Professional Documents
Culture Documents
Jazz Chants: by Carolyn Graham A B
Jazz Chants: by Carolyn Graham A B
A B
1. Baby’s Sleeping 1. Banker’s Wife’s Blues
2. Big Mouth John Brown 2. Tell Me Your Name
3. Rain 3. Sand
4. Sally Speaks Spanish 4. Late Again
5. How’s His English? 5. Warning
6. It’s Got To Be Somewhere 6. Friends
7. Tall Trees 7. Easy Solutions
8. Selfish 8. Love Song
9. What’re You Gonna Do At 2 ? 9. On The Rocks
10. Meet Me In The Morning 10.The Beaches Of Mexico
11.Taking Credit 11. I’m Sorry, But ...
12. A Bad Day 12. Baby Bobby
13. More Bad Luck 13. It’s Like Winter Today
14. Personal Questions 14. My Feet Hurt ...
15. D’you Know Mary? 15. Mama Knows Best
16. Departure & Return Home 16. Fred 1-2
17.On A Diet 17. Four Fat Flies
18. ‘12 Cans Of Tuna Fish’ Rag 18. Big Bill Bell
19. Panic On Being Late 19. Wake Up, Wake Up
20. Ouch! That Hurts! 20. Well, He Eats Like A Pig
21. Would You Walk To China? 21. You’re Just Like Your Mother
22. Major Decisions
23.I Gave It Away
What Is A Jazz Chant? Jazz Chants are the rhythmic expression of Standard
American English as it occurs in situational contexts. The Jazz Chants are
designed as a language acquisition tool to develop the student’s appreciation of
the rhythm and intonation patterns of Spoken American English. Jazz Chanting
was developed at the American Language Institute of New York University
where it is an integral part of their language learning program. Teachers of
English throughout the USA, Canada, Australia, Mexico, etc. have found Jazz
Chants to be an exciting and valid teaching tool for effective language
acquisition.
How A Jazz Chant Works. The Chants are a reflection of basic human emotions
which occur in specific situations. The student learns to express feelings through
stress and intonation, while building a vocabulary appropriate to the familiar
rituals of daily life. The natural rhythms and humor of the chants are highly
motivating and may be used effectively for both classroom practice and
individual home study. A student practising a specific rhythm and intonation
pattern within the chant form will be able to use the same pattern in normal
conversation and be readily understood by a native speaker.
2
BABY’S SLEEPING
I said, Sh! Sh! Baby’s sleeping! (2) – What did you say? (2)
I said, Hush! Hush! Baby’s sleeping! (2) – What did you say? (2)
I said, Please be quiet, baby’s sleeping! (2) – What did you say? (2)
I said, Shut up! Shut up! Baby’s sleeping! (2)
WAAA!
Not anymore.
Sally speaks Spanish, but not very well His English is wonderful
When she tries to speak Spanish He speaks very well
You really can’t tell His accent is perfect
What language she is speaking You really can’t tell
Or trying to speak. That he isn’t the native of the USA
The first time I heard her There is only one problem –
I thought it was Greek. He has nothing to say.
TALL TREES
Chorus Solo
Tall trees, tall trees, big tall trees. } 2
Tall trees, tall trees, big tall trees. - The coast of California is a beautiful
sight,
Tall trees, tall trees, big tall trees. - with the tall trees, tall trees, big tall trees.
Tall trees, tall trees, big tall trees. - The coast of California is a beautiful
sight,
Tall trees, tall trees, big tall trees. - with the tall trees, tall trees, big tall trees.
Big trees, tall trees } 3
Big, tall trees.
Focus on: This chant is particularly effective if one begins with quite a slow
beat
4
and, starting very softly and gently, builds the sound until it evokes
the
giant redwood trees of California.
SELFISH
Hey, what are you doing? - What are you doing with that?
That’s mine!
Hey, what are you doing? - What are you doing with that?
That’s his!
Hey, what are you doing? - What are you doing with that?
That’s hers!
Are you sure it’s not his? - No, no, it’s mine.
