Lazarus (comics)

Lazarus is a dystopian science fiction comic book series

created by writer Greg Rucka and artist Michael Lark. The two
Lazarus
began developing the idea in 2012 and partnered with colorist
Santi Arcas to finish the art. Image Comics has been publishing
the book since the first issue was released on June 23, 2013.
Other creators were brought in later to assist with lettering and
inking. A six-issue spin-off limited series, Lazarus: X+66, was
released monthly in 2017 between issues 26 and 27 of the
regular series. Rucka initially said the series could run for up to
150 issues, but later reduced the estimate by half. Lazarus is
being collected into paperback and hardcover editions, which
sell better than the monthly issues.

In the series, the world has been divided among sixteen rival
families, who run their territories in a feudal system. The main
character is Forever Carlyle, the military leader of the Carlyle
family. The major themes of Lazarus are the meaning of
"family" and nature versus nurture. Critics have given it mostly
positive reviews and have praised its worldbuilding, although it
is sometimes criticized for slow pace. It has received particular
attention for its political themes.

Lazarus is being adapted into other media. Green Ronin

Cover to Lazarus #2. Art by Michael
Publishing is using the plot as a campaign setting for their
Modern AGE role-playing game in 2018. A television Lark.
adaptation is in development with Legendary Television and Publication information
Amazon Studios.
Publisher Image Comics (US,
Canada)
Panini Comics
Contents (International)

Publication history Schedule Monthly (Jun 2013 –

Early development May 2018)
Production Quarterly (Mar 2019 –
Publication present)
Collected editions Format Ongoing series

Plot Genre Science fiction

Synopsis Publication June 2013
Plot date
Critical reception Creative team
Political themes Written by Greg Rucka
Adaptations in other media Artist(s) Michael Lark
Television
Letterer(s) Jodi Wynne (#1–26)
 Role playing Simon Bowland (#27–
28, Risen #1–present)
External links
Colorist(s) Santi Arcas
References
Collected editions
1. Family ISBN 9781607068099
Publication history 2. Lift ISBN 9781607068716
3. Conclave ISBN 9781632152251
Early development 4. Poison ISBN 9781632155238
5. Cull ISBN 9781534300248
American writer Greg Rucka and artist Michael Lark had
previously collaborated on the comic series Gotham Central X+66 ISBN 9781534304888
for DC Comics between 2002 and 2004 and various small 6. Fracture I ISBN 9781534308428
projects for Marvel Comics in the years following.[1] Lark
HC Book 1 ISBN 9781632151834
wanted to work with Rucka on a creator-owned comic because
he felt he was at his best drawing the kind of stories Rucka HC Book 2 ISBN 9781632157225
writes.[2] HC Book 3 ISBN 9781534313347

In June 2012, Rucka was in Dallas as part of a book-signing Sourcebook ISBN 9781534305151
tour. He had dinner with Lark, who lived nearby, and shared an Vol. 1
idea for a scene involving a woman who had been shot rising
from the dead and pursuing her attackers. Lark liked the story and committed to drawing the comic as soon
as a full script was ready.[1][3] Although Rucka had previously published his creator-owned material
through Oni Press, his friend Ed Brubaker had been pushing him to work with Image Comics.[1] When
they contacted Image's Eric Stephenson and pitched the project as "The Godfather meets Children of Men",
he immediately expressed interest.[3] The project, titled Lazarus, was officially announced at the San Diego
Comic Con on July 14, 2012.[4][5] The announcement was accompanied by promotional artwork colored
by American Elizabeth Breitweiser and featured a prototype logo design and typeface.[4]

Image Comics provided David Brothers to serve as the series' editor.[6] Unlike traditional comic editors
who focus on coordinating schedules and pushing deadlines, Brothers only reviews the work and provides
responses that help the team create better work with more internal consistency.[7] Eric Trautmann, who had
previously edited two of Rucka's novels, was recruited to help with research, timelines, and design
work.[2][8] Lark wanted to work with a European colorist to provide a look distinct from traditional
American comics. Rucka suggested Santi Arcas, a Spanish colorist he had worked with in the past, and
Lark particularly liked Arcas' skies and textures.[3][9]

