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Matin" (Cf. Jain, 1991: 63) - The Title of The Poem Suggests A Musical Term That Is Commonly Defined
Matin" (Cf. Jain, 1991: 63) - The Title of The Poem Suggests A Musical Term That Is Commonly Defined
The poem “Preludes” was composed between October 1910 and November 1911 by
the modernist writer T.S. Eliot and was published in Wyndham Lewis’s journal Blast in July 1915.
“Preludes” is based on Eliot’s direct experience of citylife (Eliot spent most of his adult life in
London) as well as literary sources such as Baudelaire’ “Crépuscule du Soir” and “Crépuscule du
Matin” (cf. Jain, 1991: 63). The title of the poem suggests a musical term that is commonly defined
as “a short musical composition on one theme, esp. an introduction to a longer piece” (OLD, 2000).
Jain, however, emphasizes that the poem’s content rather represents an “antithesis to the Preludes
urban life as it is without irrelevant comment. The putative objectivity and detachment of the
speaker are, however, deceptive, as everything in the poem is imbued with his perceptions and told
from his perspective. The speaker is probably a flaneur who writes down what he experiences while
walking in the city. Even by their mere presence the people in the street are made accomplice to this
act of writing, but they are unable to read the text they help to produce as long as they are part of
the walking crowd. The hustle and bustle of every day life has clouded their view to such an extent
It will, hence, be relevant to find how the city and the city dwellers are depicted in the
poem. What has provoked their limited view on the world and how can it be overcome? From
which perspective does the speaker tell the events and how does this relate to his world view?
Answering these questions, one can draw the conclusion that changing one’s mental
attitude automatically changes one’s outlook on the world. As a result, the map of life becomes
readable only for those who perceive the world holistically from a higher and more distant
chronological order. The first stanza envisions a lonely street in the evening drawing a connection
between writing and walking. The 2nd stanza shows probably the same street on a busy morning
illustrating the restlessness of the city dwellers as well as their lack of self-determination. In the 3rd
stanza the street scene is left altogether, instead a single woman is depicted lying in her bed. In a
state of expanded awareness she gains a superior view on the world. In the last stanza I shall
indicate how the blindness of everyday routine hinders the rest of the city dwellers from noticing
The meta-poetic references in the end overtly unmask the speaker as being a poet,
making plain that the poem is not to be taken as a means to communicate reality, but rather as the
‘Preludes’ by T.S. Eliot contains a complex imagistic narrative on the dark and
depressing nature of city life and the state of the human soul.
The poem begins with the speaker describing a city just entering into the night. He
pays close attention to the smell of steak in the air and the fact that there is a lot of grime on the
ground. There are newspapers and many other miscellaneous pieces of trash. All of these blow
around “your” feet. The first section ends with all the indoor lamps turning on.
When the poem resumes in the second section it is morning again and the city is
regaining consciousness. There is a smell of beer on the air and everyone is pulling up their dirty
blinds, unhappy to face another day that is exactly like the last.
The third section depicts “your” particular experience. This person had a night filled with
sordid dreams straight from the soul. When “you” finally get up, it takes some time but “you”
eventually make it back into “your” life. The last lines give the reader a little bit of hope that maybe
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