Professional Documents
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Self Portrait
Self Portrait
Self-portrait
A self-portrait is a representation of an artist, drawn, painted,
photographed, or sculpted by the artist. Although self-portraits have
been made by artists since the earliest times, it is not until the Early
Renaissance in the mid 15th century that artists can be frequently
identified depicting themselves as either the main subject, or as
important characters in their work. With better and cheaper mirrors,
and the advent of the panel portrait, many painters, sculptors and
printmakers tried some form of self-portraiture. Portrait of a Man in a
Turban by Jan van Eyck of 1433 may well be the earliest known panel
self-portrait.[1] He painted a separate portrait of his wife, and he
belonged to the social group that had begun to commission portraits,
already more common among wealthy Netherlanders than south of the
Alps. The genre is venerable, but not until the Renaissance, with
increased wealth and interest in the individual as a subject, did it
become truly popular.[2]
Frida Kahlo, Self-Portrait, 1940. See discussion
of her works below.
Types of self-portrait
A self-portrait may be a portrait of the artist, or a portrait included in a
larger work, including a group portrait. Many painters are said to have
included depictions of specific individuals, including themselves, in
painting figures in religious or other types of composition. Such
paintings were not intended publicly to depict the actual persons as
themselves, but the facts would have been known at the time to artist
and patron, creating a talking point as well as a public test of the artist's
skill.[3]
In the famous Arnolfini Portrait (1434), Jan van Eyck is probably one of two figures glimpsed in a mirror - a
susprisingly modern conceit. The Van Eyck painting may have inspired Diego Velázquez to depict himself in full
view as the painter creating Las Meninas (1656), as the Van Eyck hung in the palace in Madrid where he worked.
This was another modern flourish, given that he appears as the painter (previously unseen in official royal
portraiture) and standing close to the King's family group who were the supposed main subjects of the painting.[5]
Self-portrait 2
In what may be one of the earliest childhood self-portraits now surviving, Albrecht Dürer depicts himself as in
naturalistic style as a 13-year old boy in 1484. In later years he appears variously as a merchant in the background of
Biblical scenes and as Christ.[6]
Leonardo da Vinci may have drawn a picture of himself at the age of 60, in around 1512. The picture is often
straightforwardly reproduced as Da Vinci's appearance, although this is not certain.
In the 17th Century, Rembrandt painted a range of self-portraits. In The Prodigal Son in the Tavern (c1637), one of
the earliest self-portraits with family, the painting probably includes Saskia, Rembrandt's wife, one of the earliest
depictions of a family member by a famous artist. Family and professional group paintings, including the artist's
depiction, became increasingly common from the 17th Century onwards.
Sandro Botticelli's painting of the Masaccio inserted Piero della Francesca as Filippino Lippi as
Adoration of the Magi has an self-portrait from a sleeping soldier in his a figure in his
"inserted self-portrait". The the Brancacci Resurrection, 1463, Martyrdom of
[7]
position in the (right) corner, and Chapel frescoes (as fresco, Sansepolcro. Saint Peter,
the gaze out to the viewer, are is the Filippino fresco, 1481-82,
very typical of such self-portraits. Lippi), 1424-6. Brancacci Chapel,
Florence. He is at
the extreme right
of a crowded
[8]
composition.
Women painters
Women artists are notable producers of self-portraits; almost all significant women painters have left an example,
from Caterina van Hemessen to the prolific Elisabeth Vigée-Lebrun, and Frida Kahlo, as well as Alice Neel, Paula
Modersohn-Becker and Jenny Saville who painted themselves in the nude. Vigée-Lebrun painted a total of 37
self-portraits, many of which were copies of earlier ones, painted for sale. Until the 20th century women were
usually unable to train in drawing the nude, which made it difficult for them to paint large figure compositions, and
portraiture was a common specialism. Until the 19th century, they usually showed themselves in the act of painting,
or at least holding a brush and palette. More often than with men, the viewer wonders if the clothes worn were those
they normally painted in.
