Professional Documents
Culture Documents
FIBA Assist 27
FIBA Assist 27
FIBA Assist 27
FIBA ASSIST MAGAZINE FOR BASKETBALL ENTHUSIASTS EVERYWHERE JULY / AUGUST 2007
ASSIST27
Matt Doherty
the ball handling
tom maher
TEX WINTER
China’s Offense at
the FIBA Women
World Championships
ALan Richardson
Clifford Luyk
THE TRIPLE
play situations:
interpretating contact
Tony Lachowetz
STRATEGIC ALLIANCES
WITH YOUR COMPETITORS
POST OFFENSE
26_003 26-07-2007 17:46 Pagina 3
TABLE OF CONTENTS
FIBA EUROPE
COACHES - FUNDAMENTALS AND YOUTH BASKETBALL
by Matt Doherty
THE ball
After a good playing career (NCAA
handling ball forward and backward along- make your cross over low and
champion in 1982 with North Carolina, side your body. Then go to the front quick. Also be sure to move at two
then a brief NBA experience), he started of your body and go back and forth speeds, coming in to the crossover
coaching into the Davidson College's in front. Go back and forth at least slowly and coming out of it quickly.
technical staff, in 1989. In 1992 he moved twenty times. 2. At half court crossover again and
to Kansas University, working as Roy 7. Return to your weak hand and dribble to the other free throw line
Williams' assistant coach with recruit- repeat number 6. Remember to stay elbow. crossover yet again and
ing responsibilities (recruiting Paul on top of the ball and keep your dribble to the corner of the court.
Pierce, Drew Gooden and Kirk Hinrich). eyes up. Dribble along the baseline until you
In 1999 he was hired by Notre Dame get to the other corner, then per-
University for the head coach role, one TWO BALLS form the same Zig zag down to the
year later he became head coach of 8. Have one ball in each hand. Pound other end of the court (diagr. 3).
North Carolina University. In 2004 he the balls at the same time at least 3. Once you have gone down and
moved to Florida Atlantic, where he 40 times. back making the crossover move,
stayed until 2006. Since April 2006 he 9. Alternate dribble the two balls at perform the same drill practicing
has been coaching Southern Methodist least 20 times with each hand (drib- the between the legs dribble,
University. In 2001 he was named as ble the ball in the left hand and then behind the back dribble, and spin
NCAA Coach of the Year by the the right hand, left hand, right dribble.
Associated Press. hand...).
10. Pound the balls in front of you at Notes: Be sure to operate at two
the same time for two dribbles, speeds (set your defender up for each
STATIONARY BALL HANDLING then cross each ball over to the move). Also, dribble with the hand that is
ONE BALL opposite hand. The ball in your left away from the defense. In other words,
1. Begin by pounding the ball twenty hand goes to the right hand and the the players body should be between the
times with your weak hand. Be sure ball in your right hand goes to your ball and the defender.
to stay on top of the ball and to left hand. Do at least 10 crossovers.
keep your eyes up. Remember to stay on top of the ball 4. Zig zag with retreat dribble - prior
2. Pound the ball twenty times with and keep your eyes up. Keep the to each crossover take 1-2 retreat
your strong hand. Again, empha- crossover low and quick. dribbles (protecting the ball with
size staying on top of the ball and your body) and then crossover
keeping your eyes up. using a change of pace to get past
3. Return to your weak hand and TRANSITION DRIBBLE SERIES the defender (diagr. 4).
pound the ball twenty more times. ONE BALL
4. Figure "8" dribble: Bending at your 1. Left hand down and back. TWO BALLS
knees and not at the waist, dribble 2. Right hand down and back (diagr. 1. Dribble both balls at the same time
through and around your legs to 1). down and back (emphasize staying
form an "8". Use short, choppy drib- 3. Zig zag down and back - 3 dribbles on top of the ball, eyes up, and
bles, staying on top of the ball and to the right, crossover (low and pushing the ball out in front). Same
keeping your eyes up. Reverse tight) pushing the ball past the as in diagr. 1, except with two balls.
direction. Form at least 10 figure defender, 3 dribbles to the left, 2. Dribble the balls alternating down
"8's" in each direction. crossover... Burst out of the and back. Same as in diagr. 1,
5. Beginning with your weak hand, crossover (speed up) to get past except with two balls.
pull the ball forward and backward the defender (diagr. 2). 3. Zig zag down and back dribbling
alongside your body. Then go to the the balls at the same time. 3 drib-
front of your body and go back and FULL COURT ZIG ZAG DRIBBLE MOVES bles to the right, change direction,
forth in front. Go back and forth at 1. Starting in the corner dribble to the then 3 dribbles to the left. Same as
least twenty times. elbow, crossover, dribble to the in diagr. 2, except with two balls.
6. Using your strong hand, pull the corner of half court. Be sure to 4. Zig zag down and back using an
PAGE 04 | 27 2007 | FIBA ASSIST MAGAZINE
23_004_007 26-07-2007 17:48 Pagina 5
l
D.1
g
D.2
alternating dribble. 3 dribbles to 6. Zig zag down and back using an elbow to act as the defender.
the right, change direction, then 3 alternating dribble, but this time
dribbles to the left. before changing direction, take at On the right side, speed dribble with
Utilize a change of pace. Same as least 1-2 retreat dribbles. Utilize a your right hand to the "defender"
in diagr. 2, except with two balls. change of pace. Same as in diagr. (garbage can on the right elbow). Then,
5. Zig zag down and back dribbling 3, except with two balls. make an inside-out move (staying on top
the balls at the same time, but this of the ball, keeping eyes up, protecting
time before changing direction, HALF-COURT TRANSITION DRIBBLE MOVES the ball with your body, and exploding
take 1-2 retreat dribbles. Utilize a 1. One ball per player. Begin at half- out of the move) and go to the basket.
change of pace. Same as in diagr. court on the right side. Then, place Finish the power layup off of two feet
3, except with two balls. a garbage can/folding chair at the (diagr. 5).
FIBA EUROPE
COACHES - FUNDAMENTALS AND YOUTH BASKETBALL
D.9
D.10
D.11
D.12
From the right side, dribble with your right, crossover to your left hand, your right hand (diagr. 12). Then go
right hand to the first defender, and drive to the basket finishing the back to the middle and perform the
crossover to your left hand, then dribble power layup on the left side off of same dribble sequence beginning
to the second defender with your left, two feet with your left hand (diagr. with left hand.
crossover to your right hand, and drive to 11).
the basket finishing the power layup on Now we can begin to combine moves
the right side off of two feet with your 6. From the middle, dribble with your against two defenders. Against the first
right hand. right hand to the first defender, defender use a crossover dribble,
crossover to the left, dribble to the against the second defender use an
5. From the left side, dribble with your second defender with your left, inside-out dribble. Then use an inside-
left hand to the first defender, crossover to your right hand, drive to out dribble versus the first defender, and
crossover to your right hand, dribble the basket finishing the power layup a crossover dribble against the second
to the second defender with your on the right side off of two feet with defender.
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 07
26_008_022 26-07-2007 18:24 Pagina 8
FIBA EUROPE
COACHES - OFFENSE
THE TRIANGLE
by Tex Winter
OFFENSE
Tex Winter, until 2007 a consultant of the be self-reliant and in control of their game:
Los Angeles Lakers, is one of the most I wanted to give to my teams a system with
respectful basketball coach in the world which to play basketball. I did not want at
and the innovator of the triangle offense, all to coach in a frenzy way, calling plays
learned from coach Sam Barry of the and isolations for the scorers. My belief
University of Southern California, where was and is that a team on the floor knows
he played. He then entered the coaching what is going on and the players must be
job as an assistant at Kansas State confident that they could read the defense
University, then moved to Marquette and react accordingly. Second, basketball
University with the position of head should be a reflexive sport and I wanted
coach. Back to Kansas State as head that my team play a fluid, instinctive, com-
coach for 15 years, he then coached at plete game. I rejected the idea on relying
University of Washington, Northwestern only on a point guard, who must make all
University and Long Beach State. His first the ball handling decisions: I think, ulti-
approach with the NBA started in 1972 mately, that a good opponent would pres-
with the Houston Rockets, where he sure and destroy a point-guard oriented
coached for two seasons. In 1985 he team.
became assistant coach of the Chicago
Bulls and won six NBA titles, with Phil I trust on this axiom that it is not the sys-
Jackson as head coach. Then he followed tem, but the execution of the systems that
Jackson to the Los Angeles Lakers, where counts. I am convinced that this is a self
he won three more championships. evidence truth, we want to obtain the prop-
er execution through the fundamentals.
