Folk Painting Place Theme Time Period Important Kings Details Important Paintings

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Mural Paintings

Folk Painting Place Theme Time Period Important Kings Details Important paintings
Mauryan Empire inscribed by Buddhist monks, under the patronage of Vakataka kings
Rock Cut Caves in Sahyadari ranges of Waghora River near
Aurangabad
Vakataka King Reference found in FaHien & Hieun Tsang

s
ve Aurangabad,
Ca
Buddhism 200 BC to 650 AD Cave 9, 10 - Sunga consists 29 caves, Horse shoe shape Vajrapani: Protector & guide
Maharashtra
ta
an

Gupta Both murals and fresco paintings (clay + cow dung, rice husk) Manjusri: menisfestation of Buddha's wisdom
Aj

Cave 1, 2 - most recent Consist Jataka stories narrates the stories related to Buddha, Padampani(Avolokitesvara): Symbol of buddha's compassion
eleborate decorative patten of flora & fauna Dying Princess, Flying Apsara
Hinduism Near to Ajanta Caves, Sahyadari, Aurangabad Kailasa Temple - cave 16 - chariot sahped monilith of shiva
s

Hinduism & Buddhist by


ve

Aurangabad, Rashtrakuta
Ca

Buddhism 5th-11th Century A total of 34 Caves - 17 Brahminnical, 12 Buddhist, 5 Jain


Maharashtra
ra

Sculpture on the wall of Kailash temple depicting Ravana shaking Mount Kailasha
lo

Jain by Yadava Dynasty


Jainism
El

On the bank of Bagh River in MP


Religious themes in the light of contemporary lifestyle of people
s
ve

More Secular in
Ca

Dhar, MP Nature
5th-6th Century Buddhist most Dataka
gh

Close to Ajanta in all terms (Architecturally)


Ba

Diff - tightly modeled, earthly & human, stronger outlined


Caves were converted into Jain temples
ai
al

Vellore, Tamil
ve am

Jainism 8th Century wall and roofs


Nadu
Ca rm

Tales of ashtatik palakkas(deitied protecting 8 corners) & Jainism


A

te ya

famous for ancient fresco paintings Sitabinji Cave


el ha

Keonjhar,
r

Half opened umbrella shape royal procession 7th AD


sh Ch

7th Century
Odisha
ck n
ro ava
R

Artificially carved out Pre Budha Paintings


ve
Ca

Surguja, Love story in


1000-300 BC
a
ar

Chattisgarh Brami Script


m
gi
Jo

Unique feature: "Upar Kot" - 30-50 ft high citadel in front of prayer


s
ve

hall
Ca

Junagarh, Buddhist 3 sites: Khapra Kodiya,


dh

Gujarat Baba Pyare, Uparkot


ga
na
Ju

Belonged to Hinayana Period but later influenced by Mahayana


s

Buddhism
ve

Group of 24 Buddhist Caves


Ca

1st century AD aka "Pandav Leni"


sik
Na

ar
w
sh

Borivalli, developed in later gupta


s pe

period as a Brahmanical
Mumbai
ve da

cave
Ca an
M

s
ve
Ca

Scrupture of Varaha or Boar


Vidisha, MP
ir i

incarnation of the Vishnu


a yg
Ud

Later Mural Paintings


Pallava Paintings in Jain temples
ve
li ) l Ca

Pandya Pond with lotuses


Puddulotai,
sa

Jainism 2nd BC - 900 AD


va
Puddulotai, Jainism 2nd BC - 900 AD
Tamil Nadu Jain Samavasarana(Preaching Hall) - Thirthankar reaching (Kevala
gnana)
Bulls, elephants, apsara, god is audience to witness this
Brahma Belong to earliest surviving murals Simmilar to Ajanta & Bagh

ur ve
s
al
sM a
e' C Shiva, Parvati Chalukyan Capital - Palaces scenes Cave 3-4 armed Brahma on his swan
Karnataka 6-7th Century
pl i
m am

Vaishnaivism Kirtiverman, wife, feudatories wating dance Vishnu Cave (578-579)


Te ad
B

Jains saints
Hampi(KN) - Veerbhadra temple walls at Lepakshi in 16th century - Dynastic
e

Ramayan Complete absence of primary colours history/mahabharata/Ramayana


pl

Anantpur,
em

Mahabharat Quality Decline


Andhra
iT

Vijyanagar Period
sh

Pradesh Incaration of
k
pa

Vishnu
Le

Ramayan Sory of Vardhman Mahavir Tiruparakaram- 14-17th century


a

Mahabharat Tiruvarur - story of machukunda


k

Tamil Nadu 16-18th Century


ya

Krishan Leela
Na

Mahavira

Pictorial Language Dutch Palace, Kochi


a

Kerala
l

Hindu Mythology 16-18th Century


ra

Cues from Kathakali Krishnapuram Palace


Ke

Shrine Walls and temple palaces Tripayar Rama Temple

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