Production

Rucka and Lark developed the setting for Lazarus by looking at the Occupy movement and the underlying
economics, then asking themselves "What happens if it goes horribly wrong?"[10] They decided how the
story would end before work began on the first issue.[11] They initially gave their lead character the name
Endeavor, but Rucka changed the name to Forever to avoid a conflict with a different comic being
developed at the same time about a young Inspector Morse.[1][10] Lark based her body type on the soccer
player Hope Solo.[1]

Lark was disappointed by the first script as he felt none of the characters were likable, and the scene
described to him over dinner was not included. In response, Rucka wrote a new draft restoring the missing
opening scene.[1][12] Lark began drawing the first issue in January 2013, basing the opening scene on the
reconstruction sequence in 1997 film The Fifth Element.[6][13]
 When writing a new script, Rucka tries to follow the world-building
model used by William Gibson in his 1984 novel Neuromancer and
provide information about the environment through context instead of
exposition.[14] His biggest struggle is delivering details while maintaining
a proper narrative pace.[15] He sometimes self-censors "exceptionally
dark" material because he does not want to make Lark draw it.[2] After
Lark receives a new script, the collaboration between them is "immediate
and constant".[1] Lark questions Rucka about characterization and the
direction of the story, leading Rucka to rewrite scripts resulting in what
he believes is a better final product.[2] Lark refuses to read scripts in
advance so he will stay focused on what is in front of him, not what he
will be drawing next.[16] Rucka says Lark intuitively knows what is
happening in the story even when it isn't clearly scripted.[2]

Promotional concept artwork
for Lazarus drawn by Michael
Lark and colored by American
Elizabeth Breitweiser. Lark
chose not to use an American
colorist for the published work
because he wanted something
more distinct.
Rucka and Lark have an ongoing conversation about how to show the
injustice in the way Forever is treated without being complicit in it
themselves. For example, medics must remove Forever's clothes to treat
her wounds. Lark wanted to avoid sexualizing the images, but also avoid
being "coy" by simply blocking parts of her body with another
character's arm.[2] The script gives Lark no direction for aspects like
architecture, clothing, or vehicle design. Designing these technical details
involves research into prototype technology and takes almost as long as
drawing the actual pages for the comics. The time required to create the
sets is the primary reason Lark sometimes falls behind schedule.[2][12]

Lark works on Lazarus ten or more hours per day.[12] He uses photo references and digital tools in the
early stages of his art, but the layouts and drawing are done with traditional tools. He is more involved with
the coloring on Lazarus than any other comic he has illustrated.[6] The logo design was finalized by
Trautmann and Lark.[17] Lark initially did all the lettering and inking for Lazarus, but doing so made it
impossible to release new issues on a regular schedule.[3][7] To give him more time to focus on drawing,
some of the smaller tasks like logo and type design were given to other people.[6] Brian Level assisted with
inking on issues three through ten, when he was replaced by Tyler Boss.[7][18] Beginning with issue ten,
Jodi Wynne took over the lettering duties and Owen Freeman started creating the cover art.[8][19] Fake
advertisements found on the back covers and many of the computer screens and holographic images in the
artwork are created by Trautmann.[7][8] Lark and Rucka often discuss whether to use sound effects in
scenes or limit their use. Lark does not want to rely on them to convey information because they may
become a "crutch" in place of including important details in the art.[9]

Issue fifteen features a silent, thirteen-page fight between two characters.[20][21] Rucka, who used to be a
choreographer, filmed himself acting out the battle with a friend. Lark used the film for reference as he
drew.[15]