I was not the inventor of this offense, but Any systems can succeed or fail on the
an innovator of this style of play. I think this execution of the minute details of the basic
is a great offense for every level of play, fundamentals, and these details can be the
from the high school to the pros. To difference between a great player and an
describe it, I would say it is a sideline tri- average one, or between winning and los-
angle on one side of the court and a two- ing teams. The first aim of a coach and the
man play on the other side, where the players should be to have the complete
offensive options are dictated by the mastery of the individual fundamentals,
moves and the reactions of the defenders. while the second one is the integration of
The system we used with the Bulls and these individuals into a team. Once this is
now with the Lakers let the players takes done the basketball house has been built
shots out of the flow of the offense. This on a solid, sound foundation. The team will
"method of play", as I likes to call this go on the court with confidence and poise,
offense, is a unique concept in basketball, so essential to success. As I told, this
the one that gives a team the option to play method of play is as old as basketball. The
unselfishly and still be creative in their set is adjustable to the personnel, but, due
offensive decisions. Naturally, this style of to the nature of the offense, the only nec-
play demands to the players to be disci- essary adjustments from one season to the
plined and to submit their own will to that next one are possibly a series of options
of the group. Therefore, it is necessary to based on the individual strengths.
ask to the players to be as complete as it
takes to perform the tasks demanded to THE SEVEN PRINCIPLES OF SOUND OFFENSE
them, to be able to execute the fundamen- These are the seven principles of a sound
tal skills necessary to make the offense and effective offense.
effective, which is the key to any system of 1. Penetration of the defense. You must
play. penetrate the defense, and the best
way to do this is the fast break,
The reasons why I decide to adopt the tri- because basketball is a full court game,
angle offense was that I wanted a team to from baseline to baseline.
PAGE 08 | 27 2007 | FIBA ASSIST MAGAZINE
26_008_022 26-07-2007 18:24 Pagina 9
PASSING
One underrated skill today is passing, and
passing is one of the basic of the triangle
offense. For this reason I think it's impor-
tant that the player really understand the
principles we want to apply on passing.
FIBA EUROPE
COACHES - OFFENSE
the receiver. Use what is called the open teammate, who has no more LINE OF DEPLOYMENT
"peripheral" vision, but without than three seconds after he received One of the asset of the triangle offense is
making a blind pass. it, to make his play, such as passing, the chance to isolate the post and attack
▼ He has to use fakes with a purpose, shooting, faking and driving, or pas- his defender. We would like now to talk of
not over fake, because he will not be sing an cutting. For every second un- the "line of deployment", a basic concept.
able to recognize what the defender der the three second it takes to the With this terms we mean in imaginary line
is doing with the hands. He must receiver of the pass to execute the which is traced from the forward with the
make a fake and react with poise, play, the better basketball player he ball, to the center in the low post, his
seeing the lane of passing. becomes. For every second over the defender and the basket.
▼ He must eliminate all the unneces- three seconds, he becomes a poorer For playing a standard defensive position
sary moves in ball handling and pas- one. All the players on the court must between the center and the basket, the
sing, using quick wrist and finger ac- move quickly the ball, so the defense defender of the center must play behind the
tion, shortening as much as possible will be occupied, opening the chan- center, as long as the center remains on the
the action of the pass. ces of passing lanes and scoring op- line of deployment (diagr. 2). But, defending
▼ He has to pass quickly the ball to an portunities. in this way, it is easy for the forward to pass
D.1
D.2
D.3
D.4
COACHES - OFFENSE
D.5
D.6
D.7
D.8
ways, depending by the defensive adjust- and goes in the corner, forming a triangle Basket Cut. 1 passes the ball to the wing
ments or offensive strategies. with 5 and 3. The wing 3 must set himself 3 and cuts to the basket, coming off the
with the proper space, away from the center 5, and goes in the corner.
BASIC WAYS TO FORM THE TRIANGLE sideline for letting 1 cutting behind him, On all the cuts of the strong side guard 1,
"N. 1" Pass from the Triangle as well as the other types of cuts, which the other guard 2 gets in the middle of the
We call this N. 1 pass because it is this we will explain on the next paragraphs. floor for defensive balance and for then
first pass that is done for forming the tri- playing two-on two on the weak side
angle, and after this one we form the tri- Slice Cut. 1 passes the ball to the wing 3, (diagr. 5).
angle. goes toward him and then cuts away and
goes in the corner (diagr. 4). Wing
STRONG SIDE FILL Dribble entry: 1 dribbles toward 3 and this
Guard Blur Screen Cut. 1 passes the ball to the is a signal for 3 to go in the corner, while
Outside Cut. 1 dribbles on the lateral lane, wing 3, cuts inside, brushing off the cen- 5 moves to high post and 2 goes in the
passes to the wing 3, cuts outside him ter 5, and goes in the corner. middle of the court (diagr. 6).
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 13
26_008_022 26-07-2007 18:24 Pagina 14
FIBA EUROPE
COACHES - OFFENSE
D.21
D.22
D.23
D.24
Center
1 passes to 3 and 5 goes to the corner,
while 4 cuts, high or low, in the lane and
replaces the center while 2 cuts to the
weak side wing spot, replacing 4 (diagr.
8).
WEAK SIDE FILL "N. 2" Pass from the Triangle I. First look for the pass to the center 5.
Guard After we form the triangle on the strong II. Second look to the weak side guard 2 on
1 passes to 3 and then the weak side side of the court, there are four potential the middle of the half court (diagr. 12)
guard 2 can fill the corner in two ways: passes that the strong side wing can III. Third look on the backdoor step of weak
make. We call these four passing options side wing 4.
▼ With a basket cut. "No.2" passes , because they are made after IV. Fourth look to the strong side guard 1 in
▼ After a back pick of the wing 4 (diagr. the first pass to the wing position, that we the corner (diagr. 13).
10). use for forming the triangle. Four are the
spots on the court where these passes can I. FIRST LOOK: PASS TO THE CENTER
Forward be directed and from each one of these Setting the Sideline Triangle
1 passes to 3 and 4 makes a baseline or spots there are a multitude of different offen- We will show now one of the simplest
over the top cut and fills the corner, while sive options. options of this offense, old as basketball, but
2 replaces 4 in the wing position Assuming that 1 passed to 3 and then filled still very effective. It is what is called "split
(diagr.11). the corner, the wing 3 must: cuts", or also "split the post" or "post cuts".
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 15
26_008_022 26-07-2007 18:24 Pagina 16
FIBA EUROPE
COACHES - OFFENSE
D.37
D.38
D.39
D.40
FIBA EUROPE
COACHES - OFFENSE
FIBA EUROPE
COACHES - OFFENSE
D.57
D.58
D.59
D.60
side. Again, we form the sideline triangle lane (we call this action "wing screen and If 2 is overplayed or he has violated the "lag
with 4, 5, and 3, while 2 sets himself on the roll"). 1 spots up to the corner or at the wing principle", 2 cuts first and 4 cuts second,
top of the lane and 1 on the weak side wing spot, or comes back for a dribble weave right after 2's tail (we call this "blur"
spot (diagr. 58). interchange with 3. After the screen for 3, 4 screen), 4 receives the ball from 1 and then
screens again for the third time, now in the 1 speed cuts back side of 4. 3 screens for 2,
Wing entry on the "blind pig" corner for 2, who comes up for the defen- who comes up for defensive balance
4 has flashed to the top of the circle and 2 sive balance. 5 "freezes" on the weak side (diagr. 62).
speed cuts in the lane. But this time 1 can- post area (diagr. 60).
not pass to 4, so he passes to 3 and then 1 1 can also make a high pass to 2, if open
receives a back screen by 4. 1 speed cuts After the screen, 4 continues to the weak (diagr. 63).
and 3 looks for a high over the top pass to 1 side rebound position, 3 posts down after
(diagr. 59). the kick off pass to 1. 5 sets himself in the IV. Wing Reverse. If 1 cannot pass to 2 or 3,
After the screen for 1, 4 sets a sideline lane for the possible rebound on a shot of 1 he can pass to 5, who has flashed to the
screen for 3, who drives around 4 and to the (diagr. 61). high post position at the elbow on the
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 21
26_008_022 26-07-2007 18:24 Pagina 22
FIBA EUROPE
COACHES - OFFENSE
D.62
D.63
D.64
D.65
FIBA EUROPE
COACHES - OFFENSE
CHINA'S OFFENSE
by Tom Maher
AT THE FIBA
WOMEN WORLD
CHAMPIONSHIPS
Tom Maher is one of the most respected and experienced The third key player is the power forward, Xiaoni Zhang.
coaches in the women's international game today. He led She is very mobile and technically sound, with a good mid-
the Opals (the Australian women's national team) from dle-distance jump shot. An excellent free-throw shooter,
1993 to 2000, winning a bronze medal at the Olympic she finished third in the final standings in free-throw per-
Games of Atlanta in 1996, and a silver medal at the Olympic centage with 89.2%.
