= 100 = Les Misérances Scnoou Epitron #01 - Prologue Andante, molto marcato (J = 80-84) 9 Moderato (/=88) 3, ‘THE CHAIN GANG: ror Ss Qe DP pseten Sie SPT huh, Uhshuh, Uh = huh Uh-huh, Uh-huh, Uh ha—— Look down, look down. Don't look ‘em in the eye. Look down, look down. You're 21 CONVICT: The sun §S strong. Its hot as hell be-lov. (CHAIN GANG) here un-til you die Look convict: Tve done fo wrong, Sweet down, look down, ‘There's twen-ty years to. goLes Misteances Scnoot Epition 101 Libretto 201. “Prologue” CONVICT 3: Je-sus, hear my prayer. 1 (CHAIN GANG) Look down, look down. Sweet Je-sus does-n't cave sp,_, (CONVICTS) Know shellwait, 1 know that shell be true. Look down, look down. They've , ‘convict, When I get free, you won't see me here for dust all for-got-ten you. Look 3 CONVICT 5: How long, down, look down. Don't look ‘em inthe eye, fore you let me die? Look down, 100k down. You'll al-ways be a. slave. Look- 102 = Les Misérapies ScwooL virion Libretto 3 #01, “Profegue” 42, (CHAIN GANG) down, look down. You're stand-ing in your grave——~ 44, JAVERT a Now bring me pri-son-er 2-4-6 - 0-1. Your time is up and your pa-role's be-gun. VALJEAN: YS means Tm ee, gavern) You know what that means? No! T Ht means you get your yel-low tick - et of leave. 7 I stole a loaf Of bread, You are a thief You robbed a house, My sister's child was close to. death.Les Miseranues Scoot Epition = 103 = Libretto + #01. “Prologue” 53, ,_ (VALJEAN) ‘were starving. You will starve a gain un - | know the mean-ing of those nine-teen years. years for what you did, the rest be-cause you tried to run, Yes, 2-4-= 104 = Les Miseranies Scnoot Epition Libretto #01. “Prologue” oa, GAVERD . = SSF ¥ Ja = vert Do not for-get_ my name. Do not for Look down, ook down, You'll © Poco rit. sl-ways be 9 slave.Lock down, look down, Youre stand-ing in your save Pochiss. meno mosso 4-86 2% VAUEAN; 3) o3m 3: Freedom is mine, the earth is stil, 1 feel the wind, m4 a T breathe a-gain and the sky clears, the world is > poco rall. A Tempo wc OF fm de Rl a ne : > Ses $ =~ & SSS St ee ee 2 Nor forgive them for what they've done,Les Misénanies Scnoot Eptrion = 105 = Libretto oo #01. “Prologue” poco rall. A Tempo They are the guilt-y,-Ev-ry ‘The day be-gins and now lets all. % © see what this new world will do foe me Allegretto 4=98 Recitative (Not too slow- like speech) 5 FARMER vem u You'll have tO go, TM pay you of Tor the day. 9 2 v Col-lect your bis and pieces there and be on your way. 9% VALJEAN: A 3 & — ote ee er er f ¥ You have giv - en me half what the oth - er men get. %, 3 3 ¥ This hand - ful of tin. would - nt buy my sweat. os, LABOURER: You broke the Taw, Ws there for peo ple to se, Why should you get the same as hon - est men like ‘me? Allegro J -88 2 v Too= 106 = Les Miseranies Scnoor Epition Libretto 201, “Prologue” toy, VALIEAN: ‘And now 1 know how free-dom feels, the jail - er al-ways at your 10 oo 2 SS 4 crea igs wee epee heels, is the law! This piece of paper in my hand that makes me cursed through - out the land, It is the Poco meno mosso law! Lisa cur 1 walk the i'd aS ¥ ss ve stcet The dit be = nomth the Andante con rubato BISHOP, u A ot a Se Come in, siz, for you are wear-y, itr and the night is cold out there. ‘Though our lives are ver - y 121 Ri Allegro J=129 hhum-ble, what we have, wehave to share 2p VALJEAN: fe let me eat my fil, 1 had the li-on's share. Silver in my hand costLes Misteantes Scnoot Epition = 107 = = #01. “Prologue” Libretto poco rall, ih all those nine-teen years, that ife-time of de-spair B A tempo ¥ And yet he trust, == ed 1 played the grate-ful serf and Fhe old fool trusted me, he'd done his bit of good. poco rall. _ ral ey SS == — S| # JS et thanked him, like T should, But when the house was still I got up in the night, mo Allegro Molto J138144 Woah alcver unk ny ght Poco meno mosso (pesante) .=118-120 4 ‘CONSTABLE 4 Revrersence your sto - ry, ‘CONSTABLE 2: ‘Tell his vi Let us You were lodgving Thee Tast night scot hes im- pressed. You were the= 108 - Les Misenantes Scnoot Eorriow Libretto 1, #01. “Prologue” (CONSTABLE?) hhon - est Bish-op’s guest. And then, out of Christian good-ness, when he 133) (CONSTABLE D) rit, ‘You main-tainhe made a pre-sent of this. sil-ver. BISHOP: v7 learned about your plight, Moderato J-82-86 (@IsHOP) ‘That is right. But my ‘The BISHOP gives VALJEAN — friend, you left so. car~Iy, surely some-thing sipped your mind, You for - all. two silver candlesticks A tempo ot_I gave these also, Would you leave the best be-hind? So Mes- ‘ —— co fiteor oe ieee — sieus you may re lease him, For this man has 9p n true, 1 com= ATem| alle The CONIABLES lave mend you Tor Four duty, And