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Prelude 4 Notes
Prelude 4 Notes
One of the attributes of Classicism is a longing for strangeness, ecstasy, and wonder.
Yea
Who of the following were famous keyboard musicians during the Classical era?
Correct Answer(s)
Wolfgang Amadeus Mozart, Press Alt+DownArrow to open the options.
Maria Anna Mozart, Press Alt+DownArrow to open the options.
Maria Theresia von Paradis, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
Joseph Haydn
The composers Haydn, Mozart, Beethoven, and Schubert all composed in large-scale forms.
Yes
The Industrial Revolution of the eighteenth century saw a series of important inventions, which
helped shape the modern world.
Yes
One of the attributes of Classicism is a longing for strangeness, ecstasy, and wonder.
No
Quiz 25
No
Chamber music generally implies a large ensemble, with more than one player to a part.
No
No
Correct Answer(s)
symphonies, Press Alt+DownArrow to open the options.
string quartets, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
dance suite
The favored chamber ensemble in the Classical era was the string quartet.
Yes
Beginning of movement
0:02
Beginning of movement
0:03
One violin plays the melody while the other instruments provide
accompaniment.
What is the form of the second movement of
Haydn‟s Emperor String Quartet?
0:01
Theme and variations plus a coda
Theme
0:03
Homophonic
Variation 1
0:12
Variation 2
0:13
Cello
What best describes what the high violin part plays while the
cello plays the Theme?
Variation 2
0:02
It is playing an independent melody.
Listen to the excerpt, then fill in the blank in the sentence below.
Variation 3
0:12
Listen to the excerpt, then fill in the blank in the sentence below.
Variation 4
0:36
Variation 4
0:06
They are playing mostly slow notes in the first half and faster
notes in the second half.
After the fourth variation, all the instruments play a short closing
section called a “coda.” What best describes the music of the
coda?
coda
0:01
It is new music that slows down.
What best describes the form of the slow movement from
Haydn‟s Emperor Quartet?
2:22
Theme with four variations and a coda
Listen to the excerpt, then fill in the blank in the sentence below.
Variation 2
0:24
Correct label:
variation 3
violin 1
0:06
Correct label:
theme (unvaried)
0:15
Correct label:
coda
violin 2
1:10
Correct label:
variation 1
The theme of Haydn’s Emperor quartet is based on a hymn that the composer wrote for the
Austrian emperor Franz II.
Theme
0:03
Yeah
opening theme
0:30
Correct Answer(s)
strings, Press Alt+DownArrow to open the options.
woodwinds, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
trumpet, Press Alt+DownArrow to open the options.
triangle
next theme
0:07
Strings and flute
second section
0:03
Triangle, cymbals, and bass drum
A section
0:03
B section
0:02
Drag the correct words that best complete the meaning of the
paragraph.
0:25
First section
0:30
Section 2:
Second section
0:01
Section 3:
Third section
0:06
4:37
Listen to the following music excerpts and drag the corresponding cards to the correct location
on the music chart.
X:
trumpet fanfare
0:13
Y:
elegant theme
0:04
Z:
military section
0:17
Y Z X
0:37
It is played by different combinations of instruments.
0:02
minor key
0:04
Quieter dyamics
0:30
Section 2:
Second section
1:05
Section 3:
Third section
0:37
0:13
opening theme
0:03
Symphony orchestra
opening theme
0:03
Symphony
Which describes the form of this movement?
0:01
Three-part form
elegant theme
0:05
A section
military sound
0:03
B Section
The metric character of this movement is best described as:
0:15
Correct Answer(s)
marchlike duple meter, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
waltzlike triple meter, Press Alt+DownArrow to open the options.
free-flowing and unmetered
B section
0:15
Correct Answer(s)
It incorporates triangle, bass drum, and cymbals.,
Press Alt+DownArrow to open the options.
It is in a minor key., Press Alt+DownArrow to open the options.
