15 Harpa Cristã - Orquestração

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Conversão

   = 70 
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

   
015 HC

         

6


Flautas

           
    
 6

 
Oboé

 
      
                            

Clarinete

     


     
   
 

Clarone

   
               
 

Fagote

    
          

 
Sax Alto

        

 
Sax Tenor

       
 

Sax Barítono

       
     

  
 
Trompas

       

 
Trompete 1

      
 

   
Trompetes 2, 3

     

   
Trombone 1

      

Trombones 2, 3

      

   

Tuba

      
        
 


Bateria

    

       

G2 C2 Gmaj7 C D C

Base

       
      
6

  

Violino 1

     
    
  6

    
   
  
Violino 2

    
  

 

    
          
Viola

   

  6

Violoncelo
 
    

   

Contrabaixo

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015 HC - Conversão 2

Fl.    

         
Ob.    
        
Cl.        

   
       
      
Clr. B.

   
Fgt

   
     

    
A. Sax

       
Sax. Tn.              


 
        

Bar. Sax

    
     

    
Tpa

       
Tpt. 1    
      
     
    
       
Tpt. 2, 3

  

         
Tbn. 1

         
Tbn. 2, 3


 
        

Tba.

                           
      
   
6

Bat.         
     
                
B B7/D♯ Em A(♭5) A Am7 Am G /B C Am


Base

       
          
 
Vln. 1

          
  

Vln. 2

   
 
       
     
Vla

   
Vc. 

   
  
Cb.
      

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 
015 HC - Conversão 3

   
1ª Estrofe

Fl.

       


Ob.      
        
 

Cl.   
   

     
  
Clr. B.

    
     

Fgt

       
  

A. Sax  
          
Sax. Tn.                

   
Bar. Sax
      
       
    

Tpa

        
Tpt. 1  
      
     
              
Tpt. 2, 3

       
 
             
Tbn. 1

         
Tbn. 2, 3  

   
Tba.
      
         
            
Bat.                   
     
       
         
Dsus D G Dsus D G Am7 Dsus D

  
Base

       
Vln. 1  
   
     
  

  


Vln. 2

   
     


  
Vla

     
 

Vc.

   
     

Cb.
   

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   
16            

015 HC - Conversão 4

    
Fl.

 
              

  

Ob.

     
               

 

Cl.


 

        

      
Clr. B.

         


Fgt 
  
             

A. Sax 
      
Sax. Tn.                  


    
Bar. Sax
  
 
  
 
Tpa                 
 
                
 
3


Tpt. 1

  3
 
                   
  
    
      
Tpt. 2, 3

          

              
Tbn. 1

       
Tbn. 2, 3

   
  
       
Tba.

                                         
               

Bat.

            
     
G G /B C2 Bm7 Em Am D G C /D

  
Base

          
  
  

   
Vln. 1

         
 

  
    
Vln. 2

      
   
 

       
Vla

 
   
 

Vc.

     
 

  

Cb.

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             
  
015 HC - Conversão 5

  


Refrão


21

Fl.

            
  
 
Ob.

         
    
  
Cl.

  
   
                 
   
Clr. B.

     
Fgt 
        
         

A. Sax

          
    

Sax. Tn.

   
   
Bar. Sax
       
       
     
Tpa                
         
Tpt. 1        
 
                
  

      
Tpt. 2, 3

  

     
Tbn. 1

      
Tbn. 2, 3 

   
    
            
  
Tba.

                


          
              

Bat.

   
           
         
G Am7 Dsus D G G /B C

 
              
Base

     
      

Vln. 1

 
                        


                 
Vln. 2


      


      
Vla

             
 


Vc.

        
         
Cb.
    

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26                 
015 HC - Conversão 6

    
To Coda 2ª Estrofe

Fl.

            
Ob.        
             
Cl.     
   
 
      
       


    
Clr. B.

     

Fgt

   
A. Sax              

      
      

Sax. Tn. 
  
   
 

       
  
Bar. Sax

   

Tpa               
                

Tpt. 1 
 
               
      
Tpt. 2, 3

 
   
  
Tbn. 1

      
   

Tbn. 2, 3

  
   

       
    
Tba.

                               


        

Bat.               
    
     


      
Bm7 Em Am Dsus D G C /D G2 Am7 Am/G

  
Base

      
       


Vln. 1

      
Vln. 2       
    
 
       
    
Vla

      
Vc.

