This document discusses various techniques for assessing and providing feedback on student writing. It notes that students are often concerned with grammatical accuracy in their writing and expect teachers to point out errors. However, over-correcting can be demotivating. The document discusses strategies like correcting a limited number of error types, indicating errors for students to find, and using a staged approach. It also suggests giving general feedback, using peer review, and focusing on content over accuracy. Providing clear and balanced feedback is important for promoting effective writing skills.
This document discusses various techniques for assessing and providing feedback on student writing. It notes that students are often concerned with grammatical accuracy in their writing and expect teachers to point out errors. However, over-correcting can be demotivating. The document discusses strategies like correcting a limited number of error types, indicating errors for students to find, and using a staged approach. It also suggests giving general feedback, using peer review, and focusing on content over accuracy. Providing clear and balanced feedback is important for promoting effective writing skills.
This document discusses various techniques for assessing and providing feedback on student writing. It notes that students are often concerned with grammatical accuracy in their writing and expect teachers to point out errors. However, over-correcting can be demotivating. The document discusses strategies like correcting a limited number of error types, indicating errors for students to find, and using a staged approach. It also suggests giving general feedback, using peer review, and focusing on content over accuracy. Providing clear and balanced feedback is important for promoting effective writing skills.
• L2 learner are concern about their errors • they expect the teacher to point out the grammatical mistakes they made • they try their best to produce their thoughts and hope the audience to appreciate their works • An experiment carried out by Raimes (1985, p. 246) proves that when writing takes place in L2, the students are concerned more to get down their ideas on paper rather than concerned with accuracy as much as we thought. • most EFL teachers link a view of English as a subject of teaching rather than a good way to teach students to communicate effectively. Feedback in Writing • teachers are constantly “forced away from the content of the text toward the way the content is presented” (Ilona, 1990, p. 59) • teachers’ high expectation on accuracy is demonstrated by correcting every grammatical error in the compositions. • many researchers point out that it is still an open question whether students who got error correction would write more accurately in the future assignments (Chandler, 2003, p. 269, Fathman & Whalley, 1990, p. 180). • sometimes over-correcting can have a very demotivating effect and the teachers need to keep a proper balance between being accurate and truthful on the one hand and treating students sensitively and sympathetically on the other (Harmer, 1998, p. 84) • therefore, how to assess students’ works could be a crucial part in promoting L2 writing skill. Feedback in Writing (ZX) • part of the teachers responsibility to students is to respond to the ideas, feelings, or perceptions that they have tried to communicate through their writing (Tribble, 1996, p. 119). • teachers could use different ways to assess different aspects of written works, including assessing language, structure, the writer’s expectation and the readers’ response. • It is unnecessary for the teacher to focus on specific composition but rather to give a general evaluation to the whole class. • Then the member in the peer editing groups could self-evaluate or win the help or suggestions from other members while the teacher could be the assistant to work with them since it is generally assumed that teacher and peer comments are directed at helping students meet certain goals in writing (Hillocks, Jr. 1986, p. 220). • After discussion in the editing groups, the teacher could comment on the strengths and weakness generally and let students propose some good examples from their works in different points, such as vocabulary usage, logical organization, task fulfillment, readers’ response, communicative functions etc. • Helping students write more effectively and finding the confidence to be a good writer are the key ideas in teaching writing. Correction Procedures • Correct all mistakes • Correct mistakes selectively • Indicate mistakes so students can correct them • Staged approach Correct All Mistakes • traditional approach to the correction of written work. • time-consuming for the teacher and discouraging for the students - at least if they get their work back covered with red ink • some students learn nothing from it; others are more interested in why something is wrong rather than the correction itself • if you can correct something in class, while the students are still engaged in writing and everything is fresh in their minds, this is likely to be more effective than looking at a mass of corrections several days after the event. • unless the educational system obliges you to carry out this kind of correction, you should consider alternative approaches. Correct Mistakes Selectively • you do not attempt to correct all the mistakes in a piece of writing, but only those in certain areas, such as tenses or articles, either because this is where the students particularly need help or because you have decided to focus attention on these for a while • this approach is more positive than total correction - in practice, of course, most teachers exercise some form of selection - but it probably needs to be backed up by some form of remedial teaching Correct Mistakes Selectively • normally done by underlining the mistakes and using some kind of symbol to focus the attention of the students on the kind of mistake they have made • see next for an example of these symbols What to do with the list above? • get the students, individually, in pairs or in small groups, to identify at least most of the mistakes for themselves • if they cannot, then they should consult you • this approach makes them more aware of the kind of mistakes they are making and therefore likely to result in something being learned • you do not need of course to indicate all the mistakes • in practice, however, it does not solve all the problems • if students are left to identify mistakes for themselves, they may not