It represents the middle section of the ternary form.,
Press Alt+DownArrow to open the options.
Incorrect Answer(s)
It is performed only by the strings., Press Alt+DownArrow to open
the options.
There are no dynamic contrasts.
The second movement of Haydn's Symphony No. 100 combines the concept of variations with a
ternary structure (A-B-A′).
0:11
Yeah
First section
0:11
Which best describes the music you hear after the statement of
the minuet theme (0:00-0:11)?
First section
0:02
First section
0:01
0:11
The second section of the minuet begins with new music, which
is then followed by the main minuet theme.
Here is the entire third movement:
0:01
0:08
2:10
0:08
Which best describes the form of the minuet from Mozart's Eine
kleine Nachtmusik?
Minuet
0:09
Beginning of trio
0:09
Correct Answer(s)
connected and flowing, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
separated and emphasized
Beginning of trio
0:00
You have just heard it in its entirety, and it makes up the first
section of the trio.
Which best describes the music you hear after the first
statement of the trio theme?
0:22
0:12
The second section of the trio begins with new music, which is
then followed by the main trio theme.
0:03
Which best describes the third section of music (the music after
the trio)?
Third section
0:04
the two sections of the minuet without repeats
0:16
The third movement of Mozart's Eine kleine Nachtmusik begins
with the minuet theme (each section repeated), followed by
the trio theme, and ends with the minuet theme (no repeats).
Listen to the following music excerpts and drag them to the correct location on the music chart
below.
decisive, accented
0:01
0:06
0:01
Which best describes the overall form of the entire third
movement of Mozart‟s Eine kleine Nachtmusik?
0:01
Put the following items in the order in which they appear in the
third movement of Mozart's Eine kleine Nachtmusik.
0:13
Yes
The melody of the minuet in the third movement of Eine kleine Nachtmusik is composed of
unbalanced phrase durations (e.g., 3 measures + 7 measures).
Minuet melody
0:11
False
Match the descriptive words or phrases with the different
elements of music as found in Mozart's Eine kleine Nachtmusik,
movement III.
0:42
Correct label:
minuet-and-trio
texture, Press Alt+DownArrow to open the options.
Correct label:
homophonic
meter, Press Alt+DownArrow to open the options.
Correct label:
triple
harmony, Press Alt+DownArrow to open the options.
Correct label:
major
LQ 16: Mozart: EK I
opening
0:04
Homophony
transition passage
0:16
In sonata-allegro form, the second theme contrasts with the first
theme in key and in other ways, like shape. Here's the second
theme that follows the transition above:
second theme
0:12
How does the second theme (0:46-0:58) differ from the first
(0:00-0:45)?
0:56
Correct Answer(s)
The second theme is more graceful than the first theme.,
Press Alt+DownArrow to open the options.
The second theme is in the key of D major, while the first theme
is in the key of G major., Press Alt+DownArrow to open the options.
Incorrect Answer(s)
The second theme is aggressive like the first theme.,
Press Alt+DownArrow to open the options.
The second theme is in the same key as the first theme, G
major.
0:08
closing theme
0:35
repeat of exposition
1:33
development
0:25
0:02
Y:
repetitive theme
0:11
Z:
rocket theme
0:02
Z Y X
Which of the following instruments play Eine kleine
Nachtmusik?
0:44
Correct Answer(s)
strings, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
brass, Press Alt+DownArrow to open the options.
woodwinds
4:01
sonata-allegro form
The first movement of Mozart's Eine kleine Nachtmusik is
in sonata-allegro form. The music is in a quick duple meter.
Correct label:
0:03
Correct label:
manipulation of themes
0:26
Correct label:
Correct label:
graceful
0:14
Correct label:
insistent
0:35
Correct label:
(0:00-0:29)
0:07
Correct Answer(s)
symmetrical phrasing, Press Alt+DownArrow to open the options.
ascending rocket theme, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
minor key, Press Alt+DownArrow to open the options.
gentle mood
0:07
Exposition
Quiz 26
The second movement of Haydn’s Symphony No. 100 is composed in triple meter.
