Scribd Logo
Upload

Welcome to Scribd!

  • O Bella Ciao: Piano Duet - Four Hands

    Uploaded by

    violeta sand
    763 views5 pages
    This document contains sheet music for a piano duet arrangement of the song "Bella Ciao". The sheet music is arranged for two pianists, with the musical notation provided separately for the first and second pianist parts. The sheet music indicates that it is an arrangement by Luis Enrique Zapata based on an earlier arrangement by Marta Infante, and provides the musical notation across multiple pages for both pianist parts to perform the song as a duet.

    Original Description:

    Original Title

    Bella_Ciao_-_Four_Hands_Arrangement

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF, TXT or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    This document contains sheet music for a piano duet arrangement of the song "Bella Ciao". The sheet music is arranged for two pianists, with the musical notation provided separately for the first and second pianist parts. The sheet music indicates that it is an arrangement by Luis Enrique Zapata based on an earlier arrangement by Marta Infante, and provides the musical notation across multiple pages for both pianist parts to perform the song as a duet.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    763 views5 pages

    O Bella Ciao: Piano Duet - Four Hands

    Uploaded by

    violeta sand
    This document contains sheet music for a piano duet arrangement of the song "Bella Ciao". The sheet music is arranged for two pianists, with the musical notation provided separately for the first and second pianist parts. The sheet music indicates that it is an arrangement by Luis Enrique Zapata based on an earlier arrangement by Marta Infante, and provides the musical notation across multiple pages for both pianist parts to perform the song as a duet.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    O

    Bella Ciao
    Piano duet - Four hands


    Duet arrangement by Luis Enrique Zapata Based on the arrangment by Marta Infante

                       
                        
    Allegro

                                


    Primo

            
                     
             

                

     
    Secondo

          


    
       
                        
       
    9

    
             


    Primo


                
          
           
      
       
     
      
     
             
      

                
                    
                  
    Secondo 

         
    

                        

    16

          


    Primo

                    


                             
                 
                       
         
    Secondo

            


        
                
              
    23

     
      
                        


    Primo

     
               
                             
               
                   
         
    Secondo 

         
         


                       
         
    29 
    
    
    

        

                    


    Primo

          
       
     
        

    

        
     
           
            

                  
           
    Secondo

        
               
      
    2

             
             
       


    36


                 
             


    
    Primo


       
                  
                   
         
                       
            
    Secondo

       
         
       


                
                     
        
    43


             

                             


    Primo

       
        
                     

                    
       
    Secondo

            


               
                   
       

     
    49

         
           
    
       
      

    
           
    Primo


          

              
     
       
        
       
           
                              
    Secondo

            

    3

       
                     
    58

     
             


         
    Primo

        
                       
                              
             
        
               
            
         
    Secondo

              
       


        
           
    Adagio

         
    65

           
         


             
    Primo molto pesante


      
            
                         

           
               
    Secondo  molto pesante
     
        


      
      

                 
    Vivace

       
     
    70

      
       
    ritardando

       
     

        
       
    Primo


              
              
            
              

          
       
    Secondo ritardando  

              

    4


     
                       
      
    78

     

         
             



    Primo


     
                     
                   
                   
               
     
                

    Secondo

            


      
           

               
       
    86

            

           
          

      
    Primo



      
                     
      
            
       
       
                 
       
                        
           
    Secondo

            
     


     
          

    95 

     
     
    g lis s


    .

        


    Primo


           
      
    
              
     
    Secondo

    
    5

    You might also like