Billy Joel My Lives Songbook

4 My Journey'sEnd 2L6 | Go to Extremes
10 Time and Time Again 224 Shout

7 EveryStep I Take (EveryMove I Make) 2LL A/,lShook Up
14 Only a Man 236 HeartbreakHotel
21 She's Got a Way 24L When You Wish Upon a Star
26 Oyster Bay 244 In a SentimentalMood
31 Piano Man 247 MotorcycleSong
36 The SieglriedLine 256 You Picked a Real Bad Time
48 New Mexico 266 The River of Dreams
43 Crossto Bear 273 A Hard Day's Night
52 Miami 2OL7 278 Light as the Breeze
(Seen the Lights Go Out on Broadwayl ZeZ To Make you Feel My Love
6O TheseRhinestoneDays 2g2 Hey,Girl
63 EverybodyHas a Dream 294 Why ShouldI Worry?
66 Onlythe GoodDie Young 301 Where Were you
80 Until the Night (On Our WeddingDay)
73 Zanzibar 304 Highway 61 Revisited
88 lt's Still Rock and Roll to Me 3L2 Movin' Out (Anthony'sSong)
96 CaptainJack 307 You May Be Right
108 The End of the World 318 Big Shot
1O1 Prime of YourLife 325 Don't Worry Baby
114 She's Right on Time 328 GoodnightSaigon
121 Elvis PresleyBoulevard 334 Los Angelenos
L28 NobodyKnows but Me 344 New York State of Mind
134 An Innocent Man 348 Soliloquy(On a Separation)
L4O Ghristie Lee 372 Innamoratofiom Suite For Piano
L47 Easy Money 378 Sorbetto from Suite For Piano
154 And So lt Goes 381 Delusionfrom Suite For Piano
16g r'1 cry Instead 363 Elegy:The Great Peconic

15g Keepingthe Faith 337 No Man's Land
L72 Modernwoman 386 Pressure
Lg2 Baby Grand 398 (The) Battadof Bitty the Kid
L77 Getting closer 393 Leningrad

1gg Houseof Blue Light 404 Allentown
198 Money or Love 4Lo MY Life
195 The Times TheyAre A-Ghangin' 416 shades of Grey

206 The Downeaster.,Alexa,, 422 We Didn't Start the Fire
M Y J O U R N E YE
' SN D
Wordsand Musicby
B I L L YJ O E L
Lively
C
lq+f,
Well, the
Now, the
the deep- est i f I you were there

my heart a i f I you were there
o 1 9 9 4J O E L5 0 N G 5
All RightsReserved InternationalCopyright Secured Usedby Permission
F G F
g @
ffi ffi
tell how much that you love me by the let - ters that you
real - ly d o e s- n ' t - mat how - ma-ny days I may
G E F
@ o @
ffi ffi
ttu:]j ffi
so an- y - where
send.
spend.
,Ali. I t'. - if I knew you were wait-ing there-
ToCoda$.
G F
#
ffi E#i ffi
my Jour-ney.s
E Am
iffi
I.1..]T
ffi
I.]..1T
to the ends - of the earth,- real- ly does-n't

come back some
f_-J
D.C. al Coda
EVERY ITAKE
STEP
(Every MoveI Make)
Words and MusicbY BILLYJOEL,
V I N N YG O R M A N Na n d T O N YM I C H A E L S
Moderately
Dm Am
r c o
ffi ffi
[IEf
Dm Am Dm
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Ev -'ry -thing
I close my eyes
Am Dm7 G Am
po
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t-]."]T
ffi
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#
ffi ffid
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I'm think - ing thoughts of on - ly you, girl. Ev-'ry-where

a pic - ture of your face be - fore me. Up - on my lips
O 1 9 6 7( R e n e w e d1 9 9 5 ) ,1 9 8 1E M I U N A R TM U S I CC O R P '
Ail RightsAdministeredby EMt UNARTCATALOGlNC.(Publishing)and ALFREDPUBLIsHING CO.,lNC.(Print)
All RightsReserved Usedby Permission
Dm Am G
r c o
ffi
@
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go, dreams of you

feel your ten - der kiss;
Ev - 'ry step I I'm try'n' to es-cape my
Em
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Ftllll ttur ffi D.S. al Coda
?. - ? 1 -
+
r r
ad lib. and Fade
10
TIME AND TIME AGAIN

Wordsand Musicby
B I L L YJ O E L
Fast
Dsus2 Dm Dsus Dm Dsus2 Dm
r c o r c o g
i$rrr
ffi ffi ffi ffi ffi ffi
tEfiq
through - this phan
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@ 2006 JOEL50NGS
11
G
rg
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like a re - birth.- and time
a) o r t + 7 ' - / a a - r
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you left-
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to show that sor - row. watch -
who could love you. true -
12
C G
x o o m
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out _ for to mor - row, yeah, yeah.-

SO do you, _ yeah, yeah.-
Em
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You thought you - too oh now that

Would - n't say- was play your
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14
ONLY A MAN
Wordsand Musicby
Moderately B I L L YJ O E L
Cm7
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ta) ? - C * -) -) a) a)
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On-ly a who's bro - ken can ap - pre the aw

On-ly a who wan - ders through the emp of ev
G7
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On-ly a man - whose world is al - ways can E V er know.-

This is the man- whose eyes knowwhat to and what - to say._
Cm7 F9
tu
tffi ffi
And who could un der - stand- the all

And who could er know- the feel
@ 2 0 0 6J O E LS O N G S
15
Bb FIA Gm G7
'ffi @
ffi lR
ffi ffi
On-ly who's weep - ing in the rain- knows

On-ly a whose hopes and dreams are bro - ken
F9
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ffi
not eas when you

not eas when you
FIA Gm G7
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15
F/A
ffi
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h
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she combs-
C6
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F9 Bb
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19
F9 Bb FIA
f,rrrt
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whose lone - ly can nev And you
F9 BD F/A
:hm
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want to know - lis - ten my friend, I'll
Gm C6
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have -
20
F9 C6
tu
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F9
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F9 C6
f,rr-t
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F9 C6
tu
ffi Effii Repeat ad lib. and Fade
21
SHE'SGOTA WAY
Wordsand Musicby
B I L L YJ O E L
Slow and steadv
G G
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ffi ffi
She'sgot a way _ - bout-

She's got a smile- heals-
GTlD C
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know - what but I

know - why but I
D7 D7lFfr D7 G
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know that I- with - out - got a way -

have to Iaugh- re - veals- got a way -
O 1 9 7 1( R e n e w e d1 9 9 9 )I M P U L S I VM
EU S I C
22
Em GTlD C
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pleas but there

talk but it
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a rea an way.-
are walk
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23
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24
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touch-es I get tumed- a-round. oh.

r- 3 ------t
25
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don't know why
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know that I- can't live with-out- her

26
BAY
OYSTER
Wordsand Musicby
B I L L YJ O E L
Moderately slow
Em7
o o o
ffi
From my room I see- blue - Pa - ci - fic O - cean:-

lots of friend folks - that say good morn - ing, -
A F
r c o
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ho - tel has me
how you know I
l- l-
G DlFfr Em7
rfffi trrri o o o
ffi ffi ffi
o 1976(Renewed2004)JOELSONGS
27
A F
p o
F1!'1
ttltl ffi
mor - row it's L. A._ And I feel as though- be - fbre. -
be a-mongmy friends, - but the road back home- lion miles.-
l- r
G DFf. Em7
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ffi ffi ffi
Well, mywom-an helps my to keep on

I can- see the lights of ly - wood be
r r
A r
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tlffi m
but my m a n - a - g e r , he stands right out side- the
but some - how they just don't move me like - they
G D/F# Emj
o o o
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trni
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Yes, up and com - 1ng su - per - star- and

I hard to un - der stand- but - I
28
A F
ftnf
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get - tin' rave but there no for fish a n - y
be a fish i f I ly the chance know I
l'
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29
Eml Dm CIE
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ffi ffi ffi

tfmf
I wish that I -
F majTlG eblc
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FIC
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G Bb F
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D r i n k - i n my wine - all day; hap-py to be- that way.
Repeat and Fade Optional Ending

G Bb F C
@ X,^
ffi T11]1
ffi
G o n - n ag e t b a c k- s o m e - t i m e : buy me some peace- of mind.
31
PIANOMAN Wordsand Musicby

BILLY
JOEL
G1r FIC Cmaj7 FIC C G1/C
m
C
tffi lffi tffi

X @
ffi iffi ffi

U T
i
r + + + e + a
tH* n
Em/B Am
r c o
i# ffi
I.]..]T I.1..]T
clock on Sat-ur- day,

bar is friend of mine.
real es nov-el- ist,
crowd for Sat-ur- day,
O 1 9 7 3 ,1 9 7 4( R e n e w e d2 0 0 1 ,2 0 0 2 )J O E IS O N G S
32
F CIE D7 G
o o o
ffi ffi
@
ffi I.]..]T ffi

? - v -
.=-..----
r e g - u lar crowd shuf - fles - ;.
gets me my drinks for - free,
nev - er had time for wife,
man - ag er gives me smile 'cause
he
C CIG
Effi ffi
old man mak - in'
quick with joke your smoke, but there's
talk - in' Da - vy, w h o ' s- the N a - v y and
knows that me they've been to see to for -
F Gll C
m ffi Fffi
ton - ic and gin.
some - place that he'd rath - er be.
p r o b - a - b l y will be for life.
get a - bout l i f ' e f o r a - w h i l e .
Gl1
ffi
He says, "Son,
can play me a
He says, "Biil,
r lieve this is
And the wait - ress p r a c - t i c - i n g
And the pia - no sounds like a
33
Am CIG F
r c o
ffi
rII]I ffi ffi
mem-o - ry? not real - ly sure how it
kill - ing me, a s a s m i l e r a n a - w a y lrom his
pol-i - tics as the bus' - ness - men slow get
c ar-ni-val, and the mi - cro - phone smells like a
D7 G C
tu
i-ffffl
rrffr
ffi E#
goes, but it's sad and 1t-S Sweel and I
face. "Well, I'm I
sure that could b e a
stoned. Yes.they're shar - ing a drink they call
beer, and they sit at the bar and put
Am
p o
CIG F
ffi
I.]..]T ffi ffi
knew it com - plete I wore a young er man's
mov - ie star I could get out of this
lone - li ness, but it's bet - ter than drink i n ' a -
bread in my jar and say, "Man, what ate you do - in'
C Am Am/G
Hq+H
r c o
ffi
Itllll {ld
Da de de
Da de de
lone Instrumental
here?" Da
34
DllFfr
ffi
fn]n
da
da
da
EmlB
g
H+H
|.1..1T
a song. you're the pia - no

Am CIG G11
Hdmrm ffi ffi
4
FIC G11
ffi ffi
Em/B Am CIG F
f#
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r c o
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Gl1 C FIC FIC C GTIC
ffi E# fffi Iffi lffiiIffi
C FIC F CIE Dm7 C
Iffi Iffi mffi ffi Etttll iffi

36
L IDN E
T H ES I E G F R I E
Wordsand Musicby
@ 2006JOELSONGS
37
E All A D
o o m LO rc
ffi
r|tfl-l ffi H#
tIIm ffi
And we're writ - ing

But, a long time
A A
r c o
f#
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l.]..Im
just to pass the and the days go

j u s t a n o - p e n and a man grows
E
o @
ffi
tllfi
on the Sieg - fried Line.

on the Sieg - fried
39
G
@
ffi
say_ the
D Dsus2 D Dsus2
m o r c o
f$rn ?Srn
ffi ffi ffi ffi
Dsus2 D
r c o
fPF
ffi ffi
A A1l A A11 A Al1

r c o @ r c o @
fmf ffi
T?fr] ffi
TffF H# ffi
tlrm I.1.-]T ttttu Ffiij
a t: t\lt + 8 A:A U\t t: t\+ +

, | f . l l l l \ r l
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D E
o @
?9F
ffi ffi
dtln
A D
r c o
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I.]..]T ffi
And we Dutch we drink French
A
r c o
I-l."lm
And they feed
E
O O
ffi
I]ffi
the Sieg - fried

A All A11 A11
m
r c o
Htrffi ffi FI-FI-H
trrIIJ I.]""]T ffi
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TO BEAR
CROSS
Wordsand Musicby
B I L L YJ O E L
Moderately low
G B7 Em
o @
iffi
@
q+lil
ffi |.1.-]T tllff
CIG G
Hfr{
@
ffi
CID CIG G
@
ffi
reo
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pro - blems of my
had my share of
O ' 1 9 7 3( R e n e w e d2 0 0 1 )J O E L5 O N G 5
44
^lc# Bio|. Eml
o o o
iffi{
II]T
ffifr
I.1..]T ffi
It's all rel-a-tive,you see, what hap - pi - ness should
Though it may sound cruel, you know I'd be a
-=----
ATsus A7 DTsus D]
L ft8
ffi NTH
[rm ffi ffi
tIlfi
And we got to work out _

to let it slide few -
G
@ o @
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reo m
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ffi ffi ffi
and I
And if
45
NC# Eml
- o o o
H#
lm ffi
But you know it's though it's com- fort to

that's the price you Lord, there no oth - er
3
A'7 D7
rcoo rc
ryfm
tttul
ffi
nnE
to each life - must

to get down on your knees and
G D C F F C
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ffi
trn
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C F F
m
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46
G 87 Em/D A
@ x o @ r c o
ffi ffi
tfIItr
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ToCoda$
it
DTsus CIG G
ffi ffi
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have our cross_ to
have our cross_ to
47
Em Em/D
o m rc
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t-Ft-fH
ffi
C'7 DTsus CIG G
lffii ffi ffi nffr

ffi
G B7
X O D.S. al Coda
ffi ffi
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(verse2)
n
G7
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48
NEWMEXICO Wordsand Musicby

B I L L YJ O E L
Moderately
C G BP F
go :
H++?l
f+t-l-H
#r
ffi m ITlmm
t t t t l
C G
E#
m
ffi
1. To - day I'm like a
2. And if I have a
3. Instrumentalsolo ad lib.
eas if
m
mor - row morn in' I could be - a
got a thumb and she's a son of
m a n - y peo ple got a hold - on
C G
I# #r
ffi
does n't mat which di tron

do my writ on my road gui
I know some thing that they don't
@ 2 0 0 6J O E LS O N G S
49
Bb F
"ffi
ffi m
I
and
M e x - i - c o .
pia - no bar. - stl
Solo ends
I M e x - i - c o . )
Dm Dm
m
G
ffi ffi
G Dm G
ffi
@ @
ToCoda$
ffi ffi
Dm Bb
ffi Hi im ffi
I can- be strong.-
51
Am G G7
frd ntrff @
r1]T ffi ffi
Dm G Am Bb
m
ffi ffi ffi

dtfi
ffi
can- be
F C G
Eq+H
o
ffi ffi
eb F
ffi a
F# r-I L
52
MfAMt2017
(Seenthe LightsGo Out on Broadway)
Words and Musicby
B I L L YJ O E L
Moderately
D C G
@
trrn
ffi
I]:m }gfl{ ffi
ryP
Tr \t
eb D C
ffi
(8va)-- -
fnm
ffi E#
? , ' L I | -
h u f,a ha
opfr GmajT
m
trni
ffi ffi
GIB
fftrr
ffi
'1976(Renewed2004),1978JOELSONGS
O
All RightsReserued Internationalcopyright Secured Usedby Permission
53
D DmajT(no3) GIB
x @
?8rn ffi,'' ?8tn
ffi ffi ffi ffi
D 1Jrcf" G
@
?9;
ffi ffi ffi
I saw the Em - pire - srare laid

that was so man-y_ years a
(2nd time)
A G FfiM/
r c o
#
I.]..]T ffi ffi
I.]m
And life went on be-yond

be - fore we all - lived here
Bm Pfm Bm DIA
rc
A
,fuo
iE
ffi +ffi
I-m ffi ffi Tltfl
El]atr
they all bought- and left there long-

be -fore the - took o - ver-
They held
There are
G DlFfi G
n4ffr trni Fffir
ffi ffi ffi
They turned our pow

to tell the world -
ToCoda$ 'Alcfr
g
H#
I.]m
us un - der- ground,
the lights - went out
55
D A A
trrrr frnf frnS
T??fl
ffi TITI]f drm
D A DIA A
Ffrrn
r c o
ffim fuo
ffi TI]IE ffi I.1..]T
D GID D
rc ?8f
:Srrr F|fiN
ffi ffi ffi
I've seen the go

I've seen the go
Bm G
@
ffi ffi
I saw the ru ins at_ my

I saw the might v sky line
56
.,----_->
You know
The boats
Bm7
ffi
A G
fuo @
I:]:m ffi
on For Sec- ond

they nev sailed at
A D GID
fuo trnr ffi
RM
FIFFI1 ffi ffi
They burned the church

They sent a car
57
D Bm
trn
ffi ffi
and picked the
G A
r c o
Fffi
FFltl
ffi Etttu
DtFil G DIA
trni @
ffi ffi ffi
- 'ry - but no one real

The flames were ev where,
They said that Queens- could stay and blew the Bronx -
GIB G/B D
X @
X @
?slr
ffi ffi ffi
al - ways burned up be - fore. -

sank Man hat tan at sea._
-
CODA Alcfi
+^ -
ffi
tll]n
You know those liehts - were

