The spread of American companies in foreign countries can have unexpected consequences. These concerns are also present with regard to films and the entertainment industry more broadly. Countries try to protect their local cultural industries by various ways, for example, by restricting the number of foreign films that can be shown. But it limits people’s choice to consume what they prefer and it seems that government doesn’t trust its people to make the choices that are right for them. Globalization may accelerate cultural change, but since change is driven by the choice of consumers, the elements of a particular culture will inevitably reflect consumer choice. The main reasons for the dominance of the American Market: the size of the market (the U.S. is one of the largest markets in the world); the wealth of the U.S. economy (the United States accounts for nearly 25% of global economic output); a comparatively homogenous culture (consider that 97% of the U.S. population is considered fluent in English language. The ability to speak English grants one access to hundreds of millions of other people around the world). Producers of goods and services that can reach the entire U.S. market tend to find themselves in dominant positions. For instance, because the U.S. market is so large and so affluent, a Hollywood producer from a major film studio can easily invest $100 million into the production of a film and be confident that its investment will be recouped. Having produced a movie for the U.S. market, a successful film can then be “exported”, or viewed worldwide, for very little extra cost. Therefore, these combined factors of market size and wealth have given U.S. producers of films, television programs, and magazines an enormous advantage over foreign competitors.