # # # # # # #!"# # # # # # # # # $# # # # # # # # # # # # # # $# # # # # # # # # # # # # %,'# # # # # # # # # # # # # # # # ()

!! " " " " " " "&

!! " " " " " " "&

After the Gospel:(()# # #"

" " # " " "" "

At the Litany of Fervent Supplication: ()# # #!

!! " " " " " " " " "

After the Megalynarion:()# # #$

!## !"# # # # # # # $# # # # # # # # # # $# # # # # # # # # %&'# # # # # # # # #()

! ! " " " 1" #

28 And each and all.

! ! " " " 1" #

!! " " " " " " " " "

" 1 " "

G "!%#!!"$!"-#./0 1" 23$ 4##%"!"%./ ##5

At the Litany of Fervent Supplication: () $

After the Megalynarion: ()! !

A !#" !" # #" $%&'

At the Elevation of the Holy Gifts:'

O $!#!%!!%($ )!!!%$74# % #8 9% 2*:$$

2 Translation © Archdiocese of Thyateira and Great Britain. Used by permission.

!! " " " " "

At the Communion of the Laity: ()# # #!

" " " "

!! " " " " " " " "

" " " " 1"

!! " " " " " "

!! " " " " " "

3 Translation © Archdiocese of Thyateira and Great Britain. Used by permission.

!"#! !" "

! !! # " ### & #" ### &

! ! ! # #%# # # # ### & # #% # # " # # ### &

# D# # & # #%# # &

## # ### & #" ## # # # "# # # # &

### & # ### # "# # # #

>## # # # # # # &'# # # # # # # # # # # # # # # # # # # &# # # # # # # # # #&?# # # # # # # # # # # # # # # # # # # # # #()

Translation © Archdiocese of Thyateira and Great Britain.

L"!"$#$ %"&'(()*" +,!-.$/01#1"%20/3"4

L",!-%4$./01$1%"%&%20/37" 89 :!"&;< #$ (''" = ()"4

L"1$;3#$ ("&'(()5" 6 >$;3 #$ (" ? ( 2#0 20" @)"4

TA$ " () ( " (B " *+4

Translation © Archdiocese of Thyateira and Great Britain.

$% %&' ()*+,)- ./ %&' 0.%& 1 ') ./ ".23 4 5*6 1 7.8)3

! !! " " " " " "

4 5*617.8)3 -*6' 8-9

Final Refrain Alternate:

A G 4  L L4 ! gg)4  aYZ L4 I& gg] 6

$% %&' ()+,)- ./ %&' 0.%& 1 ') ./ ".23 4 56 1 7.8)3

4 5617.8)3 -6' 8-9

A G 4 L L4 ! gg)4 aYZ L4 I& gg] 6

O LG431&-4 gg]D \J4g%4

AG 4 L L4 !)_ ] 4( RYUZ 4 3

1& 4 ggD] J\4g%4

"I.)+;%.;%&';:%&');<2;%.;%&';5.<;*<2 %. %&' D. 1 I+ 5(7) 1 7%

S 6 FG! g8 g"6 1& g g6 g" 8 6 aYZ4 F!gg6 ! g g8 g)6

S 6 G ! 8 g"6 1& g g6 g" 8 6 aYZ4 7& g g6 ! g g8

B g]4L6!gg8g]6!gg41 (4a4 YZ

E.) 1 %I3 L 1 L'(%

O 4GL4L1g6!g g"a8 YZL6L!gg4

$%& '()* +%,- ./%) ( 0 2%34 5 '%) 0 6(7 0 78%- 0 (94