Quando

a morena
Coro Audinos Ciranda - Danza Brasilera
Gabriel Levy


   
Todos En Canon

        
Dm C B♭
1 3
Soprano

 
                          

Quan do/a Mo re na brin ca na

Percusión Corporal

     
6 A7sus4 A7
3
S.

 
                
bei ra do mar

PC


             
9 F A7 B♭ A7sus4

S.

le van ta sa ia pra ñao mo lhar

                 
17 * Dm C B♭ A7sus4 A7 F
3 3 3
S.

Ah! vem ci ran dei ro ah vem com/a Mo re na dan car

          
26 A7 B♭ A7sus4

S.
ci ran da vem na mo rar
 
           

33 * Dm C B♭
Melo 3
S.


   
Quan do/a Mo re na brin ca na

        
3
A.

       
Quan do/a Mo re na brin ca na

Bar.

       
 

          

  
 

Pa pa pa

    
   









 
 



                       
Pno.

         


           
38 A7sus4 A7 F A7
3
S.


      
bei ra do mar le van ta sa ia

    
3
A.

      
   
bei ra do mar le van ta sa ia

Bar.

                         
3

    
pa pa pa pa pa pa

             

 
  
    
 
 
 
   
         
         
Pno.

       

2
        

44 B♭ A7sus4 * Dm

S.

       
pra ñao mo lhar Ah!

A.

   
    
pra ñao mo lhar

Bar.

       
                              
pa pa pa pa pa

            

                          
     
Pno.

           

         
50 C B♭
3

S.

 
vem ci ran dei ro ah

       
3
A.

         
vem ci ran dei ro ah

Bar.

                     
3

        
vem ci ran dei ro ah

         
         
                    
Pno.

          

3
        
   
55 A7sus4 A7 F A7
3 3
S.


vem com/a Mo re na dan car ci ran da

          
3 3
A.

    
  
vem com/a Mo re na dan car ci ran da

    
3 3

Bar.

        
  
                 
    
vem com/a Mo re na dan car ci ran da

     
       
      
    
  

   



 
           

Pno.

        

         
61 B♭ A7sus4

S.

    
   
vem na mo rar


A.

         
vem na mo rar

Bar.

             
             
vem na mo rar

      
     
                     
  
Pno.

           