Gypsy Airs For Brass Band Euphonium

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EUPHFUL GYPSY AIRS

Pablo de Sarasate
 
arr. Geoff Colmer

Moderato (molto rubato, complete freedom)
 
    
                          gl            
.
 
is s

     
  
Soloist

  
6


f mf ff mf
Soprano Cornet          

         
a4
Solo Cornet      
   
ff
     
Repiano Cornet          
ff

 
2nd Cornet               
ff mp

        
3rd Cornet
      
ff mp

   
Flugel         
    
ff mp

     
Solo Horn         
ff

 
1st Horn             
ff

         
2nd Horn
    
ff

   
1st Baritone                
ff mp mp

  
2nd Baritone                 
ff mp

      
1st Trombone           

      
ff mp mp

    
2nd Trombone           
     

ff mp mp

  
Bass Trombone               
ff mp mp

  
Euphonium              
ff

  
Eb Bass                
ff mp mp

         
Bb Bass
         
ff mp mp

 timps
  
Timpani         

    

ff mp mp
cymb
      

Percussion 
ff
2
9

             
A 9

      3 3
7 9

        
6
               
Euph.
       
  
mf

 
f
        
Sop. Cor.  

  

 
f mf
a3   a1  tutti
             

  
  

Solo Cor.

  
f mp mfp mf

          
        
Rep. Cor. 
f mp mf mf

    
                 

2nd Cor.
f mf

 
3rd Cor.         

        
f mf

         
Flug.             
f mf
 

           
Solo Hn.

f mf p

  
           
1st Hn.

f mf p

   
2nd Hn.      
      
f mf p

      
1st Bar.                      
f mp mf mf p

        
2nd Bar.           
   
p
f mf

                
1st Tbn.     
f mf

    
                 

2nd Tbn.
f mf

          
B. Tbn.
            
f  mf


    
                  
Euph.
 
f mp mf mf


Eb Bass   
  
    
f  p

   
 
     
Bb Bass

f  p


timps
   
      
Timp.  
p

    
 
Perc.  
p mf

 
glock
Glock.            
p
3

     
12 12

 
12

  gliss   
cadenza (ad lib.) 10 12

     
 
.
             
          
Euph.

p
         
f

   
Sop. Cor.     
f


2

       
2

Solo Cor.


       
Rep. Cor. 
f

   
2nd Cor.     

f

     
3rd Cor.
  
f

 
Flug.     

 
 
Solo Hn.    



1st Hn.      


     
2nd Hn.


 
1st Bar.     

   
2nd Bar.
 

 
       
1st Tbn. 
f

   
2nd Tbn.     

f

       
B. Tbn.
  
f

 
Euph.     

 
Eb Bass  
   

  
Bb Bass
     


Timp.      
4


      
Lento rall..
B 24
    
         
15

         
        
  
Euph.
mp 16 f
f mf

         
Sop. Cor.      
 
p

         
a1 dolce
 
a1
Solo Cor.          
p
p


Rep. Cor.        


2nd Cor.        


3rd Cor.         

  colla parte
Flug.                
  
p

           
colla parte
Solo Hn.     
p


colla parte
1st Hn.        
        
  
p


colla parte
2nd Hn.   
 
 


  

  

p

 
1st Bar.        

      
2nd Bar.
 

 
colla parte  
1st Tbn.          
p p

  
  
colla parte
2nd Tbn.      
 
p p

 
    
colla parte
   
B. Tbn.
   
p p

       
Euph.  


colla parte

  
  
   

    
    
Eb Bass
p p


colla parte
        
    
    
Bb Bass

p    p


colla parte
Timp.     



  
p

  
Glock.           
p glock
5

  
rit.. tempo
             
C
                  
       
21

Euph.           

6 10 6
mp 6 p f

         
Sop. Cor.         
p mf

      
a1
Solo Cor.        
    
mf

     
Rep. Cor.      
p


2nd Cor.          
p


3rd Cor.            
p

 
  
      

Flug.
p

    
Solo Hn.      
mf

    
1st Hn.       
mf


2nd Hn.      

    
mf

   
1st Bar.              
p p mf

        
2nd Bar.
   
p p

      
1st Tbn.                

   
               
2nd Tbn.
  

     
    
         
B. Tbn.
  

     
     
Euph.
p

          
 

        

Eb Bass
mf

           
     
  
  
Bb Bass

 mf


Timp.  

    
p


Glock.          
6


       
rit. rit. accel. molto rit.
 
freely

12
  
   
         
26

                               
12

            
            
Euph.
mf 12 12
12
mp mf p


Sop. Cor.   

  


Solo Cor.         


Rep. Cor.     


2nd Cor.     

   
3rd Cor.
 

  colla parte
Flug.          
p

 
Solo Hn.     
p


1st Hn.      
p

    
2nd Hn.
 
p

 
1st Bar.       
p

 
colla parte
2nd Bar.
        
p

       
colla parte
1st Tbn.    
p


colla parte
2nd Tbn.          
p

  
colla parte
     
B. Tbn.
 
p

 
colla parte
Euph.          
p


colla parte

  
 

 
Eb Bass
p


colla parte
Bb Bass
   
   
p  


timps
  




Timp.  
p
7

   
               
tempo rit.
    