Following the 2016 United States presidential election, the creators' vision for the comic shifted. Rucka,
who had used the letter columns in the series to discuss his concerns about then-candidate Donald Trump,
told Oregon Public Broadcasting that after the election results Lazarus had changed from a dystopian
science fiction story to a documentary.[22] During a discussion panel at the 2017 Chicago Comic &
Entertainment Expo, Rucka described Lazarus as being "about the blood red rage that leads to a Trump
administration" before joking that he had "tried to warn you three years ago!"[23] Although the overall plan
for Lazarus did not change, Rucka said he had a growing interest in writing about a brighter future
instead.[22]
Publication

Brubaker advised Rucka to create a

four-page "trailer" to promote the
book, a strategy Brubaker had used
with The Fade Out. Rucka was not
initially interested, but Lark liked the
idea. The trailer debuted at the 2013
Emerald City Comic Con before Writer Greg Rucka in 2007 (left) and artist Michael Lark in 2005 (right)
appearing online and in Previews, the
catalog for Diamond Distribution.
The scene was not reproduced in any issue of the series.[1][24]

Most comics sold to specialty stores in the direct market are non-returnable. To reduce the financial risk for
retailers who were uncertain about its sales potential, unsold copies from qualifying orders of the first three
issues of Lazarus could be returned to the publisher.[25][26] The first issue went on sale on June 26, 2013
and sold out of its approximately 48,000 copy print run at the distributor level.[27][28] A second printing
was announced to coincide with the release of issue two. After a second sellout, it was added to the "Image
Firsts" program, a line of discounted first-issue reprints continuously available for retailers to order.[29] By
the end of 2013, the first issue had sold an estimated 50,200 copies.[30] The second issue, which also went
through multiple printings, sold an estimated 30,600 copies.[26][30] Over the next two years, sales fell
steadily to about 14,500 copies.[31]

Because of scheduling issues, Rucka and Lark were behind on the series from the start.[12] The problems
were exacerbated by illness and poor communication during the "Lift" arc, causing issue 9 to be delayed by
more than a month.[32] Further late issues led retailers to reduce their orders for new issues.[32] In fall 2015,
the team announced a four-month hiatus between issues 21 and 22 to allow Lark to get ahead of
schedule.[33] They said they would not solicit any more issues until the next story arc was completed, and
the hiatus actually lasted six months, in part because of miscommunication between Image Comics and
Diamond Distribution.[12][33][34] During the hiatus, they released a sourcebook providing additional, non-
essential background on the Carlyle family.[2] The sourcebook was created with input from Robert
Mackenzie and David Walker, who had been providing annotations for the series at NerdSpan.[35] Despite
the break, five months passed between the fourth and fifth chapters of the Cull arc. A second sourcebook
detailing the Hock Family was released in April 2017.[36]

In the letter column of issue 26, Rucka announced a six-issue limited series titled Lazarus: X+66 would be
released monthly beginning July 2017. The series was written by Rucka and Trautmann, and each issue
focused on different supporting characters from the main series. Lark was involved as a consultant, but
each issue was drawn by a new artist. This decision gave Lark time to work on something unrelated to
Lazarus, which had been his only project since the series began.[37] A four-page preview of the first
installment, drawn by Steve Lieber, was included with the book's solicitation in Image Plus #16.[38] A
third source book, this time covering the Vassalovka family, was released one week after the limited series
ended. Lark returned to Lazarus in April 2018 with issue 27.[39]

In the letter column of issue 27, Rucka announced the series would change to a 64-page quarterly format
beginning with issue 29 in September 2018. The new format features 44 pages of comic story and the
remaining 20 pages are a variety of prose material including short stories and role-playing game
supplements.[40] When the proposed issue 29 was released, it was retitled and renumbered as Lazarus:
Risen #1.[41]
When the series began, Rucka estimated it would take between 100 and 150 issues to reach the
ending.[33][42] In May 2016, he revised his estimate downward, saying Lazarus was "25–30% complete at
issue 21".[15]

