Professional Documents
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Your Guidebook To New Japan Pro-Wrestling Wrestle Kingdom 10 Edition
Your Guidebook To New Japan Pro-Wrestling Wrestle Kingdom 10 Edition
Your Guidebook To New Japan Pro-Wrestling Wrestle Kingdom 10 Edition
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Table of Contents
(3)The Show
(4) The Championships
(5) The Card
(6) The Factions
(7) The Wrestlers
(25)The Age Old Question: English Commentary?
(26)New Japan Pro-Wrestling Online
(27) Just How Popular is NJPW?
(28)Why Are There So Many Tag Matches?
(29)What Are Other Differences in Japanese Wrestling?
(30)What is the Young Lion System?
(31)How To Watch Wrestle Kingdom 10?
(32) Is NJPW on TV?
(33) After Wrestle Kingdom 10, What’s Next?
(34)What are NJPW’s Working Relationships?
(35)Who Are the NJPW Staff?
(36) How Can I Learn More About NJPW’s History?
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The Show
If you look back at the history of the Tokyo Dome, the list of Americans, some Cana-
dians, or “gaijin” that wrestled in that facility reads like a who’s who. You could start
a territory, major wrestling company, a hall of fame, with the foreigners that have
wrestled there. Hulk Hogan, Ric Flair, Bruiser Brody, Stan Hansen, Andre the Giant,
Sting. A better question: who hasn’t wrestled in the Tokyo Dome that’s a big star? If
you are a big star in America, at some point in your career, you either did, or you
wanted to, compete in the Tokyo Dome. It’s that prestigious.
- Jim Ross
The Factions
Many wrestlers in NJPW are members of stables, or factions. Most factions in Japan work differently in
Japan in comparison to the United States, for they are more akin to MMA training camps than gangs.
They will work in tag matches together, but they will usually not come to each other’s aid otherwise, and
will rarely interview as a group. They also tend to stick together for years, usually much longer than nec-
essary. For the purposes of knowledge, wrestlers who are members of factions will have their profiles
labeled with the logo of the faction they represent. Unaffiliated wrestlers will not have any logo.
CHAOS
Originally a heel faction whose goal was to bring Strong
Style (basically martial-arts influenced pro-wrestling) back
from the brink of extinction. Now a tweener faction who
don’t have a goal, but are still together because their mer-
chandise sells really well. Formed in April 2009. Led by
Shinsuke Nakamura.
Bullet Club
A heel faction of mostly foreigners. Formed in May 2013 by
Prince Devitt. They operate in a manner uncharacteristic to
typical factions, using interference and other Americanized
tactics, which are utilized to a certain amount of success to
gain heat from the Japanese audience. They function in an
Americanized style, generally traveling in packs, and doing
mass interviews together. Led by A.J. Styles.
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The Championships
IWGP Junior Heavyweight IWGP Tag Team Championship IWGP Junior Heavyweight Tag Team
Championship Championship
Tag Team Championship for
Singles championship for junior heavyweights. Tag Team Championship for junior
heavyweights, who are under 100kg heavyweights.
Current Champions: Karl Anderson &
(220 lbs.). Doc Gallows (Bullet Club) Current Champions: reDRagon (Kyle
Current Champion: Kenny Omega O’Reilly and Bobby Fish)
(Bullet Club)
NEVER Openweight Six Man Tag Team Championship
Trios’ championship. Can be won by a combination of
wrestlers of any weight class.
Current Champions: None. Inaugural champions to be
determined at Wrestle Kingdom 10.
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The Card
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Greatest Accolades: Seven-time IWGP Heavyweight Champion, main evented nine Tokyo Dome shows
It’s somewhat bothersome to me when people say that Tanahashi is Japan’s answer to John Cena, but if
someone has to bear that designation, it would have to be him. This man has been the top star of New
Japan for the better part of a decade, and with the fan-given nickname “Mr. Tokyo Dome,” he has become
synonymous with victory at Wrestle Kingdom. But with a bad back and bad knees, his time at the tip-top
of the card is coming to an end. However, he has served the NJPW fans faithfully as their Ace with pride,
and he will not step into the twilight of his career without a fight. While an unabashed good guy, he is
not without a sizeable ego, referring to himself as “Itsuzai,” meaning “The Once in a Century Talent.”
