1.

1
DECODING

Decoding is a great way to understand an object to its bits

and pieces, to know its manufacturing process, assembly,
product testing, and more. But while decoding a functioning
object , the movement of its elements also plays a huge role
in it’s choice of materials as well as it’s form. What also varys
is the manufacturing process from material to material and
from form to form. All the components and their joineries
between them, ad their placements as well in that particau-
lar object also matter.
Stater diagram explaining each element. The stepping which is made by stacking numerous dyepunched metal sheets, then two field coils which
are connected to power inputs and to the carbon on the other two ends.

Armature, with each part labeled along with its function. Commuter, where the carbon touches through which current passes and magnetizes, to
make the armature start rotating. Metal sheet core, also made by stacking multiple layers of dyepunched sheets in between which are slots for
copper winding which is then connected to the commuter. There are different armatures with different number of slots for different purposes and
are wound always in its numeric multiple. Then comes the fan which maintains the air circulation the cap of the body to the back and then it ends
in the bearing shaft and pulley shaft.
1.2
DECODING

Decoding is a great way to understand an object to its bits

and pieces, to know its manufacturing process, assembly,
product testing, and more. But while decoding a functioning
object , the movement of its elements also plays a huge role
in it’s choice of materials as well as it’s form. What also varys
is the manufacturing process from material to material and
from form to form. All the components and their joineries
between them, ad their placements as well in that particau-
lar object also matter.
 1.00
1.50 5.60 1.13
8.80 1.00
24.20 3.90
4.20 20.00
3.00
9.00 0.50
62.60 4.00
2.50 1.00 4.60
11.80

15.00

2.50

8.00
33.00
23.30 7.06 5.60
38.50
27.00

22.80 12.80
17.60
10.40

5.48 1.50
1.00
4.92
4.99 Pulley Rocker

27.80 0.99
3.97
34.51 2.70
3.39

26.00

1.50 1.93
18.60

Armature Threaded Stud V washer Carbon

30.00° 4.00
9.50 23.00 13.70
21.40 5.00
6.50

0.80
17.24°

39.10 29.98

32.30 36.10 34.50

 0.99
9.30
7.88
16.39 12.14 2.00
4.00
3.60
4.37 4.00 2.61
14.20

6.00 36.00
0.50
6.00 16.00
5.60 5.05
1.50
10.39
0.50

9.96
1.20

Electrical Pin Washer 12.00 Bolt Pad

12.40 4.40
6.10
4.01
3.52 11.20
6.12 2.10 6.80
4.30 1.00

10.37

11.00 4.40
3.40
8.00 10.50
3.01

4.72 2.00
0.79 8.40 4.20
1.64 0.68

17.80
0.68 6.00
7.27 17.70

Bush Bolt Nut Carbon Cap

6

Space Kinematics Shiv Mistry Kit Of Parts

scale 1 : 2 UA6617 Sewing Machine Motor
 11.20
2.50
1.00
17.35
32.10 21.90
21.90
32.10

1.50
10.70
2.50
2.00 1.50
2.00 1.50

88.00
88.00 12.90
42.50
12.90
4.00

4.00

42.50

36.00°
36.00°
12.09 12.10

12.30 12.30

Body - Back Body Cap

 10.01
17.80

37.50 60.17 50.20

9.00
4.60

14.20

81.20

71.50

69.42

57.50
88.20
85.80

57.20 24.18 41.89 90.02°

81.00

63.98
Stater Body
4.85

Space Kinematics Shiv Mistry Kit Of Parts

scale 1 : 2 UA6617 Sewing Machine Motor
When the electrical supply is given through the electrical pins, the current passes through the
field coil. The field coil magnetizes and then the current goes through the rocker which charges
the carbon. When the carbon charges the commuter starts rotating and the coil in the armature
produces a reverse magnetic field. Which helps in increasing the speed of the motor. The pulley is
attached to the shaft of the armature which starts the machine. When the armature rotates the
fan starts circulation of air through the armature to keep the motor cool. THE AIR CIRCULATION
OCCURS DUE THE SLITS IN THE BODY CAP AND BACK.