29

                 
Euph.  
10 6
mf 6 7

 
Sop. Cor.     

            
a1
Solo Cor.            
mf

      
Rep. Cor.       
p

  
2nd Cor.           
p


      
3rd Cor.
    
p

  
Flug.         
p

 
Solo Hn.               
p p

 
1st Hn.           

p p


       
2nd Hn.
  
  
p p

   
 
   
1st Bar.    
p


           

2nd Bar.
   
p

   
1st Tbn.        
p

  
2nd Tbn.         
p

       
     
B. Tbn.
    
p

   
     
Euph.         

p

  
   

      

       

Eb Bass

p
 

  
Bb Bass
       
 
 
   

 



p 

Timp.

  



    

mp p
8
Un peu plus L ento
D
   
33

                  
 

Euph.
mp

         
espress.
      
            

Sop. Cor.
p mp

   
a1

             
Solo Cor.
     
mp 


                    
 
Rep. Cor.
p

      
2nd Cor.                            
p

             
           
3rd Cor.
        
p

          
espress.

                

 
Flug.
mp

 
                                   
Solo Hn.

p

   
                                  
1st Hn.
       
p

                                   
2nd Hn.
    
p

   
                        
1st Bar.
   
p p p

              
2nd Bar.
     
p

       
         
        

1st Tbn.
mp p

     
                

 
2nd Tbn.
p p

            
B. Tbn.
          
p

   
Euph.                 

      
p p


      

                         
a1 a2

     
Eb Bass
        
p p 

  
Bb Bass
          
               
     
p
 

Timp.
           




 
 

p
9

E
  
45 

     
      
     
1. 2.

Euph.     
mp

     
Sop. Cor.           
p

  
a2

              


 
Solo Cor.
mp


             

       
 
Rep. Cor.

p

             
2nd Cor.        
     
p


  
                 
 

    
3rd Cor.
p

  
                     
  

 
Flug.
p p

 
Solo Hn.                    
p

 
                  
   
1st Hn.
 
p

  
                
 
2nd Hn.
 
p

 
            
 
1st Bar.
 
p

  
                 
      
2nd Bar.
 
p

      
1st Tbn.             
p

       
2nd Tbn.      

     
p

           
B. Tbn.
           
p p

 
            
    
Euph.
 
p

       
           
     
 
Eb Bass


           
     

     
Bb Bass
  


 
timps
Timp.
    



 



    
p
BD
Perc. 
           
pp
10

        
 
54
                                         
3

  
 
Euph.
6

   
Sop. Cor.        

 
Solo Cor.          

 
Rep. Cor.          

 
2nd Cor.          

 
3rd Cor.           

   
Flug.          
pp

 
   
Solo Hn.       
pp

    
1st Hn.        
pp

    
2nd Hn.         
pp

    
1st Bar.            
p pp

  
        
2nd Bar.
  
p pp

   
1st Tbn.             
p pp

  
      
2nd Tbn.    

p pp

    
      
  

B. Tbn.
pp

    
       
Euph.
   
p pp

    
Eb Bass        
pp 
 
   
Bb Bass
      
pp 
 
   

Perc.    
   

glock

  
Glock.          
pp
11

F   
       
Allegro molto vivace
                         
60
    
       
  
Euph.
ff f
ff f
  
Sop. Cor.               
f f
1  1 
 
       
a4

    3        3  
Solo Cor.
 
ff f f

 
                     
Rep. Cor.
 
ff f f


                     
2nd Cor.
   
ff f f

                  
3rd Cor.
     
ff f f

 
                  
 
             
         
Flug.
ff
f p f

   
 

                                        
Solo Hn.
          
ff f p ff f

    

                                    
1st Hn.  
             
ff f p ff f


                            
          
2nd Hn.
                 
ff f p ff f

         
 
                          
1st Bar.
       
ff f ff f

 
                                
2nd Bar.
         
ff f ff f

       
 
                    
     
 
1st Tbn.
 
ff
ff


                           
     
 
2nd Tbn.
 
ff
ff

         
                    
     
B. Tbn.
ff
 ff


 
                           
     
 
Euph.
 
ff
ff

              
                
                 

   
Eb Bass  
ff p ff

   
                 
                         
Bb Bass

   
 
ff p ff
  
   cymb  
               
Perc.  
ff ff
12

G        
                                  
71
  
   
 

Euph.
ff f


       
           
             

Sop. Cor.

f p

  
      
2 a4 a1

    2
        
 


Solo Cor.

f p

        
                          

Rep. Cor.

f p p

      
           
    
  
2nd Cor.

f p



                 
   

  
3rd Cor.
f p

    
              
                 

      


Flug.
p f p

    
 
                               
Solo Hn.      
p f p




   

   
 
      
  
               
1st Hn.
     
p f p

  
            
               
2nd Hn.
          
p f p

   
1st Bar.

                
f p

       
      
2nd Bar.

   
f

      

                           
1st Tbn.

  
f p

      
2nd Tbn.                      
f p

            
 
   
       
            
  
B. Tbn.
f p

  
Euph.

               
f

                 
  
               

Eb Bass
p f

     
                             
              
Bb Bass

p f p 

cymb
 
        

  

Perc.
f BD
 5  5 13

     
 
H
          
 
80

               
1. 2.

    
Euph.
          
mf  
 
           
Sop. Cor.  
f


           

Solo Cor.

f

      
Rep. Cor.                      
p

                     
     
2nd Cor.

p


         
  
       

 
  
3rd Cor.

p

         
  
Flug.

        
Solo Hn.                    
p

 
                    
     
1st Hn.

p

      
                  
   
2nd Hn.

p

         
  
1st Bar.

        

2nd Bar.
 

1st Tbn.

             
f

2nd Tbn.            