Trivia: His favorite wrestler of all time is Shawn Micheals, who is the inspiration for his in-ring style.
After winning a main event match, he will cap off his post-match promos with the phrase “Aishitemasu!”
which means, “I love you!” His max bench press is 190kg (419 lbs.). John Cena weighs 251 lbs. and has a
max bench of 465 lbs. 419/227 = 1.85. 465/251 = 1.85. Illuminati confirmed.
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“The Rainmaker”
Kazuchika Okada
@rainmaker_chaos
Age:28
Height: 6’3”(191cm)
Weight: 236 lbs.(107kg)
Finishers: Rainmaker (Wrist-clutch short-arm lariat)
Greatest Accolades: 3-time, current IWGP Heavyweight Champion, youngest G1 Climax winner (at 24)
He’s on another level. At least that’s what his CHAOS stable-mate, manager, and mouthpiece, Gedo, has
to say. Okada returned from his excursion at Wrestle Kingdom 6 a new man. With bleached hair,
luxurious and colorful robes, and no shortage of bling, Okada wished to proclaim to the world that he
was the man, the Ace of the New Era for NJPW. To be the man, you gotta beat the man, so he challenged
the man, Tanahashi, on his first night back, and became the IWGP Heavyweight Champion in their first
encounter a month later. Okada has beaten Tanahashi multiple times, and their match has main-evented
Wrestle Kingdom twice, with the victory going to Tanahashi on both occasions. But Okada will assure
you, that on January 4th, he will be the victor, money will rain from the sky, and it will be his time.
Trivia: Cancer runs in Okada’s family, and Okada has set up The Rainmaker Foundation. Every time he
wins with the Rainmaker, he donates 30,000¥ to children’s cancer research. So when you defeat Okada,
you are literally taking money away from children with cancer. Shameful.
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Greatest Accolades: Youngest IWGP Heavyweight Champion (at 23), five-time and current IWGP
Intercontinental Champion
Energetic and slightly unhinged, the enigmatic Shinsuke Nakamura is always a fan favorite, both abroad
and with Japanese fans. The founder and leader of CHAOS, this wrestler maintains an aura of arrogance,
confidence enough to respond to any challenge with his signature phrase, “YeaOh!” Apt to use his long
legs for heavily knee-based offense, the former MMA-fighter and amateur wrestler spent much of his
early career as a stoic fighter, receiving a meteoric push to the top, but never quite being over to the
level of that push. But, in the last few years, he has morphed into a marvel of showmanship and flair,
enthralling crowds with his crazed facial expressions and creative outfits. Look for him to make a grand
entrance at Wrestle Kingdom. He always does.
Trivia: He spends much of his free time surfing at beaches, judging by his Instagram. Also, “Boma Ye”
translates in Lingala to “Kill him.”
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Greatest Accomplishments: Two-time IWGP Heavyweight Champion, first gaijin IWGP Heavyweight
Champion since Brock Lesnar in 2006
What else needs to be said about A.J. Styles? After the departure of Prince Devitt, Bullet Club were down
a member, and Styles needed a new company to call home. The biggest weapon of the Bullet Club and
the most successful foreigner in NJPW in years, and in an incredibly short period of time, given that he
has only spent less than two years in New Japan, this man is always a major threat, no matter the oppo-
sition, no matter the situation. He is also owner of the deadliest finisher in New Japan, the infamous
Styles Clash. Having resulted in multiple men’s broken necks, even an attempt to set the move up sets
the audience into a chorus of gasps, and as he hits it, stunned silence, because they know that the match
is over.
Trivia: Styles is a devout Christian, and all of his children’s names start with “A”: Ajay, Avery, Albey, and
Anney. Their dates of birth are tattooed on the side of his abdomen.