Self-portrait 3
Caterina van Hemessen's Sofonisba Anguissola (c. 1532 - Artemisia Gentileschi, Judith Leyster, a painter of genre
1548 self-portrait, perhaps 1625) of Cremona served as Self-Portrait as the Allegory subjects, who surely did not
the oldest self-portrait of a court painter to the Queen of of Painting, circa 1630, normally dress like this to paint.
female oil-painter, though Spain, and painted several Royal collection Windsor. NGA, 1630.
much earlier examples of self-portraits and many images Note the pulled-up sleeve on
manuscript painters exist. of her family. c.1556 the arm holding the brush.
Marie Ellenrieder, self Mary Cassatt was an Marie Bashkirtseff self-portrait, Gwen John (1902) also mostly
portrait, 1819. A German American portrait painter 1880 was a Russian born artist painted women and children.
religious artist and the first who specialised in portraits of who died at twenty-five. A large
woman to enter the Academy women and children, 1878. number of Bashkirtseff's works
of Munich. were destroyed by the Nazis
during World War II
Antiquity
Images of artists at work are encountered in Ancient Egyptian painting, and sculpture[11] and also on Ancient Greek
vases. One of first self-portraits was made by the Pharaoh Akhenaten's chief sculptor Bak in 1365 BC. Plutarch
mentions that the Ancient Greek sculptor Phidias had included a likeness of himself in a number of characters in the
"Battle of the Amazons" on the Parthenon, and there are classical references to painted self-portraits, none of which
have survived.
Self-portrait 5
Asia
Portraits and self-portraits have a longer continuous history in Asian art than in Europe. Many in the scholar
gentleman tradition are quite small, depicting the artist in a large landscape, illustrating a poem in calligraphy on his
experience of the scene. Another tradition, associated with Zen Buddhism, produced lively semi-caricatured
self-portraits, whilst others remain closer to the conventions of the formal portrait.
Miyamoto Musashi, Hakuin Motoori Norinaga, late 18th Hokusai, early 19th century,
Samurai, writer and Ekaku was a century, Japan Japan
artist, c. 1640. Zen monk,
who painted
many
self-portraits
of himself
as sages of
the past,
1764,
Tokyo.
European art
Illuminated manuscripts contain a number of apparent self-portraits, notably those of Saint Dunstan and Matthew
Paris. Most of these either show the artist at work, or presenting the finished book to either a donor or a sacred
figure, or venerating such a figure.[12] Orcagna is believed to have painted himself as a figure in a fresco of 1359,
which became, at least according to art historians - Vasari records a number of such traditions- a common practice of
artists. However for earlier artists, with no other portrait to compare to, these descriptions are necessarily rather
speculative. In Italy Giotto di Bondone (1267—1337) included himself in the cycle of "eminent men" in the Castle
Self-portrait 6
of Naples, Masaccio (1401—1428) depicted himself as one of the apostles in the painting of the Brancacci Chapel,
and Benozzo Gozzoli includes himself, with other portraits, in the Palazzo Medici Procession of the Magi (1459),
with his name written on his hat. This is imitated a few years later by Sandro Botticelli, as a spectator of the
Adoration of the Magi, who turns from the scene to look at us. (1475). 14th century sculpted portrait busts of and by
the Parler family in Prague Cathedral include self-portraits, and are among the earliest such busts of non-royal
figues. Ghiberti included a small head of himself in his most famous work. Notably, the earliest self-portrait painted
in England, other than in a manuscript, is the miniature painted in oils on panel by the German artist Gerlach Flicke,
1554.
Saint Dunstan, then Peter Parler, late fourteenth Lorenzo Ghiberti on the Gates of Jan van Eyck, 1433,
artist-Abbot of century, from Prague Cathedral, Paradise, Baptisterio, Florence generally regarded as a
Glastonbury, prostrates where he was master architect self portrait, early 15th century self-portrait, which
himself before a giant and sculptor. would make it the
Christ. Later he became earliest Western panel
Archbishop of portrait after antiquity.
