ae! DUETS rere Ales Compatible with 14 Duets for Trombone cCompiled and Edited by Michael Sachs and Joseph Alessi ET Bb ba ae a er eis with 14 Duets for Trombone {See back cover for details) Table of Contents Bach, Johann Sebastian Invention No. 2 from Two,part Inventions for Keyboard Invention No. 4 from Two-part Inventions for Keyboard... Invention No. 8 from Tworpart Inventions for Keyboard Little Fugue in G Minor, BW 57% caren Bolsmorter, Joseph Bodin de Sonata No. 42, Op. 40, No. 1 1, AG GPO. |. Adagio. Allegro, Sonata No. 19, Op. 40, No. 3 |. Vivace... Te Ada Allegre Handal, George Frideric Concerto In Bb Major, Op. 4, No. 6 Andante Allogr. ‘Mozart, Wolfgang Amadeus Le Nozze de Figaro fam Opera ust tang by H Koenig, | Allegro moderato I. Andante. IL Allegretto ‘Telemann, Georg Philip 6 from Music for Keyboard OF Lute nn Fantasia No. 2 from Fantaisies pour le clavecin: 3. douzaines Fantasia No. 9 from Fantaisies pour le clavecin: 3. douzaines Passacaille from Music for Keyboard oF Lut ‘Sonata No. 4 from Six Canonle StU vn ‘Sonata No. 8 from Six Canon Stuales.. CARL FISCHERe (65 Booch Soe, Now York NY 10012 Cony 2007 by Ca Foy LLC ia by _ Alvis conc ee tt, Wr7s Seer BRB 44 Be BReoseForeword “Throughout history, the trumpet and trombone have always enjoyed a close partnership. From the dys of cornettos and sackbuts to the modem instruments we play today, trumpeters end trombonist continue to share a special musical bond. In the orchestral literature, there is @ great deal of interplay between the trumpet and trombone, ‘and the resulting textue Is elways distinctive. Our inspiration for this collaboration wes 8 mutual agree- ment that there was, however, 2 lack of fine music avalable for trumpet and trombone. Performing duets Is probably one ofthe best ways for you es @ musician to listen and work on your Intonation and phresing as you interact withthe colleague playing next to you. This will also sharpen your abit to identity who has the melody and, therefore, o determine when to yield to that player while remembering the maxim that melody always leads ‘One unique aspect ofthis collection is our duet format, which proves for a variety of instrumental combinations. The duos can be played with two trumpets, two trombones, or ane of each. In addition, ‘the trumpet or the trombone can play either the top or the bottom part of each piece. This micand- ‘match fest offers a wide range of technical challenges that should give each player the maximum benefit of playing ina range of keys, registers, and difculy levels, providing an equal musical challenge in each part so that both players are stretched and engaged. You may even want to record yourself pay: Ing one part end perform duets with yourself, ‘Throughout these places, there are a number of passages where brackets are shown next to the staff. These brackets indicate the option of taking 2 particular passage up or down an actave depending on the trumpet/trambone combination being used. This is meant to assist in the blend of textures and enhance both the fecilty and the voicing in each ifferent instrumental scenario. One can also switch the line being played In repeated sections for added interest. Dynamics and articulation markings were typically sparse in most original manuscripts ofthe pleces included in this book. Because ofthis, we added lta in the way of musical eclting and opted to leave ‘dynamic and phrasing choices primal to the performer We have been good friends for many years and have often wished that there were more IRerature for trumpet and trombone for study, performance, or Just for casuel reading. We had a great time assembling this collection and hope that this vill help create many future trumpet and trombone part nershipst Michael Sachs —Joseph Alessi Principal Trumpet Principal Trombone Cleveland Orchestra New York Philharmanic,About Michael Sachs and Joseph Alessi ‘Michael Sachs