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“The Wrestler”
Katsuyori Shibata
Age: 36
Height: 6’0” (183cm)
Weight: 209 lbs. (95kg)
Finisher: Penalty Kick (Soccer kick to the chest of a
seated opponent), Sleeper Hold
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“El Ingobernable”
Tetsuya Naito
@s_d_naito
Age: 33
Height: 5’11” (180cm)
Weight: 225 lbs. (102kg)
Finisher: Destino (Standing shiranui)
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“Everyone’s Kokeshi”
Tomoaki Honma
Age: 39
Height: 5’11” (181cm)
Weight: 229 lbs. (104kg)
Finisher: Kokeshi (Diving headbutt)
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“The Outlaw”
Doc Gallows
@ImpactDOC
Age: 31
Height: 6’8” (203cm)
Weight: 304 lbs. (138kg)
Finisher: Gallows Pole (Two-handed chokebomb)
Trivia: Check him and the rest of the Biz’ Cliz’ out
on Talk’n Shop, their simultaneously terrible and
amazing podcast!
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“The Cleaner”
Kenny Omega
@KennyOmegamanX
Age: 32
Height: 6’0” (183cm)
Weight: 203 lbs. (92kg)
Finisher: One-Winged Angel (One-handed electric
chair driver)
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“TheGreatest1stGenerationWrestler”
Jay Lethal
@TheLethalJay
Age: 30
Height: 5’10” (178cm)
Weight: 225 lbs. (102kg)
Finisher: Lethal Injection (Handspring cutter)
“Unbreakable”
Michael Elgin
@MichaelElgin25
Age: 29
Height: 5’11” (180cm)
Weight: 245 lbs. (111kg)
Finisher: Revolution Elgin Bomb (Spinning sitout
powerbomb)
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“Y! T! R!”
Toru Yano
@YTR_CHAOS
Age: 37
Height: 6’1” (186cm)
Weight: 254 lbs. (115kg)
Finisher: Inside cradle, other flash-pin variations
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“The Underboss”
Bad Luck Fale
@TOKSFALE
Age: 33
Height: 6’4” (193cm)
Weight: 331 lbs. (150kg)
Finisher: Bad Luck Fall (Throwing crucifix power-
bomb), Grenade (Chokeslam thumb thrust)
“Mr. Rated R”
Yujiro Takahashi
@YujiroTakahashi
Age: 34
Height: 5’10” (178cm)
Weight: 227 lbs. (103kg)
Finisher: Miami Shine (Modified Death Valley
bomb)
You know ‘em, you love ‘em (or hate ‘em, not much
in-between, really), they’re psychopathic rock
stars. The Young Bucks use their uncanny athleti-
cism and their brotherly instincts to execute seem-
ingly impossible tag team moves against their op-
ponents. Members of the Bullet Club, and only in
NJPW for less than three years, they already have
multiple IWGP Tag Team Championships to their
name, and plan to add one more at Wrestle King-
dom 10… and then head back to the Tokyo Dome
Hotel to sell their t-shirts to the locals.
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Tiger Mask IV
Age: 45
Height: 5’8” (173cm)
Weight: 192 lbs. (87kg)
Finisher: Tiger Suplex, Scissored Armbar
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“Blue Justice”
Yuji Nagata
@nagata769
Age: 47
Height: 6’0” (183cm)
Weight: 238 lbs. (108kg)
Finisher: Backdrop Hold (Bridging belly-to-back
suplex), Various crossface variations
“Strong Arm”
Satoshi Kojima
@cozy_lariat
Age: 45
Height: 6’0” (183cm)
Weight: 247lbs. (112kg)
Finisher: Lariat, Cozy Cozy Cutter (Cutter, some-
times from the top rope)
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Informative Podcasts
Voices of Wrestling
New Japan Purocast
J-Shoot
Japanese Audio Wrestling
The Eastern Lariat Podcast
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It’s an interesting question with no simple answer. If you were to compare its popularity
in Japan, its native country, to companies’ popularities in the United States, it’s some-
where to be found in the massive gap between current WWE and peak TNA. Those who
say that NJPW is more mainstream in Japan than WWE is in the U.S. are incorrect.
