Waltz

in B Minor

    
Frédéric François Chopin


Fryderyk Franciszek Chopin

             
    
Opus 69 No. 2 (1810 - 1849)

   
Moderato

 
           
                     
  


    
Piano

  
           
      

8


     
 
 
 
                     
   
rit.

  
9

           dim.   
           
                  
 

    
        
    
  
                  
       
a tempo

   
16

   

 
          
  
                  


 
              
  
               
    
 
24

          
  
   
              





 
cresc. rit.

    

    a tempo      

                                       
    
31 con anima

              
                    
    


  
         
    
2

  
39

 
   
 
 

 
                           
   
         
40
a tempo

                
            


       
rit.

      
            
                 
  
            
  
48

               

               
   
 
   
    
            
             
                     
 
56

  
 
   
 
 
 
 
 
 
                


     
rit.

  
            
                                     
       
63 a tempo

   
            
  

       

                
 
         
    
 
71

 
   
 
 
 

3

                              
          
72
a tempo

         
   
 
 
   

        
 

       
rit.

  
    
            
                 
                 
  
  
80

               

             
         
 
            
    
              
      
     
88

  
 
   
 
 
 
 
 
 
                   



rit.

      
            
   
                         
  
a tempo

 
95


  
            
       
                     
dolce


          


                                    
 
103

               
                          
         
            
                    
      
                   
111

              
                   
        
             
         
                    
4

     
  
  
 
        
118

      cresc.
         
                
     
   

            

                         
  


      
125

       


   
  
 
 
        
   
dim.

         
         
      
                  
    

131

      
 
        
                    
        
             
 
           
            

138

         rit.    

                 


          
     
        
                              
a tempo

       
145 con anima

             
     
              
     
 
             
         
    

   
                
a tempo
152

              
         


        
rit.

  
   
           
        
                   
5

    
159

 
         
          
    
 
 
     
           

    
             
              
a tempo


165

           
              
     
rit. 

    
           

   
                 
       
171

         


 
calando

           
     
         