C G B b
# i f i
tffi
(8va)'
f f i H
O I-J-J-J L-J-J-J L I L-J-J_J !J
h t
D C
f f i f f i
t&a1-- :----
tional
G B b C D
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m ffi
ffi ffi n-Fh ffi
(8va)'
a) J - t l l +
rall.
A :,r
U
60
THESE
RHINESTONE
DAYS
Wordsand Musicby
BILLY
JOEL
Slowly,majestically
C Am
}gf,{ Hd
[Ilftr
F DIC
m i#H
ffi
so non - cha
m
we spend our
C/F F
g
ffi H#
Ettul
those taste- ful
o 2 0 0 6J o E LS O N G S
D G/D D7 G Dm/G G
@ s -999
?ffirn
ffi ffiffi ffi ffiffi
a pass - ing phase.
sbo F BblF
x o x
qm
ffi tu
on chan - de - liers.- | we e-ven

so bon vi - vant.-)
62
Gsus G
G:t, ffi
f f i f f i
we changedour ways,
}gf,{
these rhine-stone davs.
IH
EVERYBODYHAS A DREAM Wordsand Musicby
B I L L YJ O E L
SlowGospelfeel t; = '.i I
otFfr Em/c cf,dimD/A Bm
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ffiffiffiffi ffi
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ftr Fnf ?Arn i*a fffi+
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des-per - a a s I
words I'm say and if a
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wan - der through the world in which I search ev-'ry-where for some new
word from you can bring a bet - ter then I have are these games that
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fT?f
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more than cold re-al ty glve. I f I

keep my hope from crum bling way. So let me
O 1 9 7 1( R e n e w e d1 9 9 9 ) ,1 9 7 8I M P U L S I VM
EU S I C
All RightsReserved InternationalCopyrightSecured Usedby Permission
64
D GIB Ff,m Bm BmTlA
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ffi ffi ffi+
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IT1T
need- a c a u s e f o rc e l - e - b r a - t i o n , - or com-fort I use to ease my

lie, - and let me go on sleep - ing, - and I lose my- self pal-ac- es of
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I r e ly on my- im-ag - i na - tion - and I

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E/\rn
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dreamof an i - mag-i-nar - y
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emo - tv hours eas - i - er to
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66
O N L YT H EG O O DD I EY O U N G
Wordsand Musicby
B I L L YJ O E L
CIE
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@ 1977(Renewed2oo5),1978IMPULSIVE Muslc
67
G C F Am
@
ffi }H m ffii ffid

tl]Itr
much too Ah, but soon - er or er comes down to ldttr,
locked you Ah, but they nev - er you price that you pay,-
might as Well, they

things that
F G
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on - ly the good-
ffi
On - ly the good -
68
G F
+g!
ffi m
You misht have heard I run - with a
F G Am
r c o
ffi
@
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FI-FI-H
might be too loud, - but nev - er hurt no one.-
G CIG
oo
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ffi . ] I I I
59
F G
m
I
Ff,ft ltit
ffi ffi
send up nal, I'll throw you That stained- glass

some say ter but I say I'd rath - er laugh with the
CIG Am F c
ffi
r c o
ffi
tltfll m Ffffil
ffi
F
@
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on - ly the good - die on - ly the
On - ly the good - die on - Iy the
70
G C G
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on your con You've got
D F
rc
ffi ffi
G F
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gin - ia, they did give you quite e-nough
Etul instrumental moth- er told you I could give you was a
D
ffir
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You did - n't count on

She nev - er cared for
F Dm G
@
ffi ffi ffi
- when you were count-ing on youf ro - sa And they

but did she ev - er say a pray'r for Come out.
F CIG Am F
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G F
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comesdown to fate,-
72
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73
ZANZIBAR
Wordsand Musicby
B I L L YJ O E L
r c @
FFmsf'
danc and - the aud

knows - such a
F9 Am9
tu r c @
FFm sfi
ffi
ap - plauds.- Though he's bathed in sweat,

the game,- but the Yan - kees grab
o 1 9 7 8 ,1 9 8 4| M P U L S I VM
EU S I C
Bbmajl
4
m
go down town._ Yougave a-way
so much fun - in black and white
E7
ffi
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round- for
one_ to
F9
f,rnl
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a s e
ly gave-
m
( 1 . ,3 . ) S h e ' s w a i t - i n g
(2.) She's gon - na
8vb- - -
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for
for me, - for me. -
76
C G+ Cmj
ffi ffi Effi

got the old - man's
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79
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(take 2nd ending)
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F Fmslr FFm 5lr Repeat and Fade
ffi
tfttu ffi t-t-t-t-H
Trrrl
80
UNTIL THE NIGHT

Wordsand Musicby
B I L L YJ O E L
Moderatelv slow
avi --t
I nev-er you where you _ go

To-day I what must be- done.
Now you're a that we havechanged
I'll have my like ry_ man.
af - ter you _
I give to_
And I'm we're -
You'll have like -
o 1 9 7 8 ,1 9 8 3T M P U L S | VMEU S T C
81
G F
#r
ffi m
We go our
But now it
So man-y
To - day we'll
\
(
G
#
ffi
dif - f'rent ways _ to e p-'rate

ssep -rare lr - u -
ssit a tions.
feels as though- the day goes on for - ev ef,
bro - ken hearts,- SO man-y lone - ly fac es,
be un sure;_ is this what we be - lieve - in?
Dm
ffi
It's not that eas - y- an - y - more
more than it ev - er - did be -
so man - y lov - ers- come and gone.
And won - der how can - we so
G C
ffi IEfii
8vb.
sb Dm CIE
ffi ffiffi
To Coda$"
eb F
iffi ffi Iffii D.S. al Coda
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(r =-'----
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b= 8vb----J 8vb----)
83
Am/D G EblG
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+
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and the day - is o of the light has-
84
EblG F
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As they pour in - to the street I clos As the
8vb----J
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cars turn As they're
G
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85
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b e - g i n - n i n g
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ffi fi+ffit
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Be - fore leave you
Dm G
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I have been wait - ing so long. -

86
Bb F C
ffi ffi iffi
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87
Bb F G
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un - til - the night,
C Bb Dm CIE
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88
IT'SSTILL ROCKAND ROLLTO ME
Words and Musicby

B I L L YJ O E L
Moderately fast
Em
?#
ffi
t-ft-t-H
Bb F
ffi
ffi
O 1 9 8 0I M P U L S I VM
EU S I C
89
C Em
o @
iffi !flTl
I.]..]T
May - be should buy some old col - lars? "Wel - come

"Are you
Should I a set of white
ffi
lK to the age of
gon - na cruise t h e m i r - a - c l e
Em Am
r c o
?# ffi
ttt]Il I].]T
Where have you been hid - in' out

Now - a-days you can't be too
D G
?*F
ffi ffi
till you spend

ba - by blue
Em Bb F
?r*ffi
ltll
I.]..]T
ffi
ffi m
- 'ty - - 'bout
Ev bod - y's talk in'
Hot funk, cool punk
G
@
ffi
.v- ?.
'-=--'- _a
rock and roll to me.

rock and roll to
G CIG G CIG F
@
ffi Hfi{
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it does - n't mat - ter what the pa - pers, 'cause
I
91
E Am
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al - ways been the same old -
m
G G
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at your av - er - age
Em
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wind - ers and

see - ing? "Don't
Bb F
ffi
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o - range palr
that they're out
C Em
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you could real - ly

Should I try to
Bb F
ifr m
93
Em Am
r c o
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mm
FfiFfl
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Fft-t-H
Don't waste your mon - ey on a new set of speak - ers.

y o u k n o w a - b o u t the new fash - ion, hon - ey?
Em D G
?+ffi ffrrr
dam ffi ffi
more mile - age from a cheap pair of sneak

need are looks and a whole lot - ta mon the
Em Bb F
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y - ways
y - ways
G C
nffir
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rock me,
rock
94
CIE CIF G CIG G CIG

s o o
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95
F5 G
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D.S. al Coda
C Em Bb F
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sound.
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96
CAPTAINJACK
Wordsand Musicby
BILLY
JOEL
Slowly
F BbmajT
m
o + +' +-+ + 1. + . t t : t = t 7? t
F BbmajT
x m EM
Sat - ur - day night- and you're srill _ hang- in' a -
Your sis - ter's- gone out, _ she's on a
S o you de - cide - to take - a h o l - i -
S o you play your _ al - bums and - you smokeyour
ffi
you're tired of liv in' In your _ one horse town.-
and you just sit at home and - mas - tur- bate.
you got your tape deck and your brand new Chev ro - let.
and you meet your girl friend in the park - ing lot. -
O 1 9 7 1 ,1 9 7 4( R e n e w e d1 9 9 9 ,2 0 0 2 )I M P U L S I VM
EU S I C
97
F
m
You'd like to find - a lit - tle hole ln the ground - for a
The phone is gon - na ring soon, but you just can't wait - for that
Ah but there's no - place to go an v way,_ and what
Oh, but still you're ach ing for the things you have - n't got, what went
Am7
rcoo
ffi
t1lf1
while, mmm._
call, mmm._
for, mmm._
\\/rong, mmm. _
F Bbma17
ffi m
S o you go to the vil - lage ln your tie - dye jeans,
S o you stand on the cor - ner in your n e w E n g- l i s h c l o t h e s .
You've got ev -'ry- thing, but noth - in's cool,
And if you can't un - der-stand why your world is so dead,
98
F Bbmaj7
m ?m
and you stare at the junk 1es and the clo - set queens,
and you look so_ pol ished from your down to your toes,-
they'vejust found your- fa ther in the swim - ming pool, -
and why you've got to keep in style and feed your head,-
F BbmajT
ffi im
it's like some por - no-graph r c m a g - a - zine, - and you
but still your fin - ger's gon na pick your nose_ af - ter
and you guess You won't be go ing back to school- a n - y
well, you're twen-ty - one and still your moth er makes your bed,- and that's too
Am7 DTsus D7
ffi ffi
rcoo
ffi
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smile, mmm._ \
I
a]l, mmm._ (
more, /
long, mmm._ ,/
99
G D C D
#
ffi
ffirn
ffi Fffi ?8rrl
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Jack- will
D C
x o o
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spe - cial is
G D C D
Fffi
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ffffi ffi ffi
ToCoda$
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t# ffi
@
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'you'Il be smil - in'. - La- da, da.-

100
Yeah,-
G
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G
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101
O FY O U RL I F E
PRIME
Wordsand Musicby
B I L L YJ O E L
Moderatel y slow
C FIC GIC FIC C FIC GIC
go x o o
l @
ffi,
Ftlt?t
ffl-t-H lffi ffi
Effi ffiffi Effi ffi
(_ FIC C FIC Glc c FIC C GIB

t# m }H Iffi Iffi tffi M IH i*trr
ffi
F CIE GTlD
m g o o
ffi
FI-I-I-H
rc
t1111
with no - where left to

da da da da da
f'
l,
C CIE ot/p# G
s o o
ffifiq m
Fr-l-t-H
niffi'
ffi
All the toys- of child - hood pur a - side.-

Da da d a - da da da da da da.-
o 1 9 8 1J O E LS O N G S
All RightsReserved lnternational Copyright Secured Usedby Permission
E7lGfi Am
#rr?
ffi ffi
tfl]n
You think- you'd need the price of free - dom,

Da da- da da more con ver - sa- tion.
I
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103
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ba da da.
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ffi ffi
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ffi ffi ffi ffi ffi
ba ba da
F Gsus Em'l GIA D

o o o
tril
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ba da da ba da da
Bm7 C FIC
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f,
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v o o
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da, da, -
F CIE CIE
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da, da, da, da, Your own re - flec

Mm mm mm da
C F/A Dm7
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will an all - your ques- tions you're in the pnme _

It's on make - be lieve and ing in the prime -
G7 C GIB C Dm7
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ffi i# !ffi lH ffi

rttt]
of your
of your
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106
D DFf. F Dm7 Gsus CIE Eb Fsus
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da da da do do. - Ba da da da da da da do do. -
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c Flc c FIA G / B C F I C C D m T CIE

g o o
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trffi u f f i Effi
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108
THE ENDOF THEWORLD

Wordsand Musicby
B I L L YJ O E L
Modera
G7 D
ffi ffin
ffi
G A1 D G
rcoo
ffirrr i,fl9r
ffi TfH
I].1T ffi ffi
This you got prob - lems your wife. She once

know when you need - ed and care, and she
A7
a o o
I.1..1T
made you toes, now she you Rice.- And she

o n - l y to drive the - dren where., And I'm
G A7 D G
@ rcoo
iofrrr
ffi I.]..]T ffi ffi
used to do- your laun - dry, now she sends it And she
sure she washed- the win - dows and I'm sure she But
o 2 0 0 6J o E L5 0 N G S
109
A7 C
iE+H
rcoo
N1Til
t|I]x
al - ways made be - lieve - that she was sat - is - fied - in bed.- |

now she does - n't call - you her P r i n c e C h a r m - i n g a n - y - more.-|
x'ffiB b F
m
what she used but that's how things were yes - ter - day.-
Dm7 G]
ffi6
l-H+r1 ffi
the good old days are gone.-
1,
I
F
ffi
goes down as
110
Eb
tffi'-
Bbl Bb F7
x^
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F4+il iffi"' ffi
11'l
ATsus
tu
ffi
D7 G7
ffi
l.]..]T ffi
You're not the end - of - the
To CodaSo,
D DifJs
f$rrr
ffi Tffii"'
D G A]
@ rcoo
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ffi ffi I.]..]T
you fight
112
D G A1
@ rcoo
?sil
ffi ffi ffrfl
L]fan
C G A7
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f*io
E!'!E
H++H
"The
watch Price-
D G A1
rc @ p*,9
ffi ffi H+H
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C
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ffi TIT]1
ffi iffii
113
F] Bb C]
m iffi
FH
Dm7 D E7 A1 D
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ffi
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ffirrr FSrn
lml ffi ffi
I.1..]T
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dlfn ffi
da, da, da, - da, - da.
7 7 7 )
t f i 7 f ,
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7 7 7 7
E7 G7 A1
@ rcoo
ffi
tttul ffi H#
l]..m
D.S. al Coda
(take 2nd ending)
114
O NT I M E
RIGHT
SHE'S
Wordsand Musicby
BILLY
JOEL
BIE DIE
ffim
ffi
l]'F ffi
on all the Christ - mas ba - by's com-ing to - night, -

a man with so much far too man - y to men - tron,
can hear-
don't have-
@ r 9 8 r , 1 9 8 2J O E LS O N G S
115
C B ATsus
E#
r c o
ftEFF
I]m
Tml
I.]..]T
Turn the chor - al mu - slc high pile more wood up - on -

since she said- she'scom - ing home- tom out all my tel
Dm7 G'7 C
ffi tttl]l ffi IEfli
that should make- the at mos - phere com - plete.-
soon she will - be walk ing through that door.-
F G Am B
m @
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|.1..]T
Ffffi1
ftnfi
I ' v e had to w a i t - for-ev but bet - ter late - than nev - er. I
I may be go - ing no where, but I- don't m i n d- if s h e ' s- t h e r e .I
E Ff,m/E G#mP AIE F#m/EGfrmlE E F#m/E G++mlEAIE

o o L ;h ntrr? o @ L H h o riffl
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right - on tlme, _
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116
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t
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Left to my own _ I can al - ways make be - lieve -
r--J-------
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iffi ffi ffi
that there's noth - ing wrong.

r-J
117
C D
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still I will choose- to live - pli - cat
f,
I
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that - we right or
E BIE DIE A/E

@ o
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And it - oc - curred- my Christ - mas
BIE E EID
o
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o
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o
t-t-ft-H
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nev - er missed- beat.-

C
iH
Ev - 'ry time- I lost the me
Turn the cho ral mu sic high
-'l
t ^
steps in the street.-

mos - phere com - plete.-
G
@
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should- have known

wait- for - ev
tt
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she- should on t1me.
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120
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121
BOULEVARD
PRESLEY
ELVIS
Wordsand Musicby
-J- BILLY
JOEL
ModeratelY (.!= = .ft.N)
G D otfte
iFin trr.rr H',,
ITDN
ffi ffi FH++I
r r t ) | |
v l-l
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ffi
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G A D G
r c o @
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ffi Tfffi
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long a go, _ all the faith - ful held a show down at

took a ride - with my ba - by by my side down to
t#
Pres - ley Bou - le - vard- on r a - d i Where the
Pres - ley Bou - le - vard- where faith - ful And I
o 1 9 8 2J O E L5 0 N G 5
122
G D G
@
ffi #
ffi ffi ffi
hope - less name - less the charts. Where the

saw that knew that was lost. They were
A
frrrf
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sor - row and - the lone -

sou - ve - nirs - of EI
Bb Am
ffi ffi
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123
F
m
Heart - break Ho - tel.
U
x o o
ffi
l t
ffi
eb Eb Cm7 F'7
ffi iHfi iffi ffi
to - night; er - y - one ls_
124
Bb F7
ffi
ffi ffi
G A
@
f;rrrf
ffi tllfi
D G A
trtn @
nrl'?
FM
ffi ffi Etttu
down to vis Pres - ley Bou - le - vard,-

125
C G A
@ r c o
iffi ffi
rffftl
tlr|]l
one - way dead-end street. And I smashed my car to piec - es, and I
D G A
@ r c o
f,+rn
ffi ffi tfffit
rtttll
said good - bye to youth. the ug - ly ru - mors
Bb:,
ffi
could not face the truth. -
Am Dm
ffi
r c o
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I.]..]T
126
G
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F (-
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ffi #
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ffirn
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one ls _
127
F7
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ffi
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O l L - . - l 4
t r t t
G
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D7fre G
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128
NOBODYKNOWSBUTME
Wordsand Musicby
BILLY
JOEL
Moderate half-time feel
F C
m iffi
G (- F C
@
ffi
x
ffi
o o
m E#
I Am Em G
r c o o @ @
m ffi
ffi t|fftr I.]..]T ffi
F F G
m m @
ffi
no - bod
@ 1 9 8 ' 1J O E LS O N G S
't29
F C
m E#
mom - ma thinks I'm talk - ing to my - self
al - ways go to sleep a - when my dad
F F
ffi ffi
know she thinks I'm out - ta my But, I'm-a to my
kiss him and I turn out the But my on the
D G9
ffrrr
ffi iffi
Ffft-|i
se - ce - ret friend; - get a - long just

edge of the bed: - to m e e v - e r - y
130
C F C Am
r c o
l# ffi iH ffi
t-ftt-H
G
@
ffi
I Am
r c o
ffi ffi
|m1--1T
B - b - b - b - b - b - b - b - b - b - b u t
C tr
F
ffi IH ffi
ev -'ry - bod - y says it's just a stage I'm in- ev -'ry - bod - y says I'm just a
131
C F C
iH ffi }H
nev - er trav-elled to the plac - es I've
D G9
tu mef'
ffi tlfft:
lookedthe cra - zy fac - es o[ the peo- ple I d - d - d - d did._
E#
Whomp bop a loo bop bam boom.
I
I
F C F Am G
m iH ffi
r c o
ffi
tllrl]
@
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no - bod-y sees. bod - y sees- but me, hee, hee,
.t
F C
m Iffii
E m G
o @ @
m f f i i
FtTFi FFFFi
ffiffi
me, hee,- hee.

