INTIMACY ON SET GUIDELINES

親密戲指導準則

BEST PRACTICE WHEN WORKING WITH INTIMACY, SIMULATED SEX SCENES, AND NUDITY

處理理親密戲，模擬性愛場次，和裸體的最佳實踐 


1. Producers to Identify whether a production may include scenes

of intimacy and sexual content as part of the risk assessment;
ensure that relevant departments are informed and necessary
measures put in place:

製片⽅方需要將作品中的親密戲及性愛相關的內容納入風險評
估，確保所有相關部⾨門知情並採取必要措施：

a. Put in place wardrobe - appropriate covering for genitalia  

服裝/造型組⽀支援 - 給予⽣生殖器官適當的保護，防⽌止暴暴露。

b. crew required for a closed set 

拍攝時確保清場。

c. consideration of, and budget for, an Intimacy Coordinator.

考量量是否需要撥出預算，聘請專業的親密指導員。

2. No initial auditions or screen tests are to include sex scenes or

to involve nudity. Where, in exceptional circumstances, nudity
or semi-nudity is required in a recall, the actor must be
informed in advance and provided with the script. All material
recorded must be protected and be destroyed once the role
has been cast.

任何初步的試鏡或試拍都不得包含性愛場⾯面或涉及裸體。在特
殊情況下，在第⼆二輪輪（招回callback）試鏡需要演員呈現裸體或
是半裸體時，必須事先通知演員及提供腳本。當天所有錄製的
素材都必須受到保護，並在確認選⾓角後全部銷毀。

a.  The actor to sign a written agreement with the Casting
Director that any recording of a nude or semi-nude audition will
be confidential. 

演員必須與選⾓角導演簽署書⾯面協議書，確保任何裸體或是半裸
露的試鏡帶都將獲得保密。

b. The actor may be asked to audition in specific clothing (e.g.
 swimwear) required for a commercial but will be informed in
advance. 

演 員 可 能 會 被 要 求 穿 著 特 定 服 裝 參參 加 廣 告 試 鏡 （ 例例 如 ： 泳
裝），但必須事先得到通知。

c. If an actor is nude or semi-nude in a recall, they may bring a
support person to be with them throughout the shoot. 

若若演員被要求在第⼆二輪輪（招回callback）試鏡時，呈現裸體或半
裸體狀狀態，他們可以攜帶⼀一位陪同者來來試鏡現場。

d. The only other people allowed to be present in the audition
room will be the Casting Director and/or Director/Producer, and
the Reader. 

唯有選⾓角導演，導演，製片，及讀本者可以出現在試鏡空間。


3. At point of contract all scenes involving nudity, intimacy, or

simulated sex to be discussed with the actor and
representative/agent, so that agreement is made with full
disclosure. 

在簽約時，所有涉及裸題，親密戲，或是模擬性愛的場次都必
須要與演員和經紀公司/經紀⼈人/代理理⼈人討論，以便便雙⽅方都在透明
公開地情況下達成協議。

a. The standard Equity contract for screen productions allows
the actor to agree, or disagree, to performing nude and to
performing simulated sex and to choose the type of nudity the
actor is willing to do (e.g. buttocks only, or full frontal). 

標準的製作合同中，是能夠允許演員表明⾃自已願不願意參參與裸
體及模擬性愛場次的演出，並讓演員列列出⾃自⼰己願意接受的尺
度。（例例如：僅臀部，或是正⾯面全裸）

b. Actors sometimes accept a role in which their character will
be semi-nude, only to find later that additional scenes have
been written into the script which include full frontal nudity and
simulated sex. Actors should not sign a contract for full frontal
nudity and simulated sex if only prepared to go semi-nude. 

演員有時後會接了了⼀一個知道有半裸露需求的⾓角⾊色，但後來來發現
劇本追加入了了額外的場次，其中包含了了正⾯面全裸和模擬性愛的
場次。若若演員只願意呈現半裸狀狀態，就不應簽署全裸及模擬性
愛場次的合同。
4. Directors to plainly describe and discuss with the relevant
actors all scenes involving intimacy, simulated sex, and nudity
at the appropriate times in the creative process:

導演在以下創作過程中，必須與相關演員清楚地描述和討論所
有涉及親密，模擬性愛，和裸體的場次：

a. Before signing the contract

簽署合約之前。

b. Throughout the rehearsal process

所有排戲的過程。

c. And into performance

表演拍攝時。
5. Agreement and consent by the actor, and actors’
representative, to be given each and every time when working
with intimacy, simulated sex scenes, and nudity.

在處理理親密戲，模擬性愛場次，和拍攝裸體時，每次都必須得
到演員和演員代表的同意。
6. Establish boundaries around areas of concern, including an
agreed strategy to halt the action where necessary, in
rehearsals and filming on set,  such as ‘time out’.