Joined The Cleveland Orchestra as Principal Trumpet in 1988, Since his appoint- ‘ment, Mr. Sachs has been frequently featured as soloist with The Cleveland Orchestre, as in the worlc premiere of John Willams’ Concerto for Trumpet and the United States premiere of Hans Werner Henze's Requiem. Mr. Sachs has also appeared as guest soloist with numerous major U.S. and interna tional orchestras and chamber groups, Including the Houston Symphony, the Loulsiana Philharmonic, the Auckiand (New Zealand) Philharmonia, and the Chamber Music Society of Lincoln Center. In April 2008, Mr. Sachs performed a recital of music for trumpet and organ as part of Severance Hall's Orzan Rectal Series. The recital was recorded and released on CD by the Musical Arts Assocation (a parent ‘organization of The Cleveland Orchestra) Mr. Sachs is currently Chairman of the Brass division and Head of the Trumpet Department atthe Cleveland institute of Music. In ation o serving on the faculty of leading summer festivals, including the Aspen Music Festival, the National Orchestral Institute, the Summit Brass, and the Solt Orchestral Project at Carnegie Hall, Mr. Sachs regularly presents master classes and workshops at conservatories ‘and major universities throughout the U.S., Europe, and Asia. He Is the author of Dally Fundamentals for ‘he Trumpet and Mahier: Symphonic Works, Complete Trumpet Parts, both published by Internation Musi. Prior to joing The Cleveland Orchestre, Mc, Sachs was @ member of the Houston Symahony Orchestra, where he also performed with the Houston Grand Opera and served on the faculty of the ‘Shepherd School of Musle at Rice University. Originally from Los Angeles, Michae! Sachs attended UCLA, where he received a Bachelor of Arts degree in History before attending The Julliard School of Music. His former teachers include Mark Gould, James Stamp and Anthony Plog Joseph Alessi was appointed Principal Trombone of the New York Philharmonic in the spring of 11985. He began musical studies in his native Calforla with hs father, Joseph Alessi, Sand continues his musical taining at the Curtis Institute of Music. Prior to Joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of Orchestre symphonique de Montreal for one season. In Apri 1990 he made his solo debut with the New York Pitharmanie, performing Creston's Fantasy for Trombone. in 1992 he premiered Christopher Rouse's Pulitzer Prize-winning Trombone Cancer with the Philharmonic. His most recent appearance with the Philharmonic as soloist was in the worlc-pre imiere performance of Melinda Wagner Trombone Concerto In February of 2007, Mr, Alessi hes been @ guest soloist with the Lincoln Symphony, National Repertory Orchest= Colorado Symphony Orchestra, Syracuse Symphony Orchestre, Virginia Symphony, Alabama Symphony Orchestra, Serta Barbara Symphony, South Dakota Symphony, New Japan Philharmonic, Seow Phiharmeonic, Orchestra of Teatro Massimo Belin in Catania, Sicil, Mannheim National The=t Orchestra, National Symphony of Tatwan, Puerto Rico Symphony, Hague Philharmonic, Helen Philharmonic, and the Hartford Symphony. In 2002 Mr, Alessi was awarded an Intemational Trome Association Award for his contributions tothe world of trombone music and tvombone playing. Mr. Alessi is curently on the faculty of The Julliard School his students now occupy posts w= ‘many major symphony orchestras inthe US. and throughout the world. He isa clinician for the Eo Instrument Co. and hes recorded extensively for Summit Records and for the Naxos label.a 4 Fantasia No. 2 from Fantaisies pour le clavecin: 3. dowzaines GEORG PHILIPP TELEMANN (1681-1767) Presto Ectited by Miohael Sachs and Joseph ‘Trumpets in Be ‘ony 2007 by Ca cha LLC: Fantasia No. 9 from Fantaisies pour le clavecin: 3. douzaines (GEORG PHILIPP TELEMANN (1681-1767) Bilted by Michael Sachs and Joseph Alessi ‘Trumpets inBs8 Bourrée from Music for Keyboard or Lute GEORG PHILIPP