Hallelujah

George Frideric Handel

  
Escola de Cordas Unicesumar

         
Adapt.: Guilherme Sanchez

       
     
Allegro

           

Violino I

 
     
       
 
         
Violino II

           
 
Viola

                              
Violoncello
 

  
          
  
       


5

 
  
              
   
   
                
 
                               
  


            
                      
9

  
                              

                       
        
                     
       

  
      
  
                      
  
15


                    
      
       

             
                 

      
                 

                 
  
           
21

                             
 
         
                

        
                

              
 
             

27

    
      
                 
     
 
           
                     

          
              


2
                        
           
    
31

                              
       
         
                            
     
                          
  

               
         
         
38 Solo de primeira estante

    
            
   
 
            
  
           
  
Solo de primeira estante

 
                                     
    
Solo de primeira estante

 
                 
       
46

Solo de primeira estante

                   
 
 
  

                        
    
  
                           
            
    

3
      
                                 
52 Tutti

                      

           
   
Tutti

                     
                 
Tutti

                     
                  
Tutti

        
                         

58

                                          
   

                                        
 
                                           
   

                                 
 

64
Solo de primeira estante

                                           
    

Solo de primeira estante

                            

          
Solo de primeira estante

 
                                   
        

4
               

  
       
     
72 Tutti

                         
            
Tutti

      
                           
   
Tutti

                      

              
  

                              

      
79

                            

 

           
             
    
                        
  

           
 
      
   
    
 

86


                         
   
   
                          

  
                        
   

5
                   
  
91

                  
  
     
               

                   

6
 Violino I. Hallelujah
Escola de Cordas Unicesumar George Frideric Handel

                    
Adapt.: Guilherme Sanchez

          



Allegro

                               
     
6

         
                                
11

               

        
18


                    

          
24

                                  
  
29

                  
                     

33

       
      
                      
41 Solo de primeira estante

           
                       
50 Tutti

                   
               

56
                                  
  

62

            
               
  
68
Solo de primeira estante Tutti

                       
       
  
76

                                  
     

82

                           
    
88

                    

91

2
 Violino II. Hallelujah
Escola de Cordas Unicesumar George Frideric Handel

                
Adapt.: Guilherme Sanchez

          
       
Allegro


                  
  
            
 
6

                            
      
  
11

                         
          
18


                   
       
   
25

                                  
    
29

      
                 
        
  
33

           
     
                  
Solo de primeira estante Tutti


46

                                        
   
53

                             
              
59
                
         
  
65 Solo de primeira estante

                  
    
             
71 Tutti

                               
     
 
77

                                   
    
 
83

                                    
  
89

2
 Viola Hallelujah
Escola de Cordas Unicesumar George Frideric Handel

    
        
Adapt.: Guilherme Sanchez

         
   
Allegro

               
                   
6

                    
            
11

  
                          
17

            

                   
25

     

                               
29

                

                
      
33

    
 
                               
  
42 Solo de primeira estante

             
                    
50 Tutti

        
                               
 
56
 
                                      

62

                 

                 
  
69
Solo de primeira estante Tutti

              
 
                      
77

                    

       
  
84


                                
90

2
 Violoncello Hallelujah
Escola de Cordas Unicesumar George Frideric Handel

                              
Adapt.: Guilherme Sanchez

        

Allegro

        
                         
 
6

                       
          
11

     
                              

18

                       
        
26

  
                       
      

31

  
                                   
    
38
Solo de primeira estante

   
                                      
     
46

                
                 
52 Tutti


                                         
   
57
                       
           
     
63

         
 
                       
 
71

     
                               
   
78

                                       
   
86

      
  
92