bother. • even if they work in groups, some form of confirmation may be needed and this could take up a lot of class time in a large class. Staged Approach • If your teaching situation permits, you could try to implement a staged approach for getting the students to correct their own work Stage 1 Underline the mistake and diagnose it by writing the appropriate symbol in the margin Stage 2 Underline the mistake but do not diagnose it Stage 3 Diagnose the mistake by writing the symbol in the margin but do not show where it is in the line Stage 4 Put a cross in the margin (for each mistake) Stage 5 Put a cross against each line with a mistake but do not indicate how many mistakes there are Indicate Mistakes – Students Correct Themselves • not a procedure that you are likely to be able to follow all the time • occasionally, you should be prepared to hand over the whole business of correction to the students - which they will generally do scrupulously and with enjoyment Other Measures • Explain mistakes - write a comment in the margin or at the end of a piece of written work - is especially useful for drawing attention to recurrent mistakes in a particular area and when you are able to look at students' work in class Other Measures • Use the mistake as a basis for remedial teaching - should be followed if a sufficient number of students in the class have made a mistake to warrant general correction - alternatively, you can set individual remedial work. - remedial teaching may take the form of an explanation, where this is felt to be sufficient, or exercises, oral or written, whichever seems to be appropriate, designed to correct the mistake - teachers tend to place their faith in one type of correction procedure rather than another in particular, many do not accept (or only accept with some misgiving) self-correction procedures - although it is important to give the students opportunities to correct written work so that they develop a self-critical attitude, NO ONE approach is so superior at all time - you should use various approaches to suit the needs of your students • PUT THE OLD SLIDES Hereonwards …. Zainurin Abdul Rahman TEACHING ANO ASSESSING WRITING SKILLS Luis Alberto Lázaro Universidad de Alcalá Suggestions for Marking/Correction Techniques • mark positively. The teacher's corrections should not have a discouraging effect on students • instead of deducting points for each mistake they have, we could respond positively to their strengths and reward them with what they have got right • Although at the end the result might be the same, the point of view is completely different. Besides, as Tricia Hedge states: Ideally when marking any piece of work, ticks in the margin and commendations should provide a counterbalance to correction of «errors» in the script. (1988: 10) Suggestions for Marking/Correction Techniques • Design a specific and reliable correction system. Decide: - What aspects of writing will be taken into account (content, organization, grammar, vocabulary, spelling, etc.) - What type of descriptors will be used (numbers, letters, words such as «excellent», «good», «fair», etc.) - What criteria will be established to understand what each descriptor represents • These criteria could be arranged in: - holistic scales (general descriptions of writing ability) - or analytic scales, which separate the aspects of writing into different units. Sample … holistic scale Sample … Analytic Scale Sample … Analytic Scale Suggestions for Marking/Correction Techniques • mark selectively. Focus our attention on some particular aspects, such as: - grammatical mistakes or organization, and ignore the rest, otherwise • students will see their page painted in red and feel discouraged. • We can leave the other mistakes for another time. Suggestions for Marking/Correction Techniques • use a clear correction code • create a system of abbreviations which they write in the margins of the composition to indicate the type of error detected, so that students can try to identify and correct them themselves later on in class • Below are some correction symbols that could be used: Suggestions for Marking/Correction Techniques • Sp = spelling mistake • T = wrong tense • Wo = word order • Pr = prepositions • L = linking • V = vocabulary (inappropriate language) • P = punctuation • O = a word missing • ? = unclear meaning • Pa = paragraphs Other Convention GUIDELINES FOR TEACHING AND ASSESSING WRITING ANA MUNOZ SANDRA GAVIRIA MARCELA PALACIO Other Suggestions for Marking/Correction Techniques • Self-assessment: 1. when the teacher hands back written work students identify their mistakes and correct them. 2. teacher and the students discuss and negotiate the criteria involved in assessment. • 3. The teacher corrects the compositions but does not write a mark. - students get the compositions back and decide what the mark is following the criteria set beforehand. • 4. Students work in groups and read, criticise, and proofread their own writing. • 5. Students examine a set of questions that prepare them for revision activities. • 6.... Other Suggestions for Marking/Correction Techniques • Peer correction: 1. Students sit in pairs and read each other's work. They look for mistakes in each other's writing and attempt to correct them, giving a mark. 2. A group of students correct the writing done by another group. 3. In the case of group writing, if each student in the group writes a section, they exchange their pieces of writing with other members of the group and mark the draft for revision. • 4.... Other Suggestions for Marking/Correction Techniques • • In composing your draft, what was the biggest problem you • experienced? • • If the teacher were to read your paper right now, what would be • the first thing the teacher would say about it? • • If the teacher were going to say something really nice about your • draft, what would it be? • • Write a criticism of your draft. Imagine that your draft is in the • hands of a critical English teacher. What would the teacher write? • • On the basis of the comments you've already received from your • teacher, or your classmates, what changes do you intend to make • when rewriting? • • List three important details in your paper. • • Look at your opening sentence. On a scale from 1 (Iowest) to 10 • (highest), what score would you give it? • • If yoiJ had something to add to this paper, what would it be? • • If you had to cut something, what would it be? • • What do you need to do to your paper between now and the day • it's due? How long will it take? • (Taken from Whitlock, 1984)