This document classifies the fugues in Bach's Well-Tempered Clavier books I and II based on their subject types and counterpoint techniques. It notes that 10 fugues use soggetto subjects, 3 use andamento subjects, 10 use diatonic subjects, 4 use chromatic subjects, 3 employ free counterpoint against the answer, and 6-7 use countersubjects against the answer. It concludes by questioning how to classify the remaining fugues.
This document classifies the fugues in Bach's Well-Tempered Clavier books I and II based on their subject types and counterpoint techniques. It notes that 10 fugues use soggetto subjects, 3 use andamento subjects, 10 use diatonic subjects, 4 use chromatic subjects, 3 employ free counterpoint against the answer, and 6-7 use countersubjects against the answer. It concludes by questioning how to classify the remaining fugues.
This document classifies the fugues in Bach's Well-Tempered Clavier books I and II based on their subject types and counterpoint techniques. It notes that 10 fugues use soggetto subjects, 3 use andamento subjects, 10 use diatonic subjects, 4 use chromatic subjects, 3 employ free counterpoint against the answer, and 6-7 use countersubjects against the answer. It concludes by questioning how to classify the remaining fugues.
This document classifies the fugues in Bach's Well-Tempered Clavier books I and II based on their subject types and counterpoint techniques. It notes that 10 fugues use soggetto subjects, 3 use andamento subjects, 10 use diatonic subjects, 4 use chromatic subjects, 3 employ free counterpoint against the answer, and 6-7 use countersubjects against the answer. It concludes by questioning how to classify the remaining fugues.