Pulley
Body Cap

Fan
Coil

Stemper

Body
 Field Coil
Coil

Commuter

Threaded Stud

Carbon
Rocker

Body Back Bush

Shiv Mistry Longitudinal Section

scale 1 : 2 UA6617 Sewing Machine Motor
2.1
CASE STUDY

Case studies are the very first stepping stones of any de-
sign process. Case studies are the refrential knowledge that
can concieved through schematic drawings or models. And
in the case of kinetic sculptures, working models would be
more suitable options.
The above diagram represents the working of the Yellow wiggle, which is further in detail later. The diagrom at the bottom represents the different
tipes of wave, which could form by tweaking the small circular member attached to the axle.
IINSERT
NSERT STOP MOT
MOTION
TIO
ION O
OFFT
THE
HE
EMMECHANISM
EC
CHA
ANI
N SM
MHHERE
ERE
ER

IN
IINSERT
NSE
ERT
RT ST
TOP
O M
STOP OTIO
OT
OTIO
ON O
MOTION OFFTHE
EM
THE EC
CHA
H NIS
NISM
NISM H
MECHANISM ERE
ER
HERE

The Yellow Wiggle works on the eccentric movement, which occurs when the mechanism in taken off center of a circle. Causing it to move in a
circular motion, in the four quadrants of a circle. These four quadrants determine the the sinusoidal wave movement of the elements which are
held by a pulley. The pulley come in tensions and loosens up as it completes the whole circle, cause the upper and lower peak points of to make a
sin wave curve. The whole process occus indepently as this sine wave is dependant on the mechanism of only one of the wheels. But as the other
wheel is started rotatiing as well, it generates another wave form which would overlap on the existing wave motion and convert the 3 peak sine
wave to 4 peak sine wave. The whole movement is regulated through the pentagonal member which converts the circular tied string in linear form
to transform the circular motion into a linear sine wave.

DETAILS

DETAIL
DE
DET
TAIL - 1
AIL DETAIL
D TA
DE AIL - 2 DETAIL
DE
DE
ETTA
TAIILL - 3

The off centered axle which rotates to create a The plastic cap in the static inner circle which The vertical linear members wiith concealed
circular motion which gets converted to linear diverges the string from the axle to the pen- pulleys to reduce the friction during the tight-
sinusoidal motion the the pentagonal member tagonal member to increase the tension and ening nad loosening of the string due to the
in the background. reduce the friction between wood and string. circular motion.
2.2
ECH0

Model making is one of the ways of doing case studies, and

making a working model gives deeper understanding of the
objects mechanism. So making a small working model which
captures the true movement of the elements unlocks differ-
ent door of achieving the same movement through different
mechanisms.
Yellow Wiggle by Reuben Margolin

Change in the heights of the elements making a sine wave fromy the axle circular disc
2.3
ALTER

There are different types of motions in kinematics, linear;

axial or motion on one axis, radial; planar or bi-axial motion
and three dimensional; multi planar or tri-axial motion. But
the tricky part is to conver the linear motion in to radial and
radial into three dimensional. When converting the linear
motion to radial, the forces resulting in the motion divide
in to components. Radial and Tangential components, i.e.
components which result for motion in the direction of its ra-
dius and its tangent respectively. Making the object appear
to be under multiple kinetic mechanisms but being under
one mechanism that breaks the liner motion in its compo-
nents.
The Dancing Octopus (A)

Central Tying Detail (L); Front Elevation (CL); Element Tyig Detail (CR); Eccecntric Axle for the eccentric movement (R)
3.0
SID BRIDGE REDESIGN

Time problems have been a really good way of taking a real-

ity checking of the ongoing learnings. One such time prob-
lem we had was to redesign School of Interior Design (CEPT
University) bridge. We were supposed to design a kinematic
space making element and redesign the bridge along with
structuring it out.
 Shiv Mistry Isometric View
Space
Scale 1 : 50
Kinematics UA6617 127 Hours - Re-designing Bridge
A'
 A

Shiv Mistry Plan at CC'

Space
Scale 1 : 20 N
Kinematics UA6617 127 Hours - Re-designing Bridge
A'
 A

Shiv Mistry Plan at BB'

Space
Scale 1 : 20 N
Kinematics UA6617 127 Hours - Re-designing Bridge
C C'
LVL = +7400.00
 LVL +4800.00
B B'

Shiv Mistry Section AA'