At the peak of New Japan’s popularity, it would not be a surprise for “Tokyo Dome” to be
listed multiple times on their schedule for the year. This was the case in the 1980’s and
‘90s, the relative peaks of pro-wrestling’s popularity in Japan. These days, NJPW only runs
the Tokyo Dome once a year, and only for the sake of adherence to tradition, whose value
is demonstrated in many facets of Japanese culture. And when they do, they do not sell it
out, not even close. And NJPW’s average attendance per show these days hovers in the
2,500-range. Their yearly revenue measures between $20-25 million. NJPW aims to be-
come a publicly-traded company in the Japanese stock market within 3-5 years.
As far as TV is concerned, NJPW’s main show, “World Pro-Wrestling Returns” is broadcast
on a major network, TV-Asahi, for thirty minutes at 3:00 a.m. on Saturdays, disadvanta-
geous compared to the hour-long prime-time Friday spot they occupied at their peak.
It also must be noted that NJPW is substantially more popular in the Kanto and Kansai re-
gions (which include the major cities Tokyo and Osaka) than in the rest of Japan. As such,
most of NJPW’s major events are confined to these two regions.
To conclude, NJPW is substantially more popular than at its lowest point in company his-
tory, the mid-2000’s, but still way off from their peak, or being considered “mainstream.”
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Watch a NJPW show that isn’t major, and you will quickly notice that most of the show is
populated with tag matches, that can be of any variety, from two-versus-two, to five-
versus-five, and everywhere in between. You may wonder why, when even on the lowliest
of house shows, John Cena’s working a tables match with “The Demon” Kane.
It’s an unfortunate reality of the physically grueling, stiffer style that is common in Japa-
nese wrestling. Watch an Ishii or Shibata singles match and the fact that very few people
in mainstream American wrestling work to this level of stiffness will quickly become
clear. Even those who work softer and more Americanized styles, for NJPW standards,
like Okada or Tanahashi, endure more physical punishment than they would in other
wrestling companies. By running tag matches, the bumping can be spread among more
wrestlers, preventing them from being overloaded with wear and tear. As such, it is a
physical necessity that singles matches are kept to a relative minimum on smaller shows,
in order to preserve the wrestlers to perform at their best when it matters the most.
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One of the biggest culture shocks that people receive when watching puroresu is the
crowd. They are well-behaved, they have no signs, they are not chanting the names of the
announcers. There’s a certain appreciation for wrestling that Japanese fans have, that re-
sults in their being relatively quiet when they have no reason to make noise, though that
does not mean that Japanese crowds are dead. When they are into shows, they are some
of the most responsive crowds that you will find anywhere. Osaka fans, in particular, are
rowdy. Consider them the Japanese equivalent of a Chicago crowd.
The importance of “fighting spirit” or “Toukon” must also be emphasized. Kayfabe was
never completely broken in Japan, and even if fans are aware that the matches are
worked, they still greatly enjoy when a wrestler displays heart, toughness, and the will to
win even when the odds are not in their favor. This is how Tomoaki Honma and Tomohiro
Ishii rose to popularity, even when they were booked as afterthoughts: the way that they
conducted themselves got them over. This means that the heel/face divide isn’t as im-
portant as in western wrestling, though there are exceptions (e.g. Bullet Club).
Also, in the more sport-like presentation of most Japanese pro-wrestling, most matches
end with clean finishes. Matches with “hardcore” stipulations are rare, though referees
are more lenient about a few weapon shots here or there, so disqualification decisions are
uncommon. In NJPW in particular, count-outs are decided by a twenty-count at a faster
cadence, as opposed to a slow ten-count. Championships can be lost via count-out. Match-
es such as three-ways and four-ways are usually kept to the undercard, because they are
not demonstrative of the manner in which true combat sports are conducted.
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You may come across people speaking about “Young Lions.” One of the unique concepts to
Japanese pro-wrestling is the Young Lion System. Many large pro-wrestling federations in
Japan utilize this concept. Young Lions are wrestlers-in-training, denoted by their plain
gear, trunks and boots that are usually black, or another solid color. They can be differen-
tiated also due to the fact that they always lose. Usually, they participate either alongside
each other or on opposing sides in matches with more experienced wrestlers, to glean
knowledge and skills off of more tenured workers. Other times, they will wrestle each
other in singles matches in the show-opening match. When not wrestling, they can usual-
ly be found either watching the matches from the ringside area, or performing duties
such as testing the ropes and icing down other wrestlers post-match.