God's bless-ing go with you A tempo (poco accel.) colla voce ‘all. colla voce Atempo sayy, But re-mem-ber this, my_broth-er.Les Mistranies Scnoor Epirion = 109 = Libretto =10- #01. “Profegue” 1m, Colla voce Poco accel. Poco rall. Poco accel. ¥ ‘You must use this pre-cious sil-ver to be-come an hon -est_ man, Piit mosso (non colla voce) i, 7 Poco accel. L By the wit-ness of the martyrs, by the Pas-sion and the pochiss. rall. =] Ss God has raised you out of darkness, have Lento rall. VALIEAN is ef alone bought your soul for God, accel. rit. accel. rit. Allegretto y er) Poco meno mosso (4 = 98) 1s, VALJEAN: What have I done, sweet Je - sus, what have I done? Be-come a Vo thie in the night, a dog on the run And have I fallen so far and isthe hour so late That nothing re - mains but the cry of my hate, The= 110 - Lrs Mrsexanies Scnoor Epition Libretto = 401. “Prologue” hears Non pid: mosso Herewhere 1 sand at the tum-ing of the year? — re i = —- r v i there's wy og », Cite pp ee ® _————— —— Tmised i went ing yeas 8 go rf My life was a war that could nev - er be won. ‘They gave me a num-ber and mur - dered Val - jean When they 3 chained me and left me for dead Just for steal = ing a mouth - fal of Pochiss. rit. Allegro J=122 2 2 bread.Les Misexanies Scuoot Evirion ane Litrtio a 201, “Progue” Poco pitt mosso oy _(WALJEAN) ¥ One word from him and Td be ack ‘> eS — SS SSS ¥be-neath the lash, upon the rack, Instead he of- fers: me my 21 3 Y eaerdom, 1 feel. my shame in side me like a. kee 25 He told me that I have a soul, How does he know? a all. a rs ere oa Lento - recitative (not too slow) pve roo Se =] pai fie ee ate fie as oa Vo gor Tam reach-ing but 1 fall and the night is clos-ing in And ¥stare in - to the void, to the whitl-poot of my sin TH es accel. cape now from the world, from the world of Jean Val jean. JeanVal- molto rall. bp —P—p- Qt pte ———— $4 jean is noth - ing now, a-nother sto = ry must be - Pit mosso (in tempo) _ He sears up his yellow Ticker of Lowe x - pea ¥ Segue in.aaa Les Miseranies Scuoot EDITION #02 - At the End of the Day Moderato, maestoso .=80-84 1823, Montruelsur-Men Outside the factory owned by the Mayor -Monsiur Madelaine JEAN VALJEAN in aisgus) Molto allegro J. = 132 6 Rall. 2 4 2 42 6 v4 vs 4 8 a 12. c 6 12 ‘3 —_ '8 Ss ta (CHORUS (The Poor! — fo pe =| — At the end of the day youre a-noth-er day old - et And that’s aT you ean say for the life of the poor: Wsa strug-gle, isa war, And there's no-thing that an=y-One's giv - ing, One more day stand-ing a-bout, What is it for? One day less tobe ™ ea ==: = = living ‘At the end of the day youre a-noth-er dayLes Miserantes Scnoo. Epition - 13 - £02, “AL the End of the Day” Libretto 2, colder. ‘And the shir on your back does7n't Keep out the 3 chil ‘And the right - cous hur=ry past, They don't 33 hear the lit~e ones cry - ing, And the win-ter is coming on fast. Read-y to kill. One day near-er 1 At the end of the day thers another day dawn-ing, 49, ‘And the sunin the moming is wai to rise Like the (CHORUS #) 2, waves’ crash on thesand, like storm that-ll break any sec - ond. o ‘waves’ crash on the sand, Like a storm that-'ll break an-y sec - ond. There's a 8 e hhun-ger in the land, There's a reck-on-ing still to be reckoned, And there's- 416 - Les Misenanies Scuoot Evirion Libretto 3 £02. "At the End of the Day” gon-na be hell Abthe end of the Ab the end of the gon-na be hell to pay. The FOREMAN and WORKERS, including FANTINE have emerged from the factory 6 FOREMAN: At the end of the day you get no-thing for no-thing, day! 5 WORKER 1 Sit-ting fat on your butt does-n't buy an-y bread, ‘There are Pi WORKERS 1 & 2 WORKER 2: child -ren— back at home, And the child-ren have got to be fed, And you're And in a bed,Les Miserantes Scuoot Epirion 115 = Libretto + 402, “At the End ofthe Day” ss, WORKERS 1 & 2: * And we're counting our Dless-ings. (woMANy And we're counting our Dless-ings. Have you seen how the fore-man is fum-ing to - day? With his ter ri ble breath and his wan-der - ing hands? Girt2: Ws be - cause lit - tle Fan - tine. won't give him his Take a look at his trous-ers, you see where he stands, corr way! And the 6p, (GIRL ir.2: boss, he never knows that the fore-man is al-waysin heat. If Fan- tine does=n¥ Took out, watch how she goes: Shell be out onthe street= 116 = Les Miseranies Scnoot Epition Libretto £02. “At the End of the Day” a4, CHORUS (The Workers): At the end of the day its a-noth-er day 0 - ver, With e-nough in your pocket to last for a week. Pay the 7p, (CHORUS dn land -lord, pay the shop, Keep on graft-ing as long as youre a - ble land lord, pay the shop, Keep on graft-ing as long as you're a - ble. Keep on