Games of Sydney in 2000. After coaching the WNBA's
Washington Mystics, he took over the New Zealand STYLE OF PLAY
women national team in 2004, playing in the Athens' I wanted to give my team a good organization on both as-
Olympic Games. He has been coaching the Chinese pects of the game, offense and defense. We have good
women national team since 2005. perimeter players who can shoot and drive to the basket as
well as feed the post players inside the lane. We have a
Our team entered the FIBA World Championship with quick transition game and like to run the fast break.
the goal of preparing for the Olympic Games in Beijing
in 2008 and performing well there. Seven players re- Offensively, most of our plays are developed to create an
turned from the previous FIBA World Championship in open shot for Miao on the perimeter, or else feed the ball
China in 2002: Song, Zhang, Miao, Ren, Sui, Zhang, and close to the basket to Nan Chen or Xiaoni Zhang. The
Chen. The team is now more mature, with an average perimeter players spread the floor well and create options
age of 23 years, and, of course, with experience from for the two inside players to attack the basket, using either a
the previous FIBA World Championship. Even though high-low combination or pick-and-roll.
our aim was to do the very well in Brazil, the main focus
for us has been the 2008 Olympics. The guards and forwards are shooting the ball well from the
three-point range and therefore they take a lot of shots from
STARTING LINEUP that distance. Of course, some times this creates problems
This was our starting five: if the team is not shooting well, because it exposes us to
1. Lijie Miao, point-guard. many easy fastbreaks. Miao is an excellent scorer, very
2. Guang Jia, shooting guard. confident, and likes to takes charge in tough situations.
3. Lei Ren, small forward. Most of the plays go through her.
4. Xiaoni Zhang, power forward.
5. Nan Chen, center. We finished 5th in overall shooting percentage with 50.8%
which is an excellent achievement. We were also second
There are three key players on the Chinese team, and overall in the free-throw percentage, shooting 77.3% from
most of the offensive sets are built and developed for the line. We sometimes found it difficult to create opportuni-
them. The most experienced player is the point-guard, Lijie ties to score, especially when playing against big and physi-
Miao, an excellent shooter, both from the middle and from cal teams.
the long distance. She also likes to drive to the basket as
well as finish on a fast break, when possible. She finished Against zone defenses, we wanted to use the principles
as the fourth top scorer in the World Championship, aver- of overload with the high-low in the paint, relying mainly
aging 17.6 points per game. on the quick movement of the ball on the perimeter and
the outside shooting of the perimeter players. The two
The main post player in the Chinese team is Nan Chen, a left- inside players, Chan and Zheng, rotate well inside the
handed, solid center, who is able to set good screens and at- key and also look for their shots from close range, or
tack the basket, mainly from her favorite left-hand side. She from the top of the key.
finished 6th on the top scorers list with 17.3 points per game. We were also organized against the press defenses, and
PAGE 24 | 27 2007 | FIBA ASSIST MAGAZINE
24_024_026 26-07-2007 17:49 Pagina 25
D.1 D.5
D.2 D.6
D.3 D.7
D.4 D.8
FIBA EUROPE
COACHES - OFFENSE
BASIC PLAY
The basic play (diagr. 1) starts with 4 and 5 on the low post
positions, 1 and 3 outside, and 2 under the basket. 5 sets a
screen for 2. 1 dribbles to the free-throw line, while 3 drops D.9 D.11
to the corner, and 4 steps out of the three-point line (diagr. 2).
1 can kick out the ball to 3 or 2 for a three-point shot, or to 5,
who rolls to the basket after the screen for 2 (diagr. 3).
D.13
adecco.com
FIBA EUROPE
COACHES - HOOP MARKET
Two “ancient”
by Raffaele Imbrogno
Trojans
Raffaele Imbrogno has been coaching since 1980. He is an In this section, we introduce the latest books, videos, CDs, and
Instructor for the Italian National Coaches Committee of other tools that are primarily aimed at coaches, but certainly useful
the Federation and has been Director of the Italian Basket- for all of our readers. Please send your suggestions and comments
ball Federation Study Center. Imbrogno is also the author of about our basketball-related media for review in this section.
several technical basketball publications.
the defense.
"Bob Kloppenburg is beyond any doubt the best defensive
coach I ever faced. His defensive drills, philosophy, and the In addition to presenting his princi-
intensity he extracts from the defensive personnel makes ples, Coach Kloppenburg showed 13
him extraordinary." drills to develop the defense's prin-
-Pat Riley ciples: high pressure on the ball,
strong advance to the passing lines,
"Winter is real fine teacher of basketball." forcing the offensive player to one
-Phil Jackson side, and a strong defensive switch
on the screens. He ends his talk
The University of Southern California basketball team, with different options for the defen-
known as the "Trojans" is also the "Alma Mater" of two spri- se's system.
ghtlies, Maurice Fredrick "Tex" Winter and Bob Kloppen-
burg. These old teachers of basketball played at USC in the For those who want a detailed de-
second half of the 1940's under the guidance of Sam Barry. scription of Kloppenburg's ideas,
you can buy "S.O.S. Pressure Defen-
After different yet successful coaching careers, both at the se 4th Edition (196 pages, 2004); or
college basketball level and in the NBA, Kloppenburg and look at articles on the Internet site:
Winter met again, and for several http//www.cybersportsusa.com/
years they have been conducting hoopttactics/HoopTactics.asp
great basketball clinics around
the world. For those of you who want to know
more about Tex Winter and his fa-
This season, for first time in their mous triangle offense, there is the
world wandering, Kloppenburg "The Encyclopedia of The Triangle
and Winter led two clinics in Italy Offense," a DVD set dedicated to the offense offense, an original
(in Montecatini and in Turin), adjustment to Barry's offensive system at Southern California.
where they introduced their
ideas of the game. In his 290-minute DVD, the former Bulls and Lakers' assistant
coach introduces the global offensive system, breaking it down
The "Encyclopedia of the SOS De- to every single phase.
fensive System" is the title of the
three-hour lecture, with Kloppen- This is followed by some drills to obtain proper play execution,
burg, the former assistant coach but especially to get a deeper knowledge of the necessary fun-
of Cleveland Cavaliers, Seattle damentals to take advantage (and maintain it) against the de-
Sonics, and Toronto Raptors, ex- fense. All the titles quoted can be purchased on the site:
plaining his defensive system, http://www.championshipproductions.com
one that is currently used by
many NBA teams. Finally, if you want to know more about Tex Winter, it's neces-
sary to read Mark Bender's "Trial by Basketball (306 pages,
The defense "SOS" is articulated 2002), an excellent book, with an introduction from Phil Jackson
in 12 distinct principles, and its (search.barnesandnoble.com/booksearch/isbnlnquiry.asp?z=y
target is constricting the reaction &EAN=9781886110960&itm=5).
of the offense to the behavior of
Champions
I n s t r u ct i o n crea ted by
BD-2688-FIBA19 BD-2811-FIBA19
BD-2478(A-F)-FIBA19
and Billy Donovan
(Back-to-Back NCAA Champions)
Play Situations:
Interpretating
Contact
by Alan Richardson by Clifford Luyk
Alan Richardson has been a FIBA referee therefore we cannot allow the image of the be viewed within the context of that par-
from 1978 to 1998. He then became Referee game to be tarnished by those players and ticular game, between those two particu-
Clinic Instructor from 1996 to 2000. Since coaches, who resort to illegal actions and lar teams on that particular day. Many of
2000, he is the Technical Advisor of the behaviour. There have been many training us call it FEEL FOR THE GAME; others call
Referee Department of the Euroleague. videos produced to assist referees in fulfill- it COMMON SENSE, but, whatever you
ing their responsibilities on and off the call it, officials must be prepared for and
Clifford Luyk had an excellent playing court. UNDERSTAND all the possible situations
career, at Florida University then - after Because the official has the power to stop that could arise and know how best to deal
being selected at the NBA draft's first the game, it is essential that he KNOWS with them. Do not be influenced by
round in 1962 - in 17 seasons with Real and can actually SEE what happens, GAMESMANSHIP. Players and coaches
Madrid, winning 14 Spanish leagues and 6 rather than THINKS that he knows what will try to influence officials by verbal
European Championships, and then play- happens, which in reality is GUESSING. and/or physical demonstration, flopping,
ing 150 games with the Spanish national There is a great difference between the grunting and other sounds when contact
team. As a coach, he has been coaching two. The ability to remember the constant (however slight) occurs and also even
Real Madrid's Junior teams and has been supply of numerous forms of information feigning injury in crucial situations.