NJPW’s young lions live in the NJPW Dojo in Tokyo 24/7/365, usually either training,
cleaning the Dojo, or cooking and doing laundry for other wrestlers. The combination of
intense training for hours and menial tasks helps to instill discipline and work ethic into
the wrestlers, as well as improve their bodies and minds for the hard life that is wrestling.
After doing this for a year or two, the young lions will usually leave to other countries,
usually either England, the United States, or Mexico, to learn other styles of in-ring work,
and to become accustomed to working with many different types of opponents. This as-
pect is somewhat unique to NJPW these days, as most other companies can not afford to
do this. After that, they will return to NJPW as full-fledged roster members, with distinct
personas, customized appearances, and unique movesets.
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NJPW World, launched on December 1st, 2014, is NJPW’s over-the-top streaming service. Their version
of the WWE Network, if you will. Its cost is 999 Yen per month, which equates to roughly $8.31 or £5.60
at the time of this writing. One can pay month-to-month, as no commitment is required. The only means
by which it can be purchased outside of Japan is through a valid credit card. Also, no matter when the
service is purchased, it will charge the credit card on the day of purchase and every subsequent first day
of the month. As such, if you are purchasing it for Wrestle Kingdom 10, wait to do so until January 1st.
Last year, NJPW World hosted Wrestle Kingdom 9, but only the Japanese-commentary version. If one
wanted to listen to the sweet sounds of Matt Striker and Jim Ross, they were required to pay multiple
times as much for the pay-per-view version. This year, the only way to view the show is on NJPW World.
Both the English commentary version and the Japanese commentary version will be streamed live on
NJPW World. Viewers will be able to switch between the two versions at will.
Later on, the show will be archived to view on-demand, along with tons of shows and matches going
back to 1973, shortly after NJPW’s inception. Every subsequent PPV is also available to be viewed live.
The service currently has over 30,000 subscribers.
There is no official English portal available, but the built-in translation using Google Translate usually
works effectively enough that you will be able to find what you are looking for. Also, NJPW has an An-
droid app on the Google Play Store called “NJPW World Player” and now supports ChromeCast, so if you
own one, download their ChromeCast app as well! No PS3/PS4/Roku apps yet, though.
An external guide that demonstrates how to register and cancel your NJPW World subscription.
SenorLARIATO’s Recommended Viewing List from NJPW World: 725+ Matches With Links!
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Is NJPW on TV?
NJPW has a television show of sorts on AXS TV. It is available only in the United States for
the following providers:
Their show is not a typical episodic format like Raw or Impact. Instead, NJPW on AXS is a
compilation of NJPW’s major matches, presented in a chronological order. They are cur-
rently between seasons, but the show was launched in January of 2015, and aimed to
catch up from January 2013 of the NJPW product to the present. Currently, they are in
March of 2015, and aim to catch up to only several months behind the current product
over the course of the year.
Also, this show features English commentary by Mauro Ranallo and Josh Barnett, though
Ranallo was just signed by WWE, apparently for him to be a new commentator for Smack-
Down, which means that after the episodes which have already been recorded, which will
likely last through February, Josh Barnett will either be commentating on his own, or will
gain a new co-commentator. Those who have watched them have praised their commen-
tary for calling the moves, providing realistic analysis, and making a good effort to pro-
vide relevant historical information regarding the NJPW product. This is due to a number
of factors, including Ranallo’s experience calling legitimate fighting products such as box-
ing and mixed-martial-arts, and Josh Barnett’s work as a professional wrestler in NJPW.
The show is also bookended by interviews of the wrestlers involved, which are augment-
ed with English subtitles, and are usually very insightful.
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For those who have the constitution for another late night, NJPW always runs a “Raw after ‘Mania”-
esque show (referred to as New Year’s Dash) in the historic Korakuen Hall, a much smaller but very pop-
ular venue, on Tuesday, January 5, which will be at 6:30 PM JST (4:30 AM EST, 1:30 AM JST, 9:30 GMT).
