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  • 媒介考源学视野下的电影 托马斯 埃尔塞瑟访谈 托马斯 埃尔塞瑟

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    Media archaeology views cinema and film through the lens of their technological and cultural evolution. While cinema's economic importance may diminish, this could allow new creative freedoms as its ideological necessity also fades. Meanwhile, the interviewee holds an optimistic view of new media, believing their apparent "pathologies" can be productive.

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    媒介考源学视野下的电影_托马斯_埃尔塞瑟访谈_托马斯_埃尔塞瑟

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    Media archaeology views cinema and film through the lens of their technological and cultural evolution. While cinema's economic importance may diminish, this could allow new creative freedoms as its ideological necessity also fades. Meanwhile, the interviewee holds an optimistic view of new media, believing their apparent "pathologies" can be productive.

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    © All Rights Reserved
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    30 views7 pages

    媒介考源学视野下的电影 托马斯 埃尔塞瑟访谈 托马斯 埃尔塞瑟

    Uploaded by

    Chan Paine
    Media archaeology views cinema and film through the lens of their technological and cultural evolution. While cinema's economic importance may diminish, this could allow new creative freedoms as its ideological necessity also fades. Meanwhile, the interviewee holds an optimistic view of new media, believing their apparent "pathologies" can be productive.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
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    Cinema and Film in the View of Media Archaeology: An Interview with Thomas Elsaesser
    Abstract: In the interview between Prof.Elsaesser and Pro.Li, media archaelogy has become a core topic, from which they start discussions

    relationship with the past, Prof.Elsasser argues that the diminishment of economic importance and ideological necessity will allow a new freedom for

    cinema, while he also holds optimistic attitude towards new media experience, in his view of "productive pathology".

    Keywords: media archaeology, obsolescence, productive pathology, analeptic-proleptic

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