Canterbury. c. 950
(cropped at bottom).
Rogier van der Jean Fouquet, c. 1450, a Andrea Mantegna, c. Israhel van Meckenem and his
Weyden, as Saint very early portrait 1474, includes himself wife, engraving c. 1490, the
Luke, makes a miniature, and if the (as himself) in his earliest portrait print.
drawing for his Van Eyck above is appropriate place in this
painting of the excluded, the oldest fresco of the Gonzaga
Virgin. Boston, c. individual Western court.
1440. painted self-portrait.
Christ (Munich, Alte Pinakothek). He later re-used the face in a religious engraving of, revealingly, the Veil of
Veronica, Christ's own "self-portrait" (B.25). A self-portrait in gouache he sent to Raphael has not survived. A
woodcut of a bathhouse and a drawing show virtually-nude self-portraits.[13]
Dürer at thirteen, silverpoint, Dürer at about twenty, Dürer, 1493, oil, originally on Dürer's last self-portrait,
Albertina, 1484 1491–92, drawing, vellum, The Louvre, Paris 1500—unmistakably
Metropolitan Christ-like
Gentile Bellini, black chalk, Nuremberg sculptor Probable self-portrait Nicholas Hilliard, self-portrait
1496 or earlier, Berlin Adam Kraft, self-portrait by Leonardo da miniature, 1577
from St Lorenz Church, Vinci, c. 1512-1515
1490s.
Self-portrait 8
1640, wearing a costume in the Vienna c. 1655, oil on walnut, Again in antique costume, Dated 1669, the year he died,
style of over a century earlier. cut down in size. 1658, Oil on canvas Frick though he looks much older in
National Gallery Collection. His largest other portraits. National Gallery,
self-portrait, for which a new London
mirror may have been used.
Self-portrait 9
After Rembrandt
In Spain, there were self-portraits of Bartolomé Estéban Murillo
and Diego Velázquez. Francisco de Zurbarán represented himself
in Luke the Evangelist at the feet of Christ on the cross (around
1635). In the 19th century, Goya painted himself numerous times.
French self-portraits, at least after Nicolas Poussin tend to show
the social status of the artist, although Jean-Baptiste-Siméon
Chardin and some other instead showed their real working
costume very realistically. This was a decision all 18th century
self-portraitists needed to make, although many painted
themselves in both formal and informal costume in different
paintings. Thereafter, one can say that most significant painters
left us at least one self-portrait, even after the decline of the
painted portrait with the arrival of photography. Gustave Courbet
(see below) was perhaps the most creative self-portraitist of the
19th century, and The Artist's studio and Bonjour, Monsieur
Self-Portrait of Van Gogh with head bandaged, after he Courbet are perhaps the largest self-portraits ever painted. Both
(debatedly) cut off part of his ear. contain many figures, but are firmly centred on the heroic figure of
the artist.
Throughout his long career, Pablo Picasso often used self-portraits to depict himself in the many different guises,
disguises and incarnations of his autobiographical artistic persona. From the young unknown "Yo Picasso" period to
the "Minotaur in the Labyrinth" period, to the "old Cavalier" and the "lecherous old artist and model" periods. Often
Picasso's self portraits depicted and revealed complicated psychological insights, both personal and profound about
the inner state and well being of the artist. Another artist who painted interestingly personal and revealing
Self-portrait 10
self-portraits throughout his career was Pierre Bonnard. Bonnard also painted dozens of portraits of his wife Marthe
throughout her life as well. Vincent van Gogh, Paul Gauguin, and Egon Schiele in particular made intense and
self-revealing self-portrait paintings throughout their careers.
Self-portraits in general
Pieter Brueghel the Elder, The Pierre Mignard, 1690, Francesco Solimena, c. 1715. François Boucher,
Painter and The Buyer, c.1565, Louvre. self-portrait in the studio,
pen and ink on brown paper, 1720
presumed to be a self-portrait.