Space
Scale 1 : 20
Kinematics UA6617 127 Hours - Re-designing Bridge
4.1
CLIMATIC RESEARCH

Climatic research data is one of the most crucial data types

in design field, as it gives a detailed analysis of the particular
site, which play a significant role in designing. Kerala, has
a hot and humid type of climate and is on southern coast
of india. Being on a coastal region, it observes varing wind
directions through out the year. Rains are very common in
this region.
Temperature Range
The temperature ranges from 20 degree C to maximum 35 degree C, while
sometimes it has even crossed 35 to reach 38 degree C.
But the average temperature through out the year ranges from 23 degree C
to 32 degree C. Which is a bearable temperature. And the locally available
materials like laterite building blocks also show less fluctuation in terms to
temperature rise and drops.
cLIMATIC rESEARCH - tRIVANDRUM, kERALA
sPACE kINEMATICS
The Sun Path
Trivandrum is on the western regions of south and on the windward side of the
western ghats mountain range, that ranges form gujarat to kanyakumari.
THe above diagram shows thw arc of sun in the from the east to south to west
and the angle from which the shadows are casted. Like in December the
shadow angle is close to 60 degrees, while towards March it becomes 90 and
again 60 towards dec.
sHIV mISTRY
ua6617
Ground Temperature Humidity
A good amount of fluctuation in the tnep of first 0.5 m of ground can be
As the above chart indicates the region is mostly humid throughout the year
seen in the above chart, meaning thar the ground tends to heat up during
except during parts of winters. Which raises the necessity of well ventikated
the summer and cool down really low during the winters. Raising the need
houses. Courtyard play a good role in ventilating the houses, so does the
of a ground plinth which damp proofs the structure as well as stabilises this
veranda as it protects the exterior walls form direct contact with rainfall.
temperature fluctuation.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Overhangs
In such a hot and humid climate, the exterior wall play a huge role is the
overall temperature of the building and to protect it from direct contact
with sun light or rains, overhangs increases the lateral distance from the wall
blocking the harsh sun during summers and the rains as well, as seen in the
diagram.
cLIMATIC rESEARCH - tRIVANDRUM, kERALA
sPACE kINEMATICS
Laterite Building Blocks
In the fluctuating temperature of the region, this locally available laterite blocks
serve a good purpose of maintaining the overall temperature of the building
as this blocks do not tend to show high temperature variations. They are also
strengthened by their direct exposure to the atmosphere. It uses lime mortar for
construction.
sHIV mISTRY
ua6617
Timber Clay
Because of the easy and abundunt availablity of timber species like teak
The use of clay can be seen on every construction site in Kerala, for atleast raising
and rosewood, the use of timber can be seen all around kerala, in the
plinth and doing the earth in fill. But in many places even walls are made out of clay
ridged roofs, columns, in partitions in between spaces, etc. It is easy to
where in the roof is usually made out of dried palm leaves. In some places, brick and
make and easy to use, as spanning and load bearing memebers. They
tiles of clay are also used. Clay provides good insulation form the heat of the region
make ridged roofs using teak wood and most of the roofing systems don't
and hence in many houses, even of laterite blocks, plastering is done with clay.
use nail but rely on pure wood to wood interlocking joineries.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
4.2
CASE STUDY