cgraft-ing sgraft-ing tll you drop, Or it's back to the crumbs off the ta - ble, Well, you've Pal is — 8 got to pay your way At the end of At the end of the day.Les Mistrances Scnoor Epition 17 = Libretto 6 #02. “At the End of the Diy” ”, GIRLS: _ (grabbing « lester from FANTINE) And what have we here, little in no-cent —sis-ter? Come on, Fan-tine, let's have all the news, 9H (reading the leer) Dear Fan - tine, you must send us more ‘money, your child needs a doe=tor there's no time to lose” FANTINE: Give that Tet ter to me, it is none of your bus-ness. With a fhus-band at home and a bit on the side, Is there an = y ~ one here who can swear be - fore They fight over the lester. God she has no-thing to fear, she has no-thing to hide? Allegro ¢=130-132 VALIEAN rushes on 1o break up the squabble. LS 3 a aa a a 4 vee os What is this fight-ing all a-bout, Will some-one tear these two a 1= 118 = Les Miserantes ScHooL Epition Libretto #02. "At the End ofthe Day” 10 part? This isa ir = cus, 103 —— be er ee ep pe pee e 7 Now, come on, ladies, settle down T run a bus-ness of re mee ny (To the FOREMAN) pute, I am the May-or of this town. T look to you to sort this He goes back ino the factory fout, And be as pa-tient as you can, FOREMAN: Now, some-one say how this be-gan. a Girts: At the end of the day shes The one who be ~ gan it There's a Kid that she's hidving in some lit-tle town. ‘There's a man she has to pay, You can guess how she picks up the ex - tra, You can Bento oa == 6: ae 6 Sites bet she's canting her keep sleeping a-round. ‘And the boss would-n't 42 soLrs Mistranies Scnoot Epition - 119 - Libretto “8 £02. "At the End of the Day” Poco meno mosso 13 FANTINE: like it Yes, it’s true there's a child and the child is my daugh-ter. And her father a~band-oned us, leav-ing us flat. Now she lives with an inn - keep - er man and his EA a —— ey Oa eta ot. ee wife and T pay for the Ghd, Whats the mat-ter with that? A tempo 13 WOMEN: At the end of the day shell be no-thing but trou - ble, And there's trouble for all when there's trou-ble for one. While we're cearn-ing our dai - ly bread, She's the one with her hands in the but- ter, 3 = feam-ing our dai-ly bread, She's the one with her hands in the but- ter, You must send the slut a-way Or we're all gon-na end in the gut ~ ter send the slut - way Or we're al gonvna end in the gut - ter Its= 120 - Les Misexanies Scwoot Epiti0N Libretto £02. “At the End of the Day” us wholll have to At the end of the us wholll have to pay At the end of the ) FOREMAN: I might have known the bitch could bite, I might have known the cat had day. (FOREMAN) “Wy claws. I might have guessed your little se-cret Ah yes, the vir-tu-ous Fan- tine, Who keeps her-self so pure and clean, You'd be the SS at Of an-y trou-ble here-a-bout, You play a vir-gin in the cot cause, Dhad no doubt, (FOREMAN) a0 light But need no urg-in’ in the night! GIRLS: She's been laughing at you while she's hav-ing herLrs Miseranurs Scnoot Epition = 121 - Libretto =10- #02. “At the End of the Day” 1s, (GIRLS) Shell be ng 7 Thing but trouble a gain anda FOREMAN! (spoen) Right, my girl On your way! iris: 15 You must sack her to-day. (WOMEN) Sack the gil to - day 2 Rall. ree Segue as oneLes Miseranies Scnoot Epition = 125 - #04 - The Docks (Lovely Ladies) Moderato ’6-80 SAILORS, WHORES and sheir CUSTOMERS, PIMPS. re, FANTINE snders SAILOR 1 1 smell wo - men, Smell em in the air. SAILOR == == > SS =] Ss Sse Sw Think1'l drop my an-chor inthathar-bor o-ver there, Lovely ladies, Smell em through the smoke, SAILOR3: Sev-en days at sea can make you hun-gry for a poke. E-ven stok-ers need a little stoke, PROSTITUTES: Love-ly la-dies, Wait-ing for abite, Wait-ing for the cust-om-ers who on-ly come at night Love-ly la-dies, Read-y for the call, Stand-ing up or ly-ing down or an-y way at all, Bar - gain. prices up a= gsinst the wal 1p, OED WOMAN: (sopping ANTINE) What pret ~ ty ait, What pret - ty locks you've got there What luck you've got, Ws worth a een time, my dear= 126 - Les MIserantes ScuooL Epition Libretto = #04, “The Docks” FANTINE: Dontt touch me, leave mea Tone, (OLD WoMAN) S — ——— vf eee tats male pie TH gle you all of tm fone «6 om 2 — — —S aS 2 yt nko dt a . Atempo sick WHORE: God Tm wear - y sick e-nough to drop 1% =— 3 SSS = o ? Bel = ly bums like fire Will the bleed-ing ev = er stop? Pine, — c— =—— : ’ ’ ool ui : Cheer up dear. == y, show a hap py face & = ES OS SS 3 I Wren = ty mote tke you dear if you cant keep up the pace. 224 SICK WHORE: on oy jo - king dear = y knows her place.Les Misexantes Sewoon Evitiow = 127 - £04, "The Docks” Libretto Pid mosso 4-86 FANTINE reemerges er long hair now eu shor. ‘DIM: => = = Give me the dirt Who's that bit 0 - ver there? a5, WHORE: A bit of skirt, she’s the one sold her hai. ng, WHORE She's got a kid, sends her all that she can a7, PIMP: FT night fve know, there inal - ways some man rall. 2% la = dy, come a long and join us, Love-ly Ia - dy! Quasi Recitative (meno mosso) 309 WHORE: Come on, dear-ie, why all the fuss? You're no grand-er than the rest of us. > poco rall. Life has dropped you at the bot-tom of the heap. Join your sis-ters WHORE 2: Make mo-ney in your sleep. 