          
  
B. Tbn.


  
                            

        
Euph.

p

                      
a1

                   
Eb Bass
             
p

a1
         
              

    
Bb Bass

       
glock


Glock.           



p
14

I  
   

             
                 
89

       
Euph. 
ff mf

     
Sop. Cor.              


f
   
               
Solo Cor.
   
f

             


                            
Rep. Cor.
     
f p

  
                  

 

         
2nd Cor.
              
f p
   
                  
  
          
3rd Cor.
           
f p

            


   

Flug.
f

          
                                
Solo Hn.
    
f p

           


                  
  
    
  
1st Hn.
      
f p

    
2nd Hn.                   
  
  
  
  
   
   
       
f p

              


         

1st Bar.
f mf p

   
              

  
2nd Bar.
    
f mf p


  
               

1st Tbn.
f

            


2nd Tbn.    
f

              
B. Tbn.
    
f

  
               

Euph.
f mf

                 
    
a2

               
Eb Bass
          
f p

     
a2

                       
   
 
       
    
Bb Bass
 
f p

     
Timp.    
 
     
  
f

   SD
      
Perc.                  
f   p
15


    

               
                 
97

      
Euph. 
ff mf f

       


Sop. Cor.             


    
              
Solo Cor.
  

               


                       

   
Rep. Cor.
     
f p f

   
                  

 

         
2nd Cor.
              
f p f
    
  
                  
  
 

 

    
  
        
3rd Cor.
f p
f

        


          

Flug.
f p

           
                                
Solo Hn.
    
f p f

             


                  
  
   

  
1st Hn.
      
f p f

      
2nd Hn.                   
  
  
  
  
   

   
      
f p f

                      


       

1st Bar. 
f mf p f

       
                   
2nd Bar.
     
f mf p f


    
1st Tbn.

              

            



 
2nd Tbn.    
f

              

 
B. Tbn.
    
f

    
                

Euph.
f mf

                 
     
 

       
 

     




  


Eb Bass
f p f

          
                  
 

 
 
    
        
Bb Bass
  f
f p


   
Timp.       

     
  
f

   SD

        
Perc.                     
f   p f
16

 rit.   
                                          1.      2.   
J molto poco accel.
 
105

Euph.      
mp

        
Sop. Cor.            
pp


Solo Cor.          

        
Rep. Cor.           
pp

        
2nd Cor.  
  
     
pp

   
3rd Cor.           

     
pp

  
Flug.            

 
   

        
             
Solo Hn.  
  
       
pp p

       
                  

  
   

     
1st Hn.

pp p

    
          
  
        
       
     
2nd Hn.


pp p

 
    

       
    
1st Bar.   
p

       
          
   
2nd Bar.

p

    
        
              
  
1st Tbn.

pp p

  
   
 
        
              
2nd Tbn.

pp p

                   
   
      
B. Tbn.


pp p

        
Euph.   

              
        
a1
  
        
Eb Bass

pp p


a1
                     
       

  
Bb Bass
pp p

Tri Tri
         
        

  
Perc.
p

   
Glock. 
             
glock
pp
17

                                       1.       2.  


K molto rit.
 
112
poco accel.

          

Euph.

     
Sop. Cor.                  
pp

  
Solo Cor.           

      
Rep. Cor.        
        
pp

      
2nd Cor.        
        
pp

   
  
  
         
 
3rd Cor.

pp

            
Flug.                  
   
pp p

          
Solo Hn.                    

  
pp p

       
                    
1st Hn.
    
pp p

     
2nd Hn.                  
pp
      
p

              
       
1st Bar.   
p

      
            
2nd Bar.
     
pp

                 
                         
1st Tbn.

pp p

            
2nd Tbn.        
           

  
     


pp p

                
B. Tbn.
       










   

 
pp p

               
         
      
   

Euph. 
pp p

 
Eb Bass            

            
a1
                   
Bb Bass
     
pp p

Tri
         
        

  
Perc.
p


Glock. 
 
  
  
         
pp
18

 
L tempo 
M    
            
                         
119

  
  

        

  
Euph.
  
    
         
mf ff mf f mf
 
                              
Sop. Cor. 
p ff p p
a4  1
         3        
a2 a2

          
  
Solo Cor.

p ff p

                   
Rep. Cor.  
                          
p ff p p

     
                       
a1 a2

     
   
2nd Cor.

ff p p

  
                    
a2 a1 a2
  
     
  

 
3rd Cor.

f p p


                  
      


Flug.
 p


f
                 
                                  
Solo Hn.   
 p p

                 
p ff

                                  
1st Hn.    
 p p

               
p ff

                                  
2nd Hn. 
  
 p p
p ff

               
 


1st Bar.
  
 p
f p
 
                    
    
  

2nd Bar.
 p
f

 
           
        
 

1st Tbn.
p
f

                   
 


2nd Tbn.
 p
f
                    
B. Tbn.
     
 p
ff


                    



   
Euph.
 p
f
    
                 
a1 a2
        
a2
   
   

Eb Bass


p p
f a2
        
a1
           
             
   
 


Bb Bass
  p 
p f


                  

Perc.
p
   
f
    
              
         
Glock.
 
glock
p p
19


130 N
                     
1.

      
                      


 
Euph.
mp 
mp p
                                      
                
stamp!
Sop. Cor.      
pp

a2                                
           
stamp!

         
 
Solo Cor.
pp

                    
stamp!

      
Rep. Cor.
 
pp

   
stamp!

           

2nd Cor.

   
stamp!

          

3rd Cor.

         
   

Flug.

 
Solo Hn.               

 
           

1st Hn.
  

 
           
2nd Hn.
  

          
   
1st Bar.