Responding to the site context is very important in archi-

tectural design. And by doing so, all the vernacular values
of the context could be upheld and given respect to. To
do the same, in context of Kerala, Padmanabhapuram Pal-
ace provided a good oppurtunity to understand vernacular
architecture of kerala. Build over centuries, the palace is a
great site that showcases vernacular values of kerala as well
as transformaton in architectural building technologies and
innovations through its long span of construction and multi-
ple renovations as well as additions.
Clay Roof Tiles Clay Floor Tiles
CLay tiles are also used for flooring in some parts of the lace like here, in the
Clay tiles are used for roof tiling throughout the complex. They give good
common dinning space where all the families of palace complex get together
insulation from the exterior heat and keep the artrium cool.
and have their meals.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Granite Columns
Beautifully carved granite columns are used in certain public spaces of the
palace. It takes the load, and evenly distributes among each other through
the connecting beam that runs continously in its longer axis. the brackets on
the shorter axis not only add to its beauty but also give support.
Granite Spanning System
Granite is also used to span the roof, Lime mortar is used as an adhesive between
the granite beams to adhere them and span a slab. While the small conectiong
beams that run continous on the longer axis and connect the columns support
this spanned slab.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Wooden Columns Wooden Brackets
Wooden columns are made in such a way that the wood grain runs The beautifully carved brackets support the overhangs that jut out of the spaned
vertically upward. It gives the wood strength to take the load and show slab to give natural shade and protection from direct rains. They have intricate
lesser material failure. carving on them.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Large openings Small Intricate Jalis
Small intricate Jalis/Screens are seen on the other facades of the build while
Large openings are observed on the northen facade of the complex, to
let the cool breeze pass from the small small opening in between the beautiful
block the direct sunlight and give ventilation to the space.
wooden carvings.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Wooden Roofing system Ridged Roofing System
Wooden rafters are used at varied angles at different roofs wiith a tieing Roofing system supporting tangential/perpendicualr axis overlap to cater a non-
beam make the 'A' looking roofing system. Most of the spaces are two linear space is called a ridged roofing system. It helps in creating overhangs and
storety, so two roofs are observed. openings to prevent direct sunlight or rains on the lower level/s.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Inclined Wooden Screens Wooden Overhangs
Wooden overhangs covering the openings from direct sunlight and rains on
Inclined wooden screens from the overhangs to the beam level of the level,
all the sides of the buildings. Most of the buildings of the complex have this
blocking the direct sunlight and rains in any direction of the building. While
combination of openings and overhangs, while the inclined openings are
ambient light comes into the hall.
observed only the King's hall.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
Overhangs
In such a hot and humid climate, the exterior wall play a huge role is the
overall temperature of the building and to protect it from direct contact
with sun light or rains, overhangs increases the lateral distance from the wall
blocking the harsh sun during summers and the rains as well, as seen in the
diagram.
cLIMATIC rESEARCH - tRIVANDRUM, kERALA
sPACE kINEMATICS
Laterite Building Blocks
In the fluctuating temperature of the region, this locally available laterite blocks
serve a good purpose of maintaining the overall temperature of the building
as this blocks do not tend to show high temperature variations. They are also
strengthened by their direct exposure to the atmosphere. It uses lime mortar for
construction.
sHIV mISTRY
ua6617

Lime Paster
In some of the newer buildings, where laterite or brick construction is done,
lime paster is appled on the walls and columns of the building, giving the
building a protective layer of lime.
Laterite Building Blocks
In the fluctuating temperature of the region, this locally available laterite blocks
serve a good purpose of maintaining the overall temperature of the building
as this blocks do not tend to show high temperature variations. They are also
strengthened by their direct exposure to the atmosphere. It uses lime mortar for
construction.

cLIMATIC rESEARCH - tRIVANDRUM, kERALA sHIV mISTRY

sPACE kINEMATICS ua6617
4.3
UNDULATING WALL

Kerala is on the southern west coasts of India. It pays the

homage of all its growth to the Indian Ocean. And to cel-
ebrate the same, in the form of a kinematic space making
partition, the louvers in the undulation wall open one after
the other. They open in a specific order which on repetition,
gives a ocean wave like form in its rythm. It gives a constant
wave formation due to which it feels like sea waves are con-
stantly moving.
 PULLEY
42 MM DIAMETER PULLEY IS SCREWED TO INNER RING UPSIDE DOWN, MAKING THE INNER
RING REST ON THE PULLEY DUE TO DOWNWARD GRAVITATIONAL THRUST.

8 ECCENTRIC DISC
THE ECCENTRIC DISC IS FASTENED USING NUT AND BOLT TO A SLIDING BLOCK THAT
9
CREATES THE ECCENTRIC MOVEMENT WHEN THE INNER RING IS ROTATED.