Real Madrid's assistant coach, before (documents, videos, personal experi- It is apparent that many officials do not
coaching ACB teams like Villalba, Murcia, ences), that are provided to enable refer- understand basic basketball terminology
and also Real Madrid. He has been the ees to learn and grow and apply them cor- and that they lack the ability to recognise
creator of Contact Work Shop for referees rectly to the present situation is what fundamental play situations on the court
and coaches. determines an excellent official. RECALL during games. It’s essential that the training
DETERMINES PERFORMANCE. of officials incorporates the knowledge and
From the beginning of an official's career, experience of coaches. In order to further
it is constantly stated that when 10 play- Officials do NOT have the authority to enhance the professional relationship
ers are moving at speed within the change interpretations or rules, especially between players, coaches and officials it is
parameters of a basketball court, CON- in situations related to the score, intensity important that each recognises and under-
TACT IS INEVITABLE, but not all contact is or time remaining in the game. The game stands the others' roles. There is much to
illegal. Determining what is legal and ille- should always be decided by the LEGAL be learnt from each other in this respect.
gal contact is part of the official's devel- actions of players and coaches, NOT by Practical workshops for players, coaches
opment and knowledge building process. the ILLEGAL actions that officials choose to and officials are the key to better under-
The ability to recognise and judge the ignore. It is UNACCEPTABLE for an official standing and performance.
consequences of contact further deter- to tell a player or coach that he did not
mines which officials will progress to penalise an illegal contact or violation, ANALYSIS
higher levels. which he clearly saw, because it hap- With all CONTACT that is determined as
pened outside his primary area of respon- ILLEGAL, the officials must address it from
There must always be a balance between sibility. Abdicating responsibility to another the beginning of the game and call it con-
penalising the obvious, clear illegal contact official shows a lack of courage to make a sistently throughout the whole game.
that places opponents at a disadvantage tough or "unpopular" call and also under- Players and coaches will adjust if the offi-
and the small innocuous, sometimes inci- mines the respect within the officials' ciating is consistent.
dental contact that does not interfere with team.
the flow of the game. There are many potential situations that HAND-CHECKING
Basketball played at speed by skilful play- can occur at the end of a period, end of a Hand-checking is the "illegal" use of the
ers is a beautiful aesthetic experience; game and also during a game, that need to hand(s)/arm(s) to impede/influence the
PAGE 30 | 27 2007 | FIBA ASSIST MAGAZINE
26_030_033 26-07-2007 17:51 Pagina 31
movement/progress of an opponent with or the basket, the first and only contact must be taller and stronger than the defensive
without the ball. with the forearm or the chest/stomach. player, especially during initial moments
of the start of a dribble.
A defensive player may not place his The use of the forearm or chest/stomach 4. During "isolation" plays (one v one) as
hand/forearm upon an opponent with the must not dislodge or push the opposing play- above and on any drive to the basket.
intention of holding or pushing (steering) er from his position. Similarly, an offensive
that player. To momentarily place a player dribbling the ball is not permitted to POST PLAY
hand/forearm upon an opponent is not use a hand/forearm to prevent his defensive Offensive and defensive players have equal
necessarily illegal unless the action is con- opponent from legally "stealing" the ball. If rights to any position that they have legally
stantly repeated. A verbal warning should hand-checking is not penalised then players established on the court. Post play should be
always be given in order to prevent the ille- will react aggressively thereby creating loss viewed and anticipated as a physical (not
gal action from taking place. of game control, even momentarily. rough) match-up between two opponents,
Under no circumstances may the defensive especially big players.
Under no circumstances may the defensive player place two hands upon an opponent
player place two hands upon an opponent, even within his own cylinder. Incidental contact between post players is
even within his cylinder. to be expected, but the use of hands, arms
Officials should be aware of situations when and/or legs/knees to push and dislodge
A defensive player FACING his opponent hand-checking could take place: opponents is not permitted. A defensive post
has no legal reason to place his hand/fore- player may place his leg/knee in between
arm upon an opponent, as defense is played 1. At moments in the game when aggres- the legs of a stationary opponent in order to
with the feet. A post player may place a fore- sive and/or pressing defense is applied. maintain position, but if that leg/knee is
arm (within his own cylinder) on the back of 2. When players are tired and "cheat" on raised off the floor, or impedes the move-
an opponent, but the first and only contact defense by using hands instead of ment of, or dislodges the opponent then a
must be with the forearm or the chest/stom- moving their feet. foul should be called.
ach. This also applies to a player defending 3. In defensive mismatch situations where A defensive post player may place a forearm
a dribbler who is backing into (not facing) the offensive player is clearly quicker, or chest/stomach on the back of his oppo-
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 31
26_030_033 26-07-2007 17:51 Pagina 32
nent. At no time may a hand or both hands spective of the level, should be considered Be careful not to interpret such illegal
be placed upon an opponent. Once the incidental. Contact, which occurs because actions as incidental contact, because
defensive post player has established a the player setting the screen is moving is such actions put the defensive player at a
legal guarding position, he cannot be dis- illegal. CONTACT must occur for an illegal distinct disadvantage.
lodged from that position by the actions of screen to exist.
the offensive player in lowering his body DEFENSIVE PLAYERS:
and "bumping" his opponent towards the If the screen is set within the field of vision 1. Watch for illegal hand and/or body
basket. (OPEN) of a stationary opponent, the checking, which restricts the path of
screener may stand as close as possible to the offensive player, who is attempting
Neither can the offensive player grab an his opponent without causing contact, to set the screen.
opponent's leg or "hook" his body whilst either to the FRONT or SIDE. 2. Watch for illegal contact with an oppo-
turning, either to shoot or receive a pass nent designed to interrupt the rhythm
under the basket. Excessive physical If the screen is set outside the field of of the play, by pushing the opponent
play to dislodge a player from a legally vision (BLIND) of a stationary opponent, into his own team-mate.
established position must not be allowed. the screener must take a position which 3. Watch for illegal use of the hand(s) at
Pay attention to players who interlock allows his opponent to make a normal the point of the screen.
arms when jostling for position. Warn the movement (1 step) to avoid the contact. 4. Watch for defenders pushing out with
player, who initiates the arm-locking and if knee(s)/forearm(s), when posting up
there is no response, call the foul. Watch If the opponent of the screener is moving away from the basket or defending 3
the whole play from the beginning in order (MOTION), the screen must be set with point goal attempts
to determine who created the illegal con- regard to elements of time and distance.
tact, otherwise call a double foul. There The screener must allow sufficient space Be careful not to interpret such illegal
can be no "let them play" attitude when the (1 - 2 normal steps) for the opponent to actions as incidental contact, because
contact is excessive or rough. avoid contact by stopping or changing such actions put the offensive player at a
direction. distinct disadvantage.
