Wave

            
Tom Jobim

       


  
        
   

  
        
    
Introdução

          
 
       

          
      

                  
5

      
             
      

 

      
    

                
   
10

    
             
   


        1.    
         
   

          

   
14

              
  
   

  
 2.             

    

        
              
17

         
      
      
 
Arranjo: Eduardo Torres
        
                   
     
21

 
  
           
    
   

      
  
               
      
25 Parte A

        
       
          
     
  

   
    

     
 
                    
30

       

             
    


        
()    

                  

 
     
  
  
35

  
              

     

 
      

 
  
 
   
 

            
    
39




        
   
Rall...

       


    
2 Arranjo: Eduardo Torres