10

11

12

13

14

15

16

PLANK-PIVOT JOINERY
PLANK EXTENSION JOINTS ARE ALIGNED AT THE MID POINTS OF THE OTHER BOARDS. BOTH
THE WOODEN BOARD AS GROOVED 8 MM WIDE AND 4 MM DEEP, TO HOUSE THE PIVOT.
 17

PLANK EXTENSION JOINTS

3 MM WIDE AND 9 MM DEEP IN THE DEPTH OF THE WOODEN PLANKS TO INCASE WOODEN
STRIPS IN BETWEEN THEM AS EXTENSION JOINERY.

18

19

20

21

22

MORTISE AND TENON

20 MM MORTISE HOLE ARE DRILLED 15 MM DEEP IN TO THE WOODEN MEMBERS FOR
TENONS WHICH ARE CHAMFERED AT THE EDGE FOR EASY INSTALLATION.
23

LINETYPES
24
THIS FAINTLY THE DASH LINES
VISIBLE LINES INDICATE THE
INDICATE THE CENTERLINE
BASE ISOMETRIC PROJECTIONS
25 WHICH IS OF CIRCULAR
EXPLODED. EDGES.

THE DOTTED THE SOLID

LINES INDICATE LINES INDICATE
THE EDGE TO THE TRUE
26 EDGE ELEMENTS THAT
PROJECTIONS IN ARE EXPLODED
THE ISO. IN THE ISO.

LEGEND
1. 55x24x16 MM WOODEN BLOCK
2. 6 MM BOLT
3. 6 MM NUT
4. 625ZZ BALL BEARING, OD - 16 MM, ID - 5 MM
5. PLYWOOD RING #1, OD - 794 MM, ID - 696 MM, DEPTH - 11 MM
6. ECCENTRIC DISC
7. 6 MM WASHER
8. 6 MM NUT
9. 54x19x6.5 MM WOODEN BLOCK
10. U GROOVE PULLEY, OD - 42 MM
11. ROTATING PLYWOOD RING #2, OD - 721 MM, ID - 620 MM, DEPTH - 12 MM
12. 6 MM MS ROD, LENGTH - 720 MM
13. PLYWOOD RING #3, OD - 794 MM, ID - 727 MM, DEPTH - 14 MM
14. PLYWOOD RING #4, OD - 794 MM, ID - 710 MM, DEPTH - 51 MM
15. PLYWOOD RING #5, OD - 794 MM, ID - 662 MM, DEPTH - 12 MM
16. 1225x140x12 MM PLYWOOD GUIDE
17. 2 MM SS WIRE ROPE CABLE
18. 112.5x600x25 MM WOODEN BOARD
19. 166.67x600x25 MM WOODEN BOARD
20. 275x600x25 MM WOODEN BOARD
21. 600x600x25 MM WOODEN BOARD
22. 2680x75x36 MM VERTICAL WOOD FRAME MEMBER
23. 600x275x25 MM WOODEN BOARD
24. 600x166.67X25 MM WOODEN BOARD
0 100 300 500 1000 m 25. 6 MM ROD, LENGTH - 700 MM, 330 MM, 221.67 MM
26. 689x25x36 MM HORIZONTAL WOODEN FRAME MEMBERS
 12.5
53.5
Ø