2 WHORE: ‘That's right, dear - ie, let him have the lot= 128 - Les Miserantes ScHooL Epition Libretto + #04, “The Docks” FANTINE goes off with A tempo 35) _ WHORES: fe ofthe sal. ‘That's right dear-ie, Show him what you've got ap PROSTITUTES: Old men, young men, take ‘em as they come. Har-bor rats and al - ley cats and ev - ‘ty kind of scum. ——! =. SS 6 od # a Poor men, ich men, ofthe land, Sce them with their trousers off, they'e nev ~ er quite as grand, Al it takes iss mo ney in your hand. Moderato J-96-100 % oo SS Ss SS SE SS Se a o Love-ly la dies, Go-ing for a song, Got a ot of callers but they Poco piit mosso FANTINE: nev-er stay for long, Come on, Cap tain, You can wear your shoes. Dont it make a change to have a girl who can't refuse? Eas -¥ mo-ney,Les Miseraptes ScuooL Evitiow = 129 - #04, “The Docks” Libretto 51, ly-ing on a bed. Just as well they nev-er see the hate that’s in your head. (no rall.) rall. molto b=} } SyTTI oT Zi — eS o ij £ Don't they know they're mak-ing love to one al-read-y dead? Recitative 1, BAMATABOIS: (a well-dressed gentleman) Sip = eh Fei vié Here's some-thing new, I think Ill give it a try. Come clo-ser, you, I like to see what I buy. : —— C=: — > el 7 =} ee eens na ranea 1 don't want you, No, No. M'-sieur let me g0. 6 eaxrinp ' ie 8 ——= tt 1 Se re s Jn his ick? wont pay more, _Youvegotsome nerve you tte whore, you've got some Allegro molto (4 =132-134) FANTINE: TH Kill you, you bas-tard, try an-y of that gall 65p y 4 PANTINE) molto rall. E-ven a whore who has gone to the bad won't be had by a= 130 - Les Misenanies Scnoot Epirion Libretto 6 404, “The Docks” Allegro, maestoso 4=118-120 2 © 4 JAVERT: s Tell me Tig, GAVERD © quki-ly white the to - ry, Who saw whalpand why and where? Let him x pin oes SS rm —— ee a? Wo he a Tull ae - scription, Let him —an-swer to Ja - vert. In. this x new of whom and vi- pers, Let one speakwho saw it all. Who laid BAMATABOIS: jae AVERT) hands on This Good man here? What's the substance of this brawl? (BAMATABOIS) vert, would you be-lieve it, 1 was crossing from the park When this (AMATABOIS) pros ti tute at-tacked me, you can She willLes MISeRAwLes ScHooL Epition = 131 - Libretto #04, “The Docks” AVERT) jer ac tions when you make-a full re - port You: may 5, FANTINE: AVERT) v ret ass suRed M'- sieur, that she will an-swer tothe court Poco meno mosso 8s child who sore - ly needs me, Please, M’ - sieur, she’s but that high Ho-ly rall. God, is there no mercy IF I got jail, sho JAVERT: I have head such pro tes - ta - tions ev - "ty day tor twenty years. Let's have nd mow ex Pla na - tions, Save your SS = ae soe Jf 6 J oe if ee fo ae ¥ breath and save your tears, Hon - est work, just re- ward, That's the- 132 - Les Miserantes ScnooL Eprr10N bretio 3 #04. "The Docks” FANTINE gies ast despainge Moderato (J-90) 9% ts she is arrested by the CONSTABLES, con poco Rubato a 7 7 2 pet s = ¥ way to please the Lord. \VALJEAN: (emerging from the crowd) ‘A mo-ment of your time, Ja - vert, do be-lieve this worman’s tal. JAVERT: But M'sieur Youve done your du FANTINE: doctor, not a jal Can this be. She needs a But M'-sieur — May-or.. senza rall, all. be? VALJEAN: Where will she end, this child with - out aLes Misenanies Scnoot Epition 133 - Libretto a #04. “The Docks” Andantino 4-80-84 (Ho FANTINE) 1 friend. Tve seen your face be - fore. Show me some way to tall. A Tempo 1 help you How have you come to grief In such a ple as this? FANTINE my nf Tew dont mock ome now, 1 play poco rall. —— ee ieee area eS TE TT enough te lst ay Be ou fet yor fom mun end a 0 A Tempo rall. — 6) + SSS 3 = Yes you were there tnd ited a» le ‘A Tempo Moderato aNTING P T never did no wrong, My daugh-ter’s close to VALJEAN: P Is it true what [ve done? e dy-ing, If there's a God a-bove, Hed 4 F to an in-no-eent soul? Had I on-ly known then,134 Les Misenantrs Scnoot Evitiow Libretto 10- #04, “The Docks” poco pitt mosso nf In His name, my task has just be~ JAVERT, M’-sieur Mayor.. gun. Twist done, Tweet Allegro molto 37 rall. (shavted) Look. But M-'sieur Mayor.Les Miserantes Scuoot Epirion = 135 - #05 - Cart Crash \VALJEAN: Te there any sone here who will rescue