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The Renaissance Literature  Edmund Spenser – The Faerie

Queene
(14th – 16th century)  Philip Sidney – an English poet,
Renaissance literature was written within the scholar and a prominent figure. His
general movement of the renaissance which works are Astrophel and Stella, The
was arose in the 14th century and continued in Lady of May, The Countess of
the 16th century while being diffused into the Pembroke’s, An Apology for Poetry, and
rest of the western world. The Sidney Psalms.

Now, literary genres such as the essay


(Montaigne) and new metrical forms such as
Spenserian Tanza made their appearance.
Johannes Guterberg – created the
printing press ( using movable type).
Refers to the European literature which was
influenced by the intellectual and cultural Famous Authors
tendencies associated with renaissance.
 John Donne – an English poet and
The earliest renaissance literature appeared in cleric in the church of England.
Italy in the 14th century. Petrarch, Machiavelli, Biathonatos, Pseudo-Martyr,Ignatus of
and Ariosto are notable examples of Italian his Conclave, Devotions upon Emergent
renaissance literature. Occasions.

 Francesco Petrarca – also known  John Milton – an English poet,


as Petrarch, and he is the founder of polemicist, man of letters, and a civil
Humanism. His work is the IL Cazoniere servant for the commonwealth of
England. Best known for his epic poem
 Niccolo Machiavelli – The Prince is The Paradise Lost.
one of his famous work
 Christopher Marlowe – a poet
 Ludovico Ariosto – his work is and a playwright, the tragical history of
Orlando F urioso. Doctor Faustus, Tamburlaine the Great,
Edward the Second, The Massacre at
Paris, and The Jew of Malta.
In northern Europe, the scholarly writings of
 Ben Jonson – an English playwright,
Erasmus, the plays of William Shakespeare, the
poet, actor and literary critic.
poems of Edmund Spenser, the writings of Sir
Philip Sidney may be considered renaissance in  Miguel de Cervantes – a Spanish
character. writer who is widely regarded as the
greatest wrier in the Spanish language
 Desiderius Erasmus and one of the world’s pre-eminent
Roterodamus – The Prince of Folly novelists. His famous work is Don
is his work Quixote ( the man from La Marcha ),
that was translated in 140 languages
 William Shakespeare – King Lear,
and dialects.
Mcbeth, Romeo and Juliet, The taming
of the Shrew, and Hamlet.
Renaissance Architecture Characteristics of the period
Donato Bramante –he was born on July -contrast used as a dramatic element. Different
1444, the architect who introduced High between loud/soft, soloists/ensembles, various
Renaissance Architecture style. instruments, etc.

Micheangelo – known as “ IL Divino” in Basso continuo or continuo – a base part


English ‘’The Divine One’’ underlying a piece of concerted music, w/c
it’s to be played on a keyboard instrument,
Filippo Brunalleschi – an Italian architect, as well as a sustaining string of wind
born on 1377 in Florence, Italy and died instruments.
1446. He is an architect and engineer who
was one of the pioneers of early -favoring of the harpsichord, the strings
renaissance in Italy. His major work is the are plucked and the musician cannot alter
Dome of the Cathedral of Santa Maria Del the volume through touch. High popularity
Fiore (The Duomo). and use of violin.

Loen Battista Alberti – an Italian In Germany, counterpoint and fugue are the
architecture, art theorist and writer. He was focus, therefore the organ and voice are of
born in Genoa 1406 and died in Rome on high importance.
1472.
Technical terms
Aria – a solo vocal piece with instrumental
The Baroque Period (1600-1750) accompaniment.

Baroque Music – derived from the Italian Recitative – a vocal style in w/c a text is
word ‘’barocco’’ meaning ‘’bizarre.’’ declaimed in the rhythm of natural speech,
with slight melodic variation and little
-this era (Baroque) included all the instrumental accompaniment.
music from the time of Italian composer
Claudio Monteverdi. Polyphonic – having two or more voices.

Secular music (non-religious) - music as Fugue – a polyphonic composition based


important sacred music in the Baroque era. upon one, two or more themes.

Polyphonic music – most common type of Counterpoint – a technique


music during the beginning of the period.
Vocal music
This is compose of two or more melodies.
Opera – a drama that is primarily sung, was
Figured Bass – only the melody line and a
developed in Florence, Italy near the end of
simple bass part were written out in the
the 1500’s.
musical score.
Florentine Camerata – a group of
amateur poets, musician and painters.

-new vocal forms were invented for


this new kind of music.
Dafne (1598) – world’s first opera, it was
the work of two members of the Florentine
Camarata, the poet Ottavio Rinuccini, and
the composer Jacopo Peri.

In 1607, Italian composer Claudio


Monteverde wrote Orfeo, an opera that is
still performed today.

Claudio Monteverde – was the first to


write the ensemble numbers such as duets
and trios and to give an important role to
the orchestra.

Giacomo Carissimi – the first composer


who write a fully developed Oratorio. His
Oratorio the Jephte (before 1649).

-it was one of the first to leave out scenery


and costumes; it had narrator, it had
dramatic and expressive choruses, and
considered the first modern oratorio.

Vocal music
Oratorio – an extended musical drama, with
the text based on religious subject matter,
intended for performance w/o scenery,
costumes or action. Also originally meant
‘’prayer hall.’’

George Frideric (1685-1759) – born


‘’George Friederic Handel’’ in Halle,
Thuringia, Germany. He composed the most
popular of all oratorio, The Messiah (1741).

Melisma -

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