133
F F C
m m IH
no - bod-y's spo-ken to but no - bod- y can. No - bod-yknows but
F G
m #
ffi
C F C
}E+H m EH
G
@
ffi Repeat and Fade

134
MAN
AN INNOCENT
Wordsand Musicby
BILLY
JOEL
D
trn
ffi
Some peo ple far way from the if

Some peo ple they nev - er be an er
ffi
chance of they hear a

prom - ise be - causethey
D
?Sil
ffi
out - side- and hope- that it J u s t_ pass- es by. -

- ber too well - they heard some-bod - y tell - them be - fore. -
Recordeda half step lower.

o 1 9 8 3J O E L5 0 N G S
135
Some peo - ple live with the fear of a and the an

Some peo - ple sleep a l l a - l o n e e v - ' r y in - stead of
Em G
o @
I.]..]T ffi
- ger of hav - ing been a they will not lis - ten to an -

tak-ing a lov - e r to some peo - ple find that it's eas -
A D
frrrS fftr
Etttl ffi
one _ no - bod-y tells - them a lie. -

er_ hate - than to wait- an - y - more.-
Aml D
trrn
m
rcoo
t-tttH ffi
I know you're on ly pro - tect 1ng your - self,-

I know you don't want to hear what I say,-
136
CIG G
@
ffi ffi
I know you're think ing of some

I know you're gon na keep- turn
A Xo
fuo ?Stn
ffi N.c ffi
Some-one who hurt you, but not a - b o v e - mak - ing up for l o v e - y o u ' v e b e e nd e -
But I've beenthere.and if can sur - vive - I can keep you l i v e ,- I'm not a -
not b e - l o w - an-y - bod-y know- if there's a
G
o @ @
ffi
l-ff+t ffi
\_,
ny - ing you could ev - er feel,- I ' m nol a-bove do-ing an -
b o v e g o - i n g t h r o u g hi t a galn, * I ' M not a - bove be - ing cool -
chanceol res - ur - rect- ins a love. I ' M nol a - bove go - ing back -
A D
r c o
:8n
I.]..]T ffi
- \ / thing - to re - store- if I can.-

for a while, if you're cruel - to me I'll - un - der - stand.-
to the start - to find out - where the heart ache be - gan.-
137
Some peo - ple see through the eyes of the old - be - fore they
Some peo - ple run from a pos - si ble fi oht some peo - ple
Some peo - ple hope for a m i r - a cle cure,_ some peo - ple
Em G
o @ @
.ITIT
|]:.m ffi
ev - er get a look at I'm on - ly will - ing

fig - ure they can nev And al-thoughthis is
just ac - cept the world as But I'm not will - ing
A
r c o
I]:m
you am an 1n no - cent
I can is an in no - cenl
down and am an in no - cenl
D GID D NCU D GID D GIE DlFfr

rc rc o @
trni
f,9rn f8rrr tftFF ffirrr fFrrr
ffi ffi ffi [[ml
I|.JT ffi ffi ffi ffi ffi
138
G CIG G
# @
ffi
c\
Hf,qffi ToCoda$
^lc# rc
D G/D
rc
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Tilfl
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An i n - n o - c e n t m a n .-
D CIG
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ffi ffi
You know you on - ly hurt your - self out of I guessyou'd rath - er
139
G
@
ffi
mar - tyr l o - n i g h t .- That'syour de - ci - sion, but I'm-
D GID D G/B ^lcH D GID

g@
D
trrn rc
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ffi ffi H# ffi ffi
ffi ffi t-llx ffi
-5
GIE DFf' A D
o @ @ x r c o
trrrt
ffi ffi tllfi ffi
't40
C H R I S TLI EE E
Wordsand Musicby
B I L L YJ O E L
Bright Boogie Rock
Let me you a sto a - bout wom - an and a

night that's where played the sax o
mu she had rhy - thm all her
Am G F D7
#
ffi
|m1..]T F ffi ffi
mfn
may be you w i l l find fa mil - iar

he used to fake to stock ar - range - ments,
he blew a s o l o like a blind man,
G7
ffi
J--.
may - be der The man's name I don't

he left the a But one night be - fore
she real - ly o She want - ed more than just
@ 1 9 8 3J O E LS O N G S
All RightsReserved InternationalCopyrightSecured Usedby permission
141
Am G
r c o
ffi
|]]T ffi
mem - ber, he was al - ways Joe t ( ,

last song a - bout a quar - ter a f - ter
'ry
en - core, and he could play in ev-
F G
@
ffi ffi ToCoda$
but I can't for - get the wom she was al - ways Chris- tie
he saw her stand-ing at the coat and made his move on Chris- tie
he left the stageandpackedhis al and took it homewith Chris- tie
He was work - ing

Lee, Chris- tie
Am G F
ffid
I.1..]T
@
ffi m
G
ffi
She was a
ffi
oh,_ I heard the man knew "the Bird"
you know the man could blow an ed - u - cat - ed axe. He could- n't
F D7
m rc
ffi
Im]"m]T
that Chris - tie who did - n't need an - oth - er lov - er,
143
G G7 C
ffi igf,{
@
ffi N.C,
want - ed was the sax lt took a while for him to
G F
@
ffi ffi
al-waysChris-tie
Am G F
Hd
rlrm ffi
@
m
Lee. Chris-tie Lee. Ooo -
'144
G
#
ffi
m
man took a cal - cu - lat - ed the pow - er
ffi
But Chris - tie Lee was more than he knew how to she
D7 G G7
rc @ @
ffi
lm]..1T ffi ffi N.C.
need him as a man, she want - ed was the horn They say that Joe be - came a
't45
C Am G
di
r c o
F9Pr
ffi
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they say he al - waysdrinks a
F D7
m rc
ffi
|.]..1T
They say he blind man, they say he sold his
G C
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E - ven the band must face the
I
I
Am G F
ffi
Tlfttr
@
ffi m
that'swhat the mor - al is The on - ly time you hit the
146
G
@
ffi
is when you play for Chris - tie
G F G
@
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@
ffi ffi
Repeat and Fade

147
EASYMONEY
Words and Musicby
B I L L YJ O E L
o 19 8 3J O E L5 0 N G 5
148
G7
ffi
You don't have to my arm,
I don't need an - vi -ta
If you've got a lit - tle - y bus'
Em
o @
ttt]ff
Just polnt me wnere you to Take -

if you've got a of Take -
point me where you to Take -
H#
me to the ac - tion, me to the track,
me to the ta - bles, me to the fights,
me to the pow - er, me to the heat,
149
Take me to a they're in the back. I've been work -

run me like the roll me like the dice.When you're count -
take me to the it's o - pen to the street.- Some -
ing all my af - ford to

ing on a kill - ing ways count me
things's got to pay off, thing's got to
D
iSr
ffi
let me call my wife so I can tell her I'11 be

talk me i n - t o los - in' just as long as I can
some- one's got a for - tune that they're beg - gin' me to
150
Em C
o @ x o o
Fft]fl
mal ffi
D
fgF
ffi
could get luck

want the good
could get luck
G
F*r
r-- 3 ffi
things could go
I n e v - e r
things could go
r-3
Em
?"ffi
I.]..]T
151
D
?8?rl 3rd time To Coda$
ffi r-J
May be this one may - be to

I- want the good I want it
May be just this oh, may-be to-
t'-{-----r
flalf-time feel
G A D
@
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ffi tl1ft
Bm G
@
ffi ffi
J
me than be- ing some-one I g o t a
3
152
slot ma - chine of
rep-u - ta-tion lay-ing

153
G
CODA @
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D A
r c o
?PT lll?N
F]-ttfl
ffi FF|rh
Oh. I d o n ' t w a n t-
G D
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ffi ffi ---l-\..
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Repeat and Fade

Bm C
-
iffii
x
FEFFF
ffi H#
I.iT
I could get luck - y. -

'154
AND SOIT GOES Wordsand Musicby

BILLY
JOEL
Slow Ballad, with much rubato
C F Asus Am C F
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f f i f f i ffi iimi
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I' I I I I
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ffi ffi ffi EFHi

ttIII] ffi
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atat I I
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d+: +' e e ale aD i] T t

f t fvsJ I
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C F Asus Am
iffi' ffi t--J

FFFN
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nm
r- J -----r
'ry
ev - heart- there a
you _ tn cau - tlous you

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s a n c- t u - a r - y safe and strong,_ to heal the wounds- from lov - ers
an - sweredme with no pre tense._ And still I feel I said too
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7-3------t
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I riJ-r 1- 3 ------t r-J ---r y- 3 --
@ 1 9 8 3J O E LS O N G S
All Rights Reserved International Copyright Secured Used by Permission
155
Asus Am C F F/G C
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f f i f f i
Tin:l'
iffi' dE
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un new one comes a - r o n g ._

'rY
My is my self de - f'ense. And ev -
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Fm6/Ab CIG Am Gsus
m'n ffi iimi

trrn
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rose- it seems I felt the thorns.-
C C/Bb F/A Fm6/Ab CIE

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And so it goes,- and so il goes,- and
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t "
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lrt'td
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soon, sup - pose. But if my made you

- l -
t - J
155
Asus Am C F G
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mm }EH ffi ffi
that would be -
F Asus Am C F F/G
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this room with you' you can have this - heart to break.-
r-J ---
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ffi {iffi ig+ri

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why -
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ffifii
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and so it goes,- and you're one who

r_ 3 ______r
G C F Asus Am
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t-ft-ttl ifmi
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I would choose to be you.
,- 3 ------t
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if the choice were mlne
r-J---r r---J----, r
158
Asus C F F/G C
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you can have this - heart to break.-
F C F
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ffi
ffi ffi {rffi

\-, ----/
ly - one who knows.
_--\ /
159
THEFAITH
KEEPING
Wordsand Musicby
BILLY
JOEL
Light double-time feel
D
trrrr
ffi
8vb thrctughout
All RightsReserved Internationalcopyrlght Secured Usedby Permission
150
G
@
ffi
should have known - me much causemy past thing that nev my
D
?8rrr
ffi
Still I wouldnot be herenow if I nev-er had the
G
r#ft
ffi
er felt - the de - srre -

161
DIA
rc
ftllF
ffi
#mlA
X @ L
ffi H#
[tl]l
That's why fairh. -
G D
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ffi N.c. ffi
Yeah, yeah,- yeah,- yeah keep-ing the faith. - We wore
on - ly Flagg Broth-ers had them with

162
Ir - i - des-cent socks with the same col - or shirt, and a tight of chi nos._
ffi
put on myshark-skin jack- et, you know the kind with the vel - vet lar and dit - ty - bop
D
ftm
ffi
fresh pack of Luck-ies and a mint called

old man's Tro-ians and Old Spice
G
@
ffi
the rest of the Ro - me - os wore.
DIA
X or" F#m/A
x @ 19-
ffirri
ffi ffi H+fr
I]Im
We werekeep-ing
G D
@ rc
ffi ffi
keep-ing the faith. -

164
A G D/F# A
r c o @
ff.i Ffio
Hffi
t|]fi ffi ffi [rE]
just from a good - thing, you can

J Y o u can get - so much -
( o h oh
G DFfr A G
nffr #ni H #
ffi ffi ttfflj ffi
DlFfi Em7
o o o
trni
ffi ffi
'cause the good ole days al - ways good and

you know the good ole days al - ways good and
EmTlA D
?8n'r
ffi
mor-row ain't as bad as seems. Learnedstick - ball as a for-mal ed - u - ca - tion,

mor-row ain't as bad as seems. Now I told you my rea-sonsfor the whole re - vi - val,
lost a lot of fights but it taught me how o
go - ing out - side to have an ice - cold the
G
r'ffir ro Coda$
ffi
sex but not e - nough,- I

shade. lis - ten to my for - ty fives,- ain't - ir
D
ffr rr
ffi
found you could dance and

166
G
@
ffi
drank a lot of take-home I thousht I was theDuke of Earl-
D.S. al Coda
with a red - haired sirl in the Chev
DIA
rc
ffi
when the rock and

167
G/B im/A GIB

x @ L i#ffi
ffi Hflf
I].m ffi
I'm keep-ing the faith. -
G
@
ffi
Yeah, yeah,- yeah keep-ing the
YCS, I
168
I'LLCRYINSTEAD
W o r d sa n d M u s i cb y J O H NL E N N O N
and PAULMcCARTNEY
rightly
G DTsus G DTsus G DTsus
ffi
@
ffi ffi rrffr

ffi
F*!
ffi
gol
'ry rea - son on earth -
chip on my shoul - der that's
G DTsu G DTsus G DTsus

rrtrr
ffi
@ @
ffi ffi ffi
to be
big than my
G D7
@
ffi ffi
Ettul
lost the on ly girl

talk to peo ple that
Copyright@ 1964 Sony/ATVSongsLLC

Copyright Renewed
All RightsAdministeredby sony/Aw MusicPublishing,8 MusicSquareWest. Nashville,TN 37203
InternationalCopyright Secured All RightsReserved
169
C]
iliro
L t a t Il
|.]o
And if could get my

If could see you
G
@
ffi
get my - self locked up to - day, - SO
try to make you sad some- how, - SO
D G DTsus
#
?8rrr
ffi ffi ffi
G Bm
@
ffi ffi
when there's peo - ple

170
D
rcoo
fr?rrr
Tftfl
f1-lT ffi
gon - na hide my - self a - way -
E A D7
o @
ffi
I.1..]T
frnf
ttftl
ffi
r]ml
,,rJr - gain some day.- And when I
G G DTsus
ffi
@
ffi ffi
G DTsus G DTsus G DTsus
ffi
@
ffi ffi
@
ffi ffi ffi
{ l'm- } gon - na
{( . ^ .. I DreaK rnelr
Lause lm I
t:
l.
171
D'7
ffi
flam
gon - na break 'em in two, - and show you your
G D
# ?8il
ffi ffi
172
MODERN
WOMAN
Wordsand Musicby
B I L L YJ O E L
Bright
Eb6 F Eb6 F Eb6
m
F
g^
ffi II
ffi
ffi
TflTI
ffi
L
ffi TM
ffi
\'
1' 1
\
J' +
t ) I
+' +
F Eb6 F Eb6 F
ffi ffi
@ ffi ffi ffi
f r I,
r - i
f f r,
F sbe r nbo
ffi ffi
ffi ffi TTII]
ffi
m
ffi
l. You see her sit - ting with

2.,3. (Seeadditionallyrics)
pbo r p,bo F
m m
F
ffi m ffi
ffi ffi ffi
cof - fee and her pa - per, with her high sneak-ers of I
r
b=-
Bb Bb
'Ffr
ffi ffi
long she ag - gra-vates ten
Bb C nbe
iffi
x o o
ttt0
I-III
ffi
t a t t t ! ffi
makes up her mind. trou - ble: may - be in-tel-lec-tu- al
r-3
Bb rba
m i+H{ :tfl
Or may - be she's the qui - et
B' AD6 Bb xbo Bb nbo

im m'" iffi att Ial
TI tat I
f f i f f i
f f i f f i
't74
C ebt#rr) eb FIA Gm7
Hf,q fuo
ffi ifr
Fffi ffi F||lN
ffi
Don't try to put on an act;- you
-'-r' = = .
?-l
K_f.
r I K-
/
CIE C Dml1 Am7 Bb(f,11)
s o c
ffi
rcoo
Y#
ffi
dlfn lt++N
FFFI+?-rfr
ffi ffi
rT.m
Ft-H+l
Andyou're an o l d - i a s h - i o n e d m a n ;- she un
T. ,-.
-r'
?-
ToCodaS
FIA Gm7 F ,
ffi |||rF
ffi m ffi:'
the things you re She's a mod
F Eb6 F Eb6 F Eb6
ffi -----
ffi
ffi m ffi
ffi m m
ffi
1.
i
175
Eb6 Bbo
ffi ffi
ffi
ffi
DbmajT Abmajl Dbmaj7

iffi ffi ffi
Effi r-3-----1, ffi ffi
)e
Eb6
m
ffi
--i ffi'''
ffi
r-i
F F,b6 F F,b6 F,b6
m ffi
ffi ffi fifi
ffi
ffi
ffi
.
\ J +
l +
l
+
(\vb) )
F F Eb6
fr
t x t l l ffi FM
ffi
175
F Eb6 D
Eb6 F Eb6
m m
I
ffi ffi
ffi ryfffl
ffi
ffi
ffi
F nbo F F ebo
m |]Tfi
ffi ffi ffi ffi
ffi
rrr
| 3>
r-1,J,
F sbe F Bbe F pba
ffi ffi
ffi ffi ffi
ffi
\t l
m gA
m
ffi
\t l
Repeat and Fade
1' ln
I1' + .t
Additional Lyrics
Verse2: She looks sleekand sheseemsso prof-essional; Verse3: Time goesby, and you're sharingan apartment.
She'sgot a lot of confidenceit's easyto see. Shesaysshelovesyou but shedoesn'tknow why.
You want to make a move, but you feel so inferior In the morning sheleavesyou with your coffee and your paper;
'Cause
underthat exterior she'sgot her own money, It's a strangesituationfor an old-fashionedguy.
So she'snot anotherhoneyyou can quickly disarm. But times havechanged,things are not the same,baby.
She's got the eyesthat make you realize You overcamesucha bad attitude.
She won't be hypnotizedby your usualcharm. Rock'n'rolljust usedto be for kicks,
And nowadaysit's politics,
And after 1986what elsecould be new?
Itorus2: You've got your plan of attack;
That won't attractthe modernwoman.
When you're an old-fashionedman, Chorus3.' You've got to learn to relax
She understands the things you're doin'. And face the facts of modern woman.
She's a modernwoman. And you're an old-fashionedman;
She understandsthe things you're doin'.
She's a modernwoman.
177
CLOSER
GETTING
Wordsand Musicby
B I L L YJ O E L
Moderately slow Rock
G Gfi A G
# HF? #
ffi ffi"' xffi ffi
went search- ing the truth,-

ripped off pro - fes
mark for
'ry shy
Em7 G
o o o
F9*r
ffi ffi
rn - no - cence_ con men ac - ro - bats-

not all that - must live c o n - t r a c t s ,I -
pan - ga to_ should have kick them out-
stomped me in - the count their per-cent

not give u p _ my see AS ex - per
soon as they-crawled ev - bank in Swit
@ 1 9 8 6J O E L5 0 N G S
AII RightsReserved InternationalCopyright Secured Usedby Permission
178
Eml A G
o o o
H #
ffi Ttfft
tlttll ffi
k n o w t h e y ' r e g e t- t i n g but they have n't tak - en ev fy thing: those

has - n't gone to Late ly, all the miss - ing piec CS have- been
stores my stol - en I'm all right be - cause, de - spite- the laws, - you
Em7 A
o o o r c o
ffi tlfif,
pay - backs are bitch. - Though I've lost quite - a lot, I- am

fall - ing in place.- And if I could- go back and - start
can - not hide truth. - And al though you - will say I- am
G C
rrffil
ffi Eq+H
ln_ con They - can keep what - they've got they
ver _ some I- would not change- that much ing
too - na but- I have not - lost faith the
A D7Ff" G
@
filtf
I.1..]T ffi
have- my soul. And if this

