Taipei Music Center / RUR Architecture DPC

 Architects: RUR Architecture DPC

 Area: 70200 m²
 Year: 2020
 Photographs: Yana Zhezhela, Alek Vatagin

Pop music, while a global phenomenon, is regional in its definition. The Taipei music scene
typifies the phenomenon; while it crosses borders and cultures and dialects, it nevertheless
has produced styles and genres with distinct transnational form and appeal. Though many
aspects of pop culture exist in a hyper-technological or virtual realm, there is a need for a
defined physical hub dedicated to the production and reception of pop. 

The importance of the architectural expression of the TMC cannot be overstated. It is very
important for the public and users to know that when they enter the precinct of the TMC
they are entering a unique creative part of Taipei City with its own architectural identity,
style, and aesthetics; for the identity of Taiwanese pop music, while enmeshed in its local
roots has also transcended them and operates on a world stage. The success and excitement
of this archipelago of pop culture and performance are predicated on urbanism that is
architecturally distinct from what is around it, yet remains urbanistically connected. 

While the scale and grain of the civic programs – retail, dining, offices, etc. – respect the
vital fabric of Taipei street life, their architectural identity is unique and distinct. With the
Taipei Music Center, a new elevated public ground is created, the Event Horizon, which
will bridge the two building sites presently divided by Civic Boulevard. The groundwork
for the public spaces is developed from a flowing crystalline geometry. It emerges from the
ground but maintains its artificiality rather than being mimetic of landforms. This fabric
also serves as the sole for the principle honorific programs of the TMC. The three iconic
object buildings – the 6000seats Concert Hall, the Exhibition Hall, and the Creative Area
Building – have different relationships to this crystalline urban fabric. 
 The Exhibition Hall cube, being the most ideal, is also the most autonomous object
elevated from the ground. The ideal platonic geometry of the Exhibition Hall cube is a
testament to the highest achievements of pop culture. The Exhibition Hall cube includes
multiple Exhibition Spaces, Administrative Offices, and Collection storage spaces. The
TMC while comprised of the three monumental elements – the Concert Hall, the Exhibition
Hall, and the Creative Area Building – is perched atop a groundwork that organizationally
integrates the center into the city of Taipei while remaining architecturally distinct. The
iconic architectural programs symbolize the principal uses and attractions of the complex,
making it a powerful representation of Taiwan’s pop music industry worldwide. They are
immediately recognizable and palpable symbols to the visitor and to those who encounter
the center remotely through electronic media.