False
The second movement of Haydn’s Symphony No. 100 was composed in a two-part form.
No
False
yes
Quiz 27
No
Exposition (statement)
First theme, bridge, second theme, closing theme, exposition
repeated
The development section of sonata-allegro form always remains in the home key.
False
Which statements best describe Mozart‟s Eine kleine
Nachtmusik?
Correct Answer(s)
It was written as social music., Press Alt+DownArrow to open the
options.
The name translates to “a little night music.”,
Press Alt+DownArrow to open the options.
The version we know today has four movements.,
Press Alt+DownArrow to open the options.
Incorrect Answer(s)
It was written for full orchestra.
Mozart worked successfully under the patronage system for his entire life.
False
What is the Italian phrase found at the end of the trio section in
a minuet-and-trio movement that means “from the beginning?”
Da capo
Quiz 28
0:37
0:56
2:14
Piano
First-movement concerto form is based on principles from Baroque ritornello form and sonata-
allegro form.
Yes
0:04
0:02
Nay
0:01
Nay
The meter of the third movement of Haydn’s Trumpet Concerto is a waltz-like triple meter.
0:01
No
0:47
Correct Answer(s)
sudden changes, Press Alt+DownArrow to open the options.
dynamic contrasts, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
mostly pianissimo, Press Alt+DownArrow to open the options.
a constant crescendo from beginning to end,
Press Alt+DownArrow to open the options.
0:15
Correct Answer(s)
striking changes of dynamics, Press Alt+DownArrow to open the
options.
virtuosic trumpet writing, Press Alt+DownArrow to open the options.
exchanges between trumpet and other instruments,
Press Alt+DownArrow to open the options.
Incorrect Answer(s)
the violins dominate, playing the main theme
In this example you can hear that Haydn wrote his Trumpet
Concerto for solo trumpet and:
0:23
Correct Answer(s)
strings, Press Alt+DownArrow to open the options.
percussion (timpani), Press Alt+DownArrow to open the options.
brass, Press Alt+DownArrow to open the options.
woodwinds, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
keyboard
In Haydn‟s Trumpet Concerto which term best describes the
melody that the trumpet soloist plays?
0:02
Virtuosic
0:02
Duple
Which best describe this excerpt?
0:31
Correct Answer(s)
major key, Press Alt+DownArrow to open the options.
virtuosic in trumpet part, Press Alt+DownArrow to open the options.
accompaniment in orchestra part, Press Alt+DownArrow to open the
options.
Incorrect Answer(s)
minor key
In this excerpt the trumpet soloist is accompanied by
the string section. The string section is playing at
a softer dynamic than the soloist.
The type of tonality that you hear in this example can best be
described as which?
0:02
Major
0:26
What are the special effects that the soloist performs in this
excerpt known as?
0:02
Trills
0:01
Yeah
0:08
introduction
0:22
main melody
0:22
0:20
introduction
0:22
Click or tap a choice to answer the question.
The arpeggios
Listen to the excerpt. What is the genre of this work?
beginning of movement
0:07
Piano sonata
beginning of Strophe 1
0:22
middle of Strophe 1
0:39
Which best describes the music heard directly after this, at the
end of Strophe 1?
end of Strophe 1
0:09
0:17
Correct Answer(s)
use of arpeggios, Press Alt+DownArrow to open the options.
quiet volume, Press Alt+DownArrow to open the options.
idea in dialogue, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
main melody featuring a repeated note, Press Alt+DownArrow to
open the options.
0:21
√ Correct choiceTrue
Identify and analyze form.