Antwerp
Classification
Art critic Galina Vasilyeva-Shlyapina separates two basic forms of
the self-portrait: "professional" portraits, in which the artist is
depicted at work, and "personal" portraits, which reveal moral and
psychological features. She also proposes a more detailed
taxonomy: (1) the "insertable" self-portrait, where the artist inserts
his or her own portrait into, for example, a group of characters
related to some subject; (2) the "prestigious, or symbolic"
self-portrait, where an artist depicts him- or herself in the guise of
a historical person or religious hero; (3) the "group portrait" where
artist is depicted with members of family or other real persons; (4)
the "separate or natural" self-portrait, where the artist is depicted
alone. However it might be thought these classes are rather rigid;
many portraits manage to combine several of them.[23]
Parmigianino, Self-portrait in a mirror is itself painted
on a convex surface, like that of the mirrors of the
With new media came a chance to create different kinds of
period.
self-portraits besides simply static painting or photographs. Many
people, especially teens, use social networking sites to form their
own personal identity on the internet.[24] Still others use blogs or create personal web pages to create a space for
self-expression and self-portraiture.
Self-portrait 12
Michelangelo Buonarroti, Allegory of Prudence, Titian, his Sofonisba Anguissola, Goliath in this late Caravaggio
circa 1535-1541, Sistine son and the cousin he had Self-portrait, 1610, aged 78, the David with the head of Goliath is
Chapel: The Last Judgment, virtually adopted, as Past, Present last of her many self-portraits, a self-portrait. 1605-10, Galleria
Michelangelo as a limp skin and Future. National Gallery, though she was painted later by Borghese, Rome.
hanging from the hand of St. London, late 1560s. Van Dyck.
Bartholomew.
Jan de Bray (left) Goya at the age Lovis Corinth, 1896. Flesh and John Bellany
and his family pose of 74, bone, life and death are Self-Portrait from
as The Banquet of Self-portrait with contrasted here. 'The
Anthony and Doctor Arrieta, Addenbrookes
Cleopatra. By the 1820, Hospital Series',
date of this second Minneapolis. 1988, one of a
version of 1669, series of
most of the models self-portraits made
had died of the after he had a liver
plague some years transplant,
before. covering his time
in hospital.
Cristofano Allori, Van Dyck with sunflower, Johann Zoffany specialised in Gustave Courbet, 1854,
Judith with the representing his patronage by group portraits, often Bonjour, Monsieur Courbet.
Head of Holofernes, Charles I, whose medal he "conversation pieces" with gentle The artist has travelled to
1613. According to holds up to the flower. Or is narrative content, and spent some the South of France (in the
his biographer, the Van Dyck the sun the flower years in India. c. 1786. vanishing coach), to meet
[29]
heads were those of turns to? 1633 or later. the collector Alfred Bruyas,
the painter, his for whom this was
[30]
ex-lover, and her painted.
mother. Compare
Caravaggio
[28]
above.
Self-promotion
The self-portrait can be a very effective form of advertising for an artist, especially of course for a portrait painter.
Dürer was not really interested in portraits commercially, but made good use of his extraordinary self-portraits to
advertise himself as an artist, something he was very sophisticated in doing. Rembrandt made his living principally
from portrait-painting during his most successful period, and like Van Dyck and Joshua Reynolds, many of his
portraits were certainly intended to advertise his skills. With the advent of regular Academy shows, many artists tried
to produce memorable self-portraits to make an impression on the artistic stage. A recent exhibition at the National
Gallery, London, Rebels and Martyrs, did not shrink from the comic bathos that sometimes resulted.[31] An example
from the 21st century is Arnaud Prinstet, an otherwise little-known contemporary artist who has generated good
amounts of publicity by undertaking to paint his self portrait every day.[32] On the other hand, some artists depicted
themselves very much as they did other clients.
François Desportes, a Maurice Quentin de Gustave Courbet, Self Portrait William Orpen, c.
specialist animal La Tour, pastel, (The Desperate Man), c. 1843. 1910
painter, Self-portrait 1750-60.
as Hunter, 1699.