Rough play in post play situations is likely to Incidental body contact is a part of the
occur when: The player setting the screen is not game, but the deliberate use of the
1. The offensive player has dislodged the allowed to extend any body parts (knees, hand(s), arm(s) and body to gain an advan-
defensive player from a legal position legs, elbows, forearms, buttocks etc.) out- tage is not part of the game.
on the floor. side his normal cylinder in order to ensure
2. The offensive player has the ball and that the screen is effective, especially in CHARGE - BLOCK
his opponent is allowed to use his the case of any misjudgement by the 75% of all charge-block calls will be chal-
hands, extended forearm, knees or screener. It is essential that officials see lenged by the team penalised. The official
upraised leg into the buttocks. the play from start to finish. must know what a legal guarding position
3. The offensive player lowers his but- is and what are the rights of the player
tocks and pushes backwards, also Be aware of the actions of the player being with and without the ball.
using his hands and arms to dislodge screened. He is not permitted to push his
his opponent. way through the screen or dislodge the A legal guarding position requires the
4. The offensive player signals to receive screen, if it has been legally set, by illegal defender to be on the spot first, with two
a pass or lob pass and then uses his use of the hand(s), arm(s), hip(s) or shoul- feet on the floor, upright, stationary and
arms in a "swim-stroke" to push the der(s). facing his opponent. Having established a
defenders arms away or by using his legal guarding position the defender is
elbow or extended forearm to "pin" and Be aware of actions related to the use of allowed to move laterally or backwards in
dislodge his opponent. "pick-and-roll" plays: order to maintain his position in front of a
5. The offensive player may not use his moving opponent. He is NOT allowed to
elbow to push away the defensive Understand and be able to recognise pick- step FORWARDS to the player/ball.
player's hand(s) in order to protect a and-roll plays during a game. Be ready to
shooting attempt. interpret the legal or illegal actions of both It is important that referees watch the
offensive and defensive players when the whole play from beginning to end with
Be aware of any situations that may create offensive team is running the pick-and- specific reference to the actions of the
potential violence between opponents or rollplay. defensive player prior to any contact that
attempts to deceive officials by 'flopping', may occur. Be alert to 'flopping' by play-
either by the defensive player or a shooting OFFENSIVE PLAYERS: ers.
player. 1. Watch for the illegal use of hands just
after the impact of the screen and Note the point of contact. If a legal
SCREENING before the roll to the basket. guarding position has been achieved,
The purpose of screening is to prevent an 2. Watch for illegal use of the body, hips contact by the offensive player should be
opponent from reaching a desired position and legs by the screener, taking a step on the front of the torso, between the
on the court. For screening to be legal the into the defensive player as his team- shoulders -chest- of the defensive player.
player setting the screen must be STA- mate is clearing the area. If contact is on the shoulder, hip or leg of
TIONARY with both feet on the floor. 3. Watch for illegal contact by the the defender then responsibility lies with
Understand the purpose of screening. Not screener when he pushes the the defender.
every contact with a screen is illegal. If the defender before he starts his roll to
screen is set legally then the contact, irre- the basket. Once the offensive player has succeeded
PAGE 32 | 27 2007 | FIBA ASSIST MAGAZINE
26_030_033 26-07-2007 17:51 Pagina 33
UNSPORTSMANLIKE FOULS enced by the intensity, score and time signals (travelling, holding, verticality
Any illegal action that is not a legitimate remaining in the game. etc.) or gestures that could indicate
attempt to play the ball or an opponent should displeasure with the officiating.
be considered as unsportsmanlike. PLAYER AND COACH BEHAVIOUR 4. For a coach, assistant coach, player or
The proper conduct of the game demands team follower to incite the crowd by
Wrapping the arms around an opponent, grab- full and loyal cooperation of the members means of gestures showing their dis-
bing a player with one or both hands, grabbing of both teams (players, coaches, assistant agreement with the officials.
the shirt or shorts of an opponent are all coaches, and team followers) with the offi- 5. For a coach to leave the coaching box
unsportsmanlike actions. Grabbing a player's cials, table officials and commissioner. and enter the court to remonstrate
arm or body whilst initially trying to play the Officials have been encouraged to com- with an official.
ball is also an illegal action. municate fully with players and coaches
during the game and have also received In such situations, it is essential that a
Grabbing, holding or pushing a player AWAY much information by way of documents, technical foul is not given immediately, but
from the ball is an unsportsmanlike foul by rule. videos and personal training in order to that a clear definitive warning is given to
understand the roles and behaviour of the offending person(s). Dealing with such
Committing clear fouls in order to prevent an players and coaches during emotional incidents should be progressive, but firm
opponent close to the basket from scoring 2 encounters. Cooperation is a two way sys- and not an emotional reaction. Such
points is in many cases an unsportsmanlike tem and must be based upon mutual behaviour should not be tolerated on a
foul. respect and normal behaviour. continuous basis. Any further misbehav-
iour after the warning must be dealt with in
Excessive contact, undue roughness against IT IS NOT ACCEPTABLE: a calm professional manner.
an opponent (especially airborne), even when 1. For a coach or player to make an
trying to play the ball is considered an objectionable reaction by words or We do not wish officials to inflame the
unsportsmanlike foul by rule. gestures to an official's call. situations by overreacting, but we can-
All these situations must be interpreted within 2. For a coach or player to direct audible not accept that the integrity of the offi-
the spirit and intent of the unsportsmanlike foul personal remarks of an abusive or vul- cials is continually called into question
rule. What is an unsportsmanlike foul must gar nature to the officials. by players, coaches and bench person-
apply at any time of the game, in the first 3. For a coach or player to excessively nel. Take care of business before business
minute and the last minute. Do not be influ- demonstrate by the use of referees takes care of you.
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 33
26_034 26-07-2007 17:52 Pagina 34
RIGHT OR WRONG?
The following questions focus on the document,
“FIBA Official Basketball Rules: Official
Interpretations”. A free download is provided
on the FIBA website (www.fiba.com). For addi-
tional clarifications, explanations or examples,
please consult this document.
QUESTIONS
1. While the ball is in the air on a shot for a
field goal, the 24-second signal sounds. The
ball does not touch the ring on the shot,
after which it is immediately controlled by
B5. Has a 24-second violation occurred?
2. During an alternating possession throw-in
by A2, he commits a violation. Team B is
awarded a throw-in as a result of the viola-
tion. Shall team B still be entitled to the
next alternating possession throw-in?
3. While A4 is holding a live ball out-of-
bounds at the endline in team A's front-
court, A2 is more than three seconds in
that restricted area. Has A2 committed a
violation?
4. A5 is wearing sufficiently padded protecti-
ve equipment on the upper arm. Shall A5
be permitted to participate in the game?
5. A3's shot for a goal does not touch the ring
or enter the basket after which a held ball
occurs before any player can gain control
of the ball. When the held ball occurs, 15
seconds remains in the 24-second period.
Team A is entitled to the next alternating
possession throw-in. When play resumes,
shall team A continue to have only 15
seconds remaining in the 24-second
period?
6. A7 substitutes for A5. Before the clock can
start again following the substitution, A2
commits his fifth foul. The only team A sub-
stitute available is A5. May A5 now substi-
tute for A2? asks that A4 remain in the game. Shall A4 be ANSWERS
7. While team A is in control of the ball, A3 permitted to continue participating?
commits the third team A foul in that 1. No; 29.1.2
9. After a team A field goal, technical fouls are 2. Yes; 12.4.7
period. Before the resulting throw-in, a committed by A3 and B3. Shall play resume
double foul is committed. Is this a jump ball 3. No; 26.1.1
with an endline throw-in by team B? 4. Yes; 4.4.2
situation? 10. A4 has been in the team B restricted area
8. While the clock is stopped and the ball is 5. Yes; 50.4
for two seconds when A5 releases a shot 6. Yes; 19.2.4
dead, A4 appears to be injured and coach A for a 3-point field goal. The ball strikes the
comes onto the court to attend to A4. Team 7. No; 42.2.3
backboard but not the basket ring and then
B then requests a time-out. At the end of the 8. Yes; 5.6
rebounds to A4, who is still within the
time-out and before a substitute has repor- 9. Yes; 42.2.7
restricted area. Shall A4 be immediately
ted to the scorer to replace A4, Coach A 10. No; 26.1.1
charged with a 3-second violation?