TELEMANN (1681-1767) alte by Michael Sachs and Joseph Alessi ‘Trumpets inCPassacallle from Music for Keyboard or Lute GEORG PHILIPP TELEMANN (1681-1767) Edited by Michael Sachs and Josep ‘Trumpets inBs7 Sonata No. 1 — GEORG PHILIPP TELEMANN (1681-1767) Allegro {+ Edited by Michael Sachs and Joseph Alessi oe on 7 od player bepins when the rst eaces the sign X and ends the frat, whish i ignored by theSonata No. 5 m Six Canoni GEORG PHILIPP TELEMANN (1681-1767) Edited by Michael Sachs and Joseph Cantabile a “* ‘Trumpet, inB. pdolee * The second player boys when the fest eahes the sign 8 and ends at the Ferma, which ignored by he fs payer, + When plying with a trombonist, remove al ils4 Invention No. 1 from Two-part Inventions for Keyboard JOHANN SEBASTIAN BACH (1685-1750) Edited by Michael Sachs and Joseph Alessi Allegro ~ oo ‘Trumpets inc16 Invention No. 4 from Two-part Inventions for Keyboard JOHANN SEBASTIAN BACH (1685-1750) Eilited by Michael Sachs and Joseph Alessi Allegro Trumpets incInvention No. & JOHANN SEBASTIAN BACH (1685-1 Vivace Edited by Michael Sachs and Joseph Alessi Trumpets G + Pay bracketed notes one octave lowering played wit the Bas part for the upper vos20 Sonata No. 12 Op. 40, No. 1 JOSEPH BODIN de BOISMORTIER (1689-1755) Edited by Michael Sachs and Joseph Alessi L Allegro or ca ‘Trumpets f inc 30 Ca § = When playing with trombonist, remove all tillTL. Adagio ‘Trumpets inc P legato P legatoIIL. Allegro ‘Trumpets in4 Sonata No. 19 0p. 40, No. 3 JOSEPH BODIN de BOISMORTIER (1689-1755) Edited by Michael Sachs and Joseph Alessi oe ‘Trumpets inC “dim P ———<—<——$ ———— © When playing wih «roms, move all lsIL. Adagio Trumpets P legato in€ P legatoIIL. Allegro ‘Trumpets in Pevese. a o P erese.Le Nozze de Figaro from Operatic Duets teal AL Us) WOLFGANG AMADEUS MOZART (1756-1791) I. Allegro moderato Ealited by Michael Sachs and Joseph Ales Trumpets inB, f dole pdolce|con espress. dolce con espress.IL Andante Trumpets in Be |p dolce maf Pp dolee50. ft vr a tempo ff «tempo rall. ——— p ede iS se tempo 56, pa36 ULL. Allegretto ‘Trumpets inBs eid police”—_— “ Little Fugue in G Minor BW 578 Trumpets incConcerto in B> Major GEORGE FRIDERIC HANDEL (1685-1759) Edited by Michael Sachs and Joseph Alessi Andante allegro Trumpets inc© + Py bracketed notes ne octave Tower if eng played with bss pat for lower vie “play beaketd notes one ote ower if being payed wth bas part fr uppe wie.TRUMPET AND TROMBONE DUETS From the Carl Fischer Catalog TRUMPETS..9 TRUMPET DUETS ‘ban, Jean-Baptiste (ASGL Easy Dust for Two Trumpets Bach, Johann Sebastian ‘04836 Bach for Two Temple — Hering oa een roa | eee TROMBONE DUETS Various Composers W764 buts for Tombone— Ness/Scens WSS Progressive Duets, Volume 4— Cli Books Compatible as i TRUMPET/TROMBONE DUETS WETS 14 Duots for Trumpet Sachse L754 Duss for Tombone — ea Scehs \FS4_rogresie Duets, Volume fr Tumpet Cire Propessve Dust, Volume dar Trombone Cork ylim ay eT Ce are ae OM Cyt vies ea ee oR erect MS ne Ree eet eee Nr ‘Trombone of The New York Philharmonic, offers students and profession: als the opportunity to hone thelr ensemble skills in a variety of ways, The Cee ae keke a ans trombones with either instrument able to play top or bottom parts—the ultimate in ensemble flexibility for study or performance. Edited in detail and fleshed out for easy reading, these duets should be a part of every Cea Dare SCLIN 4 Invention No. 4 from Twve-part Inventions for Keyboard Invention No. 4 from Two-part Inventions for Keyboard Eee OMe Nyce a ane CO COM ae eee ar Ea oe keene mea Sonata No. 19 Op. 40, No. 3 — Boismortier CO aL ke ee aan eee Ona coe ere ere ro a ee ee Ett San eae eae a Fantasia No. 2 from Fantaisies pour fe elavecin: 3. dovzaines ~ Telemanr ren ase) eee ea eng ergee eny ee en ee eee eee Eee comes geen emang Corea 8 0-8258-£570-0 ll 65 Bleecker Streat, New York, NY 10012 F CARL FISCHER» | I WE75 — $14.95 USA Lotenae: ASSAY