2nd Bar.
              


stamp!

             
 
1st Tbn.


stamp!

2nd Tbn.               

     
stamp!
       
    
B. Tbn.


Euph.

             

              
Eb Bass   


           
    


Bb Bass

       
rim-shot Tri
                  
       


Perc. 
f mp
 
Clap!
       
CL                              
f
20
O
139
                    
                  
       
2.

 
 

Euph.      
ff mf

           



                    
Sop. Cor.
     
   
   
f f

   a4                    
          

Solo Cor.
f f
               
Rep. Cor.                             
f p f p

     
                             
2nd Cor.
           
f p f p
       
                             
3rd Cor.
     
f p f p

                 


   
              
    

Flug.
   
f p f

    


  
                                
Solo Hn.
     
f p f


                       
  
   
1st Hn.                      
f p f

      
                               
2nd Hn.
              
f p f

                         


       

1st Bar. 

f mf p f

                


        
2nd Bar.
       

f mf p f

          



                               
1st Tbn. 
p f p

                            


2nd Tbn.             
f p f p

      
                
B. Tbn.
       
f f

  
 
                   

   
Euph.

 
f mf f


    
                 
 
                 
Eb Bass     p                 
f f p
    
                               
Bb Bass
              
 
 
 p    f
f p

                   
Timp.  
   
 
f
   f
  
     
              
            
 
   
 
Perc.
f    p f   

CL              
21

                 
          
accel.

           
150



Euph.

      
Sop. Cor. 

Solo Cor.       

   
Rep. Cor.             

            
2nd Cor.
   

           
3rd Cor.
    

     
                

Flug.
   
p


                 
Solo Hn.         
p

      
                    
1st Hn.
  
p


      
  
  
  
  
  
  
  

2nd Hn.

p

 
        
1st Bar.

    

  
         
2nd Bar.


      
                     

1st Tbn.        

    
                        
2nd Tbn.
    

      



        
B. Tbn.          
p

 
Euph.

             


         
   
Eb Bass        


    








   
            

 

 



    
   
Bb Bass
 
22

                             
  
       
156

Euph.

   
3 3

                 


Sop. Cor.                 
mp ff

 
          
Solo Cor.
 
ff

                      
Rep. Cor.            
mp ff

 

   

   

  
   

    
  
2nd Cor.       
mp ff

 
                
3rd Cor.                
mp ff



  

  

  
   
     
          

Flug.

mp ff

  
                       
Solo Hn.
        
mp ff


  

  

  

   
      
1st Hn.       
    
mp ff

  
  
  
  
  
  
  
     
      
2nd Hn.
   
mp ff

            
          
  

1st Bar.
       
mp ff

 

   

   

 

   

    
  
2nd Bar.
      
mp ff


            
          
 

1st Tbn.       
mp ff

    
                  
      
2nd Tbn.
    
mp ff

                    
    
B. Tbn.
            
mp ff


         
 

Euph.
ff

                   
    
Eb Bass            
mp ff

           
 


  

  

        
  
Bb Bass

mp ff


         
 
Timp.


ff


                       
Perc.           
mp ff 
Soloist

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer

Moderato (molto rubato, complete freedom)


              
      
f


 
   
         
4

 
    
 ss.

    
  gli

 
   

6
mf ff
 mf

           
A

6

            
  
   
   
mf

  
9


9

  
9

                      

  

      
10 cadenza (ad lib.) 10

       
6

3 3
            
  
f

p
 

  
12 12

  
13

12

          
s.
         
glis
         
 
f
2 Soloist

Lento rall..
24
     
B
    
15

               


f mf

             
19
 
                  
          
    
mp f 6
16


            
          
22

      
10 6
mp 6

C tempo
                  
rit..

23

          


p f

      
accel. molto rit.
  
12
   
freely rit.
      
26 rit.
   
               
mf 12 12 mp 12

 tempo
 
28

            
12
       
 
mf p mf


      
           
31

        
10 6
6


rit.
    
32

            
7
Soloist 3

33

D Un peu plus L ento
 
      
     
mp
 

    
              1.
E

45
   
2.

   
mp


54

    
                                   



    
   
56

         
    
3

 6


                             
60 F Allegro molto vivace

     
ff f


   
                       
68

     
 
ff f

 
                                   
74 G

    
ff f

 5
 
H

80

                
      


mf  
 5
     
           
84

  
1.

       
 
4 Soloist

88 I
                      
           
2.

  
ff mf

  
96
                        

        
 
ff mf

           molto rit.    


  
  
 
103 J

  
f mp

  

                               
poco accel.
106

 1.            
110

2.

  

                                   1.      



112 K molto rit. poco accel.

       

 
tempo

118
 
L
         
      
2.


 
               
  mf  
mf ff
Soloist 5

125 M
          
            

          
          
f mf 
131 N

         
       
   
  
     
mp

135

       
1.

       
     

  
mp p

139 2.
 O                      
           
 
 ff mf

 
            
146
            
      

accel.
          
 
152

           

155
                       


158
          

  
  
160

           
3 3
Soloist

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer

Moderato (molto rubato, complete freedom)


         
        
  


f


 
  
4 
         
 
is s.
     
  
 
  gl
    
  
6 
mf ff mf

6 A            
              
  
      
mf

9      
      
             
 
   
9
9 9

10 cadenza (ad lib.)


   
           3   3     
 


    


6 10
f p

13     
        ss.
  
