Professional Documents
Culture Documents
Criticalregionalismnew 140125212041 Phpapp02
Criticalregionalismnew 140125212041 Phpapp02
Criticalregionalismnew 140125212041 Phpapp02
Visual vs Tactile….
• Mediate the impact of universal civilization
with elements derived indirectly from the
peculiarities of a particular space.
• Preference to how the architect deals with the
irregularities of the physical landscape rather
than how he or she employs local culture
• The architect should enter “a dialectical
relation with nature”, taking clues from the
topography and avoiding bulldozing in order to
flatten space.
• Using top-lighting and exposing the elements of
construction, speaking more of the relationship
of the building to its space.
• “Fatehpur Sikri’s courtyards always fascinated me, and the gardens of
Bangalore influenced me. If you pick up the gardens and put them in the
courtyard, then the character changes. Instead of a courtyard that is dry
and rigid, you make a green corridor, in which you can walk and be
comfortable.Of course, when I talked to the clients, I did not talk about
Fatehpur Sikri. I talked about Madurai temple. I said there are courtyards,
there are open spaces, and there are corridors, which are the focal
points. I said that we will create a contemporary institution as important
as the temple, as a temple of learning.
• it had to be done with local materials, to have a local identity, and
working with local craftsmen is cheaper, and local materials are long-
lasting. That is how stone was used.
• I preferred that the building disappeared, and that you feel that you are
only in spaces. The whole idea began with that: do you really want
dominant architecture? Or architecture that merges with the society and
becomes a part of society. There is a dialogue between the building, the
space, and the people. That is the point.”
Steven Holl
A watercolored diagram of the Nelson-Atkins museum addition shows Holl’s concept as “the stone”
and “the feather.” By defining the original beaux-arts influence building as “the stone” and
highlighting qualities such as, heaviness, directed movement, internal views, hermetic, and imperial,
he then set up a series of contrasting qualities, such as lightness, open movement, outward views,
meshing into landscape and indigenous. “His strategy has always been that of intertwining opposite
condition.”
Bruder Klaus Field Chapel / Peter Zumthor
• ....a wigwam made of 112 tree
trunks. Upon completion of the
frame, layers of concrete were
poured and rammed atop the
existing surface, each around
50cm thick. When the concrete of
all 24 layers had set, the wooden
frame was set on fire, leaving
behind a hollowed blackened
cavity and charred walls.
The unique roofing surface of the
interior is balanced by a floor of
frozen molten lead. Gaze is
pulled up by way of obvious
directionality, to the point where
the roof is open to the sky and
night stars. This controls the
weather of the chapel, as ran and
sunlight both penetrate the
opening and create an ambience
or experience very specific to the
time of day and year.