Page(s) 159-160
What best describes the music heard at the beginning of
Strophe 2 in the first movement of
Beethoven's Moonlight Sonata?
beginning of Strophe 2
0:50
It returns to the opening melody.
main melody
0:07
idea in dialogue
0:01
Which best describes the music that follows the main melody in
the second half of Strophe 2?
end of Strophe 2
0:11
coda
0:19
Correct Answer(s)
main melody in the bass (left hand), Press Alt+DownArrow to open
the options.
quiet volume, Press Alt+DownArrow to open the options.
arpeggios, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
main melody in the high voice (right hand)
In the first movement of Beethoven's Moonlight Sonata, the melody is most often accompanied
by arpeggiated chords.
beginning of movement
0:46
Yea
Put the musical events in the correct order in which they appear
in the first movement of Beethoven's Moonlight Sonata. Note
that clicking on the card will select it as an answer; do not click
on the cards unless you are ready to answer the question.
four measures of arpeggiated chords, return of the main melody in a higher rang, motivic development
over a sustained pedal note, melody in the bass
Correct label:
mostly homophonic, with active accompaniment
form, Press Alt+DownArrow to open the options.
Correct label:
modified song form
expression, Press Alt+DownArrow to open the options.
Correct label:
ethereal
key, Press Alt+DownArrow to open the options.
Correct label:
minor
Match the musical and thematic elements with the excerpted clips from the first movement of
Beethoven's Moonlight Sonata. Be sure to listen to each clip in its entirety.
motivic development
0:05
, Press Alt+DownArrow to open the options.
Correct label:
Beginning of middle section
dotted figure
0:17
Correct label:
Introduction + main melody
0:19
Correct label:
Coda
Which of the following are present at the beginning of the
middle section of the movement, heard in this excerpt?
0:18
Correct Answer(s)
quiet volume, Press Alt+DownArrow to open the options.
use of arpeggios, Press Alt+DownArrow to open the options.
idea in dialogue, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
main melody featuring a repeated note, Press Alt+DownArrow to
open the options.
Listen to the excerpt from the beginning of the first movement.
main theme
0:38
0:12
exposition
0:10
Short-short-short-long
This excerpt starts with a few seconds of music leading into the
second theme.
0:12
first theme
0:06
0:14
It is played in a major key.
second theme
0:05
The short-short-short-long rhythm
The final theme introduced in the exposition is the closing
theme. It sounds like this:
closing theme
0:09
It starts off loud and fiery like the first theme. But instead of
having repeated notes like the first theme, the closing theme
has a(n) descending melodic line.
horn call
0:24
X:
0:20
Y:
Theme 1
0:04
Z:
oboe cadenza
0:09
Y W Z X
Beethoven introduces the development section with loud
horns playing the four-note motive.
beginning of development
0:04
development
0:09
Horn call
development to recapitulation
0:22
Correct Answer(s)
The motive is played a bit more slowly., Press Alt+DownArrow to
open the options.
The motive is played loudly., Press Alt+DownArrow to open the
options.
Incorrect Answer(s)
The motive is played very softly., Press Alt+DownArrow to open the
options.
The motive is played by woodwinds only., Press Alt+DownArrow to
open the options.
The motive is played by brass only.
cadenza
0:23
recapitulation
0:03
Theme 1, closing theme, theme 2
A: All of these
Often composers will end a piece with a coda, the last part of a
piece (it means "tail" in Italian). Some pieces will have a short
coda, perhaps a few seconds. The coda that Beethoven writes
to end the first movement of this symphony is a minute and a
half long, and it contains many dramatic changes in volume
(dynamics) and some pauses too.
Which of the themes receives extensive treatment in the coda?
Theme 1
What is the form of the first movement of Beethoven's Fifth
Symphony?
Sonata-allegro
Theme 1
0:09
Exposition
Listen to the excerpt, then fill in the blank below.
four-note motive
0:04
lyrical
0:13
lyrical
0:06
Listen to the excerpt, which begins about a minute into the first
movement, then fill in the blank below.
rousing melody
0:07
Correct label:
sonata-allegro
rhythm, Press Alt+DownArrow to open the options.
Correct label:
short-short-short-long
expression, Press Alt+DownArrow to open the options.