the — man? ONLOOKER I: Don't go 14 ONLOOKER2: ‘That load is as heav-y as hel. ONLOOKER 3 v rear him — MSleur Mayor. If you 16 ONLOOKER & w Twill Kill you as welll YW iouch it the ac Tid will fal Allegro J=160 2 1s, , Lento 2-72 2 970) ma- 148 = Les Miséeauies Scoot Evition #08 - The Innkeeper’s Song (arceting anew customer) Oat — i711 if) 4 + Wel-come — M’-sieur, Sit your - self down * and meet the best inn - keep-er in town, As for the rest, All of them crooks. Rook-ing the guests and cook-ing the books * Sel-dom do you see Hon-est men like me, A ¥ gent of good in - tent who's con - tent — to be Pit mosso 7 —=_ SSS SS ae ¥ Mas-ter of the house, Dol-ing out the charm, Read-y with a hand-shake and an 24 ¥ open palm. Tells a sau-cy tale Makes a Iit= tle sti eit SS SE oa ee jae ee Cust-om-ers ap-pre-ci-ate a bon vi-veur. Glad to do a friend a fa - vor 31 : ple = Does-n't cost me to be nice But _no-thing gets you no - thing Ev -= 149 = Les Misexantes Scnoot Evitiow 408. “The Innkeeper’s Libretto Mp ye 2 a 44 4 _4_ sd | ys thing has gota lit = dle %, ee == at | ° o = Mas-ter of the house, Keep-er of the zoo. Read-y to re-lieve them of a z == eS bie ae i 2 Mak-ing up the weight, Varo Wat-er- ing. the wine Ev-'ry-bod-y loves a land- Pick-ing up their knick-nacks when they cant see straight 46 Be i: i) ae pf io ce a ———— FS oa Ev = ‘ry = bod = y's bos > om triend, 1 pg 4 POchiss. accel.) ote : == — ls inthe end! Gea ¥ oT Wont best en do what-ev - er pleas - es, Je Poco pitt mosso (THENARDIER) fer wants a pas-ser-by to FV Master of the house, Quick to catch your HORUS. fer wants a pas-ser-by to Mas-ter of the house, Quick to catch your ey Ser-vant to the poor, But-ler to the great But-ler to the great Ser-vant to the poor, pass him by.= 150 - Les Miserantes Scuoot Epition Libretto 3 £08. “The innkeeper's Song” 58, 9 Comionsex phlmeco-phr eed) Wi-Eag main Ev-iy-bediys bon comepen- Com-fort-er, phil-os-o-pher and life-long mate, Ev-‘ry-bod-y's boon com-pan- Ev-ry-bod-y's chaperone, But Jock up your va-lis - es. Je~ Sent SMa dup Terrene A Tempo Primo 65p , s{THENARDIER) rall. AS 2 Ge —- = ts i a = eee rent eet ec ye oan eet cS —— — = « = « = © = « = « Meu Lay down your ad‘ Un-thcr your boots end rest from the road a ton, — Trav-el's a curse, % a a —— = a ad oe 4 te But here we strive to lighten your purse. fi Here the goose is cooked. Here the fat is fried, And. 2 SSS SS SS =a rall. 8% nos thing's > ver - looked sill, Im sat - is - fied.Les MiséRasies Senoot Epition - 151 - Libretto + 408, "The Innkexper's Song” A Tempo 7p, fFHENARDIER) MME.THENARDIER: BOTH Food be-yond com-pare, Food be-yond be-lief. Mix it in a min-cer and pre a MME, THENARDIER: ‘THENARDIER, af —_— = (= SS ae — tend Ws beef Kid-ney of a horse, Liv-er of a cat MME. THENARDIER: Sap, y BOTH: ling up the sau-sa-ges with ¢his-and that, Res -i-dents are more than wel- <6; ‘THENARDIER: sori. = | —= =) © te ts se = come, Bri-dal suite is oe - cu- pied. — Rea-son-a-ble charg - es plus some it - tle ex - tras on the Side so, MME. THENARDIER: ‘THENARDIER: BOTH: ‘Charge ‘em for the lice. Extra for the mice. Two per-cent for look-ing in. the ‘MME. THENARDIER: ‘THENARDIER: Bie == == ee ee ee 6 3 3 2 mars Tor twice. Here a lit te slice, There a lit- tle cut BOTH: ‘THENARDIER: x —= —— —— coe ow ol pte ee eee oS YF Thee per-cent for sleep-ing with the win-dow shut. When it comes to fix-ing pric- MME, THENARDIER: 1 =. CEFR 2 —— = —a e of == on = es, There are lots= 152 = Les Miserapies Scuoo. Epirion Libretto 408. “The Innkexper’s Song” (pochiss. accel.) Mpg pr gp ee See SB How it all in-creas - es, All them bits and piec - es, Je . - - Eb z —— —— (pochiss. pitt mosso) THENARDIER: Mas-ter of the house, Quick to catch your eye. Nev-er wants a pas-ser-by to CHORUS: Mast-er of the house, Quick to catch your eye. Nev-er wants a pas-ser-by to rs =—= = Se eS SS ¥ See-vant 0 the poot, But-ler to. the great. pas Tim by. etia pd aaa) ae pass him by. Ser-vant to the poor, But-ler to the great lifecTong mate, ‘ry-bod-y's boon com-pan- Com-fort-er, phil-os-o-pher and od-y's boon com-pan- Com-fort-er, phil-os-o-pher and life-long mate, ion, Give em ev- ty thing Ive gotLes Mrstrantes Scnoot Epition = 153 - Libretto + £08. “The Innkeeper’s Song” tap, {THENARDIER) all. & Poco meno mosso 2 MADAMETHENARDIER * call T used to dream that 1 Dir -ty bunch of geez - ers, Je - sus, what a sor-ry lit-tle lot ‘would meet a_ prince. A Tempo Meno mosso ey Poco ralll. im SS ie S But, God Al-might-y, have you seen what's hap-pened since? rn & Mas-ter of the house?” Is-n't worth my Spit "Com-fort-er, phil-os~0-pher” and % < i a eH os : & life-long Cun-ning lit - tle brain, Re uy (pochiss. accel.) ular Vol-tare. ‘Thinks he's quite a lov-er but there's not much there. What a cru-el trick of nal YT tare Land - ed me with such a louse subito ‘Tempo primo : SS aS a ee ee ee eee Jas & God knows how I've last -ed liv - ing with this bas-tard in the house,= 154 - Les Miserantes Senoot Enrrion Libretto 7 408. “The lnnherper's Song” MADAME THENARDIER: ¥ Mascter and a half! Don't THENARDIER: Mas-ter of the house, Com-fort- er, phil-os - o~ pher. Horus: Mas-ter of the house. Com-fort-er, phil-os - o-pher. make me laugh. Ser-vant to the poor. But-ler to. the great. Ser-vant to the poor. But-ler to. the great Hy-po-crite and toad-y and in - e=bri-ate Ev-'ry-bod -y_ bless the land - Ey-'ry-bod-y bless the land~Les Miséxantes Senoot Epition ar 408. "The Innkeeper’s Song” Libretto (THENARDIER) slide + lord, — Ev - ty - bod - y bless ‘spouse. (CHORUS) rigg + Tord, — Ev = ty - bod - y bless his spouse.__ MME, THENARDIER: * Raise it up the mas - ter’s ass! ‘THENARDIER: Ey-'ry-bod-y raise a glass (no accel.) MME, THENARDIER: 3 ie 3 ¥pvery-bod-y raise a glass to the master of the house! THENARDIER: aw Ev-'ry-bod-y raise a glass to the mas-ter of the house! Lt cHorus: Ev-'ry-bod-y raise a glass tothe mas-ter of the house! #08a - The Innkeeper’s Tag TACETLes Mistramtes Scuoot Epiri0N - 161 ~ #10 - The Beggars Andante CHORUS (The Beggars): nis, Look down and see the beg-gars at your feet, Look spy Aes J SS J = o ~ oe 7 oe down and show some mer-ey if you ea Look down and see the sweep-ings of the stret, Look down, look down upon your fel-low man Uh- 10, _, GAVROCHE: e ‘Ow do you do, my name's Gav-roche. ‘These are my peo-ple, Here's my patch (CHORUS) buh, Uh ~ huh, Uh kek Uh- Not much to look at, no-thing posh. No-thing that you'd call up to scratch. Uh = huh, ——————* oy. uh, Uh-huh,- 162 ~ Les MISéRases ScHooL EvitioN Libretto #10. “The Beggars” ‘This is the land that fought for lib-erty, now when we fight, we fight for bread, hu Un = buh, Uh-huh, Uh-huh Une 16; i a v2 SS SS Ge = = = = Here isthe thing a-bout e-qual-i-ty: ev~'ry-one's e- qual when they're dead. SSS o hub, Uh-huh, Take your place, take your chance. Vive la France. Vive la France! Look down and. show some mer-cy if you can, Look down, look down up - on your fel-low maiz Allegro molto = 4 2 MARIUS: Where are the lead-ers of the land? Where are the swells who run this show?Les Mistrantes Scuoot Epition - 163 ~ Libretto #10. “The Beggars” 299, ENJOLRAS: On-ly one man and that's Lam-arque speaks for the peo-ple here be-low. 2p, CHORUS (The Beggars: Gir pp tipper pip pep pe] f f i See our child-ren fed. Help us in our shame, Some-thing for a crust of bread, in soLo %, URCHIN: TUTTE Ho-ly Je-sus! name,in the Lord's ho-lyname. In his name, in his name, in hi A Tempo primo J=4 9, MARIUS: 3 Lam-arque is ill and fad-ing fast, Won't last the week out, so they. say. TUrT: in, ENJOLRAS: a With all the an = ger in the land, io rall. How long be-fore the judg - ment day, be-fore we cut the fat ones S A tempo > ‘Tempo primo down to size? Be-fore the bar-ri-cades a-rise? 47), GAVROCHE: . 2 TS SS SSS = SS SS SS SS Watch out for old Then-ar-di-er, All of his fam-Ty’s_ onthe make.- 166 = Les Miserantes Scnoot Evirion Libretto + #10. "The Beggars” 49), (GAVROCHE) Once ran a hash-house down the way. Bit of a swine and no. mis He's got the gang, the bleed-ing lay avbout, E-ven his daugh-ter does her share. ‘Thats E- po-nine, she knows her way a-bout. On-ly a kid, but hard to scare ‘THE BEGGARS: Do we care? Not a cuss! Long live us, long live us! Look down and show some 5s Segue as one mer-cy if you can, Look down, look down up on your fel-low man:Les Miserances ScnooL Epition - 177 - #13 - The ABC Café (4-124) 2 2 COMBEFERRE: SS SS eS ¥ va At No = te Dame, the sce - tons are prepared 10 ,FEUILLY: Wat Rue du Bac theyte strain - ing at the leash wy ,SOURFEYRAG roe Sie ete s nee en Siu - deni, work emevrty-one, Theme a fly - er on thenmn, Like the flow = ing of the tide, com = ing to our poco pitt mosso 4=132-138 ENJOLRAS: —— 3 15 side, The time % near So near, its stir-ring. the blood in their o rall. veins. And yet, be-ware, Don't let the wine go to your brains,a7 ae Les Miserantes ScnooL Evir10N Libretto a #13. “The ABC Cafe” 2g, Tempo primo 4-116 7 For the ar- my we fight is a dan- ger - os foe With the men and the arms that we nev -er can match, 7 7 z is easy to sit here and swat ‘em like fies. 4% rall. = 7 + 3 But the Na-tion-al Guard will be hard-er to catch! We need a Meno mosso 4-88-92 poco ral. a aso 7 err) sign to ral-ly the peo-ple, to call them to arms,to bring them inline. Moderato - Recitative ENJOLRAS: GRANTAIRE: cus, you're late! Jou: Whats wrong to-day? You look as iryouve seen a ghost ‘Tempo primo (GRANTAIRO % 2 oo wine and say whats LalLes Mistnan.es Scnoot Epitiow - 179 - Libretto #13, “The ABC Cape” ‘A ghost you say, a ghost may-be, She was just like a ghost to me, One 2, A tempo Gif 1 + ff - .» 