Self-portrait 15
Collections
One of the most distinguished, and oldest, collections of self-portraits is in the Vasari Corridor of the Uffizi Gallery
in Florence. It was originally the collection by the Cardinal Leopoldo de' Medici in the second part of the 17th
century and has been maintained and expanded until the present time. It is mostly not on view for general visitors,
although some paintings are shown in the main galleries. Many famous artists have not been able to resist an
invitation to donate a self-portrait to the collection. It comprises more than 200 portraits, in particular those of Pietro
da Cortona, Charles Le Brun, Jean-Baptiste Camille Corot, and Marc Chagall. Other important collections are
housed at the National Portrait Gallery (United Kingdom) in London (with various satellite outstations elsewhere),
and the National Portrait Gallery in Washington, D.C..
Gallery
Pietro Perugino (c. 1500) Raphael (c. 1517-1518) Hans Baldung (1526) Lucas Cranach the Elder
(1550)
Self-portrait 16
Titian seems to have Probable self-portrait by El Peter Paul Rubens (1623) Rubens with his (first) wife,
painted no self-portraits Greco, 1604. Munich, c. 1609
until he was in old age,
1567
Self-portrait of Francisco Salvator Rosa, 1640. "Of Silence Diego Velázquez, Self-Portrait, Nicolas Poussin, Self-Portrait,
Zurbarán, as Saint Luke. and Speech, Silence is better" 1643 1650
Detail of Saint Luke as a Painter says the inscription.
Before the Crucifixion
Jan de Bray and his wife as Joshua Reynolds, Francisco Goya, The Artist in His
Ulysses and Penelope, 1668, a presented to the 1815 Oil on panel, Museum,
typical portrait historié. Royal Academy, Museo de la Real American artist
of which he was Academia de San Charles Willson
first President. Fernando, Madrid Peale, 1822.
Rather like
Rembrandt, but
more successful.
1773
Self-portrait 17
Édouard Manet, Self-Portrait Paul Cézanne, 1880-1881 Henri de Toulouse-Lautrec, self Édouard Vuillard, self-portrait,
with Palette, 1879 National Gallery, London portrait, 1882-1883 1889
Vincent van Gogh, 1889 Paul Gauguin, 1889 Vincent van Gogh (1889) Paul Gauguin (1893)
Musée d'Orsay Paris National Gallery of Art,
Washington, D.C.
Self-portrait 18
Henri Rousseau, (1890) Thomas Eakins, National Stanisław Wyspiański Henri Matisse, Self-Portrait
Academy of Design, 1902. (1869–1907), Polish playwright, in a Striped T-shirt 1906,
poet, architect, painter, prolific Statens Museum for Kunst,
self-portraitist (1902) Copenhagen, Denmark
Paula Modersohn-Becker 1906 John Singer Sargent, Pierre-Auguste Renoir (1910) Marc Chagall (1910)
self-portrait, 1907
Egon Schiele Egon Schiele, 1912 Kazimir Malevich (1912) J.B. Manson,
(1910) Self-Portrait,
c.(1912)
William Merritt Chase, 1915. Charles Demuth, Kaita Murayama, self Lovis Corinth, 1924
Turkish Bath with portrait, 1918,
Self Portrait, 1918 Japanese writer, poet
Self-portrait 19
Chen Cheng-po, Max Beckmann Jenny Saville, Closed Yan Pei-Ming, self portrait,
[33]
self-portrait, 1930 (1938-1940) Contact #10, 1996 (2000)
Photo-portraits
Two methods of obtaining photographic self-portraits are widespread. One
is photographing a reflection in the mirror, and the other photographing
one's self with the camera in an outstretched hand. Eleazar Langman
photographed his reflection on the surface of a nickel-plated teapot.
Another method involves setting the camera or capture device upon a
tripod, or surface. One might then set the camera's timer, or use a remote
controlled shutter release.
Finally, setting up the camera, entering the scene and having an assistant
release the shutter (i.e., if the presence of a cable release is unwanted in the
photo) can arguably be regarded as a photographic self-portrait, as well.