Correct label:
dynamic contrasts
Listen to this excerpt from Beethoven's Fifth Symphony, first
movement. Which part of the form is this?
0:08
Coda
oboe cadenza
0:12
recapitulation
0:17
four-note motive
0:06
False
beginning of movement
0:08
Triple meter
0:14
second theme
0:12
The main shape of the second theme (the highest melodic idea
in this excerpt) is ascending.
What best describes the relationship between the instrumental
voices in the first nine seconds of this excerpt (from the
beginning of Theme 2)?
Theme 2
0:02
The clarinets play the melody while the strings provide a soft
accompaniment.
0:01
first variation
0:02
The low strings play a continuous stream of sixteenth notes accompanied by a solo woodwind.
first variation
0:00
second variation
0:15
The low strings play the theme much more quickly in the
second variation.
third variation
0:18
Listen to the following music excerpts and drag the corresponding cards to the correct location
on the music chart below.
X:
0:13
Y:
flowing melody
0:05
Z:
0:03
Y Z X
fourth variation
0:13
Correct Answer(s)
The woodwinds are accompanied by strings.,
Press Alt+DownArrow to open the options.
It is in a minor key., Press Alt+DownArrow to open the options.
The notes of the melody are played in a detached manner
(staccato)., Press Alt+DownArrow to open the options.
Incorrect Answer(s)
The melody is played by the low strings only.
Theme 2
0:18
Loud
5:20
Match the descriptive phrase that best and most specifically describes the excerpted clip from the
second movement of Beethoven's Fifth Symphony. Be sure to listen to each clip in its entirety.
staccato
0:03
Correct label:
theme 1 varied in a minor key
0:18
Correct label:
theme 1
0:05
Correct label:
theme 2
0:20
Correct label:
fragments of theme exchanged in woodwinds
LQ 21: Mozart: Req
0:09
0:02
Both verses are predominantly homophonic, with brief moments of imitative polyphony in the second
verse.
What best describes the pace of the music and its volume in the
first two verses from the beginning of the Dies irae from
Mozart's Requiem?
Dies irae
0:01
Fast pace and loud volume
Which of the following correctly describe the first two verses of
the Dies irae from Mozart's Requiem?
0:20
Correct Answer(s)
performed by chorus and orchestra, Press Alt+DownArrow to open
the options.
a fast pace and a loud volume, Press Alt+DownArrow to open the
options.
Incorrect Answer(s)
a slow pace and loud volume, Press Alt+DownArrow to open the
options.
a fast pace and a soft volume, Press Alt+DownArrow to open the
options.
performed by a trombone and bass voice duet
0:04
Trombone and solo bass voice
Dies irae
6:31
eight verses of music
Which best describes the pace of the music from the third verse
of the Dies irae from Mozart's Requiem, heard in this excerpt?
0:05
Slow pace
0:19
Correct Answer(s)
It begins with solo trombone, which is soon joined by solo bass
voice., Press Alt+DownArrow to open the options.
It has a slow pace., Press Alt+DownArrow to open the options.
Incorrect Answer(s)
It has a fast pace., Press Alt+DownArrow to open the options.
It is performed by chorus and orchestra., Press Alt+DownArrow to
open the options.
It is performed by four vocal soloists and orchestra.,
Press Alt+DownArrow to open the options.
0:05
tenor soloist and orchestra
0:03
0:05
soprano soloist and orchestra, then four soloists and orchestra
Which best describes the performers in the eighth and final verse of the Dies irae from
Mozart's Requiem, heard in this excerpt?
0:05
chorus and orchestra
Which best describes the pace of the music and its volume in
this excerpt from the eighth and final verse of the Dies irae from
Mozart's Requiem?
0:06
Dies irae
0:21
Correct Answer(s)
in a slow tempo and at a loud dynamic (forte),
Press Alt+DownArrow to open the options.
performed by chorus with orchestral accompaniment,
Press Alt+DownArrow to open the options.
