iio, 2 E at i Bo: oof ; te I TH | 3 le i by From “weve “Thais (nes), | t i Fiera. geave26 joct by haifa woasure, an df a viteeatiy aotae’s tebject Ufone. thon ied criginat Gonabese fo. Sriritie ite seve siughte sje etm aatitoh ‘Groaat 27 Seeated It?s Conpound enter‘ cucld rosSliy"be sabeieed is Te | thalovactiviey aay y, intrinsically long and shore in alternations and the coe ee ceeaige ‘sarely siscsesea in exege.sce Sefote the Sheiy™ Hlontetts Stet "Seats conotations of lightoent ad ative to the compound 4/4 for fugues and for movement te Se Saale eee ow version’ (condos. THs) eScse fs SAEuu Ber there erage eed etn HERebSRE Set Pilate eat ee pase of theses 24 wotivoly. the author suggests that one can tell the ait- ae pech as 3/2 and senminoly. Aine codnnees Fail. Since they eiar coluelde with © goed orving that asterial initiated en the Firse half oF eke Stpend Shytscir‘on ite second oa sapieneticn. atch as eample,3. 1Llusteation of 4/4 meter ‘Setnas ‘sar nhelesiitchen Eset, 60 oreo aterashenthytny eld ae ae bee eines Tactthetia hes" (Iba. 2 souoph Repel, Antangegetade zor susicaliachon Setpionst (reankfure, TSSTop deth Soargie ‘yeetiaes of foxy marpurge and Tee ees ope fie se aes at le ae ple ery ea by Slovannd. antonio Rteheei tn which ‘the’ complementary pat “snteraction af hyenalctily sesh Facts SERRE SREB, Lat Oe Huslkforaching 24 (1951) 300)j See sleet tte | BS strachutal staslivey of opening ana closing portions oe [the fague'and the eobiiley of Untetvering tonal becutSTonS ‘Bungle. 3. 5: Mach, rupue ia E-flat (vell-temered Exinpla 2r fon the First novenent of ¢ Deasjor work trae eetRQtQes,teeLdental or intention, such correspondences ‘son in, the musie of tach nd his coatenporetions beet tn Boe $A, sta’nen-fugat’repervories” tn the Fiesta of Pina hanna thav soctila fhe Etiae fe ‘Ane dnd’ points Conard 2 purely dupie ceiencacion uiehiaesy #5 up 5, Skanite, Stohory in D- MelE B-2. maple 6 5) corals, Wolin Sonata op. 5. Ro. 2, vy mm. 25 ge fo) wg a ction art nettical sebee dogg 22 “oiasertaziont del t]y Prancesce Varacink sopes Eancanco werta'Vertein! {han Arbor fh acy. dey dite, ny ne Composition, 202-4.36 27 of couploesty and uncastainty unlike that ‘Within’ a four‘sste sensure (hunst, 2/1"126) eLearn eet see iit cot otis eters se ee EES ai Sie a ‘Sep Line rendved’(eirebaey PADUi I ie Alee'eided, Bapelestbth4 34 JET GERI 2 Sltpltcenane un feo sti Sckebtieapuent af the costae, alehotgh Fupel works quoted an doe RisEretelae' contain’ eyarpies. oh tt Ser’ that decade Seyedbe te wel tuample @. iiLesteation of 2/2 atar in Koch, Yersuch “inlasting suf Eonporstlon. "252 ss an te Np tite renee ot hMerarchic distinction betweos First and second halves of Esse"te noch's 2/2 ston er iizuseseted in tutnple 8, eee homer SEREIEISE*IEL AG Ag" n“acetseneal scceeeance’ (a Ei SP the original perioa o 26sachs" uantasftge ptiihiyrs Sealeseseorplstation : Implied in the veitings olted ihapboaba sonata ‘by Ets pepih Johann Tetstrtch Oat, m8 YSEEES coe0s'te’tlotaessuce phase shown iw zvample 2050"? ote am Rent ng ATEN aah oe ates Satna fete SEy. SSSI seeeetce oe uanple 20. 1s) oaibers. 