在任何有疑慮的區塊上建立清楚的界線，包含⼀一個雙⽅方認同，
在必要時可以隨時停⽌止動作的策略略，不管是在排戲或是拍攝現
場，例例如：『暫停』。
7. When sculpting intimacy or a simulated sex scene, for the
actor and director, or the actor and director in conjunction with
an Intimacy Coordinator, to follow the Intimacy On Set
Guidelines as standard practice, 

當在塑造親密戲或是模擬性愛場次時，對於演員和導演，或是
演員，導演及親密戲指導⼀一起，都需按造『親密戲指導準則』
來來作為標準做法，

a.  To always have a third party present, keeping the work
professional, not private

始終有第三⽅方在場，保持⼯工作專業，⽽而不是私密。

b. Identify the blocking of the scene

明確地講解場次及走位動作。

c. Agree areas of physical touch

 同意⾝身體接觸的領域。

d. Sculpt the physical actions using plain words

⽤用簡單明瞭的⽂文字描述需要的肢體動作。

e. Separately identify the emotional content of the scene

任何情感內容另外描述。

f.  Integrate the physical actions and emotional content,
creating a seamless intimate scene

融合肢體動作和情感內容，打造無縫的親密場景。
8. On stage, when the rehearsal includes a simulated sex scene,
or nudity, to ensure the use of a closed set.

當排練/拍攝包含模擬性愛場次或是裸體時，確保清場狀狀態。
9. On stage, when the performance includes a simulated sex
scene, for an intimacy call to be held before each
performance. It is imperative the actors continue to rehearse,
so they don’t become careless and to ensure everyone feels
secure and respected both onstage and off. The intimacy call
is an opportunity to:

當表演/拍攝包含模擬性愛場次時，都需要在表演前進⾏行行所謂的
『親密對話』。因為演員必須繼續排練，以免他們變得粗⼼心⼤大
意，並確保在台上或台下的所有⼈人都感到安全及備受尊重。
『親密對話』可以讓你：

a. Check in with the actors to ask how they think the intimacy
and simulated sex scene went during the previous
performance. 

保持與演員的溝通，詢問他們如何看待上⼀一場表演中的親密戲
和模擬性愛場次。

b. Agreement and consent given for areas of physical touch
before each performance, allowing for possible adaptations to
be accommodated 

每次表演前，獲得演員對⾝身體接觸區域的同意，允許可能的調
整空間。

c. Sculpting the physical actions using plain words, to be gone
through at least twice.

⽤用簡單的語⾔言形容肢體動作需求，⾄至少重複兩兩次。
10. Nudity. Any actor who has consented to nudity must make sure
that their agent knows the actor wants a discussion about
 every nude scene and a summary of agreed scenes in writing.
When working with nudity, for the director to discuss the detail
of every nude scene with the relevant actors, writing down the
proposed shots and getting the actor’s consent in writing.
When working with nudity on set:

裸露。任何同意裸體演出的演員都必須確保他們的經紀⼈人知道
他們想要在每⼀一個裸體場次都進⾏行行討論，並以書⾯面形式合同來來
對所有的裸體場次進⾏行行總結。拍攝裸體時，導演與相關演員討
論每個需要裸體的場次細節，寫下分鏡需求，必獲得演員的書
⾯面同意。當在片場拍攝裸體場次時：   

a. Pre-agree times when nudity will be used

預先同意拍攝裸體的時間點。

b. It is imperative to employ a closed set as standard when
working with nudity

拍攝裸體時，必須清場。

c.  Nudity only from action to cut, and at all other times, the
actor should be covered

裸體僅呈現於 『開機 ACTION』 到 『喀 CUT』 之間，其餘時
間，演員的⾝身體必須被遮蓋保護。

d.  No nudity with genitals touching. Always use patches or
modesty barrier

裸體狀狀態下，⽣生殖器官的接觸是不允許的。必須使⽤用適當的隔
離保護措施。
11. When kissing, no use of tongues as standard practice.
However, should the director feel it would serve the scene
better to use tongues, then there must be agreement and
consent from both of the actors. When rehearsing a stage/
screen kiss, 

表演/拍攝吻戲時，依不使⽤用舌頭為基準。但是，如果導演覺得
舌吻對這場戲更更有利利時，那就得先獲得雙⽅方演員的同意。當在
排練吻戲時，

a.  Start off with the actors giving and receiving a peck when
agreeing physical touch, and sculpting the physical actions,
using plain words,

所有的親密動作都必須獲得演員同意，包含給予或接受另⼀一⽅方
 啄（啾）⼀一下的動作，並使⽤用簡單的詞來來描述⾝身體動作，

b.  Then exploring the quality of the kiss when identifying the
emotional content of the scene, and integrating the physical
actions and emotional content

再探索這個吻需要的情感質量量，最後再融合⾝身體動作和情感⼀一
起。
12. Actors should not override the guidelines independently. Any
new proposal is to be discussed with other actors and director.

演員不得擅⾃自超越協議好的親密戲準則。任何新的提議都必須
與另⼀一⽅方演員及導演討論。
13. Consider the use of a suitably trained Intimacy Coordinator in
scenes with simulated sexual content.

在模擬性愛的場次裡，考慮聘請經過適當培訓的親密協調員。
14. Scenes with simulated sex into abusive/violence simulated
sexual content, consider the use of an Intimacy Coordinator in
conjunction with a Fight Director/Stunt Coordinator.

當模擬性愛場次包含了了虐待或暴暴⼒力力內容時，考慮聘請親密協調
員及武術動作指導。