Ombra

fedele anch'io
"Idaspe"
Riccardo Broschi
Giovanni P Candi



Largo

                        
3 3
3 3 3 3 3 3

         



    



2

                       


         

3

 
3 3 3 3 3


3 3



3

                
3 3

    
3 3 3 3 3 3

  
        








4

                      
                      
 

      
 3

 
3 3 3 3 3


3

 
3

    
2

 

5

         
                                 
 

       
3 3

      
3 3 

 
3 3 3 3 3 3
3 
3 2

                


      
 
7

   
3




   
     
Om bra fe de le anch'
3

 
3
3 3 3 3 3 3

  


       
3 3 3 3

    


               

    
         
9


Io sul mar gi ne di

  
               
3

        
3


3 3 3 3
3 3

 
       
       
      
   
  
10

 

                        
le te se gui vo' l'i dol
3 3 3 3 3
3

           
3 3

        
   

   
 3

    
 
11

   


mio che tan to,a do ro sul

      
                       
3 3
3 3 3 3 3 3


        
       
      
   
   
12




                  

mar gi ne di le te se
3

     

3 3

        
3 3 3 3 3

  

        
       
      
    
  
13

 

            

guir vo' l'i dol mi o che
3

           
3 3
3 3 3 3 3

                 
        
        

                  
14

                        

tan
3 3 3 3 3 3 3 3

                    
        
        
4

   
        
15

                

to ,

       
3 3 3 3 3 3 3 3

                 
      
   

     

       







16

                         
tan

     
3 3 3 3

           
3 3 3 3

        
   

   

  







    
17

              
to a

                       
3 3 3 3 3 3 3 3

    
  
        


 
 
18




          
do ro. 3

        
3

          
3 3


3 3 3 3 3 3 3 3 3 3 3 3

         
      



           
   
 5



20

            
           
3 3
3 3 3 3 3 3

 
       
       
      
    
  
21

     
3

         

Om bra fe de le anch' Io sul

              
3 3
3 3 3 3 3 3

        


       


  
      

22

     

          
mar gi ne di le te sul
3

                   

3
3 3 3 3 3 3

      

     
  
   
   

23

  


                
mar gi ne di le te se
3 3

                 
3 3 3 3 3 3

      


      
     
6

  
      
24

 

                  

guir vo' l'i dol mi o che

     
3 3
3

        
3 3 3 3 3

        

        
       

       
25 3

                        

tan 3 3
3 3 3 3 3 3

                 

        
       

        
26

 3 3

                        
3 3 3 3 3 3 3 3


        
       

 
             
27 3 2
2 2
3 3

  


to. Che tan

                             
3 3 3 3 3 3

  
3 3


 
 
           
           
    

7

             
   
29





                
to,a do ro che che tan to,a do ro.

   
     
  
   


   
3 3 3 3




       
 
3

    


31

                  
             
            
 3

  
3
 3

     
3 3 3
 3 3

        

 

32

                           

                            

             
 

  
3 3
3 3 3 3 3 3 3 3

                

              
34 Fine

     


                        
Che bel la pa ce,e ques ta che,a

    
3 3

    
3 3

    
 
     
       
3 3







         
    
         
8

                  
       
39

 

  
 
                
con so lar sen res ta,il mio mar to ro che,a con so lar sen res ta il

                    
   

         
             

     
          
   
           
47

  


    
                          
mio mar to ro. Il mio mar to


      
 
          
                   
 

  
57 D.C. al Fine



  
ro.


   
 