Incorrect Answer(s)
in a slow tempo and at a soft dynamic (piano),
Press Alt+DownArrow to open the options.
performed by tenor soloist with orchestral accompaniment,
Press Alt+DownArrow to open the options.
in a fast tempo and at a loud dynamic (forte),
Press Alt+DownArrow to open the options.
Listen to the following music excerpts and drag them to the
correct location on the music chart below.
0:02
0:00
0:03
0:01
LQ 20: Mozart: DG
With opera, it is important to study the lyrics before listening to
the music. This scene contains three primary sections. It begins
with
1) a song (aria) sung by Donna Elvira (with some side
comments by Don Giovanni and Leporello); continues with
2) a dialogue (recitative) sung by all three characters; and
concludes with
3) a song (aria) sung by Leporello.
Here are the lyrics:
Ah, chi mi dice mai, Ah, who can tell me
quel barbaro dov'è? where that cruel one is?
Donna Elvira
Che per mio scorno amai, I loved him, to my shame,
che mi mancò di fè. and he broke his pledge to me.
Ah, se ritrovo l'empio, Ah, if I find that evil one,
e a me non torna ancor, and he doesn't return to me,
vo' farne orrendo scempio, I'll make a horrible scene,
gli vo' cavar il cor! I'll rip his heart out!
Udisti? Qualche bella dal vago You hear? A lovely one
Don Giovanni
abbandonata? Poverina! abandoned by her lover. Poor girl!
(to Leporello)
Cerchiam di consolare il suo tormento. Let's try to ease her pain.
Leporello (aside) (Così ne consolò mille e ottocento.) (Just as he consoled 1,800 of them.)
Let's start with Donna Elvira's aria. Fill in the blank in the
statement below.
Before Don Giovanni and Leporello make side comments to
one another, Donna Elvira sings two stanza(s) of lyrics
(individual paragraphs).
Notice the rhyming pattern of the first part of Donna Elvira's
aria, in Italian:
Ah, chi mi dice mai, Ah, who can tell me
quel barbaro dov'è? where that cruel one is?
Donna Elvira
Che per mio scorno amai, I loved him, to my shame,
che mi mancò di fè. and he broke his pledge to me.
Ah, se ritrovo l'empio, Ah, if I find that evil one,
e a me non torna ancor, and he doesn't return to me,
vo' farne orrendo scempio, I'll make a horrible scene,
gli vo' cavar il cor! I'll rip his heart out!
Which best describes the Italian lyrics for this section of Donna
Elvira's aria?
There are two stanzas, each with four lines and a similar rhyming pattern in the Italian text.
While Donna Elvira sings about her desire to rip out the heart of
a lover who left her, Don Giovanni and Leporello observe her
secretly. They make some comments to one another, beginning
with "You hear?" and ending with "Just as he consoled 1,800 of
them."
Udisti? Qualche bella dal vago You hear? A lovely one
Don Giovanni
abbandonata? Poverina! abandoned by her lover. Poor girl!
(to Leporello)
Cerchiam di consolare il suo tormento. Let's try to ease her pain.
Leporello (aside) (Così ne consolò mille e ottocento.) (Just as he consoled 1,800 of them.)
orchestral introduction
0:04
Chi è la?
0:17
Y:
0:12
Z:
Nella bionda…
0:10
Y X Z
Listen to the excerpt, then fill in the blank below.
0:08
0:43
Correct Answer(s)
a quick tempo, Press Alt+DownArrow to open the options.
sudden changes in range (disjunct melody), Press Alt+DownArrow to
open the options.
Incorrect Answer(s)
a slow tempo, Press Alt+DownArrow to open the options.
accompaniment by brass and percussion, Press Alt+DownArrow to
open the options.
Donna Elvira repeats the final thought of her lyrics ("I'll make a
horrible scene, I'll rip his heart out!") while Don Giovanni
comments to Leporello about what they've heard ("You hear? A
lovely one abandoned by her lover," and "Poor girl!").