Following that, it should be noted that NJPW’s schedule consists of multiple types of events: full-blown
PPVs and “Road to…” shows, which are akin to house shows, and tournaments/leagues. NJPW has no
weekly episodic TV show. Their schedule is as follows. Bolded implies that this event is must-see.
Tournament: Single Elimination Tournament over multiple shows, akin to a King of The Ring.
League: Pool of wrestlers is split up into two blocks. Everyone in each block faces each other, receives 2
points for a win, 1 point for a draw, 0 points for a loss. The wrestler in each block with the most accumu-
lated points is the winner of their respective block, and then they face each other to determine the win-
ner of the tournament. Takes place over multiple weeks.
January: Wrestle Kingdom (4th), New Year’s Dash (5th), FantasticaMania (A series of shows with
NJPW and CMLL talent)
February: The New Beginning (Secondary PPV, usually split up into two PPV’s.)
March: New Japan Cup (Heavyweight Tournament, For Winner’s Choice of Hvt./IC./NEVER title at Inva-
sion Attack)
April: Invasion Attack (Major PPV)
May: Wrestling Dontaku (Secondary PPV)
June: Best of the Super Juniors (Junior Heavyweight League: For Jr. Heavyweight Title shot at Dominion)
July: Dominion (Major PPV)
July/August: G1 Climax (MAJOR Heavyweight League: For IWGP Heavyweight Title Shot at Wrestle
Kingdom)
September: Destruction (Secondary PPV, usually split up into two PPV’s.)
October: King of Pro-Wrestling (Major PPV)
November: Power Struggle (Secondary PPV)
December: World Tag League (Heavyweight Tag Team League for IWGP Tag Team Title Shot at Wrestle
Kingdom)
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At the G1 Climax 25 press conference in July 2015, NJPW announced their “New IWGP Conception.”
IWGP stands for “International Wrestling Grand Prix,” which originally was just a faux governing body
for NJPW, to give it more of a legitimate sports feel, but based on their announcements, that concept is
becoming more and more of a reality. NJPW stated that the companies that they were in working rela-
tionships were as follows: Ring of Honor, Global Force Wrestling, and National Wrestling Alliance in the
United States, Consejo Mundial de Lucha Libre in Mexico, Revolution Pro Wrestling in Britain, and
Westside Xtreme Wrestling in Germany.
ROH: Joint shows have been run featuring talent from both companies both teaming together and
against each other, titled ROH/NJPW Global Wars and War of the Worlds in 2014 and 2015. In February
2015, Ring of Honor plans on running joint shows in Tokyo, Japan, entitled “Honor Rising: Japan.” They
have an extensive talent exchange program, and the Ring of Honor World Championship will be defend-
ed at Wrestle Kingdom 10. One of NJPW’s young lions, Takaaki Watanabe, also spent part of his interna-
tional learning excursion in Ring of Honor, and it is possible that more of NJPW’s trainees will be visiting
ROH to gain experience in the future.
CMLL: NJPW and CMLL run their annual series of supercards, entitled “FantasticaMania” in January of
every year, several weeks after Wrestle Kingdom. They also have a talent exchange program, and NJPW
has stated that there is the chance of a tour of Mexico in 2016.
NWA: NWA championships and wrestlers have been featured on NJPW events.
RPW: RPW and NJPW ran their first supercards, Uprising 2015 and Global Wars UK, in 2015.
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Yonosuke Kitamura Hiroyuki “Red Shoes” Unno Masao “Tiger” Hattori Marty Asami
@RMLabel_yk @5742ytsh @TigerHattoriNY Junior Referee
Composer Head Referee Senior Referee
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“Lion’s Pride: The Turbulent History of New Japan Pro Wrestling” is a book written
by Chris Charlton, a pro-wrestling fan and podcaster living in Yokohama, Japan, which de-
tails NJPW’s illustrious history, rise to prominence, fall from grace, and slow rise again. I
have read it, it is an excellent read at over two hundred pages, and I would recommend it
for any NJPW fan. I am not being paid to endorse it, but I was one of the original benefac-
tors that helped to crowd-fund this book, and I am so glad that I made that decision.
100% brilliant book. You can purchase it from Amazon.com here.
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