    
      
Cb.
  

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31                          
015 HC - Conversão 7

Fl. 
     
                    
  
Ob.

                    
Cl.     


  
          
    
     
Clr. B.

           
Fgt

            
       
A. Sax

             
Sax. Tn.   


       
Bar. Sax
     
 
                   

Tpa

     
Tpt. 1        

   
           
       
Tpt. 2, 3

  

          
Tbn. 1

  
Tbn. 2, 3 


     
       
Tba.

                     


          
            
C
Bat.

          
        
F♯dim B(♯9) B(♭9) Em G /D G /B C2 F♯dim B Em Asus Am Dsus D

Base
 
   
 
    

       

   
 
Vln. 1


           
        
Vln. 2

  
      

              
Vla

    
Vc.

     
      
Cb.

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          
36  
015 HC - Conversão 8

  
D.S. al Coda 
Fl.

    
Ob.           
        
Cl.       
  
     
           
     
Clr. B.

     
Fgt

   
         
        


    

A. Sax

      
             

Sax. Tn.

 
            
   
Bar. Sax

    
        
         
Tpa
     

Tpt. 1                    

      
                    
           
Tpt. 2, 3

      

       
Tbn. 1

         
Tbn. 2, 3

 
     
             

Tba.

                              
                 
   

Bat.

     
            
  
G G /B Dsus Am Dsus D

Base

       
      
Vln. 1 

          
  
    
Vln. 2

        

    
Vla


          
 


Vc.

      
Cb.
              

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Conversão
Flautas 015 HC

 
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

      
       
6
 = 70

    
         

   
7

   
         
  

 
11 1ª Estrofe


         

   
 
17

       



      
Refrão


20


                

 
24 To Coda

           

    
28 2ª Estrofe

             
 

31

      D.S. al Coda   
        
 

34

          


38

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Conversão
Oboé 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

       
       
6
 = 70

          
       
7

            
    
11 1ª Estrofe

 

          

    
   
18 Refrão


    
      
 
To Coda

 
22

          
     
 
27 2ª Estrofe

            
   
31

      
            
34 D.S. al Coda 

    
       
38

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Conversão
Clarinete 015 HC
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

 
          
       
 = 70



                        
3

   

       
          
8 1ª Estrofe

       
  
            
15

     

         
   
20 Refrão

                 
  
25 To Coda 2ª Estrofe

    
       
         
30

        
              
34 D.S. al Coda 

         

39

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renatodspimenta.wixsite.com/par turas
Conversão
Clarone 015 HC
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

             
 
 = 70

    
 


            
4

   

   
       
10 1ª Estrofe

    



  
      
18 Refrão

      

   
      
To Coda

   
23

    

      
  
   
27 2ª Estrofe

     

  
    

   
D.S. al Coda

 
33

  

  
         
38

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Conversão
Fagote 015 HC

           
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

     
 
 
 = 70

         
   


4

  
     
    
9 1ª Estrofe

              

15

   
             

19 Refrão

 
       To Coda
    

23 2ª Estrofe


                

30

     
 
         
34 D.S. al Coda

     
    
38

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Conversão
Sax Alto 015 HC

   
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

    
          
 = 70

             
         
7

 
            
  
1ª Estrofe
12

    
   

       
18 Refrão

  
              
23 To Coda

  
            
  
 
27 2ª Estrofe

               
 
32

   
         


36 D.S. al Coda

            
   
39

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renatodspimenta.wixsite.com/par turas
Conversão
Sax Tenor 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

       
          
 = 70

                 
   
8

 1ª Estrofe
                 

13

       
         
16

    
       

    
19 Refrão


               
24 To Coda

                  

29 2ª Estrofe

      
        
36 D.S. al Coda 

      
 
39

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Conversão
Sax Barítono 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

 
         
 = 70

   

 
      
1ª Estrofe


9

   

   
        
16

  

  

        
21 Refrão

   

   
         
24 To Coda

 

      
         
27 2ª Estrofe

  


          
32 D.S. al Coda

  

  

            
37

 

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Conversão
Trompas 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

   
             
 = 70


                 
      
7

 
            
1ª Estrofe

  
13

  
    

      
19 Refrão

      
           
23 To Coda

  
            
  
 
27 2ª Estrofe

          
      
32

  
          


D.S. al Coda


36

         
    