STRATEGIC ALLIANCES
WITH YOUR
COMPETITORS
Tony Lachowetz is Associate Professor of Sport Manage- industry are shrinking. Throw in the escalating costs of
ment, Georgia Southern University. He writes for several college and professional sports (and the negative impact
American sports marketing magazines and worked for on profitability) and the need to innovate is clear.
research projects of the NBA, the Professional Golf Asso- Not only has competition within spectator sport increased,
ciation, the Major League Soccer and the sports sections but also within particular geographic markets. In some
of many colleges. markets, heavy competition among sport enterprises al-
ters supply and demand relationships. For example,
by Tony Lachowetz The time is ripe for professional sport organizations to re- Phoenix, Arizona, offers PGA and LPGA golf events,
think the nature of competition. As part of the growing NASCAR auto racing, the Arizona Fall (professional base-
entertainment industry, spectator sport is simply one of ball) League, Major League Baseball spring training, Are-
many segments competing for the consumer's dispos- na Football League (indoor) and the Arizona State Univer-
able income. The good news - people are spending more sity athletic programs competing for fans along with the
in absolute dollars on sport each year. The bad news - National Basketball Association's Suns, the Women's Na-
these dollars as a percentage of the entire entertainment tional Basketball Association's Mercury, the National
tor is crucial because fan surveys indicate League Baseball team, conducted a con- conducted by the Suns' marketing depart-
clear intentions to move up the escalator." For sumer research study and found that 40% of ment, similar to the one conducted by the
instance, fans that currently attend three those that attended Dodgers' games also at- Dodgers, will assist the Suns in identifying
games per year indicate their intentions to at- tend movie theaters in Los Angeles. Con- potential "entertainment alliance" members
tend five or six the following season. As Sut- sumers now see 2-minute promotional spots in the Phoenix area.
ton suggests, "the key is to find a way to get about the Dodgers prior to the start of a The second type of alliance involves profes-
non-users into the arena." movie and Dodger fans can redeem their sional teams and large athletic departments
Furthermore, the "entertainment alliance" al- tickets for a 10% discount to local movie the- in metropolitan areas. This type of alliance is
lows the Suns' marketing department to be aters. The Dodgers also provide in-stadium designed to help sport teams compete
creative in their promotion of the alliance. For promotions for the movie theater with which against other forms of entertainment and
example, the Los Angeles Dodgers, a Major they are aligned. A simple research study benefits most from reduced marketing ex-
wooden flooring
partners
We end the review of the wooden floorings category partners of the FIBA Study Centre introducing
these three companies.
MONDO
MONDO is able to provide a removable wooden floor with den floorings combined with different underlay mats or pa-
modular system in tiles, engineered for high level competi- tented pads and top wear rubber or PVC layers, granting
tions. One of their flooring, FAST BREAK portable wood sy- always a perfect balance between energy return, shock ab-
stem meets the requirements of the sorption, deformation and ball bounce.
most demanding professional athle- The approved Mondo products by FIBA for
tes combining high technical perfor- the period 2007-2010 in the wooden floo-
mances with comfort and safety du- rings category are for the competition le-
ring competition. This product is offi- vels 1, 2 and 3: the Fixed Systems: Mon-
cially approved in respect of FIBA norms stipulated in the doelastic, Mondowood, Hayaelastic, Elastiflex, Elastisport,
Official Basketball Rules 2006 (October 2006), EN 14904.Mo- Zeta-System, while for the portable systems, the Fast Break
reover, MONDO can offer a wide range of permanent woo- System.
injuries affecting
by Jacques Huguet the ability
to play second part
Dr. Jacques Huguet was the doctor for the
French National Basketball Team. He was
President of the FIBA Medical Commis-
sion until 2006.
MIDFACE FRACTURES
Information provided in the questionnaire
▼ Player 1.97m tall. Position 1 - 2. Combo-
guard.
▼ Diagnosis: multiple fractures to the
lower part of the right orbit, on 23rd Au-
gust 2006, following a blunt blow from
an opponent's elbow, intentional -
sanctioned.
▼ The athlete displayed: dizziness,
diplopia (double vision), epistaxis
(haemosinus), Edema (swelling),
numbness.
CLASSIFICATION OF MIDFACE
FRACTURES
Road accidents account for distressing in-
juries, sometimes with dreadful conse-
quences, yet these kinds of injuries are
very rare in basketball.
With regard to the injury described above,
the CT scan revealed 3 fractures. Depend-
ing on the force of the impact, single or
multiple fractures can be diagnosed:
▼ Nasal fracture - the most common (for
details see above).
▼ Cheekbone fracture: suborbital
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 41
24_041_043 26-07-2007 17:56 Pagina 42
swelling and palpebral ecchymosis longed packing). ▼ The stress fatigue fracture, linked to
concealing facial deformation (de- ▼ Surgical: carried out by specialists in repetitive micro-trauma. There are
pressed cheekbone). Displacement, maxillofacial surgery (OPH - ORL - precursory symptoms and radiologi-
low dystopia of the external canthus, Stomatology), reduction-contention cal assessment is available.
enophtalmia, diplopia and epistaxis (osteosynthesis), use of mini
(due to an haemosinus) may set in. plaques, strips of Silastic sheet or CLINICAL EXAMINATION
Vicryl mesh, pins, steel thread, graft, ▼ Claudication, pain and swelling on
Sensitivity of the suborbital dental ligatures. the lateral side of the foot.
nerve should be examined
▼ Orbital fracture. FIFTH METATARSAL FRACTURES IMAGING
▼ Floor fracture: associated with a Information provided in the ques- ▼ Classical radiological assessment of
cheekbone fracture. tionnaire the foot.
▼ Isolated floor fracture: "blow-out frac- ▼ Player 2.13m tall. Weight 117 kg. Po- ▼ Scintiscan, CT scan, rather than RMI.
ture", "Trap door fracture" affecting sition 5, Center.
the orbital floor which opens and ▼ Fracture of the 5th metatarsal, on PROGNOSIS
closes. 1st September 2006 (Semi-final It differs according to the type of frac-
▼ Fracture of the internal and upper or- game). ture, the chosen treatment, and the sur-
bital walls: with oculomotric compli- ▼ No contact encountered, it was gical technique applied. The most com-
cations, sometimes diplopia. spontaneous. mon complications are: delayed union,
▼ Fracture of the zygomatic arch: fol- ▼ Recurrence: fracture in the same lo- non-union, refracture, persistent pain,
lowing a lateral blow, the zygomatic cation 2 years ago (stress fracture). problems with adjacent structures (4th
bone becomes depressed, impeding ▼ Imaging: standard X-ray. metatarsal). In some cases, basketball
the opening and closing of the mouth, ▼ Surgical treatment: screw fixation. players can anticipate a return to play
and causing pain upon palpation. ▼ Return to competition: athlete re- within 6 to 8 weeks.
▼ Occlusodental fractures (maxillary sumed trained at the beginning of The tuberosity avulsion fractures are the
fractures): December 2006, returned to Cham- most common in basketball and are usu-
pionship competitions mid-Decem- ally the least debilitating.
Cases of this nature are entrusted to a ber.
stomatologist TREATMENT
In such circumstances, it is useful to wear CLASSIFICATION OF 5TH METATARSAL There has always been some controver-
a mouthguard to protect the teeth from FRACTURES sy about the need for surgery. Certain
maxillo-dental lesions. (This kind of protec- Common fracture in basketball, slow or factors guide decision-making: location
tion is common in the United States). incomplete healing often prolongs the of the fracture line, acute or chronic in-
return to play. jury (stress fracture), the casualty's sta-
CLINICAL EXAMINATION Sir Jones gave his name to fractures of tus (non-active, professional player) and
It is important to go beyond immediate this bone at the beginning of the 20th body mass.
observations, by carrying out a detailed century. The historical practice of uni-
and precise assessment of the lesions. versally applying the term "Jones frac- The armamentarium comprises: weight-
For this purpose, an ophtalmological ex- ture" to all fractures in this location still bearing or non-weightbearing cast im-
amination and scanography are compul- causes confusion about the various mobilisation, orthoctic management,
sory. types of fracture. use of an orthopaedic shoe, open reduc-
tion, osteosynthesis (screw fixation),
OPH EXAMINATION Thanks to imaging, the anatomical situ- bone grafting.
Visual acuity, fondus oculi, ocular pres- ation of the fracture line can be made
sure, position and movements of the ocu- visible (see illustration): An athlete's treatment of choice in-
lar globe, exo-enophtalmy, diplopia ▼ At the level of tuberosity of the 5th volves intramedullary screw fixation
analysis. metatarsal (avulsion fracture). which offers the advantages of low mor-
CT scan, MRI (in addition to standard X- This is an avulsion fracture of the bidity, being quicker to union and en-
ray) which may reveal: damaged nerves, tuberosity induced by the peroneus abling a faster return to sporting activi-
cerebral and meningeal lesions, lacrima- brevis tendon; the mechanism of the ties.
tion, intracranial haematoma, etc. injury is similar to that of a severe
ankle sprain resulting from sudden The use of certain screws rather than
PROGNOSIS foot inversion. others depends on the surgeon's own
Following this kind of accident, athletes ▼ At the base of the 5th metatarsal, preference regarding length, diameter,
can play basketball again. Some after-ef- extending into the 4th-5th inter- form (tapered, cannulated), material
fects may be observed: ophthalmologic metatarsal facet. The Americans (stainless steel, titanium).
