ELECTRIC COUNTERPOINT

I
Guitar 8 Steve Reich

       

 
 = 192


 

     

8 1

 
fade

       

13

 


out

     

18 2

fade

 
         
23

out 


     
28

 fade

           
  
3

 
33 4

out

                 

45 5


                 
62 6 7





     

77


                                       
2

 
82 8

out 


fade

     

87


     
92 9

 
fade
out

       

97

 


     
102 10


fade

       
   
107 11

out

                 

118 12 13 14 15


                 
135 16 17 18 19

                 

152 20 21 22

                 

169 23 24 25 26

 27             
           

186 28 29


       
         
 
          
3

        
197

       
    
                
202 30

       
    
              
206 31

    


        
             
210 32

       
    
                
214 33

       
    
              
218

       
   
                
222 34

       
    
                
226

       
    
              
230 35

       
    
                
234 36

       
    
              
238 37
        
4

    
              
242

        
    
                 
246

    
       
              
250 38

       
     
              
254

       
     
                
258 39

       
     
              
262

       
     
                
266

       
     
                
270 40

       
     
              
274

       
     
                
278 41

       
     
              
282
         
5

     
              
286

       
  
              
290 42

       
    
              
294

       
  
              
298 43

       
    
                
302

       
    
                
306 44

       
    
                
310 45

       
    
                
314

       
    
                
318

       
    
                
322

        
    
       
  
  
326 46


Attacca II
  
6

  
330