               
   
    gli   
 
12 12
12
f
2 Soloist

Lento rall..
15 B           
            


    
   
f mf
24

             
19                             
     

16 6
mp f


        
22                  
   

10 6 6
mp

23 rit..
             C tempo
      
         
  
p f

freely
26 rit. 

        
         

12
mf
accel. molto rit.
27    rit.
              
   
                    

12 12
mp 12

28
 12 tempo
                 
      
   
mf p mf


        
31                 
    

10 6 6

rit.
32
   

          
 

7
Soloist 3

33 D Un peu plus L ento


     
        
 
mp

     
45 E            1.
   2.
      

mp

54
     
  
                                  



56      
3    
 
      
   
   6

60 F Allegro
 molto vivace
                   

             
 
ff f

68
   
                       
       

ff f

G      

74      
                               
     
ff f
 5
80 H   
               
         
mf
 5
     
84                1.
      
      

4 Soloist

I   
88 2.
                        
  
             

ff mf

  
           
 
96 
              

ff mf

molto rit.
   
103
           J        
     
f mp

  poco accel.
106                                   


110 1.
        2.
      
   

K molto rit. poco accel.


112
         
               
 

115              
   
1.
       

 tempo
118
2.
L        

                   

 
   

mf ff mf
Soloist 5

125 M                   


       

                 
  
f mf

131 N
                            
 
mp

135 1.
            
     
      

mp p

O  
139 2.
             
     
                
 
ff mf

    

      
      
        
146

 
     

152
accel.
           

            

155                        
 


158           
 

   
160
    
         
3 3
Soprano Cornet

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer

 
Moderato (molto rubato, complete freedom)
 
A

         
   
f mf

 
  
B Lento
 
10

         
 p
 
f


rall..

 
18
 
     

 
p
rit.. C
 
23

           
tempo
  
mf


  D Un peu plus L ento
 
     
27
   
tempo rit. espress.

   
 
p mp
39
       E

      
 p
49
    
      
1.


60
 
F Allegro molto vivace
   
     
f f

           
G
   
74

               
 
f p
80

H
   

I
   

                   
1. 2.

   
f f
99
   
  
Soprano Cornet
2

  
105


J molto rit.
   
poco accel.
 1. 2.

        
pp

     
K molto rit. poco accel.

     
112 1. 2.

    

 
pp

    
            
L tempo
       
119

        
p ff p

  
M
          
N
         
125

     
stamp!
     
p pp

                         
133 1.

 

 2.          


139 O
  
 
 
 
         
    
f f

152 accel.
   
            
          
mp

   
160

       
ff
Solo Cornet

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer

Moderato (molto rubato, complete freedom)

          
a4

       

ff


  tutti
A
       
7

a3 a1

       

f mp mfp mf

10
   
 
B Lento
     
2 a1

    2
    
p
f


18 rall.. dolce
 
a1

        
    
p

 
C tempo
  
22

rit.. a1

          
   
mf

27

 tempo

        
a1

          
mf


Un peu plus L ento
rit. D a1
 
32

      

    
mp
 

45

E a2


 
1.

     
      
mp
 


 
 
53

  
Solo Cornet
2
F a4 Allegro molto vivace
  
    
  
60 1 1

             
3 3

f f
ff

 a4  
G

     
74 a1

        
2

 
2


f p


H
   I   
 
80 1. 2.

           
  
f


96
      
  
    

  

 
f

 
105 J molto rit.
 poco accel.
 1. 2.

    


112 K molto rit.
 poco accel.
 
  
1. 2.
  

   13  

L a2 tempo
        
119 M
   
a4 a2 stamp!

            
p ff p
 

131
a2                            1.  

N

                                 


pp

 O   
   a4             
  
139 2.

              
   
f f

  
152
accel.

      
 
ff
2nd Baritone

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer
Moderato (molto rubato, complete freedom)
 
          

    
ff mp


 
A
         
5

  





f mf
Lento rall..
11

 B
 
      
p p
rit.. tempo
22

C
 colla parte

          
p
 p

tempo

27

              

p
Un peu plus L ento
32
 
rit. D
  



        
 
p

45

E
      1. 2.

               
    
 
p

   
 
54

       
p pp

             
 
          
F Allegro molto vivace
  
60

   
       
ff f ff f

74

G
   H

  
1. 2.

 
         
f
2nd Baritone
2


   
I
     
89

           
 
f mf p

  
       
96

            
  
f mf p

    
102

  
  
   
f

 
J molto rit.
 poco accel.
       
105 1. 2.

          

p

 
112 K molto rit.
 poco accel.
   
  
1. 2.

       
  
   
pp

L tempo
  M
   
               
119

   
    
 

f
p

          1. 
131 N
              
Clap!

      
  
f

  
        
139 2. O

      
         
    
f mf p

 
   

       
accel.

  
148


 
f

  
  
156

   

  

  

mp



  

159

   

   

 
ff
Eb Bass

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)
 
             
ff mp

A

5

     
  

  
mp

f  p

10
   B Lento

   
      
   
p   
rall..

 
18 colla parte

         
  
p
rit.. tempo
C
   
22

  

      


 


mf

tempo

26 colla parte

  
 
  
    
p
 
p
Un peu plus L ento

rit.

   
D
           
31

                
    p

    
37 a1 a2

                   
     
   p 


E
 
45

          
1. 2.
       
   

54
   
       
pp 
Eb Bass
2

         
F Allegro molto vivace
  
60

                 
     
           

ff p ff

       G
   

69

                          


p
  f

  a1        
80 H
 
1. 2.

                                     

p
          

      
I

89

         
a2
     
             
f p

                            
95

             
f

 p

     
 
102

         
   
f


J molto rit.
 poco accel.

