EAPP WEEK 5

Lt1

1. 8.

2. 9.

3.

4.

5.

6.

7.
LT2

1. The happy face has the most faces among my answers.

2. I experience the same reaction that the emotions do.

3. It is important for me to respond to what is going on around us, especially if it is beneficial,

important, or connected to our safety, society, and environment, as well as our health, especially
during pandemic. But not always, especially if it is unnecessary.

LT3

1. FALSE
2. TRUE
3. TRUE
4. TRUE
5. TRUE
6. TRUE
7. TRUE
8. TRUE
9. TRUE
10. FALSE

LT4

1. From this story, I learnt that we should be careful in reacting to others, especially if we don't
know anything about their life. Albert Einstein showed to those who doubted him that even
someone with dyslexia can be a genius, a famous genius. The perfect quote for this story is,
“Life is like riding a bicycle. To keep your balance, you must keep moving.” Which
also came from him, a letter to his son Eduard in 1930.
2. The importance of not falling to other people's criticism is that we are able to do what we want
to do, and even reach our desired goal, by using those criticisms as a stepping stone. Criticism is
constantly focused on what is wrong and implies the worst about a person's personality. Rather
than allowing yourself to drown, use it as motivation. Because if you don't comprehend the
critique, you'll keep making the same mistakes.
3. LT5
NAME:

TITLE: “Hapag ng Pag-asa”

Hapag ng Pagasa, painted in oil on a 48 x 96 canvas by an artist named Joey Velasco, is a variation — or,
more accurately, a very relevant, modern-day version — of The Last Supper, with street children in filthy
clothes sharing a meal with Jesus instead of the usual 12 apostles we're all accustomed to seeing.
Instead of Judas clutching a bag containing 30 pieces of money, a youngster sits to the far left of the
wooden, improvised table, facing away from Jesus and holding a bag he must have taken from someone.

The structure was one of the first things I noticed Joey Velasco add into his paintings. While the majority
of this artwork is concentrated horizontally and draws attention to the table, the background is
completely black. These look to have less light and highlight the region behind Jesus, the painting's focal
point.

This picture does not have a harsh tone at all, but rather a relaxing effect. This might be because he
intended to convey the calm and acceptance of the occasion into his work so that viewers could
comprehend the figures' emotions.

With my conscience touched by the sad and empty expressions of the children in the picture, I watched
Hapag ng Pagasa practically teary-eyed with increasing interest, observing how Jesus looked so
comfortable and at-home with his table-mates, absorbed in cracking what appears to be a pie. The
young child hunched over under the table, sharing what may be crumbs with a (probably stray) cat,
appearing gaunt and little better than a rodent eating a piece of stolen cheese, moved me the most.

The hands are the most distinct forms I notice in the artwork; they are more detailed and accentuated
than the majority of the objects. The colors used in the artwork are extremely appealing. They are
extremely soothing tones.

LT6

1. C
2. D
3. A
4. A
5. D