Mathew Brady, c. 1860s
Mathew Brady, self-portrait, Nadar, the leading French Arthur Rimbaud, Thomas Eakins, Self portrait
circa 1875 portrait photographer, c.1870s Self-portrait in Harar, with John Laurie Wallace, circa
[34]
Ethiopia, 1883, 1883
Eadweard Muybridge Edgar Degas, Self Portrait, 1895 Edward S. Curtis, August Strindberg,
Self-portrait as man throwing, self-portrait, self-portrait, c.
climbing and walking, circa 1898 1900
1893
[35]
Ernst Kirchner, Carl Van Vechten portrait Lucas Samaras (1973) Yasumasa Morimura Self
self-portrait, 1919 photographer, self-portrait, Portrait, After Marilyn
1934 Monroe, 1996
Self-portrait 21
Giuseppe Arcimboldo, self Peter Paul Rubens, self portrait, Francisco de Goya, self portrait, John Constable self portrait,
portrait, c. 1577 c. 1634 print, 1795 1806
Caspar David Friedrich, Dante Gabriel Rossetti, poet and Jean-François Millet, self Max Liebermann, self
self portrait, age thirty-six, artist, self portrait, 1847 portrait, c. 1850 portrait, 1922
1810
[14] This drawing in red chalk is widely (though not universally) accepted as an original self-portrait. The main reason for hesitation in accepting
it as a portrait of Leonardo is that the subject is apparently of a greater age than Leonardo ever achieved. But it is possible that he drew this
picture of himself deliberately aged, specifically for Raphael's portrait of him in the School of Athens. A case has also been made, originally
by novelist Dmitry Merezhkovsky, that Leonardo based his famous picture Mona Lisa on his own self-portrait.
[15] Erwin Panofsky (and originally Fritz Saxl), Titian's "Allegory of Prudence", A Postscript, in Meaning in the Visual Arts,
Doubleday/Penguin, 1955
[16] For this section and the gallery, Ernst van de Wetering in Rembrandt by himself, p.10 and passim, 1999, National Gallery,
London/Mauritshuis, The Hague, ISBN 1-85709-270-8
[17] Encyclopedia of Irish and World Art, art of self-portrait (http:/ / www. visual-arts-cork. com/ genres/ self-portraits. htm) Retrieved June 13,
2010
[18] Andrea Bassil, Lives of the Artists, Vincent van Gogh pp.36-37 (http:/ / books. google. com/ books?id=TEgP2yBPb_sC& pg=PA36&
lpg=PA36& dq=national+ gallery+ of+ art+ on+ van+ gogh+ self+ portraits& source=bl& ots=5ePtn0FWSA&
sig=sDtbzXn5lZIYXDOkLk-N91IfFjE& hl=en& ei=NQQVTM7RM4OClAemz4HgDA& sa=X& oi=book_result& ct=result& resnum=6&
ved=0CC0Q6AEwBTgK#v=onepage& q=national gallery of art on van gogh self portraits& f=false) Retrieved June 13, 2010
[19] Munch Museum (http:/ / www. munch. museum. no/ exhibitions. aspx?id=35)
[20] Amazing women Frida Kahlo, I am not sick. I am broken. But I am happy as long as I can paint. (http:/ / www. amybrown. net/ women/
frida. html) Retrieved September 28, 2010
[21] National Museum of Women Artists (http:/ / www. nmwa. org/ collection/ detail. asp?workid=1432) Retrieved September 28, 2010
[22] Campbell, Lorne; National Gallery Catalogues (new series): The Fifteenth Century Netherlandish Paintings, pp 214, 1998, ISBN 185709171
[23] Respectively, the "вставной","представительский, или символический", "групповой портрет", "отдельный или естественный"
[24] danah boyd. "Why Youth (Heart) Social Networking Sites: The Role of Networked Publics in Teenage Social Life." MacArthur Foundation
Series on Digital Learning, Identity Volume. ed. David Buckingham.