Focus on: This chant offers practice in the possessive pronouns mine, his,
yours;
negative statements and questions with not; the use of certainly and
of course for emphasis.
oversleep —v. (past and past part. -slept) sleep beyond the
intended time of waking.
miss —v. fail to catch (a bus, train, etc.) or see (an event)
or meet (a person).
slip —v. (-pp-) 1 slide unintentionally or momentarily;
lose one's footing or balance.
sidewalk —n. US pavement.
pour —v. flow or cause to flow esp. downwards in a stream or
shower. 2 rain heavily.
sprain —v. wrench (an ankle, wrist, etc.), causing pain or
swelling.
ankle —n. 1 joint connecting the foot with the leg.
2 this part of the leg.
skin —n. 1 flexible covering of a body. —v. (-nn-) 1 remove
the skin from. 2 graze (part of the body).
to get stuck - застревать
elevator —n. US lift.
fight —n. 1 battle. 2 conflict, struggle, or effort.
PERSONAL QUESTIONS
Departure
Return
Of course I’d walk to China if I had the time. I’d leave at a quarter to 3.
Of course I’d walk to China tomorrow night. If I were only free.
11
Well, I have to stay home and take care of my plans, take care of my darling too.
And I’d never walk out on my sweet sugar cat and go to China with you.
MAJOR DECISIONS
Sunnny side up – an egg cooked in hot fat on one side only &
not turned over in the pan. Poach – to cook eggs in a special
pan over boiling water: poached eggs on toast (яйцо-пашот).
Scrambled eggs – eggs cooked in a pan after the white and
yellow parts have been mixed together. Eggs over-easy (AmE) –
eggs cooked on a hot surface and turned over quickly before
serving. A hard-boiled egg has been boiled until it becomes
solid. A soft-boiled egg is boiled long enough for the white
part to become solid, but not the yellow part in the centre.
Omelette = omelet (AmE) – eggs mixed together and cooked in
hot fat, sometimes with other foods added: a cheese omelette.
Focus on: - [z] sound in the plural ending of shoes, clothes, eyes, toes.
13
LATE AGAIN
Are you ready? Are you ready? Are you ready to go?
- Not quite, not quite! Just a minute, don’t rush
me!
Hurry up! (4)
- I’ll be ready in a minute, in a minute, in a minute. I can’t find my keys
(2)!
Come on, let’s go! Come on, let’s go! - I can’t find my socks!
(2)
Come on, let’s go, let’s go, let’s go! - I can’t find my shoes!
(2)
WARNING
Watch out! Watch out! Watch out! Watch out! Watch out! (5)
There’s a hole in the floor!
- What?
A hole! - Where?
In the floor! - A hole in the floor?
It’s huge. A huge hole, a great big hole, a great big hole in the floor.
- I think you’re kidding. You’re teasing me. There’s no hole in the ...
Well, I’ve known Jack for 14 years, he’s a pretty good friend of mine.
- She’s known Jack for 14 years, he’s a pretty good friend of hers.
And I’ve known Bill for 13 years, he’s a pretty good friend of mine.
- She’s known Bill for 13 years, he’s a pretty good friend of hers.
I’ve known them both for quite a long time, they are pretty good friends of mine.
I’ve known Jim for a long time, he’s an old, old friend of mine.
- She’s known Jim for a long time, he’s an old, old friend of hers.
We’re old friends, old friends, he’s a dear old friend of mine.
LOVE SONG
ON THE ROCKS
Focus on: - sits, talks, watches - he just sits around - ‘сидит тут’
- He never listens to me. = He doesn’t listen to me.
THE BEACHES OF MEXICO
Focus on: - Present Perfect pattern Have you ever been, I’ve (never)
been
- the use of sure for emphasis in I’ve sure been
Bobby broke his mother’s glasses. - Bobby baby! Why did you do that?
Bobby lost his father’s keys. - Bobby baby! Why did you do that?
Bobby threw the paper in the kitchen sink. - Daddy got very, very angry.
He cut all the buttons off his father’s shirt. - Daddy got very, very angry.
Focus on: - the poem illustrates the use of to be like, to look like, to feel
like
- the command forms: close, shut, open
You shouldn’t wear it that way, you ought to wear it this way.
You shouldn’t take the train. - You ought to take the bus.
You shouldn’t wear that hat. - You ought to cut your hair.
You shouldn’t get so fat. - You ought to eat a pear.
I wish I could find those four fat flies, that flew in my window last Friday night.
Four flies flew in, four flies, not three. One landed on Fred, three landed on me.
WAKE UP!