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Art Appreciation Reviewer
Art Appreciation Reviewer
Art Appreciation Reviewer
VISUAL ARTS are those that appeal to the sense of sight and
are mainly visual in nature PHILOSOPHICAL PERSPECTIVE ON ART
FILM the art of footing together still images in order to ART AS AN IMITATION
create an illusion of movement it stimulates experience or
creates ones that it beyond the scope of our imagination as - in Plato’s the republic, paints a picture of artist as imitator
it aims to deliver ideas feelings are beauty to its viewers and art as an imitation
- his description of the ideal reply to advises against the
PERFORMANCE ART it is a live art and the artist mediums is inclusion of art as a subject in the line curriculum and the
mainly the human body which he she uses to perform but banning of artist in the republic.
implies other kind of art such as visual arts crafts or sounds - later was convinced that artist merely reinforce they
believe in copies and discouragement to reach for the real
POETRY PERFORMANCE an art form where the artist
and it is in the world the forms
expresses his emotion through words
ARCHITECTURE it is the making a beautiful building Plato was deeply subspecies of arts and artists for two
reasons:
DANCE a series of movements that follows the rhythm of the
. the appeal to the emotion rather to the rational faculty
music accompaniment
of men
LITERARY ARTS it goes beyond the usual professional . they imitate rather than lead one to reality
academic journalistic and other technical forms of writing.
-poetry roses emotions and feelings thus, clouds rationality
of people.
- art is just an imagination of imitation. a painting is just an
imitation of nature which is also just an imitation of reality in
the world so forms.
-art then is to be vanish, alongside the practitioner so that's
the attitude and actions of the members of the republic will
not be a corrupted by the influence of the arts.
-for Plato art is dangerous because it provides placement for
the real and cities that can only be attained through reason
ART AS A REPRESENTATION