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  • Shallow Cello

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    marsal
    164 views2 pages
    The document contains musical notation for a violoncello piece titled "Shallow". It includes standard notation symbols such as notes, rests, dynamics, articulations, and expressive markings across 10 staves. The piece is arranged by Eliéser and has a tempo marking of 100 beats per minute.

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    Original Title

    shallow_cello

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    The document contains musical notation for a violoncello piece titled "Shallow". It includes standard notation symbols such as notes, rests, dynamics, articulations, and expressive markings across 10 staves. The piece is arranged by Eliéser and has a tempo marking of 100 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    164 views2 pages

    Shallow Cello

    Uploaded by

    marsal
    The document contains musical notation for a violoncello piece titled "Shallow". It includes standard notation symbols such as notes, rests, dynamics, articulations, and expressive markings across 10 staves. The piece is arranged by Eliéser and has a tempo marking of 100 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Violoncello Shallow

        
           
    Arr. Eliéser

          
        
     = 100

     
    arco
    pizz.

      

                       
              
         
    10

                               pizz. 
                
       
    17

     

      
                       
                              
    24 arco

     

                         
        
      
              
           
    32

    3

           
               
                 
         
    39

     

            


                           
    46

    

              
                      
    53
                     
                                   
           
    60

                       

                                     
    
    65

              
        
                         
          
    71

                       
        
                  
     
    77


     


    84

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