I- know now. Though there have - been slns - I
I- be - lieve. And if I- don't have - this
179
A D G
frnf ?8'n Effi
tII]]f ffi ffi
all clos
wi re - gret, I'm clos
all worked out, I'm clos
A D DlFf' G
?sn @
*rrif
Ti?fl
I.1..1T ffi ffi
I.]..]T ffi
get - tmg still have [ar to

get - ting don't have all the
get - ting still have far to
A Bm DlFfi G
nnf
r]'.m ffi ffi
I:]:m
rrffr
ffi ToCoda$
go, _ no doubt, but get - ting clos

an - swers yet, but get - ting clos
go,_ no doubt, but get - ting clos
G F
@
ffi m
get-ting close.
G G # A G
ffi ffi*
Em A G
9# f,ntf
@
Hq4f,
I.]m I.1..1T ffi
A D A G Em A
r c o rc ,fril9
PFf
H#
# ?#
I:]:m ffi t-fffH ffi Iffi Iffi
G Em A G
o @
#t Prrrf #
ffi tllfi tllfi ffi
Repeat ad lib. and Fade

Em A G Em A
r c o o @
?rfP rrfft fnf
ffilT]
FII-FH
Tttr]
I"]..]T ffi tllfi I.1..]T
182
BABYGRAND
Wordsand Musicby
B I L L YJ O E L
Moderately
BDnT BmiD5 Bbmg F/A baim
m ftot,
ffi ffi
rco
m+
nblc
ffiR
f*
ffi
at night, when it's
my time, wan-dered
had friends, but they
D7 D7Ff.
ffi
l.1..lT
tu
ITm
I reach out for some- one ro hold. _

a - round this world. She would al ways
And I've had fame, but it does n't stay.-
183
Gm DFfr
ffi trili
1t111 ffi
When I ' m b l u e , when I'm lone - ly, -

An y day, a n - y hour,-
I ' v e made for spent them fast e - nough.
Gm/F
tu
ffi
through. She's the on - ly one

takes is the pow - e r _
AS- Ior wom - en.- they don't last with just
Am7 D7
ffiffi
I.1..]T
tu
tt]11l
can._ My- ba - by grand -

in my hands. This- ba - by
man._ But my- ba-by
F Gm7
m tffFt
ffi
t;r
F A7f"s Dm pm#z Dm7

rcn
ffi ffi ffi ffi

I.1..]T
ffi
Itlli
no one's gon - na play-

185
Emlb5 Dm om#r Dm7
ffi ffi
tffr
ffi
nrm
F7 Bb
m
ffi
ly songs- like these,-
Bmtb5 Am7
rcoo
ffii"' ffi
Eftr
keep those- mem-o-rtes
ffi
on. _ I've come far
E+
ffi
ttrm
from the life And I've - got the scars
D7 Gm
ffi
I"1..]T
ffi
from those dives I played in. - Now I'm home
DF# nbp
t%
ffi
tu
ffi
and I'm wea my bones,
Am7 D7
ffitr
I.1..]T
ffi
I.]..]T
one - night stand. My-

A7frs ATbs
tu
Gm7
|.FFN
ffi ffi
ba - by grand home with me. - with me. -
- l
I
D] D7F|; Gm7
rc
ffi
I.1.-m
tu
t-tttH
|.|||N
ffi
FIA rbt Gm7 F
ffi ffi"' ffi ffi A
o q r '' r r
I
_+1-
#/'-t
L I t l,--
188
HOUSE
O FB L U EL I G H T
Wordsand Musicby
-J- B I L L YJ O E L
Modera te Blues ( j-] = . .lt)
Gm7 C7 Gm7 Gm7 C7
ffi tFln
ffi ffi ffi
Gm7 Gm7 Gml C7

|lFN
ffi
Ii!TF
ffi
flffft
ffi M
Gm7 D7fre Gm7

fffttl
ffi Ed ffi
IttIal
|l|rII
ffi
Well,I'm on down to the

on down to meet the
^7fre
Gm7
'ffi* Difis
tffi"'
|.FFN
ffi
surf - side These days my old shov - el head she don't

wom - an she got the long legs, the red lips, the
189
r-1---.-1
}H
trav - el she goes where I want.- Now I'm-
gold - en knows just what to do- make a
r-1----1
'ffi"'
A7fre
3
o n a beat- where all the 1o - cals keep each oth - er
feel good.- She's the hard - est wom - an in this
3
com - pa They all drive - Chev - pick - ups

neigh - bor She d o n ' t mind - mak - break - fast
morn-ing; they all ride - Har - ley Da - vid- sons at

mom-ingl she don't mind - mak - in' love ev -'ry
190
C1
A1
x o rcoo
ITT?II
ttat I I
talalJ lTM
t]--m
work for some-bod - y who makes all the mon - ey and pays them just e - nough to get tight I
come see me, hon - ey, and bring lot - sa money, cause we know how to treat vou right I
f-J
otils Gm7
iffi'"' Ft?n
ffi
in the House of Blue Lisht. House of Blue Lisht.
Well. I'm
C7 Gm7 C7
||rm
Iffii ffi Effii
House of Blue
r-J
filled with
r_J--r
F'7
ffi
gets you so - find your - self
r-3 --------r
r----3-
D F F #
ttrrr
r-3
ffi ffiffi
some re - a road house right
r-- 3
C7
iffii
192
Gm7 C7
Effif
fllllt
ffi
Gm7 Gm7 otfrs

|l.||.N
ffi
tfrfF
ffi ffi"'
Girl, I
C7 Gm7 C7
Iffii |irflft
ffi M r-J --r
been a - round the world -
N#s Gm7
m,' fttttl
ffi
nev - er real - ly knewwhat I was I came- to

193
C'7
X O D7fre
I I I IaJ
lalal
ffir
l
m'"
ride.- I woke next dress
r-J
C'7
iH
They had a band -
They had a boy - that kept the cus- tom - ers in They had
A7
f*if
FFfllt
tffffl
that -'11 get- cha. You'll wan - na spendthe whole damn-

194
Dtfis Gm7 C7
|.|fm i#
m"" N.c. ffi ffi
r-3
in the House of Blue Lisht House of Blue
r_J ------r
C'I C] Gm7
iffii f_r
, ______t
Ed
,, - l - ,_
l
Fl|N
ffi
/ -.
In theHouse of Blue
r-J
C7 Gm7 C7
X O
I I I tal
M I I I
t a t a t l
|.lrfit
ffi iffii
House of Blue
r--J-------r
Repea Optional Ending

Gm7 Gm7 ofis Gm7
ffi
ffi {+H{ffi* F!'ln
ffi
195
T H ET I M E ST H E YA R EA . C H A N G I N '
Wordsand Musicby
BOBDYLAN
Moderately
G D DIC G/B
X @
Fffir ?rtr
fiuTl ?an L
ffi TI]T ffi ffi ffi
G G Em
ffi ffi I.]..]T
gath - er 'round
2.-5. (Seeadditional lyrics)
G
@
ffi
Am D G
r c o @
tr?l
ffi
tHlii ffi ffi
copyright O 1963Warner Bros.Inc.

copyright Renewed1991by specialRider Music
Internationalcopyright Secured All RightsReserved
Reprintedby Permissionof MusicSalesCorporation
196
G
o
ffi
to the bone,
GmajT
i$ni
ffi
4. Come
5. The
Additional Lyrics
2. Come writers and critics 4 . Come mothers and fathers,

Who prophesywith your pen Throughout the land
And keep your eyeswide And don't criticize
The chancewon't come again. What you can't understand.
And don't speaktoo soon Your sonsand your daughters
F o r t h ew h e e l ' ss t i l l i n s p i n . Are beyondyour command,
And there'sno tellin' who Your old road is
That it's namin'. Rapidly agin'.
For the loser now Pleaseget out ofthe new one
Will be later to win If you can't lend your hand
For the times they are a-changin'. For the times they are a-changin'!
J. Come senators,congressmen 5 . The line it is drawn

Pleaseheedthe call The curseit is cast
Don't standin the doorway The slow one now will
Don't block up the hall. Later be fast.
For he that getshurt As the presentnow
Will be he who has stalled. Will later be past,
There's a battle The order is rapidly fadin'.
Outsideand it's ragin'. And the first one now
It'lI soon shakeyour windows Will later be last
And rattle your walls For the times they are a-changin'!
For the times they are a-changin'!
198
MONEYORLOVE
Wordsand Musicby
B I L L YJ O E L
Moderatehalf-time
Eb
ffi,',
FI?I-N
Mon - ey or which one are you

Mon - ey or your de - ci - sion where to
Cm Ab
#
iffi ffi
Bb
iffi
H#
some - time,- you know. -

or com - pro - mise.-
o 2006 JoEL 50NG5

199
Some-thing
When did
Do you still re - mem - ber we start ed go?-

When did I be - come the rea - son the sad NESS eyes?-
Bb ^b
ffi ffi"'
Was - n't it
You could have
AO Bb
X,^
ffi !1"111
rent - ed car?
you why.
200
Ab EblG
ffi m'-
Who could have that end less road - would ev - er have come-
May - be you have changed - your mind, - but
Cm EDIDD
ffi
iffi ffi
Cm
ffi''
EblDb
201
Cm
iffi
bye. Of - ten I- have asked-
FIA G
@
ffi ffi"' ffi
could I clos
eb eb
iffi ffi
G tb
#
ffi ffi r-3
knew- you help you de -
r-3
rbtsb eb Xus
ffi
ffi ffi'"
Mon - ey or
Instrumentalsolo
with your
nb
m4f,
cash-
nb
ffi"
your mind - be - fore you re
^b Ab Bb
ffi
ffi ffi H#
You could have asked- me I would have told - you

W a s- n ' t it love - that driv - in' in a rent - ed
Ab EblG
ffi*' I I ' I L
ToCoda$
May - be you might - have changed- your

Who could have known - that end less
204
Bb Cm
ffi
Hlffi iffi
late-
D.S. al Coda
Mon- ey or love.
Bb
ffi
m"'
205
Optional Ending
ffi"' Repeat and Fade

206
THE DOWNEASTER''ALEXA"
Wordsand Musicby
BILLY
JOEL
Not too fast
Am G G
LO F*t
H+ffi
|.1..1T ffi ffi
.
r
n![
ar+-+--
a l )
-
t t
L
t
I
t
J
T+
t
|
t
-J
|
l
; ?f=ttrf i
- t l l l
, tj=trrr f
a ' 4 b l l l
Am X c G
E#
@
ffid
I.]..]T ffi
the Down east er A- lex -

my Down east er A- lex -
my Down east er A- lex -
Am C G
r c o
ffi
I.]..]T Eqfii ffi
a, and I ' m cruls ing - through Block Is land Sound.-

a, and I oo where- the o - cean_ is deep.-
a, mofe and more miles - from shore ev 'ry year,_
ffi
I have chart - ered a course_ the Vine -

There are gi - ants out there- the can -
since they told me I can't - no strip -
@ 1 9 8 9J O E L5 0 N G 5
All RightsReserued InternationalCopyright Secured Usedby Permission
Dm G
@
ffi ffi
yard. But to - night - I- tuck - et

yons. And a good - cap fall a
ers, and there's no - luck - fish - ing
C F G
m
I
@
ffi tffi ffi
We took on die - sel back

I got pay
I w a s a bay - man like
CIE F G
@
x o o
ffi
I.]..]T ffi ffi
tauk yes - ter-day, and left this morn

dren who need clothes. I know there's fish -
ther was be - fore. C a n ' tm a k e a liv
208
Am F G
r c o m
ffi
mtn ffi ffi
in Gar d i - n e r ' s B a y .- Like all the lo - cals here- I've

where, God on - ly knows.- They say these wa - ters are- n't what -
bay - man an - y - mofe._ There ain't much fu - ture for a man -
CIE F G
g o o
ffi
Ittfil m #
ffi
to sell - my too - proud to leave. I worked my

they used- to But I've got peo - ple back- on land-
who works - the sea. But there ain't no is - land left for is -
Am G
ffi
I.1..]T
rocoda
+:ffi"
rrffit
ffi
fin - gers to the bone,- SO I- could

who counl on me. _ So when- you my- Down - east A-lex-
land - ers like me. Ya, - Ya,
209
C G F
EH r#ff
ffi m
C Dm C G
ffi ffi iH #
ffi
wife I- amtroll-ins- At-lan still have- my hands on the wheel.-
-=-- .-'-
F Am G
m r c o
ffi
rlrm ffi
-? ( l'"1-
|
-" r l--
t_)-2 U
G Am Em
r c o
@
?#
ffi ffi
tlfm
ffi
I.]..Im
210
f l t t - t t , t l _ :
i-=i-- |
-e7
d | - --- t t te
[
Am
r c o
ffi
dalll
D.S. al Coda
Now I
a a i- i i-if- if i(77-" a
: f--==
C G Am
r c o
}H
@
ffi ffi
tlr
Yo- Ya- Ya-

z't'l
A L LS H O O KU P
Wordsand Musicby OTISBLACKWELL
and ELVIS
PRESLEY
M edium Shuffle
Bb
ffi
f f i \ r
Bb
X^
ffi
bless my wrong with me?-
itch ing like man_ fuzz tree._ My friends say I'm act
queer as bug,- in I'm all shook upl - Mm-
t 1 9 5 7b y S h a l i m a M
C o p y r i g hO r u s i cC o r p o r a t i o n
Copyright Renewedand Assignedto ElvisPresleyMusic
AII RightsAdministeredby CherryRiverMusicCo. and ChrysalisSongs
InternationalCopyright Secured All RightsReserued
212
Bbt F7
ffi ffi
shak - y and my knees are weak,-
can't seem to stand- on my own two feet.- do you thank when you
such luck? - Mm-

213
Ebj F7 Bb Eb7
ffi m ffi ffi
eb r,bt
ffi ffi
on my mind,- I'm a
try to speak,- my -
Bb
hffi
up but feel
shake like leaf
that I love
for this soul of
214
F7 Bb
m tfr
ffi
hearl SO scares me to death! )

, Jne touched my hand, what a
have girl I love so _ Irnel )
Ebj F7
ffi m
Mm-
0 7 , r 4c) 7 l l u
Ebl F1
ffi ffi
Mm-
I J
;J
a
-J'rr'
I I I r t l
Bb
ffi
216
I GOTO EXTREMES
Wordsand Musicby
BILLY
JOEL
Steady Rock beat
FIA G
@
ffi ffi
clBb
ffi
Fr-Hft
FIA G
#
ffi ffi
FH
o r 9 8 9 J O E LS O N G S
217
this mo ment _ I'M

I don't know - how
m
crys - tal,
head - e d
like the prime my life.