162.5
79
4

109

334.72
53.5
Ø
8 Ø7
94
Ø6
96
Ø4

670
216.67
163.17
Ø662

53.5

60°

375.01
325

1225
271.5

5
53.5

69.44 69.44 69.44 69.44 69.44 69.44 69.44 69.44

49 66

Ø4
12 25. 5 MM MS ROD
10.9

334.72
650
596.5

5. PLYWOOD RING #1 15. PLYWOOD RING #5

70 70

25

57.75

68.75
140 12

637

126.5

137.5
53.5

22
2679.17

22
16. 1225x140x12 MM

275
137.5
115.5
200.33
PLYWOOD GUIDE

22
41.67

137.5
1

126.5
Ø7
32

21

68.75
31

57.75
8.5 8

6
6
5

Ø
Ø
Ø62
0
4.75 3
Ø
204.17

189.47 252.63 157.89

20
650

12.5
596.5

600
5
25
18
Ø
20. 275x600x25 MM WOODEN BOARD 12. 5 MM MS ROD
689
625
216.67
Ø
20

8 25
53.5

18
Ø

122.33

133.33
22
204.17

312
31

32
1

166.67
144.67
50.5 12.3

22
517.86

600
1 18 1 1 18 1

567
5

8 20 8 2.5 20 2.5
650

166.67
144.67
596.5

36 25

22
5

26. 689x25x36 MM HORIZONTAL

133.33
122.33
2. 5 MM MS ROD WOODEN FRAME MEMBERS

82.14
11. ROTATING PLYWOOD RING #2
Ø6
Ø6
12.5

15

8.5 8
14 1

284.21 252.63
63.16 4.75 3
122.33 144.67 144.67 122.33 69
38.5

22 22 22 12.5 6 16.5 5 14.5

133.33 166.67 166.67 133.33
203.67
5

25 31 1 1 18 1
600 43
32 8 20 8
5

75
Ø7
94 21. 600x600x25 MM WOODEN BOARD 36

5
655
625

22. 2680x75x36 MM VERTICAL

581.5

WOOD FRAME MEMBER

25

Ø727
8

3. 5 MM MS ROD
83.93
28.57

112.5
33.46

42.66
4.07

79.5
54

5.09

Ø4
Ø4
Ø6
Ø6
Ø4

8.5 8
14

15

252.63 284.21
44.02
 1 2 1.1

5
1
63.16 12.5
600 25
25 2.94 5.08
42

4.88
2.5 20 2.5 8 20 8 9.11
9.57 9.39 6.47
.84 18 1 19
Ø3 1 18 1 1
19
18. 112.5x600x25 MM WOODEN BOARD 25 36 21

9. 54x19x6.47 MM 7. 655x25x36 MM VERTICAL 10. U GROOVE

25
WOODEN BLOCK WOODEN FRAME MEMBERS PULLEY
33.5 14

8
85.72
°

166.67
40
3

133.67
5 15

.7

80.95
Ø

15
20 17.5
5

15
55
Ø16
Ø16
13. PLYWOOD RING #3

Ø6
Ø6
15 5
17.5
157.89 252.63 189.47

Ø6
24 8 8

Ø6
0
6
8.5 8 3
600
25 16

19. 166.67x600x25 MM WOODEN BOARD 4. 625ZZ BALL 6. ECCENTRIC DISC 1. 55x24x16 MM

BEARING WOODEN BLOCK

25
8 25

8
LEGEND
1. 55x24x16 MM WOODEN BLOCK
Ø7 2. 5 MM MS ROD, LENGTH - 312 MM
94
3. 5 MM MS ROD, LENGTH - 203.67 MM
Ø4
4. 625ZZ BALL BEARING, OD - 16 MM, ID - 5 MM
5. PLYWOOD RING #1, OD - 794 MM, ID - 696 MM, DEPTH - 11 MM
Ø710 6. ECCENTRIC DISC
7. 655x25x36 MM VERTICAL WOODEN FRAME MEMBERS

555.77
8. 6 MM BOLT

600
Ø

567
6 9. 54x19x6.5 MM WOODEN BLOCK

600
573.86
Ø4

567
10. U GROOVE PULLEY, OD - 42 MM
11. ROTATING PLYWOOD RING #2, OD - 721 MM, ID - 620 MM, DEPTH - 12 MM
12. 5 MM MS ROD, LENGTH - 637 MM
Ø 13. PLYWOOD RING #3, OD - 794 MM, ID - 727 MM, DEPTH - 14 MM
6
14. PLYWOOD RING #4, OD - 794 MM, ID - 710 MM, DEPTH - 51 MM
Ø6
15. PLYWOOD RING #5, OD - 794 MM, ID - 662 MM, DEPTH - 12 MM

44.23
Ø6 16. 1225x140x12 MM PLYWOOD GUIDE
17. 2 MM SS WIRE ROPE CABLE

26.14
18. 112.5x600x25 MM WOODEN BOARD
19. 166.67x600x25 MM WOODEN BOARD
126.32 94.74
20. 275x600x25 MM WOODEN BOARD
53.95 8.5 8.75 94.74
115.5 21. 600x600x25 MM WOODEN BOARD
57.75 22 22 57.75 4.75 3 40.35
166.67 31.58 8.5
8 22. 2680x75x36 MM VERTICAL WOOD FRAME MEMBER
126.5 126.5 23. 600x275x25 MM WOODEN BOARD
42 22 12.5 12.5 24. 600x166.67X25 MM WOODEN BOARD
14 12 137.5
25. 5 MM ROD, LENGTH - 670 MM
68.75 68.75 25 25
137.5 26. 689x25x36 MM HORIZONTAL WOODEN FRAME MEMBERS
51.2
68.55 275 50 0 100 300 500 MM
14. PLYWOOD RING #4 23. 600x275x25 MM WOODEN BOARD 24. 600x166.67x25 MM WOODEN BOARD

A LINETYPES
THIS DASH LINES THE DASH LINES
REPRESENT THE INDICATE THE
CLOSE STANDARDIZED
CONDITION OF ROOFING SYSTEM
FIXTURE IN THE TAKEN WITH
SECTIONS. RESPECT TO SITE
CONTEXT.