(diplopia, occlusion problems, watering call this a "true Jones fracture".
of the eyes, etc.), aesthetic, neuralgic. ▼ Proximal diaphyseal fracture or A post-operative radiological follow-up
shaft-neck fracture. is necessary.
TREATMENT
▼ Immediate: ice, sutures, analgesics, Here, there are 2 separate etiological Appropriate physiotherapy or follow-up
NSAID, if necessary prophylactic types: care by a kinesitherapist or podologist is
antibiotherapy (in the case of pro- ▼ The acute rupture. necessary for the return to play.
PAGE 42 | 27 2007 | FIBA ASSIST MAGAZINE
24_041_043 26-07-2007 17:56 Pagina 43
CONCLUSION
The survey accounted for 3 serious in-
juries amongst 288 athletes playing a to-
tal of 80 games.
Recording the accidents and their caus-
es confirms that a blow from the elbow is
at the top of the list for actions causing
the most damage.
In the case of a face to face between de-
fender and attacker, the elbow, the bony
tip (olecranon) which forms part of the
cubitus, is the part of the body to be
feared most, more so than a deliberately
closed hand. It can serve as a bumper, or
even worse, be swung quickly and delib-
erately.
Jacques Monclar, former French interna-
tional player and coach, refers to the el-
bow, with his usual witty eloquence, as
"the blade of basketball".
The list of injuries provoked by the elbow
is growing:
FACE
▼ Forehead.
▼ Wounds with bleeding. Treatment: su-
tures or steristrips.
▼ Arcus supercilliaris.
▼ Nasal orbit (see above).
▼ Lips - teeth - wounds with bleeding,
dental fractures - treatment: sutures,
dental reimplantation.
▼ Neck - larynx: traumatism on hyoid
bone, laryngeal cartilage and tra-
cheal annulus, pain upon swallowing,
dyspnea, dysphonia, subcutaneous
emphysema, expectoration with
blood.
In the case of asphyxia, a tracheotomy is
imperative.
THORAX
▼ Costochondral dislocation.
▼ Rib fracture, which is sometimes diffi-
cult to diagnose by X-ray, may lead to
post-traumatic pneumothorax (one
case resulted in a year's break from
sport), sometimes even blood in the
pleural cavity. The same method is applied when a player from mouldable thermoplastic, Ther-
tries to block a shot by extending an arm, moset or Chemoset (resin).
Critical game situations spark blows to his other elbow seemingly like a ram bow, ▼A "custom-made" mouthguard is fabri-
the face by the elbow: to protect himself from, and to fend off, op- cated by a dentist or orthesist.
For example, when a player is being ponents. Looking at this table of potentially The third kind is the best choice. Amend-
pressed by 1 or 2 opponents, he is holding serious injuries, the instinctive reflex is to ment of the rules. If there is evidence of
the ball with both hands, above his head think about accident prevention. Introduc- the intention to harm (video), could a
or at face-level, his elbows bent at 90°, ing the kind of protection which exists in more severe sanction be applied? During
he pivots energetically, as the rules allow American football or hockey is inconceiv- and after the game? The ball is in the
and suddenly.... "Watch your faces!" (See able. Yet, dental protection is recommend- court of the officials and referees.
illustration - Violent rotation with elevat- ed in basketball. There are three types of
ed elbows) "mouth protectors": Basketball is played with open hands. A
When a player jumps up to the basket, in- ▼ A "stock" mouthguard can be pur- fist denotes the intention to punch. Lucki-
tending to shoot or dunk with his right hand, chased in sports stores. ly, fights are rare, just as Naismith had
he uses his left elbow like an "ice-breaker". ▼ A "mouth-formed" protector is made wished!
FIBA ASSIST MAGAZINE | 27 2007 | PAGE 43
22_044-045 26-07-2007 19:15 Pagina 44
NEWS
TEX WINTER:
"THE NBA NEEDS
One-on-one
EUROPEAN COACHES."
Maurice Frederick "Tex" Winter came to O'Neal, and Kobe Bryant adjusted to his started as an assistant coach at Kansas
Italy for the first time: In Montecatini and offensive system. During his State University, and later I became head
Turin, the greatest NBA assistant coach Montecatini's clinic, the 85-year old coach of the team. I then moved to the
held two clinics along with defensive Winter, who has an incredible vitality, NBA when the Houston Rockets offered
"guru," Bob Kloppenburg, another former reads without glasses, and signs his me their head coach spot. I stayed there
NBA assistant coach famous for his autograph with a triangle, his life-long for two years, from 1971 to 1973. I didn't
defense. In this interview, Winter, the trademark, revealed that the season like the type of basketball being played in
man who developed the famous "triangle which just ended was his last as an the NBA, so I came back to college bas-
offense" that brought nine titles to Phil assistant coach. Some tears fell from his ketball. I retired from coaching in 1985."
Jackson's Chicago Bulls (1991, 1992, eyes with this admission. But the years
1993, 1996, 1997 and 1998) and Los spent training and improving his triple FIBA: So, how did you get to Michael
Angeles Lakers (2000, 2001 and 2002), post offense didn't affect his enthusiasm. Jordan's Chicago Bulls?
talks about the NBA game and how the He did everything possible to get to Italy
international game is getting better year- after missing a connecting flight in WINTER: "One day, I was watching TV, and
by-year. But, also how stars like Michael Ireland: he took a three-hour taxi ride to I saw that the Bulls were introducing their
Jordan, Scottie Pippen, Shaquille change airports and take a morning new general manager, Jerry Krause, who,
flight for Italy. In this interview with some years before, as a young NBA scout,
Giorgio Gandolfi, editor-in-chief of FIBA had come many times to Kansas State.
Assist magazine (with the collaboration And he used to tell me: "When I become
of Mirco Melloni of the editorial staff), an NBA executive, I will hire you, because
Winter shares his memories of the most I want to use your offensive system." I told
successful basketball career ever. my wife, Nancy: "Look at this man. He's
going to call me within 24 hours." And he
FIBA: Mr. Winter, where does your nick- did! He called me the following morning,
name "Tex" come from? at about 7:30."
WINTER: "I lived in Texas. When I moved FIBA: How did your relationship with Phil
to California to study and play basketball Jackson begin and develop?
at the University of Southern California,
my teammates called me Tex, and the WINTER: "Phil was an assistant coach
name stuck with me ever since." under Doug Collins at Chicago, and when
he watched my offensive system, he con-
FIBA: Where does your world-famous tri- vinced himself very quickly that it was a
angle offense come from? very efficient style of play. He told me that
it reminded him of the offensive system
WINTER: "I wasn't the inventor of the used by Red Holzman's New York Knicks,
triple-post offense. I actually learned it a team that won two NBA titles in the early
from the University of Southern '70s, when Jackson had been a backup
California coach, Sam Berry. Another player on the team. Jackson watched the
legendary coach, Pete Newell, used it game from the bench, and could see how
also. Through the years, this offensive this style of play could allow his team to
system became part of me. Look at my dominate. So, in 1989 when he became
ring celebrating one of the NBA titles head coach of the Chicago Bulls, he
won with the Los Angeles Lakers: It has adopted the triangle offense".
a triangle on it."
FIBA: Was it difficult to convince the play-
FIBA: Can you tell us about your coaching ers that a system based on unselfishness
career? could work in the NBA?
WINTER: "After an experience as a carrier WINTER: "I just can tell you that once the
pilot during the Second World War, I Chicago players became convinced of
PAGE 44 | 27 2007 | FIBA ASSIST MAGAZINE
22_044-045 26-07-2007 19:15 Pagina 45
NEWS
the world
Planet
basketball
in brief
of the tournament. "The boys were fantastic
tonight, they did a great job," said Clarke.
"They have done a good job in picking
themselves up from the huge disappoint-
ment of two nights ago against Brazil. It
really pushes your character traits to play
at this level successfully and these guys
have really brought into this and have
worked just so hard. Everyone embraced
their role and knew what they needed to do
and they all did that little bit extra. We were
disappointed after the Brazil game and if
that last shot went one inch more to the left
it would have missed but the thing is they
will remember the experiences, the team
spirit and their ability to stay together."