I've self up the kill.
go ing - too fast.

think you _ can take
218
CIG DFf.
trr;
Hfl{ ffi
know how this feel

the hearl you's start
ffif
@
ffi
may on
Some feels
clBb F/A G C
ffi
E|na ffi #
ffi iH
clBb FIA G
IffiI.1..]T ffi FgPi
ffi
219
m6lB
iffi'',_--
tweens.-
,-.-
Dm Fm
ffi ffi
Hflfl
or noth Dar
be out Dar
F/A G
ffi ffi
don't know why I go- to ex - tremes.

don't know why I go- to ex - tremes.
D Bb F
ffii
ffi
iffi ffi
Out of the dark - ness, leav - ing the scene of the
r-- 3 r- -l r-- -l r-3

220
L- D Bb
ffi ffim
ffi
J -------r r-3
iffi
J----------
ei - ther per - fect - ly 'ry

cnme,_ I'm wrong or I'm right ev -
r-J r--J r-J r--J
m
time.- Some- times I lie a - wake,
r-J r--J
F
C G
.llla
x o o
i t l t a l #
t o t t l t a t t ll
ffi
night af - ter night. com - lng a part at the seams.
-J ,- 3 ,-------1
D Bb F
tu
ffi ffi
m
Ea - ger to please, read - y Why do go to ex
r-- 3 r-J
r-3 7-3,---------1
l'4
l,t
221
F/A G
#
ffi ffi
iH
clBb FIA G
@
!#
ff-t-fl ffi ffi
Gm6lBb A1
m rcoo
tfffl
titul
222
Dm Fm
ffi m
all - or noth - ing -
G (-
@ x o o
tffltr
ffi ffi
FlA G
)a @
fx ffi
know - why ex - tremes.

low - there be - tweens.
Gm6lBb A7
>g_LO
Too high - or when- I'm

You can_ be
{.
I
223
Dm Fm
ffi
ffi
FIA G
@
ffi ffi
FIA C
'ffito
ffi ffi
r-J
I don't know
r-J
Optional Ending
clBb G
@
Repeat and Fade fffi

|.1..]T ffi
224
SHOUT
Wordsand Musicby O'KELLYISLEY,
R O N A L DI S L E Y
and RUDOLPH
ISLEY
F
Moderatelv. with a beat
ffi
Dm F
ffi ffi
Dm F
ffi m
back and tShoutl) Don't
(Shout!)
O 1 9 5 9( R e n e w e d1 9 8 7 )E M I L O N G I T U DM
EU S I C
225
Dm F
ffi ffi
l r
Dm
ffi ffi
ffi
yeah,- yeah, yeah,- yeah.
Dm F
ffi m
Dm F
ffi m
will. - Come on. - Say-
I a::-i
F
226
Dm F
ffi ffi
will -
U
=t a
r r r \
t
-
l
I
z
-
-
[
\ t
+ a ay1
Dm
ffi m
ffi
------...-- __;
you Come on - now. (Say) Say that
(Say) Say that
Dm F
ffi ffi
Dm
ft
ffi ffi
Come-
227
Dm F
ffi m
mem - ber (Shoo - by
doo - wop.) when you used to (Shoo - by
m
doo.) yeah, fool -
Dm
ffi
228
F
m
lhal you've g r o w n-
Dm
ffi
ffi
yeah,- You wan - na leave- me. (Shoo - by
Dm
ffi
\-/
doo - wop.) go. _ (Shoo - by
F7
I said I want you to know - right now, You'vebeen sood-
) fri fr'/ fr )
1 U
? 1 t
v
7 r ?
DK
/
I said I want you to know,
- ' 7 : = a
/ D R / 7 /
V /
to know - right now, yeah,
F Dm
m ffi
make me wan - na (Shout!)
(w/lead vocal ad libs.)
Freely
(Shout!)
231
F BblF
ffi
ffi
--=- --
F BblF F F7
m ffi ffi ffi
right.- (Yeah, yeah,yeah,yeah,yeah, yeah.) Now that I'vegot mywom-an, I feel
Bb'l
ffi
right. - (Yeah, yeah,yeah,yeah, yeah.) Ev -'ry time I think a - bout you.
Original tempo
232
Dm
m
F
m
lShout!.1 back and
iFr
Dm
m
ffi ffi
(Shout!) come on _ now.
m
F Dm
m
(Shout!)Take
F Dm
m ffi
(Shout!)
233
F
ffi
Dm I
ffi ffi
Dm F
ffi ffi
Hey, -
Dm F
ffi ffi
Hey, -
' i
c
c
l
l
e r \ - !
t r - f t -
- \ t
I
'
4
)
e
1
l
+
}
c
l
+
+
t I F rr
234
Dm F
ffi ffi
t-=--j \t----/-/
(Hey,- hey.)-
Dm F
ffi m
Dm F
ffi m
(Hey.)
Dm F
ffi ffi
Jump up and Jump up and shout
235
Dm F
ffi ffi
'ry -
Jump up and shout now. Ev - bod - y shout now.
- -
a) + * t F t 5 r
c l
* !
c
tl !r tl
l l t l
Dm F
ffi ffi
Dm
ffi
Shout
236
HEARTBREAK
HOTEL
Wordsand Musicby MAE BOREN AXTON,
T O M M YD U R D E a
Nn d E L V I S
PRESLEY
--t-
Slowly (J-] =, .It)
E
o o
ffi
lm1.m]T
r-J__--_r r-J,-__r
3
3
since ba - by left m e , w e l l , l ' v e found a new place to
3 3
down at the end - of Lone-ly Street at Heart-breakHo - tel whereI'll be. I'll be just so lone- ly, ba - by.
B
fEFt
I].t]
Well, I'm so lone- ly, I'll be just so l o n e - l y - I could die.
Copyright O 1956Sony/ATVSongsLLC
Copyright Renewed
All RightsAdministeredby Sony/ATVMusicPublishing,8 MusicSquareWest, Nashville,TN 37203
InternationalCopyright 5ecured All RightsReserved
still can find - some room
A1
rcoo
|F||N
I.1..]T
B1 E
iffi
ft]ff
id
dfff
just so lone- ly, theycould die. Now the
r-3
the Well, they've

J
been so long - on Lone - ly nev - er, they'll nev - er look b a - a c k . a n d t h e - e y ' r e s o .
well, they'rejust so by, well, they're so lone
J
well, they'reso lone- ly - theycould die. Well now, if your - ba - by leaves you, you've
239
Heart- break Ho - tel where you will be, will be just so by,
J -_r r-J
well,you'll be You'll be so lone - ly - youcould die.
A9
ffi"'
|.1..]T
Piano soLoad lib.

240
B7 E
iFfr
Etttll
o
ffi
TI]T
@
-3
thoughit's al ways crowd-ed,
-Jl
A7
H#f
ffff]
6 a - way their gloom They'll be so, well,they'llget so lone- ly, w e l l .t h e y ' r es o l o n e -l y .
E FmajTEmajT
iffi
o @
Etttll
ffi
fl-Fn
tlrm
Hjg
-
v )
\
so lone - ly - they could die. -

241
WHENYOUWISHUPONA STAR
Words by NEDWASHINGTON
M u s i cb y L E I G HH A R L I N E
With expression
CIE sbaimz Dm FIG ce GTbs C6 G13 G7
f f i f f i
Etttll E|ft]] ffi ffi m'-fuffi m*m
u l
,!f
e
I
r r 1-l- +'f q +| F r l l
9-:--rr--
=_
GllD C G7 CIE GTlD gmzb5 E'TbelB

rc x o o s o o rc
TTTI1
ffi ffi ffi
utal
ffi
FFt-fft
irrrri
ffi iffi
fiiiil
born, They pos - sess a
Am/C ETlB Am Cmaj7lD D7 Gdim 81 cs#sczfstbst

}H !ffi{ Hd
l.T'.]T
ffisr
ffi ffiH
Etttll m!ffiffi.''m
A7 Dm7 G7
rcoo
FFf{il
uj-fl
ffi,
I.1..]T ffi
Copyright O 1940by Bourne Co.

Copyright Renewed
InternationalCopyrightSecured All RightsReserved
242
c6lG CIE Bbdiml Dm AmlE F G9 Glbe
{+d
g
v o o
ffi
lrH-H
mtal
I tata
I.]..]T ffi ffi
I.]..]T ffi ffi
I.]..1T
ffttft
I.]..]T
m
who An - y - thing your heart de - sires will come
Cmaj7 Gl3 G7 Dm G7
X
ffi
@
m.'ffi ffi ffi
re - quest
Cdim C C6lG CIE gbaimt Dm F/G
=s{+d
g
ffi
I'].m].m ffi ffiffi {+ffi mur'
I.]-m
when you wish up - on
C m6lG Em/G Dm/G Gdim G7

x
E#i #ffii
ffi ffi ffi ffi
+
do. Fate is kind, She brings to
u r blg r \r 3 ba \'r
i r r 7j
D
G
243
Cdim C D7
|ml.m
l l t a t l
L rr r r l tffi ffi
I.1..]T
G7 c7#s(be)
G'7 C Dm Dm7
ffi iH
rcn
ffi ffi ffi

TITI]f
the blue,
G7 Cdim C c6lG Dm F
ffi m*m{+# ffi ffi

Fate steps sees you thru, When you wish star your
244
IN A SENTIMENTAL MOOD
Wordsand Musicby DUKEELLINGTON,
IRVINGMILLSand MANNYKURTZ
, with expressron
Slowl.v-
Dm Dm(maj7) Dm7 Dm6 Gm Gm(maj7) Gm7
P9- rc^
ffi Hitr
l-l-f+i
ffi
Ettul
ffi
Ettul
ffirr' G-u, ffi
ffiffi
C9 Dm Dm(maj7 Dm7 Dm6

iH
ffi N.C. ffi tu
t-ft-t-H
ffi
t1ffi
rco
ffi
ttt|]l
( rttl Gm(maj7 C9 Dm
rlb
:r::i m"' inl
ffi ffi
t- .
tt\? a
a
thrt'ur h while your lov
r r
D9 cfoimTo ooim D] Gm7 GD1D5 Gb7 F6le
ffi
E]IN
fu'"
m-fl
rc
ffi
tllfi
|.|rlII
ffi
ffi
ffi ffi
L
ffi
wlngs
CopyrighO t 1 9 3 5( R e n e w e d1 9 6 3 )a n d A s s i g n e dt o F a m o u sM u s i cL L Ca n d E M I M i l l sM u s i cI n c .i n t h e U . S . A .
. o n t r o l l e db y E M I M i l l sM u s i cI n c .( P u b l i s h i n ga)n d W a r n e rB r o s .P u b l i c a t i o nU
R i g h t sf o r t h e w o r l d o u t s i d et h e U . 5 . A C s . S .l n c .( P r i n t )
245
Dm Dm(maj7) Dm7 Dm6 Gm Gm(maj7)
rcA rco
ffi ffi
Etfff
ffi
Ifilll
m
ffi
drifts a mel - o - dy strange and
C9 Dm c#aim7ooaim D7
iml
ffi ffi mrf,
Etatr
ffi'"
I.]..]m
ffi
tH-ff1
this sen - ti - men - tal you make my par
r r -t )
GDlD5 Gbj F6 ebr: Dbmaj7 BbmT

ffi
H# ffi ffi 1fl
m
pet - als seem to fall. it's
GDIAD Db sbrz Eh#s nbn ehfrs nbrs

sr,ffi4r,
iE$
X X X
ffi* ml
l.l..]'m D]T
246
Dbmaj7 GDIAD p.btz
ffi h
ffi ffi
My heart's a light- er thing since you made this night a thing di - vine.
or 1-
Dm Dm(maj7 Dm6
rc rco
ffi I I II I '
tttxl
fttm
ffi
t[tm
a sen-ti-men-tal a world so
Gm Gm(maj7) Gm7 C9 Dm
"ffir'r
ffi
ffi'r'
|F|lN
ffi ffi ffi
-\--/
heav nev - er dreamt that you'd - be lov - ing
8I
I r
D9 cfiaimTooaim Dl F6
m
im*m"'ffi ffi
sen - ti - men- tal

247
SONG
MOTORCYCLE
Wordsand Musicby
B I L L YJ O E L
Moderatelyfast
CID Dm7 CID Dm7 Ebsus2 Eb
|.rfEt
I..l..l.m
Fl.III
I..I..]'m Trfi'l Ffll'il
I..l..lT
.l tr
Fm.rir
ffi ffi
"t:
d +
T.
' tw* 13'. *va -Y7
^f
Ebsus2 Dml Dm7

ffiru Fmrri
ffi ffi
d "t:
1Yl 1+'. t=t +. twt
E bsus2 Eb Ebsus2 Eb
llllbl fr mi:i, tld3fr
L.l..l!
ffi ffi H++u
Well,I'm driv - ing this road

word or I find,
C6 bmaj
ffi ffi
on this big old mo - tor I've been

when I feel my - self ing, la la
O 2 0 0 6 I M P U L S I VM
E USIC
All Rights Reserved International copyright secured Used by Permission
248
Dm F/A Bb
ffi rrnll
l.]""]m ffi
fbr-got who
la la la
\ -_---.
/
-=-.----
C C6
ffi' ffi
land boys and I
I h a d a chance,
Bbmaj7 Dm
ffi
high - way, but when I get west - of
dark- ness. And there's noth - ing more - that
Am7 Bb
ftfii
I..I..]T
ffi
my suc- cess I turn and say good-bye.-

| TheJer-i-cho
I can do I n e v - e r had a chance. - l
---=---/
249
F CIE BbID FIC
ffi
mfo'
ffi
trtr]
tu ffi
I..I..IT
'ry place that
F/A Bb
m ffITTi
Hffi
Road, - don't have an - y need
FIC
ffi
to prove noth - ing
Dm GlIB
rfna niifr
ffi I-]..]T
still might be
250
CIBb FiA
ffifii
FffTF
iffi
I..I..]T
BbmajT
(-I) Dm7 Dm7 Ebsus2

# s
-1fl
Ffflll
H.+t#
mmTl
mi-rti
ffi m'n
a J: t-s +-
T. tw9 a lYa
I t-
E bsus2 CID CID

mi:"
ffi m'* H]J+ TIM To Coda $
-r+'
o " 1 lYa i. tw$ +'
T. *w8
Ebsus2
dr ,,
ffi
Dm7 Bbmaj7
H+H
l..|..m
ffi
and dust my - self

she'swait me in
Am7
rrr|
FI+N]
ffff]l
F/A Bb
im ffi
ffiffi
I chance.-
AS AS go_ the Jer
252
F C/E
ffi *t1its1-tl
F/C F/A CIA Bb

ffi ffi Ffft|l
tTtTl
FtrTTN
ffiF
H++fl
had long - T h eJ e r - i - c h o
FIC C
lrnll
ffi ffifu'
As far as- I
Dm G7lB CIBb
$lH ffi
trIEtr ffiili
trlm
2s3
F/A
m
F/A Bbmaj7
CID Dm7 C/D Dm7 Ebsus2

Eilri
FFFFH
rin
FFFi-H
Hifii
Ffffti
H+ffi
Fffil_
ffi*
trI[D
lfllll-l
I..l..].m
ffi
fr
Road.
Am7 Dm7 Bb
m ffi
ffi
fFffti
Ff++#
T1ITI Hffi
oh._
254
Gm C
ffffi3fr Frl.I|l
ITm
I)rn7 C Gm7 C
! 9
= ttrft' Fffi.rrr
.:: ffi
a
rT.TTl
Ltltlt
t t r t t l
ta'
D.S.al Coda
255
E6 Ebsus2 Eb
m.'* mi-'u
ffi m.''
yeah, - oh.
'^'Jr \
C Gm7 C
ffi" Fm-rrr FFIIll
t++H
ffi I.]..]T
256
YOU PICKEDA REALBAD TIME

Wordsand Musicby
B I L L YJ O E L
Moderately
A5
fFm5fi
111T1
G F A7
@
|rfrlt
LIjJ
flID
L.l..l4
f#o
tllltr ft+l-H |.1..1T
\.< G F
/
',
-
z-'
-
r:*'
-:t'
ffim
(g'
o
'm'"
ATns
@ 1 9 9 2I M P U L S I VM
EU S I C
257
F7 G F A7
m ffi m rcoo
EFTIE
t-Fr-t-H
from when some-thing's on your_ mind. - But, you had to

but I've got prob - lems ^ f
()l my_ own.- It's a bit ter
D7
rc
ffi
|.]..]T
you Just had to see I'm hav - ing my

I ' m g o - in' through. And I can run from
F7 G F A7
m a$*r
ffi m frfi8
rlfm
I.]..1T
trou - bles, babe,- andthey're all too much for - me.- | You picked a
stran- gers now, _ but I just can't hide from - you.- J
'm'-
E'/fie A1
frStf
HM
tfilll
real bad- con - cen-tra You picked a

258
A'7
o o o
mm
I.]..]T
A7
rcoo
m'" Tfm
EII]f
Youpicked
ebr: D7fre
ffi'"
l-1.']m m"'
bt-
bad -
bt-
259
F] G
m ffi
I ain't got Ain't it the truth when - they

when * they
CIE m6lEb
ffi
I.]..]T ffi
that the thing - worth our free -

all you love - but for - give -
G DFf'
@
#
ffi ffi
Ain't that-some - day

Ain't that-some - day
ToCodaSa,n
C
IH
on_ our backs-
vide - for man _
D] F7
ffi
Etttll ffi
G F .{7
@
f-3i
ffi ffi g
D7 F7
ffi
Ft-fi-H ffi
lt up you _ some - day
'm'-
261
G F 8'7fre D7fre
@
ffi m ml"
Youpicked bad - time -
oils
ffii"'
my con - cen - tra Youpicked a real
a - long- bad news. Youcrossed hard -
vade my Youpicked bad - trme_

the blues.
A1 D] F1
f*''f
FTIfl
Ettul
tu
I-i-i-fH m
G F A7 G
rcoo m
Jq+ ffi I.1..1T ffi
Cm E7fre A5
iffi ffi'"' llfm

ffi
263
DIA A5 G F
€ @
ffi
ffi
ffi ffi
A5 A5 DIA
ffi
&
ffi tu
IltTl ffi ffi
G F A7
rcoo
ffi
@
ffi TfTfl
I.]..]T ffi"'
bad -
A7
rcoo
tl1ft m"'
my con - cen - tra tion. You picked a
264
A7
ftf
tffm
mess a - round- with bad- news.- me. tell me. tell me why you
A7
rcoo
FIS
I.1'.1T
Youpicked
A- bt-'
26s
DIA A5
p
m
ffi Hffi
G F A7 DIA
#,
ffi m rcoo
EIr!
ffitn
ffi
yeah, yeah, yeah.
A5 F A G F A
m
G
gffs,, @
frrrf # flnf
Hffi ffi ffi I.l--lm ffi fnfr1
t-t-t-t-|l
F G F A
m
G A
# # flrf
ffi ffi f'nf
TIIfI
Trrjn ffi rllm
266
THERIVER
OF DREAMS
Wordsand Musicby
BILLY
JOEL
Smooth Shuffle, with soul ( i = ,'.N )
G
@
ffi
CmajT D6
x @
trt
ffi tllfi
G
@
ffi
EU S I C
267
iE+H
ah. - the mid - dle of the
G
@
ffi
night - go walk - ing in my sleep,- from the moun- tains of faith -

night - go
o' walk - ing i n my sleep,- through the val - ley of fear -
D
?Fn
ffi
a r1v- er so I must be look - ing for some -

river so And I've been search - ing for some -
G
@
ffi
thing,- some - thing sa- cred I But the riv - er i"

thing,- tak - en out of my some-thing I would nev - er
and it's too -
some-thing some
D6 CmajT Bm7
o @
?fi+, F?+t{lrr
I.1..]T drm ffi t t a t tl
urt I
And e -ven though I know the I walk down ev-'ry eve- ning and stand on the shore._
I don't know why I go but now I'm tired and I don't want to walk an - v - more._
Bm7
iffi
and try to cross to the op - po - site side- fi - nal - ly find- what I've been
I hope it does-n't take the rest of my life -
269
G
Fiffi
ffi
In the mid - dle of the qo walk - ing ln my

go walk - ing
through the jun - gle of doubt t o a r1v- er so

through the des - ert of truth to the riv - er so
D G
@
:8nt
ffi ffi
deep.- I know I'm search-ingfor some thing,- some-thing so un - de - fined -

deep.- We all end in the o cean,_ we all start in the streams.-
that it can on - ly be seen --- by the eyes of the