0:06
beginning of scene
0:19
0:19
recitative
0:11
recitative
0:03
alternating between singing quickly and slowly, with no steady beat
aria
0:00
recitative
0:04
An aria has a steadier beat and is accompanied by more instruments than a recitative.
0:18
Correct Answer(s)
The music has a steady beat., Press Alt+DownArrow to open the
options.
The strings and harpsichord play., Press Alt+DownArrow to open the
options.
Incorrect Answer(s)
He sings with no clear sense of the beat., Press Alt+DownArrow to
open the options.
The brass instruments play prominently., Press Alt+DownArrow to
open the options.
This humorous aria sung by Leporello is known as his
"Catalogue" (meaning "list" or "record") aria. Listen to the
excerpt, then fill in the blanks below.
0:09
In the second half of his aria, Leporello charts out all of the
compliments Giovanni bestows on different types of women:
what he says to blondes, to brunettes, and to older women with
white hair. Elvira learns that what Giovanni has said to her, he
has also said to hundreds of other women.
0:11
How does the music in the second half of Leporello's aria sound
different from the music in the first half?
It is slower, and he sometimes sings several notes per syllable
of text.
Match the phrase that best and most specifically describes each excerpted clip from Act I, scene
2, of Mozart's Don Giovanni. Be sure to listen to each clip in its entirety.
Chi è la?
0:02
Correct label:
recitative
Nella bionda…
0:02
Correct label:
aria
0:10
Correct label:
vocal cadenza
What section of Act I, scene 2 of Mozart's Don Giovanni is this
example?
0:11
Recitative
0:07
Correct label:
0:08
Correct label:
0:15
0:09
No
Quiz 29
No
Beethoven, in his Moonlight Sonata, follows typical formal molds in all of the movements.
No
Haydn‟s student
Which of the following correctly describe the first movement of
Beethoven‟s Moonlight Sonata?
Correct Answer(s)
continuous triplet pattern in accompaniment,
Press Alt+DownArrow to open the options.
in an expressive minor key, Press Alt+DownArrow to open the
options.
Incorrect Answer(s)
cheerful mood, Press Alt+DownArrow to open the options.
very loud dynamics
Yes
Yes
Yeah
Yes
Quiz 30
Beethoven was not hailed as a genius until long after his death
False
Yes
No
False
Yes
Yes
The various movements of Beethoven’s Fifth Symphony are unified by the opening motive.
Yes
The second movement of Beethoven‟s Fifth Symphony is in
what form?
Theme and variations
Mozart’s Don Giovanni does not have any comic opera elements.
False
In the Catalogue Aria, Leporello assures Donna Elvira that indeed she is Don Giovanni’s one
true love.
False
At the beginning of the eighteenth century, serious opera was the most prevalent style.
Yes
In Mozart‟s comic operas, he held society up to a mirror and
emphasized the problems of separating people based
on class and gender.
In the Classical era, both serious opera and comic opera were popular.
Yes
Quiz 32:
Yes
False
No
Which of the following verses are found in the Dies irae from
Mozart‟s Requiem? (Only the first two words are included for
each verse.)
Correct Answer(s)
Dies irae, Press Alt+DownArrow to open the options.
Rex tremendae, Press Alt+DownArrow to open the options.
Tuba mirum, Press Alt+DownArrow to open the options.
Incorrect Answer(s)
Stabat mater, Press Alt+DownArrow to open the options.
Ave Maria, Press Alt+DownArrow to open the options.
Correct label:
chromatic harmonies
Correct label:
expansive wide-ranging melodies
Classical, Press Alt+DownArrow to open the options.
Correct label:
diatonic harmonies
Correct label:
balanced, symmetrical melodies
Which voice type did Mozart NOT select as one of the soloists
in his Requiem?
Baritone
Yes
Mozart’s Requiem was left unfinished at his death.
Yes