THE HIDDEN THE SOLID

LINES SHOW THE LINES REPRESENT
HIDDEN EDGES/ THE DESIGN
SURFACES OF ELEMENTS IN
ALL THE BOTH
C C' ELEMENT IN KIT PLAN-SECTIONS
OF PARTS AND KIT OF PARTS

BRIEF
THERE ARE TWO BASIC MODULE SIZES, 162.5x650 MM AND 216.67x650 MM. IN THE
CURRENT DESIGN THE TOP MOST FIXTURE IS OF THE SMALLER MODULE, WHILE THE ONE
BELOW IT AND THE BOTTOM MOST FIXTURES ARE OF THE BIGGER MODULE. 3 BIGGER
MODULES ARE USED VERTICALLY, WHILE FOR THE SAME SIZE 4 SMALLER MODULES
B B'
COULD ALSO HAVE BEEN USED. THE SMALLER MODULES ARE VERTICALLY PLACED AT
THE BOTTOM OF THE WALL TO CREATE SMALLER OPENINGS, WHICH WILL LET COOL
BREEZE ENTER, AS THE CONCEPT OF VENTURI EFFECT STATES. TWO SMALLER MODULES
COMBINE TO MAKE A BIGGER MODULE OF 325x650 MM, WHICH IS VERTICALLY USED
AT THE SECOND ROW, SO THE SLIGHTLY BIGGER OPENING WOULD MAINTAIN THE
COOL BREEZE AS WELL GIVE AN APPROPRIATE SIZE OPENING AT THE EYE LEVEL IN THE
SITTING POSITION FOR THE VIEW. THE BIGGEST MODULE OF SIZE 650x650 MM IS USED
AT THE CENTER, WHICH COMES AT THE EYE LEVEL. THIS MODULE CAME BE MADE BY
COMBINING 4 SMALL MODULES OF 162.5x650 MM SIZE OR 3 MODULES OF
216.617x650 MM SIZE. THE BIGGEST OPENING AT THE EYE LEVEL, GIVES GOOD VIEW
AS WELL AS LIGHT. THE MODULES ABOVE THE ARE HORIZONTALLY USED AS THEY
MAINLY SERVE THE PURPOSE OF VENTILATION. SO WHEN THE HOT AIR RISES UP, THE
BIGGER SLIT MAINTAIN THE AIR FLOW AND LET THE HOT AIR OUT. ALL THIS FIXTURES
ARE PIVOTED TOWARDS THE UPPER EDGE. AND THE LOWER EDGE IS TIED TO THE
ECCENTRIC MECHANISM THROUGH CABLE. SO WHEN THE MECHANISM MOVES AND
PULLS THE CABLE, THIS FIXTURE OPEN UPWARD ON THE INSIDE AND THE CABLE
RELEASES THE TENSION, THE FIXTURES CLOSE DUE TO GRAVITY. IN THE ECCENTRIC
MECHANISM ALL THE CABLES FROM THE FIXTURES ARE TIED TO AN ECCENTRIC DISC
WHICH IS PULLED OFF CENTER, SO WHEN IT ROTATES, IT GENERATE A CIRCULAR
MOTION. THE CIRCULATION MOTION PULLS THE CABLE IN THE TENSION AND THEN
RELEASES IT BACK TO THE RESTING POSITION. AS THE CABLE IS PULLED IN TENSION AND
RELEASED BACK AGAIN IN A CYCLE OF CIRCULAR MOVEMENT, THE FIXTURE OPEN UP
AND CLOSE IN THE ORDER OF THE CABLES THAT IT IS TIED IN. MEANING ALL THE
FIXTURES WILL OPEN AND CLOSE ONE AFTER THE OTHER.

0 100 300 500 1000 2000 MM

PLAN AT CC' SECTION AA' SECTION BB' NORTH