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LOUIS SULLIVAN
1875 – He Returned to Chicago
Louis Sullivan was an American Architect, spokesman for
the reform of architecture, an opponent of historical eclecticism, He was a great façade Designer and an Ornamentalist. He
and did much to remake the image of the architect as a creative searched for firms that will best suit for him
personality. His own designs are characterized by richness of 1880 – He Joined Dank Adler’s Firm
ornament. His importance lies in his writings as well as in his
architectural achievements. Dank Mar Adler, the man on the slide is a Structural engineer.

Another info is that he was born on September 3, 1856 at And little did he know, that his collaboration with Louis Sullivan
Boston and most of his young years, he stayed with his will build the building of a lifetime.
grandparents. 1890 – Beginning of History’s Greatest Collab
Louis Sullivan together with Dank Adler was given an
FIRE IN CHICAGO opportunity to build and design the Auditorium.

In 1871, there was a Great Fire in Chicago and it killed


approximately 300 people, destroyed 9 km 2 of the city and left The Auditorium
more than 100, 000 residents homeless. The center of Chicago
and the heart of the business district were wiped out. The Auditorium Building in Chicago is one of the best-known
designs of Louis Sullivan and Dankmar Adler. Completed in
Louis Sullivan was 16, when he was admitted to one of the first 1889, the building is located at the northwest corner of South
classes of architectural students at Massachusetts Institute of Michigan Avenue and Congress Street. The building was
Technology. designed to be a multi-use complex, including offices, a theater,
In 1873, Louis Sullivan was only 17 years old and a college drop and a hotel.
out.
When in Chicago, He recalled his excitement arriving in the city,
remaking itself and said
TALL & SOARING THING
“This is the place for me”
In 1889, Chicago City quadrupled in size and there’s nowhere to
At that moment, he was convinced that he was destined for go but up and there he became the Father of Skyscrapers.
great things.
The emphasis on expressing height was the clearest example of
So he gave education another try not in Chicago or Boston but Sullivan’s Assertion that
in the heart of European Culture, Paris, France.
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“Form ever follows function” 2. Works of Michaelangelo did bring him a great influence in
creating ideas and everything should be an original work
Adler and Sullivan built only two skyscraper in Chicago and that
of art.
is the Schiller Theater and Chicago Stock Exchange Building
The Auditorium brought Sullivan an opportunity to be
He was also a mentor of Frank Lloyd Wright
Michaelangelo of his time
3. He believed that through his architecture, he could
Schiller Theater make a difference in the society.

Schiller Theater, also known as the Dearborn and Garrick -the way people felt
Theater
- the way people related to each other
Life Span: 1892-1961
Location: 64 W. Randolph Street And the way people interacted with nature
Architect: Louis Sullivan and Dankmar Adler

If you were exposed, perhaps just even by seeing the


Chicago Stock Exchange Building
auditorium building from the outside or maybe going in and
Life Span: 1894-1972 looking at the Glorious lobby there, You might develop a greater
Location: Southwest corner of Washington and La Salle appreciation of what is beautiful.
Streets
Architect: Adler and Sullivan

SULLIVAN’S LIFE PERCEPTIONS SULLIVAN’s DESIGN PHILOSOPHY


1. Ornamentation is not a decoration but a way to confer Remember the Seed Germ
Character.
The seed-germ is a reservoir of energy.
It is what made him unique from other architects. His ornaments
were original. Most Architects in his time depended on pattern All lines are energy lines.’ In short, the purpose of Sullivan’s
books to guide their work but not Sullivan. He sketched philosophy of ornament is to make all things flow. The Germ is
ornaments by his own hand. the real thing that gives identity
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Just as Nature represented by the seed has within itself, the
possibility to develop infinite numbers of forms. So as human
beings create ideas and other things that they didn’t know they
could do but the potential is there to do it. Once you unlock the
seed germ.
Everybody has the potential to be a creative person, to be
something more than they are, we all have that.

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