In fact, the competition was so intense, that
all eight-finalists including the strong teams
from Argentina, Turkey and Spain, had a
chance to reach the podium.
Serbia's Milan Macvan has been named
Most Valuable Player. The 17-year-old for-
SERBIA WINS FIBA U19 and after those youngsters - including ward averaged 15.4 points. Macvan, who
WORLD CHAMPIONSHIP Serbians Vlade Divac and Aleksandar plays for FMP II Belgrade, poured in 19
Serbia won the FIBA U19 World Djordjevic and Croatians Dino Radja and Toni points in the final to help his side to victory.
Championship on 22nd July in the Final Kukoc - enjoyed fine careers, it is now the Brazil center Paulao ended as the tourna-
against USA. The United States came back turn of a new generation. Divac was more ment's top-scorer with 207 points, an
from 19 points down but could not stop then happy to present the trophy to the cap- average of 23 per game, and the 19-year-
Serbia winning the championship final 74-69 tain Stefan Markovic after Serbia's victory old Ribeirao Preto also headed the list of
on their home soil. France beat Brazil in the over the USA in Novi Sad. "This is phenome- rebounders.
bronze medal game 75-67. nal achievement for all those young guys," Lithuania's Zygimantas Janavicius notched
In the final Serbia controlled the game for said Divac, who scored eight points in up the most assists, 53, while Serbia's
most of the time. Serbian player Mladen Bormio against a USA team which consisted Mladen Jeremic was the best from outside
Jeremic, who never left the court as he of future NBA stars like Gary Payton, Larry the arc with 23 successful three-pointers
played the full 40 minutes, inspired the hosts' Johnson and Stacey Augmon. from 48 attempts.
win with 24 points, including two in the final In the bronze medal game, France put in a
five seconds to put his side out of reach. The strong third-quarter display to beat Brazil 75-
outcome could have been much different 67. Edwin Jackson led the French team with FINAL STANDINGS
had the US, chasing their first gold since 13 points, with a game-high haul of 29 points 1. Serbia 9. Lithuania
1991, not been so wasteful with their three- from Brazil center Prestes proving immateri-
pointers, making just six of their 21 attempts al. The tournament showed incredible talent 2. USA 10. Canada
(28.5%). and very strong teams from France, Brazil 3. France 11. Korea
A new wave of Serbian basketball is on the and the defending champions Australia, who 4. Brazil 12. China
rise, following the triumph in the FIBA U19 lost their quarter-final game in a heartbreak-
World Championship final in Novi Sad. ing 73-72 defeat against Brazil. 5. Australia 13. Lebanon
Nineteen years ago the "golden generation" Australia head coach Marty Clarke paid 6. Argentina 14. Mali
of Yugoslavian basketball started their long- tribute to his players after watching them
clinch fifth place. The Emus cruised to an
7. Turkey 15. Nigeria
lasting domination with the U19 world title in
Bormio by defeating the USA 86-76 in the 83-59 triumph over Argentina to finish with a 8. Spain 16. Puerto Rico
final. After the disintegration of their country, record of 8-1 in Novi Sad - the second best
PAGE 46 | 27 2007 | FIBA ASSIST MAGAZINE
22_046_049 27-07-2007 12:23 Pagina 47
WOMEN
FIBA Asia Championship for Women: 3rd-
10th June 2007, in Incheon, Korea (Gold:
Korea; Silver: China; Bronze: Japan)
FIBA U21 World Championship for Women:
29th June to 8th July 2007 in the Moscow
Region, Russia (Gold: USA; Silver: Australia;
Bronze: France)
FIBA U19 World Championship for Women:
26th July to 5th August 2007 in Bratislava
(Slovakia)
FIBA Africa Championship for Women: 21st-
30th September 2007, in Dakar and Thies
(Senegal)
FIBA Europe Championship for Women
(EuroBasket Women): 24th September-7th
October 2007, in Vasto, Lanciano, Ortona and
Chieti (Italy)
FIBA Oceania Championship for Women:
26th-29th September 2007, in Dunedin (New
Zealand)
FIBA Americas Championship for Women:
26th-30th September 2007, in Valdivia (Chile)
MEN
FIBA U19 World Championship: 12th to 22nd
July 2007 in Novi Sad, Serbia (Gold: Serbia;
Silver: USA; Bronze: France)
FIBA Asia Championship: 28th July-5th
August 2007, in Tokushima (Japan)
FIBA Africa Championship: 15th-25th August
2007, in Luanda, Benguela, Cabinda, Huambo
and Lubango (Angola)
FIBA Oceania Championship: 20th-24th
August 2007, in Melbourne, Sydney and
Brisbane (Australia)
FIBA Americas Championship: 22nd August-
2nd September 2007, in Las Vegas (U.S.A.)
FIBA Europe Championship (EuroBasket):
3rd-16th September 2007, in Granada, Sevilla,
Palma de Mallorca, Alicante and Madrid
(Spain)
NEW FIBA RANKING FOR MEN'S 16. Canada
NATIONAL TEAMS 17. Brazil SCOLA UNDERSTANDING
Following the conclusion of the FIBA U19 18. Russia OVER WITHDRAWALS
World Championship in Novi Sad, Serbia, 19. Slovenia Houston Rockets power forward Luis Scola
FIBA has announced the composition of its 20. Venezuela has refused to condemn the six players who
new World Ranking for Men's National have opted to miss the FIBA Americas
Teams. FIBA Rankings for Men and Women national Championship next month. Olympic gold
The top 20 in the ranking are as follows: teams, as well as a combined ranking, are medal winners Manu Ginobili, Fabricio
1. USA always updated when a FIBA World Oberto, Walter Hermann, Pepe Sanchez,
2. Argentina Championship, an Olympic Basketball Andres Nocioni and Ruben Wolkowisky
3. Spain Tournament or a FIBA Zone/Continental have all snubbed Sergio Hernandez's
4. Serbia Championship has concluded. For the com- squad ahead of the event in Las Vegas
5. Lithuania plete rankings and how FIBA rankings are between August 22 and September 2.
6. Italy calculated, please visit www.fiba.com. But Scola, while insisting it is a "prize, not an
7. Greece Including the three tournaments which have obligation" to represent your country,
8. France already taken place (i.e. the FIBA Asia respected the decision of the six to skip the
9. Germany Championship for Women, the FIBA U21 tournament. "I understand the guys who
10. Australia World Championship for Women and the decided not to play," he told TyC Sports. "That
11. China FIBA U19 World Championship for Men), a is a very personal decision and nobody could
12. New Zealand total of 13 FIBA and FIBA Zone reproach them for anything. Everyone is
13. Puerto Rico Championships are set to take place in 2007. responsible for his choice." Scola, mean-
14. Turkey After each of the following events a new and while, believes the time is right for him to
14. Angola up-dated FIBA Ranking is announced: impress in the NBA. "It was something that I
NEWS
FIBA AND FIBA EUROPE LIFT BAN ON under the umbrella of the national govern-
ENGLISH BASKETBALL ing body.
In a letter from 16th July, addressed to
Sport England, UK Sport and the Ministry ANGOLA MEN RETAIN TITLE
for Sport, the International Basketball All Africa Games defending champion Angola
Federation (FIBA) lifted its suspension retained the title after a 56-50 win against
thereby allowing English players and Egypt in the Algerian capital Algiers. After a
British teams to compete in the upcoming 12-16 advantage in the first period, the
competitions of the European Division B Egyptians could not prevent Angola to come
Championship. The move comes after re- back from behind to take a 27-24 lead at half-
assurance has been given to FIBA by the time. With both teams equal for much of the
authorities that England Basketball's contest, Angola managed to hold a 46-36 lead
existence is no longer threatened by the at the end of the third period. The Golden
Mallin Review and their funding policy. medal team grabbed a further 10 points and
The government authorities promised to though they conceded 14 to Egypt, it was not
work constructively with England enough to deny them the title they captured
Basketball to move the sport forward in four years ago in Abuja, Nigeria. In the semi-
view of the 2012 London Olympic Games finals Angola beat Mali 74-60 and Egypt
and to bring all stakeholders together defeated Nigeria 67-55.
NEWS
THE ODD -
THE FUNNY -
Off-the-court