Professional Documents
Culture Documents
Week13 Module 11
Week13 Module 11
Week 13 Module 11
https://www.youtube.com/watch?v=zJUQENC-SVQ
Directions: Based your answer on the video above. (not more than 50
words)
1. According to the video, what information will you be able to see in the
bathroom mirror?
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2. What will be the features of the appliances in the kitchen and bedroom?
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3. Do you think these features can make the world better, as the video states?
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I Choose Technology
https://beccdavis.wordpress.com/2016/09/15/i-choose-technology/
ICT has progressed at a rapid rate during the last 100 years, more so than any
other period in history. Below shows an ICT timeline of events, and wow things
have changed!
What does it do for Education?
Source: https://beccdavis.wordpress.com/2016/09/15/i-choose-technology/
Many of the technological advances we are seeing today will shape our daily life
in the future – the way we relax, interact, communicate and conduct business.
From virtual worlds, avatar emotions, artificial intelligence, computer
generated storytelling and narrative, interactive 360 holographic images, mixed
reality, stress disorder virtual therapies and so much more. ICT will continue to
advance, empower and transform every aspect of our life. Check out some of
these emerging technologies and trends.
• Haptics technology
• Contextual awareness
- By combining ‘hard sensor’ information such as where you are and the
conditions around you, combined with ‘soft sensors’ such as your calendar,
your social network and past preferences - future devices will constantly learn
about who you are and how you live, work and play. As your devices learn
about your life, they can begin to anticipate your needs. Imagine your PC
advising you to leave home 15 minutes early or take a different route to avoid a
traffic jam on your way to work. Consider a “context aware” remote control that
instantly determines who is holding it and automatically selects the Smart TV
preferences for that person
- Not only can voice and tone recognition be used to confirm a person’s identity
but tone recognition can be used to detect a person’s health or emotional state.
This technology will open new opportunities in security and healthcare – with
mobile applications.
- This future technology will be useful to, for example, local councils. While on
the move, staff will be able to provide the precise description and location of a
street-based issue using Smartphones and mobile devices that can take photos
and have GPS (global positioning system) support. Intelligent routing will then
alert the responsible team to action.
- Eye tracking technology measures eye positions and movements which are
analysed through computer applications. Future laptops, smartphones and
tablets could contain thousands of tiny imaging sensors built into the display
screen. Eye tracking technology could have many possible applications,
including:
• Internet glasses!
- Technology that can display images directly onto our retinas while not
blocking our sight is being developed. This technology can be used in
eyeglasses and have uses ranging from e-Gaming to military defense. In the
next 10-20 years experts predict that Internet glasses will replace
Smartphones. Imagine these viewing experiences:
Implications
Innovative humanities MOOC, “Visualizing Japan,” nominated for the Japan Prize
In a Q&A, course co-founder Professor Shigeru Miyagawa discusses his unique online
course and its impact on digital education.
In 2002, Miyagawa and MIT professor of history (now emeritus) John Dower co-founded
“Visualizing Cultures,” a groundbreaking program that leverages digital technology to
support image-drive research. Most recently, “Visualizing Japan” — a massive open
online course (MOOC) inspired by “Visualizing Cultures,” co-taught by Miyagawa, Dower,
Harvard University historian Andrew Gordon, and Duke University art historian Gennifer
Weisenfeld — has been nominated for the Japan Prize in Education Media. This is a
prestigious international prize awarded to educational broadcast and digital media
programs selected from around the world.
Q: This course grew out of the pioneering “Visualizing Cultures” project and website,
which you founded 2002 with MIT Professor Emeritus John Dower. Can you tell us a
little about what led you to transform that project into a MOOC?
A: Beyond the tremendous excitement of sharing this material with students all over the
world, I saw the MOOC as a great way to collaborate across institutions: MIT, Harvard,
and a professor from Duke pitched in. The University of Tokyo joined us by producing
two companion MOOCs.
This fall, we are offering “Visualizing Japan” and the two UTokyo MOOCs as an xSeries
from edX. Along with the faculty, we had a terrific collaboration between MITx and
HarvardX. HarvardX produced the videos in their amazing Hauser video facility. MITx
helped us to develop a suite of assessments that mimic the way historians handle visual
material.
The earlier project, “Visualizing Cultures,” from which we drew material and methodology
for the MOOC, also was made possible through collaborations of faculty and museums.
“Visualizing Cultures” has units by over 10 scholars from a variety of institutions,
including John Dower of MIT, Andy Gordon of Harvard, and Gennifer Weisenfeld of Duke,
who are the principal faculty for the MOOC. Beyond the scholars, we work with some 200
museums and collections, each institution agreeing to our use of visuals under a Creative
Commons license, which allows learners to freely download, copy, distribute, and alter
the images.
Q: From your experience with “Visualizing Japan,” what are the challenges and benefits
of teaching a humanities course as a MOOC? Are there any discoveries from the course
that you would recommend for other humanities MOOCs? What about this course do you
think has made it translate so successfully into the MOOC format?
A: One component of the MOOC that I wasn't sure about was the discussion forum.
Would anyone participate? Will the discussion be civil and constructive?
I got a glimpse of what the forum was going to be like on the first day of the MOOC, when
we put up an image from a later lesson, a 1930s image of the Ginza area in Tokyo. We
asked the learners to comment on what aspects of modernity they see in the image. 804
learners put up comments, many consisting of a long and thoughtful paragraph, and also
reacted to others' postings. It was a remarkable thing to see. The forum was active right
up to the end of the course. One challenge for MOOCs is the drop off — sometimes
precipitous — in enrollment. We started with 3,000, and 1,172 completed the course.