  
105

    
a1
    
  
pp

      
109

1. 2.

       
    
p

 
112 K molto rit.
 poco accel.
 1. 2.

    

 
L a1 tempo
    
                
119 a2 M a2

             
        
 

p

f p
Eb Bass
3


131 N
 1.

   

 O
 
      
                     
139 2.

  
          
f p

             
147

        
   
     
 
f p

   
accel.
          
152

              
  mp

                  
157

       
    
ff
Repiano Cornet

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)
  
                  

ff f mp

8
 
A
   

           
mf mf

 
  
B Lento

14 rall..

     
f p


C tempo

 
23 rit..

tempo

      
p

31
    
rit. D Un peu plus L ento

 

          
p
 
45

E
    


1.

                    
p


 
 
53

  

F Allegro molto vivace


  
    
        
60

       
ff f f

             
G

74

         
        


f p p

80 H

 
Repiano Cornet
2

      1.                


I
      
84 2.

                    
p f p

                                 


93

 
                  
f p

   
 
102

  


       
f

 
J molto rit.
     
poco accel.

  
105 1. 2.

     
pp

     
K molto rit. poco accel.
 
    
112 1. 2.

    

 
pp

             
L tempo

     
119

             
p ff p

   
                 
125 M N
    
stamp!

  
1.

 


p  pp

                   


139 2.


O
    
          
f p f

       
accel.
    
       
149

    
p mp

                
157

           
ff
2nd Cornet

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)


            
ff mp


A
  
7

         
        
f mf


 B
 
  
11 Lento rall..

  

f

22

rit.. C tempo
 tempo

    

    
p p


Un peu plus L ento

  
rit.
   
D
 
31

                     
p

45

E

 
                
1.



p


 
 
53

  

60 F Allegro molto vivace


    
  

          
 
ff f f

74 G
    

    
   


   

f p

80 H

 
2nd Cornet
2

   
              
I
     
84

                   
1. 2.

        
p f p

  
           
94

                    
     f p

    
100

                 
   
   
f

   
   
J molto rit. poco accel.

 
105 1. 2.

       
pp

 
K molto rit. poco accel.
 
        
112 1. 2.

  
   

pp

         
L tempo
     
119 a1

       

ff p

125
 
M
  N
    
a2 stamp! Clap!

               
 
p 
f

133 1.

  



             
       

     
                   
139 2. O

             
 f p f


accel.
 
            
149

    

    
p mp


  

  

  
   
 
157

  




   

ff
3rd Cornet

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)

     
      
ff mp

A

7

                
    
f mf

11
  B Lento
 rall.. 
  

  
f


rit..
C tempo tempo

22

      
    
p p


Un peu plus L ento

rit. D
 
31

                      
p
 

45

E
 1.

     
           
 

p
   


 
 
53

  

60 F Allegro molto vivace


    
  
        
  

f

f
ff

74 G
 

       

      
 
 

f p

80 H

 
3rd Cornet
2

     
84 1. 2.

                 
p

I   
  
89

                        
       
f p

   
                    

95

         
       
f p


102

  
 

   


  
  
f

  
105 J molto rit.
 
poco accel.
 1. 2.

           


pp


K molto rit. poco accel.
 
   
112

      
1. 2.
 
 


pp

L tempo
  
      
119 a2 a1

         
   


f p
125
 
M
 N
    
a2 stamp! Clap!

       

       
 
p 
f
133 1.

  



             
       
O      
               
    
139 2.

       
 f p
  f

 
accel.

       
149

        
     
p mp

 
   
157

               
       
ff
Flugel

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)

          
  
ff mp


A
     
7
  
      




f mf


Lento
B

11

           
p


rall.. rit..


18 colla parte

          
p 

24

C tempo
 colla parte
tempo

            
p p
Un peu plus L ento
31

rit. D
 

       
espress.

               
mp  

E
 
45

   
1.

                 
  

p
  p

   
 
53

   
pp

F Allegro molto vivace


  
   
                  
60

       
ff
 

   
f p
Flugel
2

       
G
  
70

                                   
 
f p f p
80 H
 1. 2.
I
      
       
          
f f

99   
  
p


105

J molto rit. poco accel.

    
1. 2.
    

   
     
K molto rit. poco accel.

 
112 1.

         
 
 
pp p

 2.  
118

    


L tempo

          
119 M

           
   

f p
131 N Clap! 1.

                       
 
f
         
 O     
  
               
139 2.

             
 f p

     


 accel.

     
148

      
   
f p

     
           
154

  
    





mp

    
159

           
ff
Solo Horn

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)
   
          

ff f


A

8

           
mf p


Lento
B
    
13

       
p


rall.. rit.. tempo
 
C
  
18

colla parte

      
mf

26

 tempo

  
       
p p p
Un peu plus L ento

   
rit.

                   
D
 
32

      
p

42
  
E
 
              


p

 
50
  
1.

       

53

   

  
pp
Solo Horn
2

       
F Allegro molto vivace
   
60

                                      
ff
    f p ff
 


                    
G

70


                           
    

f p f p

80
  
H
          
 1. 2.

            
p

I
       
               
89

        
    
f p

  
                        
95

       
      
f p

       
102

            
f

        
J molto rit. poco accel.
  
              

105
   
          
1.

 

pp p

 2.
111

  

  
112 K molto rit.
   
poco accel.

      
pp

    
116 1. 2.

            

p
Solo Horn
3

    
L tempo
     
   
119

                 


p
p ff

         
M
    
125

  
         
p

        1.  
131 N Clap!