Collected editions

The series has been compiled in six trade paperbacks and three hardcovers.[43] The first paperback
collection appeared on the New York Times Best Seller List for Paperback Graphic Books in eighth
position for two weeks in November 2013.[44] The second appeared in the tenth spot for one week in
August 2014.[45] The hardcovers include introductions from notable comic creators like Warren Ellis and
behind-the-scenes material not otherwise available. Rucka and Lark take the extra content in them "very
seriously" because hardcovers are expensive.[14][46] In 2015, Rucka said sales of single issues "aren't
great", but went on to say the series is selling better in a collected format.[42][47] That year, the first
paperback collection sold close to the same number of copies to comic specialty shops as it did in 2013, the
year it was released.[30][48] Lazarus has been translated into several European languages by Italian
publisher Panini Comics and released in hardcover formats containing the same material as the English
paperbacks.[49][50]

Plot

Synopsis

Lazarus is a coming of age story for a young woman named Forever Carlyle who is questioning her
identity. Its major themes are the meaning of "family" and nature versus nurture.[14] It is set in a bleak
future a number of decades from now after the current world order has broken down, possibly due to
climate change. Sixteen families each control the territory, resources, and technology in their part of the
world, as per mutual agreement, though each family has their own technological strengths and may govern
their territory through differing methodology. The Carlyle family rules the western half of North America in
a feudal system, dividing people into three tiers: "family", "serfs" (skilled laborers), and "waste" (everyone
else).[51] The families have formed alliances to protect themselves from other families, and each family has
a chosen warrior, trained and modified as per the family's strengths, known as a "Lazarus" who represents
them in combat. Forever is the Carlyle Lazarus.[52] She obeys the family patriarch, Malcolm Carlyle, and
has four siblings: Steven, Beth, and twins Jonah and Johanna. The original source of the Carlyle's fortune
and power is from their various developments in genetic technology. Among other advancements, their
modified seeds provide food for most of the world. The Carlyles have also altered their own genetics,
which has allowed all of them to grow old without suffering the consequences of age and engendered
jealousy and fear in many of the other families.

Plot
 Hardcover TPB Issue Plot

When Jonah and Johanna plot a coup against

#1 (6/26/2013) Malcolm, one of their first steps is to kill Forever.
When she is returning from a diplomatic mission
in Morray territory (South America), Carlyle
Volume 1: #2 (7/24/2013)
airships fire on Forever and the Morray Lazarus,
Family
Joacquim. Neither are killed, and Forever is told
(10/9/2013)
by a pilot he was sent by Jonah. Realizing their
ISBN 9781607068099 #3 (8/28/2013)
coup has failed, Johanna arranges for Jonah to
appear to have orchestrated it alone. Jonah flees,
#4 (10/2/2013) and Forever receives an anonymous message
saying the Carlyles are not her family.
First Collection
(11/19/2014)
ISBN 9781632151834 #5 (12/11/2013) Members of the waste class are given the
opportunity to be tested for "lifting", and
applicants with suitable skills or abilities become
#6 (2/5/2014) serfs. Two youths, Michael Barrett and Casey
Solomon, are lifted to become a doctor and soldier
Volume 2: Lift
respectively. During the lift event in Denver that is
(7/30/2014) #7 (3/19/2014)
attended by thousands, a resistance group who
ISBN 9781607068716
hate the Carlyle family plan to set off a bomb.
#8 (4/23/2014) Forever discovers the plot, but Casey is
instrumental in stopping it. Meanwhile, Jonah is
captured by the Hock family, a Carlyle rival and
#9 (7/2/2014)
ruler of Eastern North America.

