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Portrait Drawing Tutorial PDF 1
Portrait Drawing Tutorial PDF 1
Portrait Drawing Tutorial PDF 1
Step one! Decide how large you want your drawing to be on your paper.
Jot down a measurement that will indicate the size of the drawing, such as the height, as I have done here.
As always, you want to work "general to specific".
This means that you start with the largest, most general measurements (such as the height and width), and
then move to incrementally smaller measurements until you get to the smallest, most specific ones.
To figure out the width of the head, I measure the height with my pencil, from the chin to the top of the head,
and then compare it to the width.
I notice that
the width is
slightly
narrower
than the
height, and
indicate this
on my
drawing.
I begin to map out the general shape of the head.
Something I want to emphasize in this portrait drawing tutorial is to look for lines that flow into one another.
For example: the hairline flows right into the line of the shadow being cast onto the neck.
The more elements you can relate to each other on the face (such as these two lines), the more accurate and
organic-looking your block-in will be.
Drawing the contour of the profile
This helps me see how far the lips, nose, and forehead
extend to the right of the line.
I can also imagine a straight vertical line at the tip of the nose.
This clearly shows me that the forehead almost reaches the line, but not quite. The nose extends to the right
ever so slightly more than the forehead.
Now I know where to draw the forehead in relation to the nose!
You can create these imaginary straight lines anywhere, and use them in any way that they are helpful to you.
Rhythms are curved lines that flow from one element of a picture to another, creating a kind of underlying
structure that connects all the elements in the image.
Read more about rhythms and how to use them here (coming soon)!
To refine the contour of the face, I again rely on the measuring lines I used earlier.
The straight lines help you clearly indicate the high points (the most protruding points) on the profile.
Once I am confident in the placement of the features, I begin constructing them anatomically.
This stage of constructing the features is a combination of what you see and what you know.
You often can't see the construction of the features clearly, so you have to have an idea of what is there in
order to construct it accurately.
I have constructed the features, drawn in the shadow shapes, and indicated some of the differences in edge
quality.
I have also left some of the flowing rhythm lines, because they remind me that every element in my picture
relates to something else, and that nothing exists in isolation.
If I keep this in mind as I render the portrait, I am more likely to create an organic-feeling, unified picture.
Portrait Drawing Tutorial
Page 2: Rendering the Portrait
Shading, or rendering, is one of my favorite stages of
drawing faces.
Why?