Sinfonia

a Violoncello Solo

  
Giovanni Battista Pergolesi 1710 – 1736

                     

                 
  
Comodo 6

               
         



3 

      
     
6 6

      
6

    
      
    
     
5

                      
   
6 6

   
    

   
  
                 
   
8 3 3

               
       

6

   

1
               
     
        
    

                

 
Allegro

      
                 
  
8

                     
        


                                 
  
 

 
16

         
        

   
                     
  
 
24

         
     

   

                            


      
30

    
              
 
  

            
                
 
38

      
                

2
                      
     
   
    
46


               
  


         
                          
  

54

     
                 

 

   
                    
 
62

     
                

    
 
 
 
    
               
70

    
         
  
 
 

3
   

       
          
   

     
        
3 3 6
Adagio

                             

      
4

              
     
3 3 6

   
3 3 6


   
              
 
 
7 6

          
3

    
       
 

      
           
 
   
      


10


                   
6


3

              

               
   
13

    
      
 
6

  
    
7 ()6

 
                 
       

  
   
  
     
       
Presto

4
      
                  
9

     
                 
  

  
                    

   
      
19

           
  
       

    

      
   

         
   
28

    
  
           


       
                

35

                         
   


                  
                 
45

         
    

 


         
                  
54

 
   
      
     

Finis