Second When Malcolm learns about Jonah's imprisonment

Collection #10 (8/6/2014) by Hock, he calls for a conclave between the
(5/18/16) families to settle the dispute. Adhering to the
ISBN 9781632157225 Macau Accords that divided the world amongst
the families, it takes place within the territory of a
#11 (9/10/14)
neutral family and all the families and their Lazari
are present. Forever attends a friendly poker
game with the other Lazari and begins a romantic
#12 (10/22/14) relationship with Joacquim. Malcolm orders
Volume 3:
Forever to secretly locate Jonah and kill him, but
Conclave
she helps him escape instead. When the conclave
(3/18/15)
begins, Hock invokes a rule allowing his honor to
ISBN 9781632152251
#13 (11/26/14) be defended in combat between Forever and
another Lazarus. Since Hock does not have a
Lazarus of his own, he selects Sonia Bittner,
#14 (1/14/15) whose family is an ally of his. Despite their
friendship, Forever and Sonia battle fiercely.
Forever wins, and Malcolm spares Sonia's life.
Hock refuses to accept the results and spits
#15 (2/18/15) poison into Malcolm's face. As the poison begins
to take effect, Hock and his allies leave.

Volume 4: War breaks out along the Carlyle/Hock border, and

Poison #16 (4/22/15) Forever joins Casey Solomon's squad in an effort
(1/27/16) to control Duluth, Minnesota. During the battle,
ISBN 9781632155238 Forever is incapacitated and Casey leads the
squad to complete the mission. Meanwhile,
#17 (6/17/15) Michael Barrett works with Beth Carlyle and her
partner James to counteract the poison in
Malcolm's system, which has left him in a coma.
Michael makes the key deduction needed to
#18 (7/29/15) create an antidote, having realized the poison was
designed to attack Carlyle-specific parts of
Malcolm's genome, although Malcolm is still
#19 (9/2/15) bedridden. During this time, Stephen leads the
family and the war effort, although he and others
are aware he is unfit for the task. Johanna
 schemes to replace him peacefully. Sonia Bittner,
after her defeat at the conclave, was left under the
#20 (11/4/15) control of the Carlyles. She is kept at a training
facility where she accidentally discovers a
younger clone of Forever. Sonia learns Forever is
also a clone; the seventh one to serve as the
#21 (12/30/15) Carlyle Lazarus. Neither of the clones is aware of
the other, and Sonia is sworn to secrecy.

#22 (6/15/16) The war between Carlyle and Hock grows to

include their allies, and Sonia and Joacquim are
deployed to fight for Carlyle in Europe. Healed
#23 (7/20/16) from the wounds she received in Duluth, Forever
Volume 5: Cull joins them. During a battle with the Vassalovka
(5/31/17) #24 (8/31/16) family Lazarus, Morray betrays Carlyle and use
ISBN 9781534300248 the cybernetic implants in Joacquim to force him
#25 (10/12/16) to fight Sonia and Forever against his will. Unable
to win, Forever and Sonia retreat. Meanwhile,
Stephen transfers power of the Carlyle family to
Third Collection #26 (3/29/17) Johanna with Malcolm's consent.
(11/9/19)
ISBN 9781534313347
X+66 #1 (7/17/17)
X+66 #2 (8/23/17)
X+66 X+66 #3 (9/27/17) A series of stand-alone issues focusing on
(4/11/18) supporting characters. Each issue was illustrated
ISBN 9781534304888 X+66 #4 (11/1/17) by a different artist.
X+66 #5 (11/29/17)
X+66 #6 (2/14/18)

#27 (4/18/18) A flashback shows Jonah being rescued by a

fishing boat in Bittner territory. He is nursed to
health by the captain's family and gives them a
N/A false name. He falls in love with the captain's
#28 (5/30/18) daughter and they have a son together. During the
war, a disease kills everyone in his new family,
but Jonah and his son are unaffected by it.

