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Assignment: (Introduction To Chinese Language & Culture)
Assignment: (Introduction To Chinese Language & Culture)
Assignment: (Introduction To Chinese Language & Culture)
Assignment
Submitted To
Submitted By
Zhou Mingdong (ZMg)
Sec - 1
Submission Date: 05.04.2011
Q1. Briefly introduce Chinese Tradition.
Answer:
Chinese culture is one of the oldest cultures of the world. The Chinese traditions and culture
vary between the different towns, and provinces. But festivals are common in a year,
including Spring Festival/ Chinese New Year, Lantern Festival, Qingming Festival, Dragon
Boat Festival, Moon Festival, May Day and National Day. Features of 3 Chinese Festivals are
given below.
Answer:
Traditional clothing is a part of the Chinese culture. There are evidences that show that a
Chinese culture, Shantingtung, which flourished 18,000 years ago, used sewing needles
made of bones. There are also evidences that prove the existence of the concept of sewing
and ornamentation in the early Chinese culture. However, importance of designing the
clothes was recognized during the era of the Yellow Emperor and also during the reign of
the Emperors Yao and Shaun. It was during the Shang dynasty, 16th to 11th century BC, that
refined and sophisticated clothes were worn. The evidences show that silk was woven
during this period.
Han Chinese clothing, or Hanfu, refers to the clothing worn by the Han ethnic people from
the ruling periods of the Three Emperors and Five Sovereigns to the Ming Dynasty. It was
the traditional costume of the nation worn for millennia and representative of the
characteristics of the Han nationality. Over thousands of years, the Han people created
brilliant Hanfu culture with their wisdom. Han Chinese Clothing or Hanfu also known as
Hanzhuang or Chinese Silk Robe.
The main characters of the clothing include "Y" shaped cross collar with the left one upon
the right, no buttons, and string or belt fastening, giving a free and elegant feel. There are
ceremonial wear and informal wear in Hanfu clothing.
In terms of the forms of a dress, it can be an "upper-yi-and-lower-shang" style (a loose
lapelled coat as an upper garment and a shang (a skirt) as a lower garment); or a "shenyi"
style (the upper coat and the skirt sewed together) or a "ruqun" style (top garment with a
separate lower garment or skirt) etc.
Among them, the ceremonial dress in "upper-yi-and-lower-shang" style used to be the most
formal costume for emperors and officials; the paofu (another name of "shenyi") was an
informal dress for officials and scholars; the ruqun was women's favorite; and a short coat
and long pants made a general outfit for ordinary laboring people.
Accessories and hair ornaments are also important components of hanfu. In ancient times,
boys and girls of the Han nationality would wear their hair in a coil and hold it in place with a
hairpin after the coming-of-age ceremony. Men traditionally wore coronets, scarves and
caps etc. Women would comb their hair in various styles of coils or buns and wear all kinds
of hair ornaments such as pearls, flowers and buyaos (a kind of hairpin) etc.
Men in Menyu area like to wear a kind of hat called Balaga. Balaga has blue or black pulu
crown, red pulu lower part, orange flannel-bordered brim, and a nick to be right over the
right eye. Orange paint is made from a local grass root. Men in Menyu area usually wear
ochre cotton or pulu robes that are shorter and smaller than Tibetan gowns. As the roads
are narrow and of big slope, people favor soft-sole high boots made of red and black pulu.
The scarf of the Yao nationalityis popular in Jinxiu, Guangxi province, was prevalent during
the rein of Emperor Qianlong of Qing Dynasty. The rectangular 77cm*56cm scarf is made of
hand-stitched brocade, covered with hand-stitched patterns against the background of black
cloth, and decorated with 5cm-long tassels of black threads at two ends and 20cm-long
tassels at four corners. The scarf mostly takes natural sceneries as the pattern. The
framework consists of straight lines that form double-connected patterns and make a
square. Centering on the big tree flower, the pine flowers separate the double-connected
patterns of small tree flowers, the main flowers. At both ends of the scarf lie diamond
patterns of hands of the Goddess of Mercy asymmetrically.
References:
www.cultural-china.com
www.wikipedia.org
www.buzzle.com
www.china.org.cn
nsu.chinese.cn