14 gt = — os il rin = te thee, them he vas one Moderato 4-96-10 iy agora =—-2 7 G SSS eee ae F T am a-gog, Tam a-ghast, Is Mar-i-us in love at last? Tve = nev-er heard him "ooh and aah’ You talk of bat-tles. to be won Andere hecomes, like Don = Ju = an, tis Poco rit. bet - er than an 0) = oper = at Poco meno mosso 4-90 2 ENJOLRAS: peor fe =; fp oepe fe It is time for us all to de-cide who we are.= 180 - Les Miseantes ScuooL EpitioN Libretto + #13, “The ABC Café” Do we fight for the right to a night at the o-per-a now? Have you asked of your-selves what's the price you might pay? Is this sim-ply a game for rich young boys to play? The col-ors of the Git SS 5 f p Fond te ang = ing day by day. Accel. Poco pitt mosso 4=96 Red, the blood of an - gry men, the dark Red, aworld —a-bout to dawn, Rall. Black the night that ends at__last.Les Miséeanies Scnoo. Evirion = 181 - Libretto = #13, “The ABC Cafe” Subito A Tempo 4-92 7p 4 4 4, MARIUS: 5 eee Had you been there to-night you might know how it feels ‘To be struck to the bone in a mo-ment of breath-less_de-light Had you been there to-night, you might al - so have known How the world — may be changed, in just one 4 ct a burst of light, And what was right seems wrong, And what waswrong seems Poco pitt mosso MARIUS: Accel. right. GRANTAIRE: Red! My world if she’s= 182 - Les Miserances ScnooL Epition Libretto oe #13. “The ABC Caf” 5 (MARIUS) STUDENTS: Poco rall. de - spaie. Black! Recitative oy ENJOLRAS: OS op Mar-i-us, you're no long-er a chil. do-not doubt you mean it well, But ‘Tempo primo rall. +0, Recit. Who cares a - bout your lone - ly. soul, We A tempo ae SS strive to-ward a larger goal, seLes Misenances Scnoot Evition — 183 #13. "The ABC Libretto Meno mosso 4-84 STUDENTS: 10) v Red, the blood of an - gry men. Why 4 n 4 4 Ae 4 a a Black, the dark of, @ Bes past 103 tel aveld atest dew rall. molto aA_e im % a Fi a Gites eS a ¥ Black, Allegro 4-124 2 the night that ends atlas 3 Tee Teay Andante J-96 uy _ENJOLRAS: Lam-argue dead Lam-argue, His accel. poco a poco 1 death isthe ho = ur of fate, The peo - ples man. Rit. Segue 2 => 2 He fe ee et ? s— f ¥ His deth ie the sign we a - walt- 184 - Les Misenantes Senoot Epirion #14 - The People’s Song Alla marcia, grandioso (¢ = az, 124-128) 1 ENJOLRAS: Do you hear the peo - ple sing, sing-ing the song of an - gry men? It is the mu - sic of a peo - ple who will Fhot be slaves a gain! When the beat - ing of your heart echoes the Poco accel. 8 COMBEFERRE: beating of thedrums,There is a. life a-bout to start when to-mor-row comes! Will you 11, Poco pitt mosso 8 join in our cru-sade? Who will be strong andstand with me? Be 13 ‘COURFEYRAC: a yond the bar = ri-cade is there a world youlong to see? Then 15, STUDENTS: join inthe fight that will give you The right tobe free! Do youLes Miseran.es ScuooL Evitiow Sic Libretto #14, “The People's Song” hear the peo - ple sing, sing-ing the song of an - gry men? It is the 19, ° mu - sic of a peo ple who will not be slaves a gain! When the 2 o beat = ing of your heart echoes the beat - ing of the drums, There is a a FEUILLY: ° life a bout to start when to- mor - row comes. Will you 95 (FEUILLE 8 give all you can give so that our ban - ner may advance? Some will cHoRUs: di: 7, ¥ fall and some will live, Will you stand up and take a chance? ‘The — mp- 186 Les Misexantes Scnoot Epirton Libretto 3. #14, "The People's Song” + CHORUS: ST AB blood of the mar-tyrs will water the mead-ows of France! hear the peo - ple sing —sing-ing the song of an - gry men, Iti the mu = sic of a peo = ple who will not be slaves. a= gain. When the beat - ing of your heart echoes the beat - ing of the drums, There isa Maestoso life bout to start when to-mor - row comes. 2 SeguePIANO-CONDUCTOR —182- Les Mistrapues 14 People’s Song Alla marcia, grandioso {ENJOLRAS) ey men? sus =e of a peo ple who will be slaves a gain) When the brat ing of your heart echoes the rope : ; " 5 6/1402)PIANO-CONDUCTOR =183- #14—People’s Song 2 (ENJOLRAS) ° 10 (COMBEFERRE) Beat round the round--a-bout Round and round and back where you be-ga SegueLes Miseranues ScuooL Epition = 259 - #29 - The Wedding Allegro vivo 4-125 cuorus, WEDDING GUESTS: Ring out the bells up-on this day of days, May all the an-gels of the Lord a- bove ju = bi = lation sing their songs ju-bi-la In ju - bi - le - tion sing their songs of praise and crown this bless - ed time with peace and love,= 260 - Les Misexantes Scwoou Epitiow 429. "The Wedding” Libretto Inone 4-200 16 8 Boe Brag) 45) THENARDIER: 1 for - get where we met, Was it not at the Cha-teau La farge, Where the Duke SS J J SS did that puke down the Duch-ess -'s de - col - Ie % MaRtUs: Do you think I dont know who you are? -MME. THENARDIER: He's not fooled, Told you 50. Show M'- sieur what you'veLes Mistranurs Scoot Epriri0N = 261 = £29, "The Weding” Libretto 3 ©, rall. come here to show, Tell the boy what’ you know! Recitative this, But five hundred francs sure-ly would-n't come a ib you at a feast like MME THENARDIER: Delicious! 