Volume 6: Risen #1 (3/20/19)

Fracture I
Risen #2 (7/24/19)
(1/8/20)
ISBN 9781534308428 Risen #3 (11/27/19)

N/A N/A Risen #4 (3/25/20)

Risen #5 (10/28/20)
N/A Risen #6 (8/18/21)
Risen #7

Sourcebook #1
Background information on the Carlyle family
Sourcebook (4/20/16)
Collection
Sourcebook #2
Volume One Background information on the Hock family
(4/26/17)
(4/25/18)
ISBN 9781534305151 Sourcebook #3
Background information on the Vassalovka family
(2/21/18)
Critical reception
Lazarus has received positive reviews since its debut.[53] According to review aggregator Comic Book
Roundup, critics gave the first issue an average score of 8.7/10 based on 32 reviews.[54] The series as a
whole averages 8.6/10 based on 284 reviews.[55] Critics and fans often praise the world-building in
Lazarus, but Lark and Rucka see it as secondary and think it receives too much focus.[14] Publishers
Weekly said Forever's "fascinating complexity" made Lazarus stand out from other graphic novels.[46]
Writing for Comics Alliance, KM Bezner said every character, including the diabolical ones, displayed
humanity and "[blurred] the lines between shades of morality".[56] On Broken Frontier, Tyler Chin-Tanner
described "Lift", the series' second story arc, as "a moving tale of family sacrifice".[57] The series has
appeared on many comic critics' "best of" lists.[58] Since the series debut, the slow pace has been a
common point of criticism.[59]

Many critics compared Lazarus with other genre works. The

timeliness of Rucka's premise made the series stand out
among dystopian fiction for IGN reviewer Melissa Grey.[60]
Garrett Martin wrote in Paste Magazine that the series was
unlike other contemporary class warfare genre fiction like the
novels Hunger Games or Blackacre because it is told from the
oppressors' point of view.[61] Oliver Sava reviewed the series
for The A.V. Club and said it stood out from Image's other
science fiction comics "because it's more grounded in current
political and economic trends".[20] Rucka specifically Forever battles Sonia Bittner during the
addressed fan-drawn parallels to the television series Game of conclave in issue 15. The art is by
Thrones, saying he had not read the books and purposely Michael Lark and Santi Arcas, based on a
avoids watching the show to avoid unintentionally borrowing choreography video made by Greg Rucka.
ideas from it. Lark thinks the comparison to Game of Thrones Arcas' contribution has been praised for
works to some extent, but points out that Lazarus concentrates adding texture and depth to the image.
more on a single character.[12]

Lark was praised for being equally good at depicting violence and introspection, and Martin said it was
Lark's finest work.[46][61] According to Lark, the characters in Lazarus rarely say what they mean, and
some vital story beats are depicted by wordless art.[6][62] Arcas received notice for adding texture and
depth to Lark's art and using pallette changes to help tell the story.[7][20]

Political themes

Because of its economic themes, Bezner warned that the political elements of Lazarus would not be for
everyone.[56] In The Jersey Journal, critic William Kulesa believed the "deeply considered speculation on
society, technology, and the future" is what made the series high-quality science fiction.[63] While
Newsarama reviewer Vanessa Gabriel felt Lazarus "engages the reader with plausibility",[64] Chin-Tanner
found it to be a character driven story even though it dealt with political and scientific issues.[57] Following
the election of Donald Trump as President of the United States in 2016, Salon writer Mark Peters called the
series "newly relevant" and compared Trump to the Carlyle family.[65]

In an in-depth review of the series for the Los Angeles Review of Books in 2017, Evan McGarvey praised
the research and thought that went into Lazarus, but expressed concern that the visual requirements of the
art conflicted with the political themes. He specifically noted the ruling families and their soldiers "simply
look cooler" than the waste with whom the audience is meant to identify, and concluded that this
dissonance may skew the real message Rucka and Lark want to send. McGarvey went on to compare the
Carlyles to the Mercer family and the lift to China's Gaokao.[66]

Adaptations in other media

Television

Legendary Television bought the rights to adapt Lazarus following a competitive bidding war in March
2015.[53][67] Rucka and Lark will be executive producers along with David Manpearl and Matt
Tolmach.[53][68] A pilot script written by Rucka entered its final draft in late 2015 and Legendary began
looking for a network willing to purchase it.[42][67] During the hiatus between issues 21 and 22, Rucka and
Lark were able to devote more time to developing the adaptation.[12] Rucka said the development process
for Lazarus has been better than any of his previous Hollywood experiences, and that he hopes the show
will be able to explore characters more deeply using scenes cut from the book.[12][42]

