Music Theory
Online Resources
+ musictheory.net
+ teoria.com
+ courseraorg
+ tobyrush.com
Accidentals
Double Flat Natural Sharp Double Sharp
Clefs
Treble Clef:
+ "Gcler”
+ Circles G Line
Alto/Tenor Clef:
+ "Clef"
+ Middle Cis in the middle
te.
eo
{es Alto Clef
Bass Clef:
° “Felef”
* nebetweeneve SEZ F
dots is an F
* Double Flat = lower 1 whole step
* Flat= lower 1 halfstep
* Natural = cancels previous accidentals
* Sharp = raise 1 half step
* Double sharp = raise 1 whole step
Note Values/Subdivisions
Double Whole Note (breve)
Whole Notes
Half Notes
foe i tact) | tte)
wore DOONAN
rownows SII SBA
Dotted Notes
Total duration = base note + 1/2 of the base note
fo
Double dotted = base note + 1/2 base + 1/4 base
A
alt h+
Ties
Ties connect only two notes of
the exact same pitch
Types of Meters
Simple
+ Top number: 2, 3, or 4
+ Number of beats = top number
+ Subdivides in to groups of two
Compound
+ Top number: 6,9, or 12
+ Number of beats = top number = 3
+ Subdivides in to groups of 3
Complex
+ Everything else
+ Subdivision and number of beats is
irregularIntervals
Always find the distance first and then add (or
analyze) accidentals to create the inflection
Distance
+ Count the lines an spaces between the
notes
+ Lis on the line/space that the bottom note
ison
* Include the line/space the top note is on
when counting
Inflection
* Diminished, minor, major,
augmented
Scales (Major and minor)
Major Scale
‘+ Series of whole and half steps
* W-W-H-W-W-W-H
+ Outer circle in the circle of Sths
aoe
o
Oe ee
Natural Minor Scales :
+ Series of whole and half steps
+ W-H-W-W-H-W-W
aan Ohar stees + Same going up and down
Minor 2nd Thalf step 29 + Inner circle in the circle of Sths
Major 2nd Zhalf steps | ge a Sa
half st o2
Minor 3rd 3 half steps ze ena
Major 3rd 4half steps = & | Harmonic Minor Scales
Perfect 4th 5 half steps ge + Raised 7" scale of natural minor scale by
a8 1/2 step
Tritone 6 half steps ge + Same going up and down
& 3 | Melodic Minor Scales
Perfect Sth 7 half steps Ss :
bis = 2h * Raise 6 and 7® scale degrees of natural
Minor 6th B half steps as minor by 1/2 step going up
ere | Shalfsteps a2 . Return tothe natural minor scale going
"Minor Teh TOhalfsteps |) Natural Minor
z “s
| Major 7th Ithalf steps & Ree
Harmonic Minor
Octave IZhalf steps
Parallel and Relative Keys (scales)
Relative Keys
+ Same key signature
* Different starting notes
+ Same wedge in the circle of Sths
+ Relative minor scale will start on the 6
scale degree of a major scale
+ Relative major scale will start on the 3"
scale degree of a minor scale
Parallel Keys
+ Different key signatures
+ Same starting note
+ Same letter on the circle of Sths
+ Build major/minor scales on same note
Scale Degrees
‘Number given to each note ina scale
First note is 1
Go up to7
Restart counting at each octave
ieee)
3Triads Root, 34, and 5th
* Chord with only 3 notes
+ Towrite a triad
. Build a snowman Fifth
2, Add accidentals eaeeet
Diminished triad
+ Two minor thirds stacked on
top of each other
Minor triad
To find the root, third and fifth the triad should
be in root position ("snowman").
Major triad
+ Major third on the bottom Triad Name
* Minor third on top Name = root + quality
Example: D Major Major triad
Augmented triad
+ Two Major thirds stacked on
top of each other oe an Root =D
Inversions
Root position
+ The root in on the bottom
=r BE
First inver od
* The third is on the bottom —— BF ne tea
| Second inversion tase eee
* The fifth is on the bottom
oot Position First inversion Second Inversion
Diatonic Function and Roman Numeral AnalysisC}D
m
FIGIA]5
FIGIA|B