[25] A better-known version is in the Uffizi. This one was sold at auction in Germany in 2007
[26] Rembrandt by himself, op cit, p.211
[27] Rembrandt by himself, op cit, pp 11-13; for the Arnolfini reference see: National Gallery Catalogues (new series): The Fifteenth Century
Netherlandish Paintings, Lorne Campbell, 1998, ISBN 185709171
[28] Aislinn Loconte in, Lucy Whitaker, Martin Clayton, The Art of Italy in the Royal Collection; Renaissance and Baroque, p.270, Royal
Collection Publications, 2007, ISBN 978 1 902163 291. The biographer was Baldinucci. This is the version in the Royal Collection, there are
others in the Pitti Palace etc.
[29] asks Michael Levey in Painting at Court, Weidenfeld and Nicholson, London, 1971, pp 124-5
[30] Virginia MFA (http:/ / www. vmfa. state. va. us/ courbet. html)
[31] Rebels and Martyrs, National Gallery (http:/ / www. nationalgallery. org. uk/ exhibitions/ rebels_martyrs/ default. htm)
[32] Ses hits (http:/ / www. google. co. uk/ search?q=Arnaud+ Prinstet& hl=en& rls=GGLG,GGLG:2006-32,GGLG:en& start=10& sa=N)
[33] "Online self-portrait exhibition catalog" (http:/ / www. artnet. com/ galleries/ Exhibitions. asp?gid=412& cid=13407). .
[34] Jeancolas (1998), 164.
[35] "Lucas Samaras" (http:/ / www. getty. edu/ art/ gettyguide/ artMakerDetails?maker=3793& page=1). The Getty. .
Further reading
• John J. Ciofalo, Self-Portraits of Francisco Goya. Cambridge University Press, 2001
• Edward Lucie-Smith with Sean Kelly, The Self Portrait: A Modern View. (1987)
• Ernst van de Wetering and others; Rembrandt by himself, 1999, National Gallery, London / Mauritshuis, The
Hague, ISBN 1-85709-270-8
• Joseph Leo Koerner, The Moment of Self-Portraiture in German Renaissance Art, Chicago/London, 1993
• Jonathan Miller, On Reflection, 1998, National Gallery, ISBN 857092376.
• Belle, Julian (Ed.): Five Hundred Self-Portraits. Phaidon Press, London/New York, 2000 (pb 2004), ISBN
0-7148-4384-9 Self-Portraits in chronological order from ancient Egypt to the present.
Self-portrait 23
Not in English
• Joëlle Moulin, L'autoportrait au XXe siècle, éd. Adam Biro, Paris, 1999
• Pascal Bonafoux, Les peintres et l'autoportrait, 1984
• Bernard Auriol, L'image préalable, l'expression impressive et l'autoportrait, Psychologie Médicale, 19, 9,
1543–1547, 1987 {available on line : self-portrait (http://cabinet.auriol.free.fr/psychanalyse/self-portrait.
htm)}
• Bonafoux, Pascal / Rosenberg, David: Moi! Autoportraits du XXe siècle. Musée du Luxembourg (Paris) / Skira
Editore (Milano), Exhibition catalogue. 2004, Text French, Paris 2004, ISBN 88-8491-854-5 The book presents 155
artist (fine art) of the 20th century by showing their self-portraits added by informative texts.