                           
          

f

O 
 2.      
                 
139

         
   
f p

      


accel.
 
147

              
f p

               
153

   

 

 

 

 
mp

  
    
158

          
    
ff
1st Horn

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)
 
         
ff



A
   
7

       
f mf p


Lento
 B
 
12

             
p


rall.. rit.. tempo
C
    
18 colla parte

         
mf

26

 tempo

         
p p p
Un peu plus L ento

 
rit. D
  
                   
32

           
p

42

E
 
               
  

p


50

1.

  



     

53

   
   
pp
1st Horn
2

 
F Allegro molto vivace
       
60

                                      
ff
    f p ff
 

  
                         
G

70

                    
f p f p


80

H
    
 1. 2.

                  
p

            


I
           
89

            
f p

     
                     
 
95

  
  
         
f p

  
102
    
            
f

  
J molto rit. poco accel.
      
105

           







pp

  
109

   
1. 2.
       

p

   

K molto rit. poco accel.

  
112

      
pp

 
       
116 1. 2.

    
  
p
1st Horn
3

    
L tempo
    
   
119

                 


 p
p ff


M
    
              
125

   

p

                       
 
131 N Clap! 1.

                
f

 O  
 2.                     
139

        
      
f p

      


accel.

     
147

         
  
  f p

          
153

                    
mp

       
158

               
ff
2nd Horn

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)

       
  
ff

A
   
7

       

f
 
mf

p


Lento

 
12 B

      
     
p


rall.. rit.. tempo
C

18 colla parte

         
   
mf

26

 tempo

         
p p p
Un peu plus L ento


rit.

D

                   
32

   
    
p

 
   
E
  
42

           
p

  
50 1.

     





53

   
   
pp
2nd Horn
2
F Allegro molto vivace
   
60

                                      
ff
     f p
   ff   

  
         
G
  
70

                           
f p
   f p


80

H
      1. 2.

                  
p

    
I
                   
89

    
         
f p

    
              
95

           
             
f p

  
102
   
     




  

f

  
J molto rit. poco accel.
  
105

             
       
pp

  
109

1. 2.

          
 
p

  
112 K molto rit.
 
poco accel.

         
pp

 
116 1. 2.

        
      
p

    
L tempo
    
   
119

                 


p p
ff
2nd Horn
3

 
            
M
   
125

      

p

        1.  
131 N Clap!

             
 
              
      
f

 2. 
O
   
                  
139

            
f p

  
accel.

            
147

       
 
  
   p
f


153

           
                  
mp

  
 
158

             
      
ff
1st Baritone

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)
 
               
ff mp

5
    A

                

mp f mp mf
9
     

         
mf p
Lento rall.. rit..


B
     
15

     
p p


tempo
C

24

   


    
mf p

 
Un peu plus L ento


   
tempo rit. D
 
29

          
 
 
p p

 
 E

   
40

    
1. 2.

           

p p p

   
 
54

       
p pp

 
          
F Allegro molto vivace
     
60

              
  
ff f ff

  G
   
            
69

        


f f p

80 H
 1. 2.

    
1st Baritone
2

         


I
      
89

     
f mf p

               


96

        
f mf p

      
103

       
f

          
    
105 J molto rit. poco accel.

 
1. 2.

   
p

     
        
112 K molto rit. poco accel.

 
1. 2.

 
  
p

119 L tempo
      
M

           
   

f p p

          1. 
131 N
              
Clap!

      
  
f

                


O
    
139 2.

        
f mf p

  
              
148
accel.

 
 
f

     
156

  
  

  

 
mp

    
159

  
  
     
ff
1st Trombone

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer
Moderato (molto rubato, complete freedom)
 
             

  
ff mp

  
A
  
4

 
     

 
mp f


       
9

          
mf f

Lento rall..
15

B
 colla parte    
        
p p

rit.. tempo
22
     
C
 
colla parte
  
         
p

27

tempo
 rit.

  
        
p


Un peu plus L ento
D
        
33
 
          
mp  p

   
   
E

45

 
1. 2.

     
p

  
 
54

         

p pp
1st Trombone
2

         
 
      
F Allegro molto vivace
  
60

             
ff


  
ff

G
      
                
74

        
f p

80 H
   I   
        
1. 2.

    
f


     
 
96

          
f

  
J molto rit.
  
poco accel.

 
105

    
 
pp


       
109

 
1. 2.
  
  
p

   
K molto rit. poco accel.

  
112

       
   



pp

        
115

 
1. 2.
         
  
p

    
        
119 L tempo M stamp!


        

f p

          1. 
131 N
              
Clap!

      
  
f
1st Trombone
3

     


     
            
O
      
139 2.

       
p f

          
accel.

  
149

           
 
  
p

              
154

    
 

  
  
 
mp

 
  
159

           
ff
2nd Trombone

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer
Moderato (molto rubato, complete freedom)
 
             
  
ff mp

  
A
 
4


         
 
mp f

  
  
9

           

mf f

Lento rall..
    
B

15 colla parte

  
 
   
p p

rit.. tempo

 
C

     
22 colla parte

   
   
   
p

27

tempo
 rit.

      
  
  
p


Un peu plus L ento
D

33

                 
  
p p

45

E

          
1. 2.
    


p

  
 
54

      

 
p pp
2nd Trombone
2

         
 
      
F Allegro molto vivace
  
60

             
ff


  
ff

74

G
      
  
             
f p

80 H
 1. 2.
I
      
       
          
f f

99   
  

   
  
J molto rit. poco accel.