5 Bite yp lef etecbee Socal practices tog r e Sita cea ceuenstazas: 2 ise ear Seb (bk). Beaenat a0; 2-115 (2391. for, discussion of specifican Bost of 2, framsition pareage is ngy tem an conetuive meee alerts Srosght abot byt conflict betwoen ne 0 ie with potential sfgniticance ae a source stmyeeaic aobiliey, seraeearel tention, asd iongérane Senediflone ratty” Almost dnettably,octerenca St an attr" a Eee seine or Seah ain EEL ieceensen siomenaa ‘S05 charsctarsatie circusstance say bersesn in the first maatar enc amerame ria P he Seis esti taeatie oti a setordance wih the procedure’ folloved Sy Alspel and nech Tesarting’otehanctule cfs tonpoue! antic too} the ‘hege algne'be Steancted at indlented above the stath™ mate Shtiyels ae macer"and phcasing designates the second half of ageltt Higuee le alplacea by tee sure before the Ehtieedecr of {SoEdeaS!" Chase serene gta. here SLACUOURE. At Sutures andVeliason, give tise eo dls saeerrecna ta. Tals oners the cadence, falls on the down a recone aS ae ee ee) EL oat te Baca ae SeSTESSiS Beets Sila? ate Sati ieitivan Geet piecemeal | Spumt arian rele uberis achat pace te ttt itt yo ST AS So teres EEN eince on Ptaltig ti baleen "Cx aha i ye, ‘ibe expisined eure ‘etrogpeck as 8 iataoegere anacresig,Alchough asbeie In tea, ] SESE oD hcthstanes 12s State’ ants tageteas teach crist's raie shout counting’ (/4 seats Loe aku ners Brie mee Jedond by 1 full stop ie mensuze eight, llovever, Ens SLLSISTa SSERE PEL ATG sie «4s ‘paampte 11b, cont nanple 12. Haydn, symphony ao. 65 dn Ae Ls mms 36-45 peeing4e "1 uanpte 230, cont. a =.46 49 peste som tees ae Samia si 3 pe lial’ ier sa eeoO rape 18; ten, sting guastet in ALA, op. 32. 0 6, A SI wrangle ie; Mpettiated haesnnuce oFigiaaisy missing in ‘the ukogeaph manuscript) (kink ped oy nae havin: Seutieg af opt Wa FF (ease elt Par tec lat, K. 486, in Byer tune ia the 1 mee" Soppote’Risnborger's fstmin (paire af 1/0 necsurespateneae serene s nes? af Tale Ue!" EEdee le co dussufboant i ian Sele eae fet consistontiy avarde mtsical peinscy’ta'the doweaat™ the naa Be eae prea sie ee oe “ ane coaitnipuashee Allastny asbuaiache Se3@ca om by am. 140005 Ecutiepaestla end sith the iave neseee tnd enatorion of ijn te prnclee fenchen"ehaugh the vy Sid of the = oye aan son fo tena tate Tapting the auceace continuity ox the omiancs Say ARSELETSafactlon thae ee’ pioce atvenpes fo convey. uampte 20. Hosast, Pogue 1m C.K, 394, mm. 10-22 Pada, eb joe suthsce"dentinace to-piay sisnatgptafe sit fugues tavani. 38, nes. and.) (both dn conan {ike} Incerndeate Sispiazed subject enteles‘gogted So Seumple 21, shows placed’ swanple 22, HandeLeschn's twe-volee fugal exercise 1) facet vorion, mas x2 » by revised version, mm. 8-12 ‘Sbjeeti at the ntact" for in opposition te Che esha’ of mar Bist the Inading tone occupies the dombeat, vhace Hany ee of 7 alapiscemane! 96 the. subsoct SHSELS"Ehe"Eettovor’ of thy tn.eind sila Beograd faded, ist of this newly enriched, rhychmically stratified texaE Ts arguably’ the lonpest and bigs ie ieee oe ane betray he ana ayo ecco Beles eaSence' cate etusor at"adCoeapie 230)" At ‘Tlopesnt section: in Both th the‘note A aaa" the submediant kay" ta thts gofasents Sesgen, etptn (ate Beethovan ganttate’ Phew verte Ssh} a5) ‘this motive re ample 23. Dosthoven, Fiano Eonate sn € minor, op. 1, 4 (A) me, 25-22 (peimery-thane motive) L conv option] 5 fa? ae af {Hon to the section (in the dominant) and the sasuing modo- SntGy"suoneo (anc Teneo). chernchivg Tt pepuasteg eta sont cheat ever SSSsaiRaoE pedal ft 2 Khe start of thepees and multiple Inplicaetons on'uhich the articulates Sctordanep tien Ieter sage, Eh elfeion of monis-sar Stpinelng ands and) Le eeboaies Slonates af bow ed ny the tials, soles ‘SHons'ta bs resolved in the subsequent working’ out of the mbeat, Goninant to" upbext. 6 ocuoen, the antes firms and the modal ‘Sizecture of wos sonst onten SO, Hame dn SE 2 wits Gite fise panicles, aot Rapa SS Foe Se i