Scribd Logo
Upload

Welcome to Scribd!

  • 11 views

    Arc Interlock PRINCIPLES OF DESIGN AND BASIC DRAWING

    Uploaded by

    Gayathire Harikrishnan
    Nata&jee-b.arch

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content

    You might also like

    Arc Interlock PRINCIPLES OF DESIGN AND BASIC DRAWING

    Uploaded by

    Gayathire Harikrishnan
    11 views31 pages
    Nata&jee-b.arch

    Original Title

    Arc interlock★PRINCIPLES OF DESIGN AND BASIC DRAWING

    Copyright

    © © All Rights Reserved

    Available Formats

    PDF or read online from Scribd

    Did you find this document useful?

    Is this content inappropriate?

    Report this Document
    Nata&jee-b.arch

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    11 views31 pages

    Arc Interlock PRINCIPLES OF DESIGN AND BASIC DRAWING

    Uploaded by

    Gayathire Harikrishnan
    Nata&jee-b.arch

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    of 31
    SEMEN Geni UNCIPLES arr | —e { aoe r "SHAPE / FORM aca ange Me YIO[19}UI 9 Principles of Design These are the standards or rules to be observed by Artists in creating works of Art; they are how to create and organize Artwork. When are utilized with the principles in mind, outstanding Artwork is created. arc interlock A distribution of visual wei her side of the vertical xis. Symmetrical balance uses the same characteristics. ‘Asymmetrical uses different but equally weighted features Contrast The arrangement of opposite elements (light vs. dark, rough vs. smooth, small vs large, ete...) in a composition 50 as to create visual interest. Emphasis Used to make certain parts of an Artwork stand out. it creates the center of interest or focal point. It is the place in which an Artist draws your eye to first. Movement How the eye moves through the composition; leading the attention of the viewer from one aspect of the work to another. Can create the illusion of action. Pattern The repetition of specific visual elements such as a unit of shape or form. A method used to organize surfaces in a consistent regular manner. Rhythm Regular repetition of, oF alternation in elements to iveness and interest. YYsualy pleasing agreement among he elements in a design; Itis the Feeling that everything in the work of Art ‘works together and looks like it fits. MIO TIGSLNI Sav COMPOSITION NAME. The at of organizing elements of artwork into a harmonious and pleasing whole The consideration of how objects are placed in a design or work of art Tips for creating good composition: 1. Overlap race objects sbghty over one another. Ths wil {get the eye fo move from one element to another Objects should not be touching each other by edges (no kissing alowed") Avo solaton, Build ‘2 relatonshp between objects 2. Crop Consider having objects goof the edge of the ‘age. This gots the viewer in and out ofthe picture ‘vod floating objects within the edges ofthe page Have object go off the page ‘Avod floating objects a— t 3. Rotate: Consider placing objects at an angle Things that {a7 ttes create a more dynam composition ‘Artwosk with obyects that are perfecty ined up with the edge can be boning Tat objects “Avoid all objects upright my {| 4. Focal Point Create an area of portance. Give the viewer something to focus on. One way 10 achieve this is through size variation Try not to have all elements the same size. Another way o create focus is through color dominance 5. Off-Centering ‘Avot placing objects direct inthe center ofthe page. Tink about placing objects shy to one fide The wail create a more mteresing compos: ton, Try to keep elements balanced as you do this. For example, one large bject could be balanced by smaller ones, (Note: this does not mean at 9 symmetrical design cannot Be success) ‘Avoid all objects the same size | * @ ‘Off-center objects for interest ‘Centered can be boring O° ° a eo} Re Td Bata Gee TALT GROUND oe ots STW ag Bead Om A LaCbe UNI Are interlock TINT Adding white TONE Adding grey MIXTURE Adding another colour SHADE Adding black CHROMA Figure-Ground: Objects (the figure) are seen as distinct from the surroundings (the gound). (Here the red objects are the figure and the yellow backgound is the ground). Proximity: Objects that are physically close VV vw VV wiV¥ Vo ww ¥ together are grouped together. (In this figure, we see 3 groups of 6 hearts, not 18 separate hearts.) When we see ‘thi: Continuity: a pattern are grouped : together. (When we see We normally\see this line a., we normally see a combination of lines b. and c. — not d.) plus this Not this. wa ws CN &4 84 B44 4 Closure: A racZtnx_ The tendency.to see a finished unit (triangle, square, or circle) L al XK J from an incomplete stimulus. seeeseeee Similarity: Similar objects are grouped SSceuseae together (the green colored seakeeose dots are grouped together eeoceseoe and perceived as the seevaeees number 5). eecccoses oo {_} rletal ft | RSS A Chapter 13; CIRCLES, CYLINDERS AND CONES Circles And Ellipses: Circles, Except When They Are Parallel To Observer's Face, Will Foreshorten And Appear As Ellipses =()-@- Qa — ple «fF e+ ee se view silver dollar appears as a perfect clrele only when seen “front face.” When pivoted around a diameter line, it changes from « round to 4 “skinny” ellipse, till Gnally it appears as a thin line. > ‘ q py Upright circles paratil toone another | and at right angles to observer (Le, | the other and at right angles to ob- to picture plane) will appear as én- | server (picture plane) will appear as Seam creasingly rounder ellipscs the ferthee increasingly rounder ellipses the they are from center line of ebserves's further they are from observer's eye ‘viabon. (Abooe.) level-boriaoa line. (Aight.) ‘ellipses — denpite the fact that lly, even the ones far to the lett and orcs mechanical perapective circles right of center line of observer's at far Left and right would come out ‘vision, should all be drawn as true as distorted ellipses, BACNTSRFOR } XK \ Dix) QO (xf XXX) Va p> EpPxix

    You might also like