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3.martin Carver 2014 Excavation Methods in Archaeology
3.martin Carver 2014 Excavation Methods in Archaeology
Excavation Methods in
Archaeology,
Fig. 1 Excavation through
part of the tell settlement at
Catal Hoyuk, Turkey,
showing edges protected
from collapse by sandbags
and a deeper trench
supported by timber
shoring (M. Carver)
Excavation Methods in
Archaeology,
Fig. 4 Trowels in use.
(a) The pointing trowel
favored in Europe. (b) The
handpick favored in East
Asia (M. Carver)
A (not recovered) Surface finds Inferred by sensor Inferred by sensor Inferred by sensor Inferred by sensor Field
PLOT 2-D OUTLINE PLAN OUTLINE PLAN OUTLINE PLAN walking
B (not recovered) Large finds Defined by shovel Defined by shovel as features PLOT STRUCTURES 19th C
RECORD EXAMPLES DESCRIBE SHORT DESCRIPTION. on OS House
KEEP EXAMPLES OUTLINE PLAN
C (not recovered) All visible Defined by coarse Defined by coarse Defined by coarse 1:100 PLAN 16th C
Excavation Methods in Archaeology
D SAMPLE SIEVING All visible Defined by fine Defined by fine Defined by fine 1:100 PLAN Timber trace
of spoil on site finds PLOT trowel trowel trowel CONTOUR building
for presence of 3-D and DESCRIPTION FULL EXCAVATE AS ONE. SURVEY
specified KEEP ALL (Incl. Munsell) DESCRIPTION. PHOTOGRAPH by
material (spoil PLAN 1:20 DETAILED PLAN PHASE
not kept) 1:20 (colour coded)
CONTOURS
PHOTOGRAPH (B/W)
E TOTAL SIEVING All visible Defined minutely Defined minutely Defined minutely (as LEVEL D) Skeleton
of spoil on site finds PLOT DESCRIPTION FULL EXCAVATE AS ONE. CONTOUR
for presence of 3-D and KEEP (Incl. Munsell). DESCRIPTION. PHOTOGRAPH by SURVEY
specified ALL PLAN (natural PLAN (colour) 1:10 PHASE
material and colour) 1:10 or or 1:5 CONTOUR.
KEEP SPOIL 1:5 contour PHOTOGRAPH
F MICRO SIEVING (as component) (as LEVEL E) (as LEVEL E) (as LEVEL E) (as LEVEL D) Storage pit
soil block in and LIFT AS fill
laboratory BLOCK
2711
Excavation Methods in Archaeology, Fig. 5 Recovery levels used to control the levels of precision applied to digging and recording in excavation (M. Carver)
E
E
E 2712 Excavation Methods in Archaeology
Excavation Methods in Archaeology, Fig. 6 An interpretation of Hofstadir pit house G, owed to microchemical and
geophysical mapping (Courtesy of Karen Milek)
structures and activities in order and gives them ▶ Publication in Field Archaeology
a date. These results are synthesized to give ▶ Recording in Archaeology
a documented account of the events that occurred ▶ Soil Pollen Analyses in Environmental
in order of date, often divided for convenience into Archaeology
phases or periods. What every excavation should
offer is a strong, evidence-based local story, which
can then be deployed to understand bigger ques- References
tions couched in more generalized theoretical
frameworks. CARVER, M. 2009 Archaeological investigation. Boca
Raton: Taylor & Francis.
- 2011. Making archaeology happen. Walnut Creek: Left
Coast Press.
Cross-References HEBSGAARD, M.B., M.T.P. GILBERT, J. ARNEBORG, P. HEYN,
M.E. ALLENTOFT, M. BUNCE, K. MUNCH, C. SCHWEGER &
▶ American Pioneers and Traditions E. WILLESLEV. 2009. The farm beneath the sand’ – an
▶ British Pioneers and Fieldwork Traditions archaeological case study on ancient ‘dirt’ DNA.
Antiquity 83: 430–44.
▶ Burial Excavation, Anglo-Saxon HESTER T.R., H.J. SHAFER & K.L. FEDER. 1997. Field
▶ Ireland: Investigations in Advance of methods in archaeology. 7th. edn. Mountain View
Motorway Construction (CA): Mayfield Publishing.
E 2714 Experiencing Cultural Heritage
MILEK, K. B. 2006. Houses and households in early will often act as repeat visitors to an area. Heri-
Icelandic society: geoarchaeology and the interpreta- tage tourists can therefore be categorized as
tion of social space. Unpublished PhD dissertation,
University of Cambridge. a sector of the visitor population who desire to
ROSKAMS, S. 2001. Excavation (Cambridge Manuals engage in and respond to an immersive experi-
in Archaeology). Cambridge: Cambridge University ence associated with genius loci, or the “spirit of
Press. place,” comprising all aspects of the built, natu-
ral, cultural, and social environment. Studies in
tourism management which have created typolo-
gies of visitor according to motivation and behav-
Experiencing Cultural Heritage ior continue to subdivide and refine the form of
the heritage tourist, according to specialized area
Ian Baxter of business/activity focus, but the general princi-
School of Business, Leadership & Enterprise, ple of this type of tourist can be understood dis-
University Campus Suffolk, Ipswich, tinctly alongside categories such as cultural
Suffolk, UK tourist, or eco-tourist. Associated variables in
the types of tourist and form of encounter can
be analyzed by the origin of the visitor, local,
Introduction domestic, or overseas; the duration of stay, as
a day visit or longer; and by the visitor context,
The experience of cultural heritage is varied staying with friends or relatives, within a family
according to the person’s realm of experience, group, or on business.
the setting of the experience, and the intent of The different types of tourist unsurprisingly
the experience from the point of view of the take part in different types of heritage tourism,
participator and the provider. The most readily and the form of experience is molded by where
accessible experience of cultural heritage is in the the encounter with cultural heritage takes place.
realm of tourism, whereby tourist motivation can The most readily understood and studied form of
be explicitly linked to cultural heritage resources heritage experience can be found at sites operated
and locations. Notable in European countries, and as visitor attraction. It should be remembered that
borne out in global tourism statistics, the cultural many sites operated as heritage visitor attractions
heritage tourist has particular motivations, allied were not designed for the purpose of tourism
to education and cultural improvement, is (e.g., castles, country houses, and battlefields),
looking for authentic experiences of cultural and therefore can be argued to provide the most
traits allied to distinct geographic locations, visits accessible authentic form of encounter, albeit
particular sites, spends more at a location in both requiring further interpretation for visitors
time/duration, and money/investment in the lei- through guidebooks, display materials, and
sure activity. Figures produced by other national other visitor service functions. The further
tourism organizations (NTOs) around the globe major locations for a definable cultural heritage
tend to concur with this trend too: Experience of experience can occur within a museum or gallery,
cultural heritage is a popular leisure motivation which display specific aspects of a community’s
on an international scale as well as a local driver history or types of artform, and the function, form
for economic and social development. and operation of museums and galleries have
a well-established literature and philosophy of
museology (Bennett 1995). Recognition of the
Definition cultural heritage aspects of the wider tourism
environment beyond the defined site or building
Heritage tourists can be readily identified in is seen through increasing prominence of heri-
demographic studies of leisure activities, and for tage-themed events (associated with folk cus-
tourism, businesses are a sought-after group who toms, historical or geographical traditions, and