This is actually a high completion rate for a MOOC.
One clear trend that a student taking my residential class that used the MOOC identified
is that the more that a learner participates in the discussion forum, the more likely that
she is likely to stay with the course. In the beginning, each learner averaged two postings,
but by the end, each learner was putting up more than 10 postings, showing that the
most active participants completed the course.
The use of visuals is central to “Visualizing Japan,” and we developed a pedagogy for use
of visuals as primary source during the 15 years that John Dower and I, with Ellen
Sebring, worked on the earlier project, “Visualizing Cultures.” Many learners in the
MOOC pointed out that visuals made the content more accessible. The visuals also made
it possible to develop machine graded assessments that went beyond the standard
multiple-choice quizzes, something that Ellen Sebring spearheaded.
Q: In what ways do you think digital tools like MOOCs are shaping or will shape the
future of education? Is there anything you learned from producing this MOOC that you’ll
bring back to the classroom with you?
A: MOOCs provide a rare opportunity for people of all ages from countries across the
globe to study together using high quality instructional material. On the first day of the
MOOC, a learner introduced himself as a 15-year-old being homeschooled. This was his
16th MOOC, and his first humanities MOOC. He had taken 15 STEM MOOCs before that.
I teach a residential class at MIT under the same title, “Visualizing Japan,” and use the
MOOC as the primary textual material. Last year was the first time to teach it, so I had
just nine students. That contrasted with 3,000 students in the MOOC running
simultaneously. Right away, I noticed that something was different. The students were
assigned the video lectures from the MOOC to study. When they came into the class, they
appeared to have retained the information from the video lectures much more than when
I assigned reading.
One student doing research on the use of MOOC material for classroom teaching
measured the amount of time that the teacher (me) was speaking and also the students.
He found that during the traditional lecture class, I was speaking 80 percent and
students 20 percent. But in the flipped class format, it was 50-50. And I could tell the
difference. The students were much more attentive in the flipped class, more engaged.
MIT News did a nice story about it.
This semester, I have 17 students, which is nearly the limit for a communication-
intensive course. I began the course in the flipped format. In the first week of the
semester, a large contingent of faculty and students from a Japanese university visited
the class. They were surprised by this way of teaching, and afterwards several came up to
me and asked how these students knew so much about Japanese history when it was
only the first week.
Q: Two elements that tie “Visualizing Japan” together are its grounding in visual archives
and the effort to challenge popular stereotypes about pre-war Japan. Is there something
particular about visual media that makes them a more effective way to challenge false
ideas?
A: Visuals are a wonderful way to teach analytical skills, collaboration, and cultural
sensitivity. We often team up students to work with visuals, and each member will come
up with a different interpretation, which leads to a lively debate about the meaning of the
visual. To defend one's position requires a close reading of the visual and an
understanding of the cultural context. Visuals challenge and often dissipate stereotypes.
The unit on the Hibiya Riot is a good example. The 1905 incident was the first social
protest in the era of imperial democracy. It undermines the stereotype of the Japanese as
polite and obedient.
The learners today have access to a limitless number of visuals, many inaccessible until
recently. This means that students can get hold of a heretofore inaccessible visual,
analyze it, and discover something new and exciting. This is rare in an undergraduate
class — for a student to make a discovery no one else has made before.
Ubiquitous Learning
• Ubiquitous learning is
common in the age of information.
Since information in the digital age
can be accessed by anyone, at any
given time and place, ubiquitous
or an ever-present type learning of
learning is possible.
THOUGHTS TO PONDER!
MOOC is an online course with the option of free and open registration, a
publicly shared curriculum, and open-ended outcomes. MOOCs integrate
social networking, accessible online resources, and are facilitated by leading
practitioners in the field of study. Most significantly, MOOCs build on the
engagement of learners who self-organize their participation according to
learning goals, prior knowledge and skills, and common interests. As you
continually develop your knowledge, this model for digital practice will help you
in achieving your greatest desire in education.
Ubiquitous learning
TRY ME!
Which ones do you think might become a reality next year? Explain your
Technologies of
the Future Technology that might
Technology I like best happen next year
Technologies Technologies
of the Future of the Future
Technologies of
the Future
COMPREHENSION CHECK!
Based on the article above, these are following questions and discuss the
answers: (not more than 50 words)
1. When and where can a student who has enrolled in an MOOC study and
submit projects or answers?
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2. Describe “Visualizing Cultures” as a traditional subject. How many
students first enrolled in the course? Why did the professors change the
course “Visualizing Japan” into an MOOC platform? What are its effects?
Did it improve its number of students? How many professors worked on
the MOOC subject?
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3. Do you think the Philippines should have an MOOC in the future?
Explain your answer.
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CHECKPOINT!
Discuss the following questions: (not more than 30 words)
GetManiatech, (2015 Jan 19). Watch your day in 2020: Future technology.
Retrieved from https://www.youtube.com/watch?v=zJUQENC-SVQ
Marius, M. (2011). 7 insights on the future of technology and the Internet. ICT
Pulse. Retrieved 13 September 2016, from http://www.ict-
pulse.com/2011/07/7-insights-on-the-future-of-technology-and-the-internet/
https://whatis.techtarget.com/definition/massively-open-online-course-MOOC