  
39

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Conversão
Trompete 1 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

    
       
 = 70

  
             
1ª Estrofe
9

  
       
  
  
17


3

 Refrão        

    
21

   
                
25 To Coda

  
              
2ª Estrofe
28

         
         
35 D.S. al Coda 

         

39

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renatodspimenta.wixsite.com/par turas
Conversão
Trompete 2, 3 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

  
       
 = 70

 
                 
8

  

           
1ª Estrofe
13


3


     

      
  
19 Refrão

     
          
23

  
              
2ª Estrofe
26 To Coda

   
             
31

      
           
36 D.S. al Coda 

    
   
39

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Conversão
Trombone 1 015 HC

         
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

  
 = 70

      
       
  
9

    
13 1ª Estrofe              

  
             
16

             
 


19 Refrão

           
     
24 To Coda 2ª Estrofe

          
  
30

          
       
D.S. al Coda


36

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Conversão
Trombone 2, 3 015 HC

      
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

           
 = 70

                    
8

 
13
  
1ª Estrofe              

               

16

                

19 Refrão

     
       

   
24 To Coda

             
   
29 2ª Estrofe

 D.S. al Coda   
         

35

     
 
39

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Conversão
Tuba 015 HC


H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

      
 = 70

      


   
     
1ª Estrofe


9

   

  

     
17 Refrão

       

  
        
22

      

  
        
 
26 To Coda 2ª Estrofe

    


       
30

      



 
   
36 D.S. al Coda

       

    
39


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renatodspimenta.wixsite.com/par turas
Conversão
Bateria 015 HC

                
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

    
         

 

 = 70

                     
               
6

 
7

                           
               
1ª Estrofe

    
10

                               
              
14


       
                    
Refrão
18

                               
                    
22

                               
 
2ª Estrofe

 
To Coda

        
26

                               
                    
30

                     
       
D.S. al Coda

      
34

                           

            
37

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Conversão
Base 015 HC
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

      
 = 70

              
G2 C2 Gmaj7 C D C B B7/D♯

           
       
7 Em A(♭5) A Am7 Am G /B C Am

         
1ª Estrofe

           
10 Dsus D G Dsus D G Am7

 

    
            
  
15 Dsus D G G /B C2 Bm7 Em Am D

   

   
            
Refrão

          
20 G C /D G Am7 Dsus D G G /B

     
To Coda

            
25 C Bm7 Em Am Dsus D G C /D

 

     
2ª Estrofe

            
29 G2 Am7 Am/G F♯dim B(♯9) B(♭9) Em G /D G /B

    C 
           
33 C2 F♯dim B Em Asus Am Dsus D

   
           
D.S. al Coda

   
 Am
 
36 G G /B Dsus Dsus D

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Conversão
Violino 1 015 HC
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

     
       
6

 
 = 70


 

        
            
6

          
 
   
11 1ª Estrofe

          
   

 
18 Refrão

 

     
       
 
22

           To Coda
    
    
2ª Estrofe
25


     

         
   
31

   

             
35 D.S. al Coda 

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Conversão
Violino 2 015 HC
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

      
     
6
 = 70

     

 

  
             

6

     
     
  

11 1ª Estrofe


     

        
 
18 Refrão

 

          
    
22



           To Coda
 
    
25


     
           
2ª Estrofe
29

    
     
      
34 D.S. al Coda 

   
 
39

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Conversão
Viola 015 HC

    
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

   
        

 = 70

  6

       
           
6

          
     
11 1ª Estrofe

          
   


18 Refrão



           
 
22


           To Coda
       
25

 

    
         
2ª Estrofe
29

         
       
34 D.S. al Coda 

  
 
39

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Conversão
Violoncelo 015 HC

           
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

     
 
 
 = 70

         
   


4

          
  
9 1ª Estrofe

       
         
15

 

                  
21
 Refrão

             
   
2ª Estrofe
24 To Coda

           
     
31

        
       
35 D.S. al Coda 

       

39

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Conversão
Contrabaixo 015 HC
Acústico
H.M.W. - H. Maxwell Wright Orquestração: Renato Pimenta

    

    
 
 = 70

     
       
7

    
       
11 1ª Estrofe

      

     

17 Refrão

      
           
22

    
       
 
2ª Estrofe


26 To Coda

          
    
31 D.S. al Coda

     
 

         
37

 
40

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