• Borzello, Frances: Wie Frauen sich sehen – Selbstbildnisse aus fünf Jahrhunderten. Karl Blessing Verlag,
München 1998, ISBN 3-89667-052-2
• Calabrese, Omar: Die Geschichte des Selbstporträts. Deutscher Kunstverlag, München 2006, ISBN
3-7774-2955-4
• Pfisterer, Ulrich / Rosen, Valeska von ~ (Hrsg.): Der Künstler als Kunstwerk. Selbstporträts vom Mittelalter bis
zur Gegenwart. Reclam, Stuttgart 2005, ISBN 3-15-010571-4 ( Rezension (http://www.sehepunkte.de/2006/
10/9307.html))
• Jeancolas, Claude. (1998). Passion Rimbaud: L'Album d'une vie. (French) Paris: Textuel. ISBN
978-2-909317-66-3
Self-portrait in neurology
• Tielsch AH, Allen PJ (2005) Listen to them draw: screening children in primary care through the use of human
figure drawings. Pediatr Nurs 31(4): 320—327. This survey of literature is focused on the method of drawing
people as the method of diagnostics. Children's figures can recognize mental disorders. The authors describe the
use of self-portraits for diagnostics of emotional disorders in children from 6 to 12 years. Although this procedure
does not make it possible to place final diagnosis, it is useful for the recognition of problems.
• Morin C, Pradat-Diehl P, Robain G, Bensalah Y, Perrigot M (2003) Stroke hemiplegia and specular image:
lessons from self-portraits. Int J Aging Hum Dev 56(1): 1-41. Patients with hemiplegia have diverse problems of
self-perception, which are caused by neurological defeats of the idea of body, or by psychological problems with
the perception their own self.
Psychology of self-perception
• Wegner DM (2003) The mind's self-portrait. Ann N Y Acad Sci 1001: 212—225. Psychology and neuroscience
approach understanding of reason and consciousness. Meanwhile each human reason contains the self-portrait,
which contains the self-appraisal of cognitive processes. This self-portrait assumes that the actions of man are
governed by thoughts and, thus, the body is governed by consciousness. Self-portrait leads to the persuasion, that
we consciously desire to make something. Studies show that self-portraiture is a caricature on the function of the
brain, but at the same time it is the basis of the sensation of authorship and responsibility of one's own actions.
Self-portrait 24
External links
• National Portrait Gallery (http://www.npg.si.edu/) - Official web site
• "The Exploration of Self: What Artists Find When They Search in the Mirror" (http://www.research.umbc.edu/
~ivy/selfportrait/) by Jeanne Ivy.
• "Creating Self-Portraits" (http://www.ericdigests.org/1997-4/self.htm) - a method of self-examination.
• UMBC (http://www.research.umbc.edu/~ivy/selfportrait/intro.html), research related to The Self Portrait: A
Modern View. (1987), Edward Lucie-Smith with Sean Kelly and other books
One can also use the term "autoportrait" in the search engine of the Joconde database (http:/ / www. culture. gouv.
fr:80/documentation/joconde/pres.htm), which describes the works of 84 French museums, including the Louvre:
• 52 self-portraits from the National Galleries of Scotland (http://www.nationalgalleries.org/collection/
online_search/4:324/?terms=Self-portrait&submit=1)
• catalogue of self portraits by the Royal Society of Portrait Painters 2007 (http://www.therp.co.uk/
back-catalogues.asp)
Other links :
• Frida Kahlo (http://www.artcyclopedia.com/artists/kahlo_frida.html) at Artcyclopedia
• Egon Schiele (http://www.artcyclopedia.com/artists/schiele_egon.html) at Artcyclopedia
• Joshua Reynolds self-portraits, from the [[Tate (http://www.tate.org.uk/britain/exhibitions/reynolds/
roomguide1.shtm)]]
• All 37 Elizabeth Vigee-Lebrun self-portraits (http://www.batguano.com/Vigeeselfp.html)
Article Sources and Contributors 25
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Image:Eakins, Thomas (1844-1916) - 1883 ca. - Autoritratto con John Laurie Wallace.jpg Source:
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Image:'Self Portrait, After Marilyn Monroe', --Gelatin-silver process-gelatin silver print-- by --Yasumasa Morimura--, 1996, --The Contemporary Museum, Honolulu--.jpg Source:
http://en.wikipedia.org/w/index.php?title=File:'Self_Portrait,_After_Marilyn_Monroe',_--Gelatin-silver_process-gelatin_silver_print--_by_--Yasumasa_Morimura--,_1996,_--The_Contemporary_Museum,_Honolulu--.jpg
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