4 MME. THENARDIER: oq miss. But frst, you pay. MARIUS: In God's name say what you have to say. 5, THENARDIER: What 1 saw, lear as_ light, Jean Val jean in the = sew = ers that night, Hang - ing there like blood - y— great sack= 262 - Les Miseranies Scuoor EpitioN Libretto + 429. “The Wedding” ‘THENARDIER shows u MARIUS a rine = ven found ‘me this. fine. sou - ve - hi This is sure = ly some hea = ven y—signt 427, THENARDIER: One thing more, Mark this well, 3} MME. THENARDIER: Tt was the night thatthe 135) _ MARIUS: Then its true, ight Jean Val ~ jean was my sav ~ jour that’ night! Liistesso Marius punches THENARDIER then tones money thi As for you, take this too,Les Misexapies Scuoot Evition = 263 - Libretto 5 #29. “The Wedding” 15 Come, my ove, Come, Co = sete ral. This day's bless - ings are mot, oo wer_yet A Tempo 4. THENARDIER: Aint it a laugh, aint ita treat 16% 2 Hob nob - bing here a - mong thee ~ ‘ite? caus] Recitative Paris at my feet, Par A Tempo in the dust, And hers me break-ing bread with the 1% of the dance, Beg-gar at the feast, Mas~ MME. THENARDIER: Life is eas-y pick-ings if, you. grab your chance, Ev-'ty-where you go SS ee ee 2S] Law a-bid-ing folk Do ing what is de~cent but they're mostly broke. Bort: Sing-ing to the Lord on Sun - days, Pray-ing for the gifts Hell send. But= 264 - Les Miseranies ScuooL Epiti0N Libretto 6 #29, "The Wedding” 7 6 SSS STS we're the ones who take it, We're the ones who make it in the — eid. MME. THENARDIER: 1) pe GH Se Watch the bug. gers. dance, Watch ‘em tll they drop, ‘THENARDIER: _———= ee) ¥ Watch the buggers dance, Watch em ill they drop, Keep your wits bout you and you standon top. Mas-ters of the land, Keep your wits about you and you stand on top. Mas-ters of the land, Al-ways get our share, Clear away the bar-ri-cades and wore sil there, Al-ways get our share, Clear away the bar-ri-cades and we're still there. We know where the wind is blow - ing, we smell Mon-ey isthe stuff We know where the wind is blow - ing Mon-ey is. the stuff we smellLes Misteantes Scuoot Evitiow - 265 - Libretto 429. “The Wedding” SS ee Ep . = ‘And when we're rich as Croe + sus, Je = ag Oo — ¥ ‘And when were rich as Crve = sus, Je 3 sus won't we see you Pesan 3 sus won't we see you all in hell! Applause Segue= 270 - Les Misexantes Scuoot Evition Libretto 5 230. “Epilogue” 6p _(PANTINED love, for love is ev er last - ing (EPONINE) Fe love, for love is ev = er~ cee! VALJEAN: And ee mem ~ ber the truth that once was, spoken, To poco rall. Lento J-72-76 love a-noth-er per-son is love a-noth-er per-son is Jove a-noth-er per-son is to see the face of Do youLes Miserances Scnoor Epition - 271 - Libretto aod £30. “Epilogue” hear the peo = ple sing? Lost in the val = ley of the night? It isthe (CHORUS) mu - sic of a peo - ple who are limb-ingto the light. For the wretch-ed of the earth there isa flame that nev - erdies, Even the dark - est night will end and the sun will rise, ‘They will Poco pitt mosso 4-80 (non accel.) fy 1 [Se fo’ Sas ta ee = | live again in free - dom in the gar - den of the Lond, They will ———| walk be-hind the plough - share, They will put a-way the sword. The + PRINCIPALS: mp Sf omy chain will be bro-ken and all men will have their re - ward!l Will you- 272 - Les Miséranies Scuoot Epition Libretto £30. “Epilogue” eI join in our cru-sade? Who will be strong and stand with me? Some-where be ~ yond the bar - ti-cade is there a world you long to see? —-Do_you hhear the peo - ple sing, Say, do you hear the distant drums? It is the 3 S.B,T2 AT fu - ture that they bring when to - mor - row comes. Will you (4-84) 3 2 * join in our crusade? Who will be strong and stand with me? Some-where be - 12 yond the bar - ri-cade is there a world yodong to see? ~=—dDo-you hear the peo - ple sing? you hear the distant drums? It is theLes Miserapues Scuoor Epiri0N - 273 - Libretto 8s £30. “Epilogue” 3 7 fr ture that they bring when to = mor = row comes, ral. molto, End of re ‘Tos mor-row — comes! 3 An ‘To-mor-row comes! #31 - Bows TACET #32 - Playoff TACET