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Media Plan Kiwi
Media Plan Kiwi
PLANNING
Submitted To Submitted By
“Most successful manufacturer in Australian corporate In 2010 SC Johnson acquired the brand
history.” KIWI Shoe Polish.
Company : SC Johnson
2017
The “Portraits Completed” campaign won
a gold Lion and a bronze Lion in Print &
Publishing contest here at the Cannes
festival. Ogilvy organized an exhibition of
the paintings, with a humorous audio tour
that gave lots of real art history but also
cleverly worked the brand into the
narrative.
Company : SC Johnson
2018
Shoe polish brand Kiwi, owed by SC Johnson
Company, and agency Ogilvy Chicago decided a
new line of print ads. The brand explores the lives of
these American icons through the very shoes they
wore. The ads feature long-form copy that explore
the first steps that led to these amazing life stories.
Readers learn about the storied lives of each owner
of these shoes and the first steps they all had to take.
The approach of lengthy copy was used to tell their
stories in a rich way
TARGET AUDIENCE DEMOGRAPHICS
Professionals : Male/Female (20 years to 40 years) who • Age : 20 years to 40 years
have to look ready to conquer the corporate jungle.
• Gender : Male and Female
MBA Students : Male/Female (20 years to 30 years) who
are the young adults aspiring to get into the world of • Occupation : Working Professional
business. and Post Graduate Student
% Share of Impressions
Source: BARC India; BMW data; Period- Wk08-Wk52, 2017, TG: 15-30 yrs, Market: All India, Channels considered: All
• The Youth population composition is relatively skewed
towards males, but when we look at the viewership
share we see that the female viewership is
What Young India comparable to that of males. Both contribute an
equal share of eyeballs to TV viewership, i.e. 50% each.
% share of Targets
Viewership Share 50% 50%
% share of Impressions
Population Share 44%
Viewership Share 46%
% share of Impressions
Source: BARC India; 2018, TG: 15-30 yrs, Market: All India,
Channels considered: All
What Young India
Watches?
• The viewership of the youth on TV follows a consistent
trend across weekend and weekdays. As expected, the
viewership is the highest during Prime Time. Viewership
starts from 6:00 am in the morning, rises gradually through
the day, and peaks between 8.30-9.00 pm. While the
Reach and the Impressions peak between 8.30-9.00 pm
on both weekday and weekends, the gap between
Reach and Impressions is marginally higher on
weekends, indicating that there are not enough
conversions when compared to the weekday. This may
likely be due to other activities competing for the
attention of the Youth, and hence scope to create
compelling content to attract more youth audience
Source: BARC India; 2018, TG: 15-30 yrs, Market: All India,
Channels considered: All
WEEKDAY
Source: BARC India; 2018, TG: 15-30 yrs, Market: All India,
Channels considered: All
WEEKEND
Source: BARC India; 2018, TG: 15-30 yrs, Market: All India,
Channels considered: All
URBAN INDIA
Source: BARC India; 2018, TG: 15-30 yrs, Market: All India,
Channels considered: All
Film based programs
dominates NPT from
0600-1800 hrs. But, as we
approach Prime Time,
the viewership share of
The Youth (15-30 yrs) Serial based programs
contributes a massive 33% goes up significantly.
share of eyeballs to Total TV
viewership, making them a
segment of interest for
broadcasters and advertisers The Youth in rural India is
hooked to viewing serials
during the late-night hours,
while the Youth in Megacities
drives viewership for Reality
TV viewership remains shows and Talent search
consistent across weekday programs (classified
& weekend, with minor Miscellaneous)
deviations, breaking the
notion that the youth watch
more TV during weekends.
Youth genre channels have the
highest Reach among Youth in
megacities, but low ATS, which
Youth in Rural India start
presents a possible opportunity
and end their day
to hook & engage this segment
relatively early, while
viz. new channels & fresh
there is prevalence of
content
late-night viewership in
Megacities.
Contrary to common
perception, the ATS for
Devotional channels is higher
among Youth in Megacities than
the Youth in Rural towns/ cities.
This opportunity can be
capitalized by both
broadcasters and advertisers
Figs in %
Figs in %
Figs in %
Figs in %
Circulation 320000
Circulation 830000 410000 Cost / Fixed Size 493900
Cost / Fixed Size 1204500 6000000 Insert
Insert Cost / Jacket Insert 2066064
Cost / Jacket 6314800 3500640 CPT FS 1543 /-
Insert CPT Jacket 6456 /-
CPT FS 1451 /- 14634 /-
CPT Jacket 7608 /- 8538 /-
TELEVISION
0900 1200 1500 1800 2100 2400
Theme
hrs hrs hrs hrs hrs hrs
CNBC TV 3 - - - - 2
ET NOW 3 - - - - 2
ZEE BUSINESS 3 - - - - 2
STAR SPORTS 1 - - - 4 3 2
STAR SPORTS 1
HINDI - - - 4 3 2
ZEE TV - - 2 - 2 2
0600- 0900- 1200- 1500- 1800- 2100-
AXN - - - - 1 4 Programme
0900 1200 1500 1800 2100 2400
Theme
MOVIES NOW 2 - 3 3 - - hrs hrs hrs hrs hrs hrs
SONY MAX 2 - 3 3 - - CNBC TV 3 - - - - 1
ET NOW 3 - - - - 1
ZEE BUSINESS 3 - - - - 1
STAR SPORTS 1 - - - 5 5 2
STAR SPORTS 1
HINDI - - - 5 5 2
ZEE TV - - 2 - 3 2
AXN - - - 1 2 2
MOVIES NOW - 2 3 2 - 1
DURATION : 17 MARCH – 13 APRIL SONY MAX - 2 3 2 - 1
TOTAL GRP 45,278,201
KOCHI , KERALA
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