In September 2017, Deadline Hollywood reported the adaptation was being developed as a potential series
for Amazon Studios, who made a "significant production investment" in it.[69] In the letter column of
Lazarus X+66 #4 (November 2017), Rucka said this announcement included some inaccuracies, and
emphasized the show is still a long way from being released. He said the casting process had not yet
begun.[70]

Role playing

In the Spring of 2017, Green Ronin Publishing announced The World of Lazarus, a campaign setting in
their Modern AGE role-playing game.[71] Although initially planned for a November 2017 release, it was
delayed until 2018 to allow more time for development.[72] Rucka said role playing games had an
important part in his development as a writer, and that having one of his ideas turned into one "might just
possibly be the greatest compliment I could ever receive."[71]

External links
Robert Mackenzie and David Walker provide annotations (http://www.nerdspan.com/tag/laza
rus-rising/) for each issue at Nerdspan.com

References
1. Harper, David (May 8, 2013), "Rucka and Lark Talk the Beautiful, Dark, Twisted Future of
“Lazarus” – Interview (http://www.multiversitycomics.com/interviews/rucka-and-lark-talk-the-b
eautiful-dark-twisted-future-of-lazarus-interview/) Archived (https://web.archive.org/web/2016
0924041520/http://www.multiversitycomics.com/interviews/rucka-and-lark-talk-the-beautiful-
dark-twisted-future-of-lazarus-interview/) 2016-09-24 at the Wayback Machine," Multiversity
Comics. Retrieved August 28, 2016
2. Sims, Chris (April 14, 2016), "The Lesser Of Fourteen Evils: Greg Rucka And Michael Lark
On 'Lazarus' (http://comicsalliance.com/greg-rucka-michael-lark-lazarus-interview/) Archived
(https://web.archive.org/web/20160921072221/http://comicsalliance.com/greg-rucka-michael
-lark-lazarus-interview/) 2016-09-21 at the Wayback Machine," Comics Alliance. Retrieved
August 26, 2016
 3. Arrant, Chris (February 3, 2014), "Artist Michael Lark Brings Rucka's LAZARUS to Life at
Image (http://www.newsarama.com/20217-artist-michael-lark-brings-rucka-s-lazarus-to-life-a
t-image.html) Archived (https://web.archive.org/web/20170329114150/http://www.newsaram
a.com/20217-artist-michael-lark-brings-rucka-s-lazarus-to-life-at-image.html) 2017-03-29 at
the Wayback Machine," Newsarama. Retrieved September 3, 2016
4. Rucka, Greg (July 14, 2012), "Lazarus Rising (http://www.gregrucka.com/wp/lazarus-rising/)
Archived (https://web.archive.org/web/20160812175205/http://www.gregrucka.com/wp/lazar
us-rising/) 2016-08-12 at the Wayback Machine," GregRucka.com. Retrieved August 26,
2016
5. Johnston, Rich (July 14, 2012), "Image Comics Announces Greg Rucka And Michael Lark’s
Lazarus (https://www.bleedingcool.com/2012/07/14/image-comics-announces/) Archived (htt
ps://web.archive.org/web/20160921204014/http://www.bleedingcool.com/2012/07/14/image-
comics-announces/) 2016-09-21 at the Wayback Machine," Bleeding Cool. Retrieved
September 3, 2016
6. Harper, David (August 5, 2013), "Artist August: Michael Lark – Interview (http://www.multiver
sitycomics.com/news-columns/artist-august-michael-lark-interview/) Archived (https://web.ar
chive.org/web/20160924041632/http://www.multiversitycomics.com/news-columns/artist-aug
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