™ STUDENT WORKBOOK TO ACCOMPANY GRADUATE REVIEW OF TONAL THEORY A. Mozart, String Quartet in D minor, K. 173, Menuetto Menuetto a & \ f t B. Haydn, String Quartet in D major, op. 76, no. 2, Andante o piu tosto allegretto fen. C. Beethoven, Violin Sonata no. 8 in G major, op. 30, no. 3, Minuet‘Chapter 5 Contrapuntal Expansions of Tonic and Dominant 75 D, Beethoven, “Freudvoll und Leidvoll,” op. 84, no.2 Ignore the circled accented tones of figuration. Freud - voll und leid - voll, ge - dan - ken- voll sein, E. Johann Jacob Bach, Flute Sonata in C minor, Allegro Complete the following tasks. 1 4 In four-voice chorale style, set the following soprano scale degree fragments and bass scale degree fragments in the keys listed. Analyze everything with first- and second-level analysis. Use only I (i), 16), V, VS, V?. ‘Soprano scale degrees: in A minor: 1-3-6; in F major: 6-1-6-4-3 Bass scale degrees: in C minor: 1-7-1-3-8; in E> major: i-3- InD minor, set the following progression in time, remembering that struc- tural chords tend to be on stronger beats and subordinate chords tend to be on weaker beats: i-vii*1-V°i-V7-i Harmonize the following soprano fragments, and include vii chords where appropriate: a, inBminor,}time: $-5-{-}-i (remember to raise ? to create the leading tone in minor) b. inF major, $time: 9-14-3545 in G major, st the following progression in § time: T-VI-IVS15-V871Chapter Contrapuntal Expansions of Tonic and Dominant » ) Assignment 5.3 V’ and vii” EXERCISE 5.6 Analytical Snapshots o> Each of the following short excerpts contains expansions of the tonic and the dominant using inversions of V? and vii”. Analyze each, using two levels. A. Schubert, “Morgengruss,” from Die schine Milllerin Gusten Mor ~ genschi-ne Mal-le-rnt wo stedst du gleich das Good Mor - ning, fair Miler - sid! whydoyou avert your head? B. Mozart, Rondo in F major, K. 494 o C. Beethoven, Violin Sonata no. 3 in ES major, op. 12, no. 3, Adagio con molta espressione| j | | j Chapter Contrpuntal Expansions of Tonic and Dominant 6 Assignment 5.4. More Seventh Chords EXERCISE 5.10 Analysis In the given excerpts, the tonic is expanded with inversions of V’ and vii”, Pro- Vide first- and second-level analyses. Some chords may be incomplete, but it is Possible to determine their identify from the context. A. Loeillet, Sonata for Oboe in A minor, op. 5, no.2 t F legiere staccato B. Mozart, Piano Sonata in F major, K. 332, Allegro 50 — ——, C. Beethoven, Rondo, Violin Sonata in D major, op. 12, no. 1. v