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Euro Theatre Lecture Week 4
Euro Theatre Lecture Week 4
Dionysos was not an original Greek god, he is from Asia, from the east.
He is a deceptive God
Initially appears claiming to “teach Thebes a lesson” yet at the end it appears that
he embarked on a quest for revenge against those that rejected him.
Tiresias- “how else could we ease the ache of living’- is this a way about thinking
about: wine, theatre, giving into impulse, even tragedy.
“Us and them” the notion of everyone being in on something while another is
sceptically on the fringes.
Dionysos Worship in this play is never seen, but only ever described. When
depicted by Dionysos himself, his description suggests that it is not necessarily a
benevolent experience.
His worshippers are women, and are foreign. Perhaps also slaves, all people that
Athenian society in real life were so quick to cast out and offer lesser rights to.
The worship Is not about sex-Tiresias refutes, claiming that the play is not about
sex.
The Thyrsos staff- a powerful tool to create, and a powerful one to destroy.
Nietzsche argues that all Greek tragedies are works where there is direct conflict
between apollonian and Dionysian thoughts.
Does Dionysus’ control and puppeteer Pentheus so that he goes to his death out
of his free will or is it a choice Pentheus makes out of his own free will.
Is it also significant that the actor who played Pentheus doubled as Agave?-
Something very interesting happens in this play about actors that double as
different characters.
The play itself in performance by being performed is a direct worship from the
audience and actors to the actual god of Dionysos.
Quotations to use:
The Chorus
No – you can't choose the gods that you worship
No – you just have to worship them all
No – you can't choose which prayers they will answer
No – you just have to answer their call
No – you can't choose the gods that you worship.