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20 Tips To Enhance Your Play
20 Tips To Enhance Your Play
If you only read and keep the teachings presented here, you’re not going anywhere with your
ground techniques. The following advices – useful in tournaments with gi, grappling, MMA and
for the athletes personal evolution – ought to be studied between trainings. On this case, our
little script here can change everything you had been doing wrong – or simply didn’t know
existed. Aiming at bringing you a large and carefully wrought guide (whether you are or not a
beginner), we have asked the main masters of the sport: what would you like to have found
out earlier? What’s behind the gold medals and amazing titles? What are the shortcuts? What
are the secrets? Each Jiu-Jitsu exponent brought their own delicacy to this feast. Enjoy,
therefore, this manual if you wish to evolve. In Jiu-Jitsu, life – everything.
5. Set goals
In the nineties, when he was among the best competitors in Jiu-Jitsu, Ze Mario Sperry had a
notebook where he would right the goals to be reached in training, in a given period. The
black-belt used to rip the leaves and leave them on all corners of his house. “I’d go to the
bathroom to shave and would find a note glued to the mirror: ‘If you want to be a champion,
you’ve got one week to do this or train that’,” he recalls. Sperry explains that setting goals
helps in the evaluation and control of what is being produced in the training. “The ideal is that
the fighter define what he wants. Afterwards, find ways to get there, reckoning the time
necessary to reach it.” For an example, the black-belt recollects the time he set the goal of
getting a perfect physical condition. To achieve it, he designed a series that focused on several
exercises, such as squatting, weight lifting and running-sprints. “By keeping my heart-beat
accelerated with this workout, I made progress until I conditioned my body to the rhythm of
the combats.” This “note pursuit” enabled the BTT master to keep focus on his career’s
objectives, being sure what he had to improve in a near future.
Black-belt Vitor Shaolin warns his students about this up to this day: “You must set up your
training in such a way that you define what are the two most important competitions for you
to be in that year. No matter how much you try it, you can never be 100% in all
tournaments,” he guarantees. “Then you must establish the rules: ‘I want to be well in the
Brazilian and World championships.’ And prepare to place well only in these tournaments, not
minding whatever you win or lose in the rest of the competitions. The body is not a machine
and cannot remain on a level 8 or 9 all the time, be it in Jiu-Jitsu or MMA, which is the
Triathlon of fighting,” the Shooto champion concludes.
6. Be dynamic
To Amaury Bitetti, Jiu-Jitsu is like chess: you only move a piece thinking of the next move.
The two-time world open champion in ’96-’97 says an attacking position during the fight must
always be connected to other future positions whose objective is the submission or – just to
follow the comparison – the check-mate. In order to achieve that, Amaury advises that the
attack-trainings should be made in a logical progression. For instance: a takedown leads to a
guard-pass, which in its turn leads us to a mount, which leads to a choke. The combinations
are infinite; what matters is that your game be not static. Just as in the whiskey
advertisement: keep walking. Turn your Jiu-Jitsu into a motor gear.
9. Strive to be complete
What good is it to get an A+ in guard-passing but flunk attack-from-the-back? To stand out in
Jiu-Jitsu, the fighter can’t excel at one or two moves. He must play in the eleven, as we say in
football. Black-belt Saulo Ribeiro teaches a simple way of reaching versatility: “Many people
despises the warm-up before practising. Well, dedicate the first 15 minutes in the academy to
doing the basic: escape from the back, from the mount, and side-mount. In the next 15,
practise submission from the back, the mount and the side-mount. Do this every day in your
Jiu-Jitsu career. It may be boring, but it’ll make you complete. No matter what belt. I am a
black-belt and still discipline myself into doing it till today. Oh, I nearly missed it. Practise judo
at least twice a week. Knowing how to fight standing is also fundamental. That it my formula
for becoming complete.”
12. Look for the best version of the move for you
Master Osvaldo Alves says that up until the nineteen-seventies one only gave and armbar-in-
guard by uncrossing and wide-opening the legs. “I realized this coup was vulnerable, for it
enabled the opponent to flee and pass the guard easily. So I invented the climbing-armbar,”
recalls the red-and-black-belt. As you can see on the image, this armlock version makes it a
lot harder for the adversary to escape. “The thing is to not lock the opponent’s arm, but
his/her shoulder,” clears up the master, who uses his own calf against the sparring’s shoulder,
stopping him from getting up. Summarizing: if you don’t get along with a certain move, try to
perfect it, adapt it to your physical and technical traits, always searching new versions for it.
That’s what makes Jiu-Jitsu evolve continuously.
15. Stretch!
Ever since he was a kid, Antonio Schembri has been used to stretching daily. And he never
complained, unlike his opponents, whom, in time and practice, he began to submit in the most
varied ways. “I’m very flexible, so I always take a strong session before and after training.
Some people are stiffer, they don’t like it, but stretching is essential, especially the bottom
half, legs, spine and lumbar,” says the Chute Boxe athlete. According to “Elvis,” stretching is
vital even for improving the guard. “What I realize in competitions, even black-belts’, is that
everybody gets along well on top, but not everyone can keep a good guard. So besides
stretching, which improves the de-passing, the athlete must set up a schedule and program
himself and persist in training every single variation, butterfly guard, closed guard, with inside
hooks… You can’t let the guy cross the knee line, or else you’ll have to pull something out of
your ass to stop the guy from passing,” Schembri teaches.
18. Try!
Jean Jacques Machado likes to awake his students’ creativity. The master organizes “lab
sessions” during the trainings in the academy where he teaches in Los Angeles. On these
moments he shows the classroom a move, asks the students to study it and to present a
defense a week later. “There are many ways to get to a goal. I like my pupils to use their
creativity and find out new ways to get there,” he evaluates. In other words, Jean doesn’t
make his apprentices “move repeaters.” By disseminating experimentalism in his lessons, the
black-bellt gives birth to classrooms full of creative and innovating athletes. Leo Vieira likes
Jacques’ methodology, but presents another way of making the students open minded: “Look
at the kids fighting. Notice how they’re always laughing and jumping around. That’s how I like
to fight. Children invent, use unexpected moves that, if adapted to adult Jiu-Jitsu, can be
fruitful. Teaching kids is a great source of knowledge to me.”