We're all car - ried a long - by the riv - er of
270
D G
ffirrr r H
@
ffi ToCoda
+ ffi ffi
the mid - dle of the

the mid - dle of the
Am/G G C6 Bm6/C C6
{fidffi
@
Effii irrfl
ffi lffii
GmajTlD D9 c
Pg. L ..9.
HlllJ f*liJ/+'
FFI-I-H l-fh+l ffi
G7 C
ffi lffi
271
D7 D6
"rrrffi rco
ffi
rT]T I.]..]T
ffi
Eam
I'm not sure life af - ter this. God knows
Bm7
x
2tI
I I I I ' I
t t o t t l
l r r r r !
- I've nev - er been a spir Bap - tized- by the fire, - | wade - in - to the
A D
r c o i$r.rt
Tfffi
l.1'.1T ffi
prom - ised
CODA
+ G
rrfft
ffi
In the mid - dle of the go walk-ing the mid- dle

272
E#
i
c
I go walk- ing the mid-dle of go walk-ing in the, the mid-dle of the:
D G
iffitr! @
ffi ffi
go walk-ing in the, the mid-dle of the; the mid-dle of the:
FH
the mid - dle go walk-ing the mid-dle of the;
D
?F!n
ffi
273
A HARDDAY'SNIGHT
W o r d sa n d M u s i cb y J O H NL E N N O N
and PAULMcCARTNEY
Moderately, with a beat
G G
@ @
xffi ffi
F6 G
@
ffi ffi
like a dog. hard day's

to buy your t h i n g s-. worth it just to hear you
G F6 G
@ @
ffi ffi ffi
I should be sleep-ing like a But when I

you'regon- na give me ev -'ry So why on
Copyright O 1964Sony/ATVSongsLLC
Copyright Renewed
All RightsAdministeredby Sony/AW MusicPublishing.8 MusicSquareWest, Nashville,TN 37203
D
?frrr
ffi
get home to I find thing that make me

'cause when get you know I
earth should I
G C9 To Coda$
affir irtl
ffi ffi
Em Bm
?ifffi
fFm
sffu ffi
'ry - thing
ev - seems-
G Em
@ o @
ffi I]..m
feel - ing you hold

275
C D G
?fr+rr
EEf,{
G
ffi
Fffil
ffi
G F6 G
@
ffi ffi ffi
and I've been work - ins dog.-
G F6
ffi ffi
I should be sleep- ing
G D
@
?8n
ffi ffi
But when I get home to you, - I find the thing that you do - will make me
276
G C9 G D G
@
iml
@
tttti trrn @
ffi ffi ffi ffi ffi
G F6
#
ffi ffi
C D
iffi ?8n
ffi
earthshould I
G C9 G Bm
@
irn r#ff
ffi ffi ffi l t t t a t
277
Bm G
@
ffi ffi
ev - 'ry-thing seems- to be al - right.
Em C D
I]]m I#
e
f8rrr
ffi D.S. al Coda
(Verse 1)
G C9 G
@ @
irrnr
ffi ffi ffi
You know I You know I
Repeatand Fade
278
LIGHTAS THE BREEZE Wordsand Musicby

LEONARC DOHEN
ModerateGospelWaltztil - J .hl
Bb F/C C$dimz
ffi
ffi
c
a
mf
e
l * t t + T
l
t
r
l
O
J
=
e
D/F$ Gm7 F/A Bb
ffi m'"imffi
u rv r Lt-f=F >- e e e =
e ,t t ,
v-l 7 e - _ - _ -
v
F Bb/F F
TIII1
ffi ffi
-3
6, She stands be - fore- you You can see it,
r-J-r -J--------r r3-
F/A Bb C
r|FIII
|..]'.]'.n m ffi'
But she
r-?-
copyright O 1993 Sony/ATVSongs LLC

All Rights Administered by Sony/ATVMusic Publishing,8 Music SquareWest, Nashville,TN 37203
International Copyright Secured All Rights Reserved
279
F/G C] F/C C]
I
Ftfl|l d
Llto
I I ta! |
atat I I
ffi' I.]..l.m
--J- ffi
Gm7 CdimT C9lE F

i+Fr
ffi ffi
ffi rJ-
'/
r-J ---------r
3
So I knelt there- at - the del - ta, at the al - pha and the o -
weak and you're harm- less and you're sleep-ing in your
danc- es so grace-ful and your heart's hard and
r-J ----r -J------r 3
-
BdimT/C F Bb C7
m m
ffi
3
me - ga, at the cra - dle of the r1v - er and - the seas._
har- ness, and the wind - go - ing wild in- the trees.-
hate- ful, andshe's na - ked, but that's just a tease.
3 J
280
FlG C] FlG C'7

tu
qffi
_--J ffii {iffiffi"
_
(And) like a bless- ing come _ from heav- en, for some-thing like a
And it's not ex act ly pris - on, but you'll nev - er be for
And you turn in dis gust from your ha - tred, from your
r-J-------
F/G C7 F
rfur
atat I I
Iflnr ffi ffi
, 3 ,
sec- ond, I was healed and my heart - was at ease.
giv - en for what - ev - er you've done with the keys.
love. And she comes to you light as the breeze.
r--J------r 3
Dm
HIH
for your
rocodaO#
some-thing
281
Bb FiC #dim
ffi
ffi ffi ffi
Gm7 F/A Bb6 F/C DdimTEm7b5

x o x
FFfrrl f|l|1a l|fin
ffi ffi I]m
IIIItr EEItr EI'E
-J----------l
--___/
Ah. And you're
3m7 F/A Bb6 Bb/C

llttrl.trr lfftrD dT'F m
ffiffiffi ffi
Some - thing
ffi
and it's s n o w - 1 n 9 .
-l
_=-----
282
F/A Bb C
m fITTII FFIIll
ffi
C7 Dm/G F/D
ffii I.]..]T
ti++f IFH
|.]..1T
3 -------
pre - tend-ing and I'm bro - ken
-J-----r
ITmt o F
D.S. al Coda
ffi ffi
Bb F/A Bb FlC
CODA
m
s. HM iffi ffi
ffi
283
Dm
|rfftt
ffi
/- Tml
D
#
ffi
oh.
brace- let. You can see
r-J-r
G/B C
ffi'
H+FF]
284
Em/D D
l.1..]T
H]#
l..I..Im
don't for - get there's be
r_ J _______r
DlEf G Am7 G
ffi
fI]T ffi
l|lr'
tIEn ffi
knelt there
--=.--l'
C/G Gml/D
F-irr'
Fmlrr
ffi
-J-------r
G/B D
FriTn
ffi ffi
285
Em/A
|l.Fl.N
']TM
l.]..]T
And like bless - ing come - from heav - en.
D DTfs
Fhtr iii'trr
ffi ffi
some-thing like a sec- ond, and my heart - was _
G B1
ffi ffi+l
|1..m
some-thing
286
C
Fnt
I.]..m
Ffft't ffffF
Fffi
I.]..]T
F]1]1
I.1..]T
r.-J___r r.-J------r
---_-___---'-
Cf,dim7
BltDf
C/D Eml G
Trm
I.1..]T ffi
\--t
thing - like - Yeah .

ri
3 --l- ri
287
TO MAKE YOU FEELMY LOVE Wordsand Musicby

BOBDYLAN
Modera tely
G CIG G CIG
ffi ffi' ffi H+$

3t +':- -5-7 \-/
G G/Ff G/F
rll.FN |.l.FlN
ffi ffi
ffi ffi ffi
When the rain is blow - in 1n your and the whole world
t1m/ m9/E G/D

Tffi'l ffi
tIIm ffi ffi
on your case,_ I could of - fer you a warm em brace -
A7(add4) DTsus G
Hffi
] Ir
FFFFFI H+H
t.]..]T ffi
to make you feel my love.- When the eve- nin' shad-ows - and the
C o p y r i g h tO 1 9 9 7S p e c i aR l i d e rM u s i c
International Copyright Secured All Rights Reserved
n f M u s i cS a l e sC o r p o r a t i o n
R e p r i n t e db y P e r m i s s i o o
288
G/Ff G/F
|.TFI ftftil
l.1ffi ffi
ffi ffi
m9tE A7(add4)
TflN Pffi rt,
ffi H#
(and) I could hold you for a to make you feel my
-
( r
Gr*u:7
r!i:r ffi
i & "
a
I know you have- n't made your mind up yet, _
The storms are rag - ing on the roll in' sea-
B1 add9 Am/G >kG

C
rrfr"
ffiil
TI]I] ffi ffi" ffi ffi"
but would nev - er do you wrong. I've known it from the

and the high-way of re gret. The winds of chanseare
* These chords ure Am7 and G/B in the D.S. verse.

289
To Coda$
A9sus D
Fhrt
ffi ffi
that we met, _ no doubt ln my mindwhere you be - long.

wild and free. - You ain't seen noth - ing like me
G G/Ff G/F
ffi
ffi ffi
ffi ffi
I'd go hun-gry, I'd go black and I'd go crawl-in' down the
Em7 m9lEb G/D

Tfftl ffi
EII]] ffi ffi
There'snoth- ing that I- would-n't do -
A1 ClD G
_31
rtfm TIM r\ a i \ aNt / r
trI]TI ffi a a
Harmonica,rolo
C(add9)/E
/ l - 'a' l , a
l - \a l
\ a
D.S. al Coda
t
29'l
G G/F$ G/F
FFN tFtilt
ffi
lffi ffi
ffi ffi
I could make you hap-py, make your dreams come true. there's noth-ins that
Eml Cm9lEb G/D

Tfm Tfm |..]...|..m
tlrm ffi ffi
would not do. - to the ends for you -
G Cm6lE.b
tlatal
ffi I t t I t a
J I I I I I
to make you feel my
DTsus G
ffiH ffi
to make you
292
HEYG
, IRL
Words and Musicby CAROLE
KING
Modera telv. with a beat and GERRY GOFFIN
BbIC BbIC C]
rrrrl1 f+l-]-lt
|1']T
rflifl
C] BbIC
m
ffi Trffl
-3
Hey, girl! want TO I'm gon

Hey, girl! This be How am I
Instrumentalsolo
-J-
Bb/C C6 F.qr EbIF F1

m
ffi ffi ffi ffi
ffi
ffi
t++1+
miss you so much if you And, hey' girl ! I

posed to ex - ist with - out And, hey, girl ! Now
Solo ends Hey' girl! Now
-J-------r __-____
r_J
EbE F'7 EbIF F] EbIF F6 BbmajT

||rlT
ffi
ffi
r-J --------r
ffi ffi
ffi ffi ffi
Hffi
-J""-"--
t t t a tI
tlfr ffi
tell you no lie, some-thing deep in - side of me's go - ing to die

don't put me on, what's gon na hap - pen to me when you're gone?
sit your-self down, I'm not a - shamedto get down on the ground
-J-
O 1 9 6 3( R e n e w e d1 9 9 1 )S C R E E G
N € M 5 - E MM
I U S I Cl N C .
Bbm6
fm6r,
if you say so long, if you say good bye.

How will I live? How can I go on? -
and then beg you to stay.
r- 3 ------r r- J _---r
Don't go a
r.-J_____r
Repeat and Fade

294
W H from
YSWaltHDisney's
O UOLIVERI&W
LD O R
COMPANY
R Y ?
Words and Musicby DAN HARTMAN
a n d C H A R L IM
E IDNIGHT
Medium Rock
G G C
# rdf
ffi ffi
G G
@ @
ffi ffi
C G
€l,r F# #
ffi
t6t
a
down - De - lan cy
G G
# @
ffi ffi
@ 1 9 8 8W a l t D i s n e yM u s i cC o m p a n ya n d W o n d e r l a n dM u s i cC o m p a n y l,n c .
All RightsReserued Usedby Permission
295
G C G
x o o @
ffi ffi ffi
G C G
Eq+ri
@ @
ffi ffi
G G
@
#
ffi ffi
G C G C
@
ffi Htr #
ffi iH
295
G G
Ftr?' @
ffi ffi
Eb Eb Gm
fium* fHfi ffi

I1IT1
Why should I wor ry? Why should I care?
-.
ED sb F7
f : : l
iffi
m
dime,- street-
sb ab Gm
ffi
tffE ffi
Why should I wor ty? Why should I care?
).
297
Bb F1 Gm To Coda I +
ffi
ffi ffi ffi
To CodaIIS +
sa-voir - faire -
ADIED
What I
G C G
FgPr
EHf,q
@
ffi ffi
Sut- ton Place- Broad-way. What I
G C G
ig+ri
@
ffi ffi
298
G G C
#
Eqfr4
@
ffi ffi
G C G C
iH
@ @
ffi igf,{ ffi

D.S. al Coda I
('()l) \ I AD/ED G
"ffi*
C G C
iffi
@ @
o. h:++fl
ffi ffi
Em Bm
o @
I].-m ffi
rhy-thm of the cit once you down, -

299
Bm C Am/D
X 'g r c o
fl:tF!
+&t?l ffi D.S.Sal CodaII
ffi l+l-Hl I.1..]T
town, - you can wear the crown.
CODA II ADIED
++ ffi Fll+l N.C.
(Spoken:) Ev - 'ry - thing goes. Ev -'ry - thing They love me at the Chel- sea,theY a -
Eb Bb
ffi
ffi:*
dore me at the Ritz. Why should I wor
white key gliss
Eb Gm
m"' ffi
should I ven when I

300
Bb F7 Gm
m
m ffi-,r'
street_
G G C
iffi
@
ffi ffi
G G
#, @
ffi ffi
Optional Ending
G C G C G
E#
@
ffi ffi Fffi

301
WHEREWEREYOU
(OnOurWeddingDay)
Wordsand Musicby LLOYDPRICE,
JOHNPATTONand HAROLDLOGAN
Bright Rock Shuffle ( ,] . .')

Bb Eb Ab
m
F# xm'- m.'n
Where were you on our wed - ding day?-

"l do"?
Where were you when I said
Where were you when I searchedthe town- and
Bb Eb
m m"'
got bad news that you went a - way._ Where were you on our
E v - ' r y - b o d - y laughed at my in laws, too.- Where were you when I
turned the whole n e i g h - b o r - h o o d u p side down'?- Where were you, lit tle
Ab Bb Eb
m m'n
mo*
wed-ding day?- You did me wrong and now you must pay._
turned a round?- Some place you know you nev - er could be found.- Whoa.-
girl, I say._ Where were you on our wed-ding day?-
l N, C .a n d L L o Y D P R I C EM U S I C
c o p y r i g h t @ 1 9 5 9S o N G SO F U N I V E R S A L
Copyright Renewed
All Rights Controlled and Administered by SONGSOF UNIVERSAL. lNC.
All Rights Reserued Used by Permission
302
m.''
F1
fi'lll
I]ffi
(Whoa.)- (Whoa.)- ain't gon-nalet you keep a (A thing.)_ Whoa._

3
Bb
m'* m
m"'
303
Ab Bb
Sffi+tr m m'" D.S.al Coda
o s e e = ='.-a
z ' e i e
# i t.'d
e>
m'''
8r'rl- - -
Bb
m.''' ffi
m"' Repeat ad tib. and Fade
304
HIGHWAY61 REVISITED
Wordsand Musicby
BOBDYLAN
Bright, in 4
D
trF
ffi
D
?Fn
ffi
God said to A kill me a son,

(Seeadditional lyric.s)
t/ 2o- ' ;
o
\\
can dowhatyou
Copyright O 1965by Warner Bros.Inc.