105

       
pp

   
109

 
1. 2.
          

p


K molto rit. poco accel.
       
112

       
          
pp

   
116

    
1. 2.
     
  
p

L tempo
   
        
119 M stamp!

         


f p

          1. 
131 N
              
Clap!

      
  
f
2nd Trombone
3


139 2.
 O              
    
              
f p f

 
accel.

       
   
149

         
      
p

     
   
154

   

      

  

  

mp

   
 
159

   

 

   
ff
Bass Trombone

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer
Moderato (molto rubato, complete freedom)
       

    

  

ff mp

5 A
    
     
     
mp

f  mf

10 B Lento
 
         
    
f
rall..
18 colla parte
          
       

p p

23 rit.. C tempo
 colla parte
              
  
p

29
tempo rit.


      
         
p
Un peu plus L ento
33 D
 

      
    
    
p

45 E
 1. 2.
          
       
p p

54
  
 
  
   
 
pp

60 F Allegro molto vivace


 
 
               
         
     
ff
 ff

Bass Trombone
2

74 G
               
     
              
f p
  
80 H I
 1. 2.
      
  
               
     
f f

99 
  
  

105 J molto rit. poco accel.



         
   
pp

109 1. 2.
   
      
   
 
p

112 K molto rit. poco accel.


     

   

        
    
pp

116 1. 2.
      


   

  
p

119 L tempo M
   stamp!
  
            
 
 
   


ff p
131 N Clap!
                 1. 
              
       
f

139 O
2.
     
     
    

    
       
f f

152
accel.
      
               
        
p
 mp

157
               

 

 
         
ff
Euphonium

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer


Moderato (molto rubato, complete freedom)

       
   
ff


 

A
            
7

   

 
f mp mf mf
10
 
 B Lento
 rall.. 
      

22

rit.. C
 colla parte

    
tempo
  
p  p
 
tempo

28

            
 
p

32
 
rit. D
Un peu plus

L ento


                     
 
 p p

45

E
  1. 2.

           
    
p

p

  
 
55

    


pp

60
         
F Allegro molto vivace
 
      
       
        
ff
ff
74 G 
    H
         
    
1.

                
         

 
 

f p

88 
     
2.
I

          
  
          
        
f mf f mf
Euphonium
2

101   
  

 
105 J molto rit.
 poco accel.
 1. 2.

    

 
112 K molto rit.
 poco accel.
  
        
 
pp

    
116

1. 2.

        
  
   
p

119 L tempo
  M
 
                 
    
 
f p

131 N
 1.

   

  
2.

           
       
139 O

           
   
f mf f

152
accel.
 

      
ff
Bb Bass

EUPHFUL GYPSY AIRS


Pablo de Sarasate
arr. Geoff Colmer
Moderato (molto rubato, complete freedom)

    

    
     
ff mp

A

5

        
     
mp f  p
Lento
B

10 
  

        
     
p  
rall..


18 colla parte

            

  
  p

rit.. tempo
C

23 colla parte

          
      
mf p
tempo

27

         
 
  
   
p
Un peu plus L ento
rit. D
    
32


              
 
         
  
 p

E

40

     
    
       
     


49 1. 2.

 

  
      

  
56

 
 

  
pp 
Bb Bass
2
F Allegro molto vivace

60

               
                           
ff     p ff


70 G

                                   
  
p
  
f
  
p
    

79 a1 H

                     
1. 2.
  
          

p


89 I
  
a2

                    
   

         
f p


95

                            
             
f p

 
102

           
    
f 


105 J molto rit.
 a1
poco accel.

   
   

 

 
pp



109

      
1. 2.
      
    

p

 
112 K molto rit.
 a1

poco accel.
 
        
 
pp

      
116

1. 2.

  

        
 p
Bb Bass
3
119 L a1 tempo
 M
     
a2

            
     p
   


p f
127 N

        
1.
          
  

   


2.


139 O

        
                   
  
         
f p
147    
                
   
       
 f p
accel.
 
152

            
             
  mp

    
157

                 
   
 
ff
Perc

EUPHFUL GYPSY AIRS


Pablo de Sarasate
Moderato (molto rubato, complete freedom) arr. Geoff Colmer

  
timps
 
        
  
ff cymb mp

    

ff

5 A
  
     
 

mp p

    
 
 
p mf
 
          
glock
p

10  B


timps

  
Lento
    

18 rall..

colla parte
 



    

p p

     
     
p glock
rit.. tempo
23 C

 
timps
    





p
tempo rit. Un peu plus L ento

 D

    
29
    


 
  






mp p p

45 E

 
2 Perc



48 timps 1. 2.
          
   
p BD

         
pp 


55

   
   
 
  
  
       
glock

  
Allegro molto vivace pp

60 F
 cymb    
              
ff
ff
74  cymb
  H
 1. 2.

G
           

     
    
f BD glock

           

 


p
I

   
89
    
  
 
    
f    
 
f
  SD  
                    
f 

  p f  
98  
      

  SD

                
     
 p f


1. 2.
105 J molto rit. Tri poco accel. Tri
      
        
  
   
p 
           
pp glock
Perc 3

112 K molto rit. Tri poco accel.



      
1. 2.

       
 


p
 
        
   
pp

119 L tempo

          

  
            
f

         
 
  
glock
p p


 
125 M rim-shot N
 Tri 
             

p f mp

133
            
1.
  
     
 

O
 
       
139 2.
   
       
f f

   
     
         
                       
   
f
   p f
  
152 accel. 
        
   
mp


158
       
 
ff 
 
                
      
ff 

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