Copyright Renewed1993 by SpecialRider Music
InternationalCopyright Secured All RightsReserved
Reprintedby Permissionof MusicSalesCorporation
305
G7
ffi
next time
D
trrrr
ffi
A7
rcoo
I.]..]T
where do you want
D
Hrn
ffi
done, on High way

306
( 2 . , 3 . )W e l l
( 4 . , 5 . )N o w
Additional Ltrics
2 . Well, GeorgiaSam he had a bloody nose,

Welfare Departmentthey wouldn't give him no clothes.
He askedpoor Howard wherecan I go,
Howard said there'sonly one placeI know,
Sam said tell me quick man I got to run.
Ol' Howardjust pointedwith his gun
And said that way down on Highway 61.
J. Well, Mack the Finger said to Louie the King,

I got forty red, white and blue shoestrings,
And a thousandtelephonesthat don't ring.
Do you know whereI can get rid of thesethings.
And Louie the King said let me think for a minute, son,
Just take everythingdown to Highway 61.
4 . Now the fifth daughteron the twelfth night

Told the first father that things weren't right.
My complexionshesaid is much too white,
He said come hereand stepinto the light, he sayshmm you're right
Let me tell the secondmother this has beendone.
But the secondmother was with the seventhson,
And they were both out on Highway 61.
5 . Now the rovin' gamblerhe was very bored,

He was tryin' to createa next world war.
He found a promoter who nearly fell off the floor,
He said I never engagedin this kind of thing before,
But yes I think it can be very easily done.
We'll just put somebleachersout in the sun
And haveit on Highway 61.
307
YOU MAY BERIGHT

Wordsand Musicby
B I L L YJ O E L
a l +
,!f
j .
|
---' 1
|
7 r,,_-r 7 t._
l - l
,e
1' = . € ' 1' = . € ' 7' ? . - -t---l ,e

l - - - / l l-t---l |
t l t l t l
A
x ff
Effi
I-FI-IH
day - night - I crashed- par ty

ed in- the com zone,_ I
ber how - I found - there- a
of all - the years_ tried - to
Instrumental
Sat ur - day- I said- ['m sor ry,

walked through Bed ford Stuy - a lone,- e ven rode -
lone in your - e lec tric chair,- I rold -
find some - one _ to sat is fy- you.
EU S I C
All RightsReserved lnternational copyright Secured Usedby Permission
308
--
Sun - day came- and trashed- me out _ a - gain.
my mo tor cy cle in - the rain. -
you dirt v jokes - un - til- you smiled.
I might be - AS cfa zy as_ you say._
r-r-
Bm
ffi
I was on ly hav ing fun, -

And you rold me not - to drive,-
You were lone ly for - 4 man,_
If I'm cra zy then- it's true, -
G
#t
ffi
was hurt an v
but I made home -
I said, "Take - me as_ I
that be cause_ of you._
309
E
tffi
Im
And we en joyed - the week -

So you said- that on ly proves_
'Cause you might - en joy - some mad
And you would n't want _ me an
- end for change. (2.) I've been strand -

that I'm
- NESS for 14.) Now think -
- J oth
E
ffi
t-t-t-t-H
(2., 5.) You may - be

(4.) You may - be
End instrumental
t
I
310
A
Htnf
I.1..]T
may - be cra but it

may - be cra but it
D F+rm/
?8'n ffi
ffi f&t-fH
may a l u n - a you're
may a l u n - a you're
'- \ o
E
@
= ffi
nafil
f
5*: z> "
( 9 - t t
Q "
Turn out - the try to

It r trx) late- to late to
A D
>8nf lS.-
tllm ffi
You may - be wrong _ for

You may - be wrong _ for
E
o @
ffi ToCoda$
Fiffn
but you may -

but you may -
:/ =._ ,e
| -l
1, ?._ ,e
lt - - - - I l
ATsus
D.S. al Coda tu
n ,L r (take 2nd ending) ffi
ir--r
Repeat ad tib. and Fade
be right. -
1' C.. ,e 1' =l -. - - / l , e

It - - - - l l l l
312
M(Anthony's
OVIN'OUT
Song)
Wordsand Musicby
BILLY
JOEL
Moderately
Dm
C CIE
H#
s o o
ffi
I-]..]T
CIE
Hffi
Ettul
Dm
ffi ffi..r'
An - tho works - gro v

Ser - geant Lear walk the
O 1 9 7 7( R e n e w e d2 0 0 5 ) ,1 9 8 1I M P U L S I VM
EU S I C
All RightsReserved InternationalCopyright Secured Usedby Permissjon
313
C E+o F Dm
E#
g
ffi
I.l.-Im m ffi
s a v- i n ' h i s p e n nies for some- Ma-ma Le - o - ne left a
n i g h t h e b e - c o m e s- a bar - ten He works at Mis - ter Cac - cia - tor - es down on
Gm7 E+
F|FN
ffi
ffi
dlatl
she said, ny. move o u t-

a from the med
F Dm G9
m ffi Fffi
I.]..]T
Ah but work-ing too hard can give you heart at - tack ack ack ack ack ack.
And he's trad - in' in his Chev - y fbr Cad - il - lac ack ack ack ack ack.
GmllBb C Dm
igf,{ ffi
You ought - a know - by now Who needs a house- out ln
You ought - a know - by now If he can't drive - with a
314
G] C'7 F
@
ffi lffii m
Hack-en-sack? t h a t a l l y o u g e t- for your mon
And it
bro - ken back, least he can pol ish the fen
--=-_--l
Bb C A1
E#
rcoo
fiT]l
ffi I]:m
Drn Bb Eml
tu lffi
o
ffi
o o
I'm
A7 Dm Gm7
rcoo
FT+FE
l-tffH ffi tfffE
ffi
Mm- I'm mov
-----/
315
Gm7
|Tfm
ffi
huh
Dm G9
ffi mof,
tnfi
You should nev - er
C Dm
E# ffi
You ought- a know- by You can pay Un - cle Sam- with
316
G'7 F
@
ffi m
eb C A7
ig+fl
rcoo
ffi [fm
r.]..]T
Dm nb Em7
ffi
o o o
ffi
ffi
cause I'm
A] Dm Gm7
fff
fim
rDlff ffi FtrF
ffi
Mm-
317
Dm
ffi
D G
@
?S'n
ffi ffi
Optional Ending
A D
Prf trE
H#
ftrtn ffi Repeat and Fade
318
B I GS H O T
Wordsand Musicby
B I L L YJ O E L
Fast Rock 'n'Roll
Em G Em
# o @
trtTl
I.]..]T ffi rH-ftt
G Em
@ o @
ffi Hill
I.1..]T
FIC G
@
iiffi ffi
town rid
pressed-
-=--'-
G Em G
@ o @ @
ffi I.]..]T ffi
s1ne,
_ with your fine Park Av nue clothes.- You had the
dress,- and the peo - ple that you knew E laines,- and the
o 1 9 7 8 ,1 9 8 3| M P U L S | VM
EU S | C
319
D
?Srn
ffi
Dom P e r - i g - n o n your hand- and the spoon your nose._

'em so ter tained.
sto - ry of your lat suc C E S S- kept
G
@
ffi
Ooh - and when you wake up in the morn-ing with your

but now vou iust - don't re - mem-ber all the
G Em
# ?#
ffi /- tfirl
\------
fire - and your blood - y to see.-
said- and you're not you wan - na know.-
G Em Bm/D
o @
@ f*rn
ffi I]-.m ffi
Go on and cry in your cof - fee but come to

I'11 give you one hint. h o n- e y . y o u did
C G
xGIF FIC GIC
iffi #r X @
f f i H
ffi f f i f f i ffi
Be-cause you had to

Yes,- yes, you had to
GIC FIC G/F AmlFGIC AmlCGlC F GIC

x m X @
ffi
Effi iffi ffi $dlffi iffiiffi ffi l.]'H

Effi
to o - pen up - your mouth. b e a

to prove it to - the crowd. b e a
G F/D GID FIG GID Am/D G Am/G G

rc
rrfft
ffi ffiffi {+dffi
@
ffi tl]Itr
l..]...IT
ffi ffi ffi
shot All your were so - knocked

shot All your were so - knocked
GIE GIF FIC GIC GIC Am/C

?fn, V O
*.
ffi
ffi
ffi Iffi l-ffttl

ffi iffiM
You had to have the
You had to have the
321
G/F AmlFGIC AmlCGlC F C
ffi t$#iffi !ffiilffi m iffi

'ry - thing's-
ev - a - bout. You had to have a white hot
to be- a - round You had to have the front page,
GID D GID
re
ffir trrrr
ffi ffi ffi
you had to be a big

you had to be a big
Em G Em
o# @ o @
!t111 rlt]Tl
TI]Itr ffi ttu:]j
at .----/
G Em Bm/D
@ o @
?9F
ffi H+H
fitm ffi
I FIA C G G/D
@ re
ffi ffi lffi ffi

|..1..]'m
ffi
D DIE F FIA FIC CIE

g o o
trF ffiF
ffi ffi @ ffi lffi ffi
I.]..]T
=
e
To coda$
G GID D Em
F*n! ?na rc o
!+TH
@
ffi ffi ffi tlrm
oh, oh, Whoa. n o- big

323
G G
@
ffi ffi
you know - when to leave it a - lone
Em BmTlD
?rffi
I-].m
o - ver the line, - you could-n't see it was time - to go home. No, no, no,
G D.S. al Coda D
#i COD f$n
ffi (Verse 1)
(take 2nd ending) + ffi
F GIC AmlC c/F AmlF GIC AmlC GIC

x @
ffi ffi Effii ffi t$Hi

lffi lffiiiffi
G AmlGGID FID C Flc Glc
ffi {+Hffi ffi iffi H
EIE
n++N
f f i N
{:]:m
H+++?
GIC AmlC GIF AmlF GIC AmlC GIC F
lffi Effii ffi $Hi

Hffi Effii
iffi m
ffi
Lru
Repeat ad lib. and Fade l|.]-|-]
A
325
DON'TWORRYBABY
Words and Musicby BRIANWILSON

and ROGER CHRISTIAN
Moderate Rock beat

F F1
att to
IXlll
ffi
F
fr
ffi
Well,- it's been build in' up ln - side of me for,

I- guess I should - a kept my mouth shul when I
"Now when you just
She- said, ba by, race to day,
Bb F
ffi m
oh, I don't know how - long. I- don't know
start to brag a - bout my car._ But - I can't
take a long my love with you._ And - if you
t 1 9 6 4I R V I N GM U 5 | C l, N C .a n d C A R E E R S - B M
C o p y r i g hO MGU S I CP U B L I S H I Nf o
Gr t h e U S A
Copyright Renewed
All Rightsoutside the USAControlled by IRVINGMUSIC,lNC.
All RightsReserved Usedby Permission
326
Bb
m
ffi
why, but I keep think - in' some - thing's bound-

back down - now be - cause I pushed the oth
knew how much I loved you, ba - by, noth - ing
Gm7 C7
X O
fffl|t
H#
-.-J^\
||tm
ffi Effii
go _ wrong. But she looks in

guys too [ar.- She makes me come
wrong with you." - Oh, what she does
J
Am Am7 D7
hi
::1n
frtr
lltn
ffi
I.1..]T
and makes me re lze _ when she

and makes me wan drive - when she
when she makes love me_ and she
G6
Affi
ffi
327
D7 G6
rc X @
ffi
mm ffi
O + J
rI o + i
r
Am7 D7
rcoo rc
ffi
Im1.-]T
ffi
I.]..]T
ba - by."
CODA Am7
+ ffi
tl1ttr
D7 G6
rc
Fffi Repeatand Fade
ffi
I.1..]T ffi
'ry - thing
ev - will work
328
G O O D N I G HSTA I G O N
Wordsand Musicby
B I L L YJ O E L
Slow and steady
I D BbmajT G9
trr
ffi
ffi HM h"'
fffi]l
Dm/F G7 C Dm/F G7
ffi ffi ffi ffi ffi

Par - is Is land We left as in mates from an a -
tame- less hors es. We left in plas tic as num- bered
Em Em Am
o @ o @ r c o
FF
|.1..JT I.1..]T
ffi
FH-ft-t
sy And we were sharp, as sharp AS knives, and we were

corps And we learned fast to trav el light, our arms were
o 1 9 8 1 .1 9 8 2J O E L5 0 N G 5
so gung- ho to lay down our but our bel - lies were
Bb G D
+ffir ffirrr
iffi ffi ffi
G9 G]
im"u
[m ffi
G] C Em Am
in+fl
o @
ffi fFffft
TI]E
ffi
|.]..]T
they gave us Bob Hope. We dug

Em Dm G/B DmTlA G
?rftr
ffflTl
tt]11l ffi Fffiffiffi
and prayed to Je - sus Christ with all of our We had no
fi omlr G] C Dm/F G7
ffi Iffi ffi ffi
We passed the hash pipe and played our
We held the coast - line, they held the
"!f
Am
o @ r c o r c o
ffi
I-FII-H
ffi
ufrTl
ffi
I.]..]T
Doors tapes. And it was dark, so dark at And we held

high - lands. And they were sharp, as sharp as They heard the
Dm Dm/C
ffi Efu
on to each oth er like broth - er to broth We
hum of our mo tors, they count - ed the ro And
-l ,^.
331
FIA clBb
lHffi*
ffi tffffl
our moth And would

for us_
Bb clBb FIA Bb GllB

X @
ffi ffi lffi ffi

F4# I.1.m]T ffi t]Im
J
to - geth - er. - We said we'd down - to -
J
clBb Bb Dm/A G9
lB#*
|nall
ffi ffi iffi
ITrI]]
J
Yes, we would all down - to - geth- er. -
J
F
To Coda So G9
m ?8F
ffi mou
E|ff]]
332
G7 C Dm/F G7
# t# ffi ffi
Char - lie. re - mem - ber Bak they left their child - hood on ev-ry
C Em
orr#
}gf,{ M-IT
rl]fi
Am Dm DmlC Bb
Efu
& o
ffi
trltf ffi frfiD
ffi
the thick of
Am C Dm
mef'
I.]..]T
tui
I.]..]T E# ffi
We held the day in the
a
r'
p r r
?.
tc +
333
E Dm/F E ETbe Am G/B
X @
o o o
o o
Hd
o @
ffi
tfm ffi ffi
I.]..]T
ffi
TI]T I-]'m ffi
palm of our hand. They ruled the
o d . + ? ' + r C + C
t
ryp
t r
Dm E Dm/F G9
o @
ffi ffi
|]-]T ffi lffi
I.1..]T
and the night seemed to last
CODA D
+ ?Srn
ffi
"l u
I
b=
334
L O SA N G E L E N O S
Wordsand Musicby
BILLY
JOEL
Nloderate beat
@ 1974,1975(Renewed2002,2003)JOELSONGS
335
C Dm
Fffl{ ffi
high - heeled and fad driv- in'sleek new sportscars
blue - jeaned and jad such hot sweet school-girls
}H+H
with their New York cow Hid - ing up in the moun-
so- ed - u cat Tan- ning out in the beach-
Instrumental ends Hid - ing up in the moun-
Bb F
r c o
ffi ffi
I.1..]T ffi
tains, lay - ing low in the can yons, go - no-where on the streets with the Span- ish names._
es with their Mex - i - can reef efs, no ev - er has to feel like a r e f - u
tains, lay - ing low in the L 4ll yons, go - no-where on the streets with the Span- ish names._
\r---
Bb Am
ffi tuf
r1]T
love with the na their Hol - ly - wood plac es, mak- ing up for the
in - to ga-rag ex - ot - ic mas-sag ES, mak - ing up for the
love with the na their Hol - ly - wood plac e s . mak- ing up for the
336
F Bblc F
m tu
ffi m
gone_
gone_
gone_
iffi
Dm C
ffi }H
Dm
ffi
NO MAN'SLAND
Wordsand Musicby
B I L L YJ O E L
Moderate Rock
a) 1- l q f t . f t
*f T 7
{}
G D
#
ffi ffi
I've seen those big mach - ines - come roll - ing through - the
There ain't much work out here - in our con sum - er
I see these chil - dren with - their bore-dom and - their
@ 1 9 9 2I M P U L S I VM
E USIC
338
A
tui
TilTI
ffItr
qui - et prnes,_ blue suits and bank ers with their Vol
pow - er base,- no ma jor in dus try. just miles -
va - cant stares.- God help us all - if we're to blame -
d 7t + +'-e 1o'
U hs is
D A
nhF fuo
Tml
ffi I..|..]T
vos en tines. - Give us - this day-

and ing space._ This morn - ing's pa -
for swered prayers._ They roll - the side -
G D A
FTFN -hn fuo
ffi ffi |..|..]T
our dail - y dis - count out - let mer chan

- per says_ our neigh - bor's in - a co caine
- walks up - at night, - this place - goes un der
Em G D
Fr#F
TTTTN ffi ffi
Raise up ti plex - and we will make - a

Lots more to read - a bout, - Lo - li-ta and - sub
Thanks to the Con do Kings - there's ca - ble now- in
339
A B AiB
H FFffF
Trfl
FTM
ffi
u@
Ttfu
FTTTN
ri- fice.- Now we're gon-na get the big bus

ban lust. - Now we're gon-na get the whole sto
bie town. - Now we're gon-na get the closed cir
B NB B
irrfn'
ffi
I]'.m
ffi
frm
ffi
rTm
T o C o d a$
Now we're gon-na get the real thing.- Ev - 'ry - bod-y's all ex -
Now wetre gon-na be in prime time.- Ev - 'ry - bod-y's all ex -
Now we're gon-na get the Top For-ty. Now we're gon-na get the
C G
#i ffi
cit-ed a - bout - Who re-mem-bers when it tle - gan -

cit-ed a - bout - Who re-mem-bers when it be-gan-
D C
#'
ffi ffiffi-
out here Be - fore they passed the

out here We've just be - gun to
340
mas - ter plan - no mants

un - der - stand - no mants
Low sup-ply and de - mand - here in no man's

Low sup-ply and de - mand - here in no man's
D.S. al Coda
CODA AIB
e #
Tftfl
Trm
Now we're gon - na
Who re-mem-bers when it
Be-fore the whole world was

G
FF|rn
ffi
I..l-.]T
in our hands -
ffi
be - fore the ban-ners and the march - ing bands -
E
lm+i
EI]Itr
no man's Iow sup-ply,
Em7
ffi
Trmn
land;
- - - a - =
=
ar A . - -===---.- - J l i A
t t t l
here in no mants
I
--
V
a_ --
-------
+ 1 4 7 - _ j
Optional Ending
G5
here in no man's land.

3M
NEW YORK STATEOF MIND

Wordsand Musicby
BILLYJOEL
D] Am G
ffi
mfn
ffi
trrm
nffi!
ffi
G9sus C ails
ftr,
Effi lffii r-J --r ffii*
3
1. Some folks - like to get a - way take
2. I've seen- all the mov - ie stars in their
3.,5. Comes down - to re a l - i - t y and i t ' s
4. Instrumental
rJ--- r-3--r
Gm7 F
||l.ln
ffi m
I t ,r li day from the neigh - bor - hood, hop
a flight to Mi
l.!n - Cv cars and their lim - ou - sines, been high in the
me. 'cause
llnc ri ith I've let it slide. Don't care if it's
A7 Dm7 Bb9
f*'f
Tfm
I.1..]T
ffi
t]:m
ffi
Hl+l
am i Beach or to Hol ly - wood.

Rock ies- un - der the ev er - greens.
chi na - town or on Riv er - side.
O 1975(Renewed2003).1978JOELSONGS
345
C ElfrelB Amj CmaiT/G F
g rcoo
xxffi
r-J
ffH'" ffi
tttEl ffi
3
But tak - in' a Grey - on the Hud - son Riv - er
But know - what I'm need and I don't to waste
don't have an - y rea I've left them all
J
r-J-----r
r r
D7 G9suS
ffi
I.1..]T
ffi
Effi
To Coda$
D.S.S.al Coda after Verse 5
Am7 D7
rcoo
ffi
I.1..]T
ffi
fffftl
G eils Am7
''#ff
ffi Tffi'"' Htr
fittl
(2.,4.) It was so
346
D7 GmajT
rc @
ffi
tlfm ffi
C9
ftfil
ffi
E7
ffi
I.]..]T
Am7
rcoo
ffi
ttt|ll
G'7
tW: C
ffi t"....r?'!i ffi-
stfig Am7
rcoo
sb
iffi
[H"' ffi
|.]."1.m
o ,,4 +
o
4
o
a
o bft
e 4
e
€>
nbo rb Dm7 obs Cmaj9

H
ffi
ffi ffi"' ffi
tflr
ffi
m ffi
a)
r T I
i -tf
348
soLrLoQuY
(On a Separation)
Written by WILLIAMJOEL
A r r a n g e db y R I C H A R D
HYUNG-KIJOO
AllegromoderatoQ:96)
cresc. poco a poco
- :
J-l-
m p l t
i i 7t l i T =
g..!.j .J J 4J IA
T =
#
l 6
3 -
| 6 l
| - | - | - l - |
I o l | 6 1 4 . +
f f
,
$rb-, 8rt,-'
- ,f
ngf rit.. -
a Tr: y q'E ? r.rdp b'a |

- v -
ln= t
t
t
'
r
l
l
p a tempo
rT-r-1 he
8rb-'
b
l5
O t v - ' q'J a. p'+ 'b-? fr$

t _ l
1
-4
t L-? -bt h+ h b+b-
O 1 9 9 7I M P U L S I VMEU S I C
All RightsReserved lnternationalCopyrightSecured Usedby Permission
349
a tempo
mp espr. . i
I i
I J
J J
,r l =-l l l | l | l | r | l b J -l
I
+-
3 3 - - - J I
3
cresc. poco a poc0 , 1
e. e
t- T-
v
I F
I
\7 \7
Poco mosso. ma rubato
rit. e dim. poco a poco

351
,f poro *otto
l 3 r
3 -3- ^ -
l-J--1
rtt.
_ r- 3-,
3 3---- |
^ t-'-1 Nd
dim. poco a poco
loco
-0_ :
352
56
6
"tr | - )
l
6
-
-
_
J
L
-
J
r
\
\
,
t o
r-i-_-__ -i_-,
r-3- 2 - . ' _ - . | - - . r - -
-l- 6 mp r__-J--r
r I
r-J---r r-j- 1
\
I
A
l O J l
Adagio,molto rubato
lll-l-J 'l-l-lJ 'L-.J-J-J '
- - - - -
a,empo
dim fil'rTl J-]-j-l q rTl J-J-j-l
delicatissimo
355
rubato \ I
\ - J ) ! )
356
I0.1 e' a
b
- ? t - ? t -
u |
t r l t r l I+t r I I t ff rti
-_i _J
-r -i 3 3
p
_l
t l _ 3 J
3 J
Molto maestoso
8,,- - - - - - - -.
8r4- - - - - - - - - - -,
lJrr- - - - - - - - - -,
357
dim. poco a poco
pppp murmuranao
rt 'l
s
rr Andante
358
ll5
d r r t t€. nt ?l a l
t
t Q
l
e t 7 l t
t
l l t l cresc. poco a poco
ITT-1 :-F- rT'-1 .-
Molto maestosoe rubato
or++r"[ J + +
IJ-J-J
7 t / t )
rit. ff fr fT'-r lT-n
n-Trhb tTl ftI | | | I , | | |
ile^ f,g
Allegromolto Q: l44l
I
cresc. poco a poco
Molto maestoso
361
ftt. p()('o a pol94

'-3--1 r-r ?
/i
AT
+
\y
362
]|9
e e e e
...'...................- .....'...'..".......'.-
J a ,
: - : : : - : : = : : = -
I t L - l I l - l - I t l - | t - l - t l t t t t - t t t - t t -l t | t t t t ^ l t t - t t l
o U o
al
mr)
Molto allargando
PECONIC
THEGREAT
ELEGY:
Words and Musicby
B I L L YJ O E L
Moderatelyslow,expressively
a ) l I
I r
c + . D <),
ft * e t f t # .e
@ 1 9 9 6I M P U L S I VM
EU S I C
364
'u J4
1, , / |_ I I, t. e I
I
rrt.
e II C
TempoI
a) q + i. Z;- t | | r r r r r +
1
-
+
- -
+
- - - 7 -
tr)
Tempo I
o a l : j - ri l r -+
e
f r
I I I
U T - r = # r f + T r b *
-+
T
I I
I I
r
"# -
ffi
367
J
H & ---
o 1 - =
crescendo
-
-t-l | | | I F f f i f f i
a l l r I
f
ffi - | ffi,m
358
a # t e +
rall.
-r1-] lT:l t + t-t-l -
TempoI
ryP
A
ffi1 r-h^+ 2 ? + ?s,8
369
l 7
t
,t l+
+Hf
Tempo I
w r -l
rl r t Tt It
L_I-J-J
tt Il
I l l ^ , - l
)
c
372
INNAMORATO
from SuiteForPiano
Written by BILLYJOEL
A d a g i o( ) : 9 6 )
') 4
mlt semprelegato
) - ) 4 - - ) )s)
poco rit.
-.-..-..----r!f -
O 2 O O I M P U L S I VMEU S I C
All RightsReserved Internationalcopyright Secured Usedby Permission
373
la -
"f
f tr
poco pii mosso molto cantabile

= - t -
= :
| /..'=
;
;I \t
a ,
l),
:
?I
I
376
68^
mp u tentp() *!f
2 C + C + + t e
f,
0
377
cresc. poco a poco
p poco meno mosso

378
SORBETTO
from SuiteForPiano
Written by WILLIAMJOEL
HYUNG-KIJOO
A r r a n g e db y R I C H A R D
Allegromolto Q:72)
. l
a
,fruu.' l-{ r l -qr q i .
- ,ri.
mf I
,/.-\ t
. : -T-r
r r i al Jf ) , l
) J h: tc J ] t C ) J ))).l
O 2OO1 I M P U L S I VM
EU S I C
379
I
^y l-{ -lr qi
_ . : - - f r i
) ) -r-J-J-l L: lA
I
J . l L. e ) ) ))) l
381
DELUSION
from SuiteForPiano
Written by BILLYJOEL
Moderato (J:96) (rn t\

- t l
T='r'i'
poco rtt.
A;'I J ',-rnlArh) J '' 1, , 1

o+r f
b^b I
lD^C C
h
C
l 1' 7-. " 17-
o v - _ _ _ 'l
occet' a tempo
h l\P()co h
,^fra
J .f,
, bJ .D^.1, a.nl_ a r. il JL)] J\
-
rtt.
I
O 2OO1 I M P U L S I VMEU 5 I C
a tempo poco rit.
Doppio movimento
ngf o /r-po
a tempo
+ + , + - ? ? . ? l , ' t * , . ) ). I )
a
383
Freelv. molto rubato
lo^ 4\
5l
p+t-F i Prr 4 v 7 V t t , r , **l ! j

+ ' < >
f p
t t t l t l l
f poco piil mosso
ffi -
ai |-J-J-J -l - +
F,J
3
t t r a a t . , I fra I r b"e t
cresc. e accel. poco a poco

386
PRESSURE
Wordsand Musicby
BILLY
JOEL
mp (even8th n0teleel)
Dm clainp Dm Dm6 Gm/D Dm
ffi ?Snf
ffi
?8F
ffi ffi ffi
|.1..]T
trilr
ffi ffi
cfiainp Dm Dm6 Gm/D cqainp D

rco
?8rr'
ffi ffi
I.]..]T
?sil
ffi
?8rrr
ffi ffi
G
nffir
ffi
You have-
You used-
Don't ask-
o 1 9 8 1 ,1 9 8 2J O E LS O N G S
387
CID D G
ffif ffim #
ffi N.C. ffi
You're just - - 'ry-bod y else.-

Pres like
Pres But e ven you can - not- a - void-
Pres You'll have- to an - swer to - your own _
D CID D
trtn ffif ?8tn
ffi N.C.
ffi
Pres - sure! You've on ly had -

pres - sure. You turned- the tap -
pres - sure. I'm sure- you'll have-
C cfaimz Dm
tffi ffi
to run, _ so far SO
dance in to your cnr
some cos mic ra tion
388
Bb FIA G7
ffi
ffi ffi ffi
But you - will come to a place- where the on -
Now here- you are with your faith - and your Pe -
But here- you are in the ninth.- two men out_
ATlE ^7rcf' Dm AmlC DmlC

tr'?f
Tfm
trrm ffi M!tu
- l y thing - you are load - ed guns in
- ter Pan- ad You have no scars on
and three- men on. _ No - where to look but
F/A ^7|cfr Dm Gm6/D
ffi ffi ffi ?9F9

ffi
face, and you'll have to deal - with pres - sure.

face, and you can not han dle pres - sure.
side, where we all to pres - sure.
CfrdrmTlD Dm Dm6 Gm/D Dm c#atrr:p Gm6/D
& o
?frtn
ffi ffi ffi
E|ffn
?8il.r
ffi ffi f8F
ffi
*FP
ffi
c#airrrlp Dm Dm6 Gm/D

?SF
ffi ffi ffi
trtE]
?nilr
ffi
G
#
ffi
All grown no place to

Instrumentalsolo
390
F CmajTlE
ffi
Chan nel
Time Mag
Cm(maj7)lqb GID D
ffii ?S'rn
ffi ffi To Coda$
S e s - a Street.- What does

I read too. _ What does
CID D
ffif ?NF
FFFFH
EttllJ ffi
I'll tell you what it means:
D.S. al Coda
take 2nd ending)
CID D(
ffi ilTrrr
t-i-i-t-H ffi
391
G DIG G DIG G
g g @
CODA #r n8ffir
S " ffi ffi ffi ffi ffi
G DIG G DIG G
# g
# tu nffil
ffi ffi ffi ffi ffi
Dm Am/C
m iH
FIA G7 AT:E Azrcfr

*? iErr
ffi ffi f f i f f i
Pe - ter Pan- ad
Dnr./C FIA
# ffi
r r
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393
LENINGRAD
Wordsand Musicby
B I L L YJ O E L
Slow Ballad
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was born the spring of for

grad. to school learned to serve
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and- nev - er saw _

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394
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A child - of sac - ri fice, - a child of war. _

The on ly way to live - was drown the hate.-
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An-oth-er who nev - er a fa - ther af - ter-

A Rus-sian was ver-y
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I was born in for - ty - nine, - a cold war kid in Mc-Car

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395
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Stop'em at the Thir -ty - eighth Par - al Blast those yel - low reds to hell. -
So - viets - turnedtheir ships a and tore the Cu - ban mis-siles down. -
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war kids were hard to un - der their desks in an air raid

that bright Oc-to ber we knew our child - hood days were And I-
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fight - for? - Vik - tor - was sent

fight - for? - And so - mY child
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396
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be The great - est hap - pi

to face He made my daugh - ter
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ev - er found -
we em - braced.-
397
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398
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BALLADOF BILLYTHEKID
Wordsand Musicby
B I L L YJ O E L
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rode a
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'1972,
@ 1974(Renewed2000,2002)JOEL5ONG5
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in Col - o -rad in the
se cap - tured Bil and the
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vest he and his

up he and the
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age and tell - er
cow - boys and sea came watch-
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the word spread of Kid. _ |
the hang - in' of Kid. _ '
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al - ways rode a - lone.- man-y old - er
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nev - er had but the cow - boys and the ranch knew -
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3. Well he robbed his way from U - tah

5. From a town known A S Oy - ster Bay,
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and served his for the

and dar - ing made him a
402
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they to when the Kid -

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CODA
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404
ALLENTOWN
Wordsand Musicby
B I L L YJ O E L
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andthey're clos - ing all the

f o r t h e P e n n - s y l- v a - n i a
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Beth - le - hemthey'rekill-ing fill - ing out forms, -

prom - is - es our teach-ers if we worked hard, -
@ r 9 8 1 , 1 9 8 2J O E LS O N G S
405
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Well, our fa - thersfought the Sec - ond World

So the grad-u - a-tionshang on the
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week- ends on the Jer - sey shore, met our

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mothers in the U S asked them to danced with

nev - er tausht us what was i - ron and and chro mi
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And we're here Al -len-town, but the

And we're here Al-len-town but they've
406
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rdst-less-nesswas hand- ed - down - and it's get-ting ver-y hard*

tak - en all the coal from the ground- and the un - ion peo - ple crawled-
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their old man

407
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but some-thing hap-penedon the way to that place. They threw an
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408
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hard to keep a good man but I won't be get - ting up
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410
MY LIFE
Wordsand Music
B I L L YJ O E L
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411
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(l) Got a fiom an old - friend. we used to be real -

(2.,4.) I don't you to for me -'cause I ' m all
(3.) Theywill you you a - lone- in a stfange_
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close. Said he could - n't go
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place, Then they'll tell - you you
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the A - mer i - can way. -

me it's time - to come home.-
sleep with some bod-y else.-
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Closed the shop,- sold the house,- bought a tick - el to Coas{

I don't care- what You say- an - y more,_ this 1ife.
Ah, but soon - er- or sleep- in space
Play 2nd, 3rd and 4th times only
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Now them a stand -

Go with your own -
Ei it's o - kay,-
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I don't care- what you say- an - y - more,_ this is my

415
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to your-self,
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OptionalEnding
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416
S H A D EO
S FG R E Y
Wordsand Musicby
BILLY
JOEL
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the
O 1 9 9 2 I M P U L S I VM
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All Riqhts Reserved International Copyright Secured Used by Permission
417
Bm
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per - fect - ly clear, seen with the sion of youth.-
and one point of 'ry view.-
trench- es and walls,
wis - dom of years, I try to son things out,-
r=- 3 ------
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No doubts and noth - ing - to - fear, I claimed the cor -
Fight 'til the oth - er- man- falls. Kill him be - fore
and the on ly peo - ple - I- fear are those who nev -
r- 3-
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ner on These days,

he kills These davs.
er have Save all
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hard - er - to - soy, know what Itm -
edg - es- are - blurred. old and tir
a r - r o gant- men, all the caus
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fight - ing
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- es they're
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fall - ing- a - $al'. )

oth - er - man's-words.! not- that sure an-y-more._
right-eous- a - gain.l
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I Shades
{ Shades
419
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more I find - out, the less that I- know. Blackand white- is how-
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it should be,I
but shades of grey- are the col-ors I- see.-
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the more I find - out. the less that I - know.

ain't no rain - bows shin - ing on me. Shades of grey- are the
o o o o o
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wher-ev-er I go,
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- lng on me. of grey - are
421
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422
WE DIDN'TSTART
THEFIRE
Wordsand Musicby
B I L L YJ O E L
Bright Rock
GID
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llar - ry Tru-man, Dor - is Day. Chi - na, John-nie Ray, South Pa - cif - ic, Wal - ter Win-chell,
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Joe Joe Mc - Car - thv. Rich - ard
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423
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North Ko - re - a, South Ko - re - a, Mar - i - lyn Mon - roe.
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Ro - sen-bergs, H Sug - ar Ray, Pan - mun - jom,

Mon - key, Ma - fi - a,
Bud - dy Hol - ly, Ben Space
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Bran - do, King and and The Catch - er ln The Rye.

hu - la-hoops, Cas Ed - sel no go.
424
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U Syng - man - la and Ken - ne dy.
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ins since the world's been turn
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425
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Com-mu - nist Bloc. Roy- Cohn, Juan Pe - r6n,

Bay of Pigs Law-rence of A - ra - bi - a,
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Dien Bien
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426
(_ G
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R o c k A - r o u n d T h e Ein James Dean,

Lis - ton beats Pat-ter - son. Pope Mal - colm X,
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Brit - ish J. F.
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427
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did - n't start
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Pas-ter-nak, Mic - key Man - tle, Ker - ou - ac,
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Sput nik, Bridge On The Charles de Gaulle,

428
Am Em D
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GID
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Chi -na's un - der mar- tial law. Rock and Roll - er

430
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did - n't start
GIB GID
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are gone _ and on, - and on. -
C(add9)
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and on. - and on, and on. -
Optional Ending
(add9 G
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4 My Journey'sEnd 2L6 | Go to Extremes

10 Time and Time Again 224 Shout

16g r'1 cry Instead 363 Elegy:The Great Peconic

L72 Modernwoman 386 Pressure

Lg2 Baby Grand 398 (The) Battadof Bitty the Kid

L77 Getting closer 393 Leningrad

195 The Times TheyAre A-Ghangin' 416 shades of Grey

the deep- est i f I you were there

to the ends - of the earth,- real- ly does-n't

I'm think - ing thoughts of on - ly you, girl. Ev-'ry-where

go, dreams of you

Ev - 'ry step I I'm try'n' to es-cape my

TIME AND TIME AGAIN

like a re - birth.- and time

out _ for to mor - row, yeah, yeah.-

You thought you - too oh now that

On-ly a who's bro - ken can ap - pre the aw

On-ly a man - whose world is al - ways can E V er know.-

And who could un der - stand- the all

On-ly who's weep - ing in the rain- knows

not eas when you

She'sgot a way _ - bout-

know - what but I

know that I- with - out - got a way -

pleas but there

D/Ffr Yfr1l.fr Bm DTlA G

touch-es I get tumed- a-round. oh.

don't know why

know that I- can't live with-out- her

From my room I see- blue - Pa - ci - fic O - cean:-

ffi ffi ffi

Well, my- wom-an helps my to keep on

Yes, up and com - 1ng su - per - star- and

ffi ffi ffi

Repeat and Fade Optional Ending

PIANOMAN Wordsand Musicby

G1r FIC Cmaj7 FIC C G1/C

tffi lffi tffi

ffi iffi ffi

clock on Sat-ur- day,

ffi I.]..]T ffi

a song. you're the pia - no

Gl1 C FIC FIC C GTIC

ffi E# fffi Iffi lffiiIffi

C FIC F CIE Dm7 C

Iffi Iffi mffi ffi Etttll iffi

And we're writ - ing

just to pass the and the days go

on the Sieg - fried Line.

A A1l A A11 A Al1

a t: t\lt + 8 A:A U\t t: t\+ +

And we Dutch we drink French

And they feed

the Sieg - fried

And we got to work out _

But you know it's though it's com- fort to

to each life - must

C'7 DTsus CIG G

lffii ffi ffi nffr