SONGBOOK+ Mike Stoller Jerry Leiber ~ New York City, 1985 Der Leiber and Mike Stoller have been writing songs together for over forty years. Not content to be confined to a specific musical style, they have created enduring classics in a variety of genres including Rhythm & Blues, Pop, Jazz, Cabaret, and — perhaps most notably — Rock & Roll If Elvis Presley was the king of Rock & Roll, then Jerry Leiber and Mike Stoller were certainly two of the most important powers behind that throne. It’s impossible to think of Elvis without thinking of Hound Dog, Loving You, or JailhouseRock —all creations from the pen and piano of Leiber and Stoller. To carry the analogy a step fur- ther, the court jesters of the Rock & Roll kingdom would have to be The Coasters. Leiber and Stoller wrote and produced all of The Coasters’ hits, including Searchin’, Young Blood, Yakety Yak, Charlie Brown, Along Came Jones, Poison Ivy, and Little Egypt, as well as such classics as Down In Mexico, D.W. Washburn, Shoppin’ For Clothes, That Is Rock & Roll, Smokey Joe’s Cafe, Framed, and Riot In Cell Block #9. it Elvis and The Coasters are only two of the acts whose careers skyrocketed because of Leiber and Stoller’s creative partnership. Jerry Leiber and Mike Stoller, both born in 1933, began their part- nership in 1950 at the age of 7 when they discovered that they had the same passion for boogie woogie and the blues. By the time they were 20, Leiber and Stoller had seen their earliest songs recorded by such + Mike Stoller, Jerry New York City, 1959 artists as Jimmy Witherspoon, Little Esther, Amos Milburn, Charles Brown, Little Willie Littlefield, Bull Moose Jackson, Linda Hopkins, Ray Charles, and Willie Mae “Big Mama” Thornton Leiber and Stoller's series of hits as both songwriters and record pro- ducers began with “Big Mama” Thornton's recording of Hound Dog in 1953. This record and others pro- duced by them caught the attention of executives from Atlantic Records.D 1955, Atlantic signed Leiber and Stoller to the first independent production deal, for- ever changing the course of the record industry. Leiber and Stoller’s songs and productions were constantly on the charts during the next decade. Aside from The Coasters’ many hits, there were Ben E. King's Stand By Me, Spanish Harlem, and | (Who Have Nothing); The Drifters’ On Broadway, Dance With Me, and Drip Drop; as well as La Vern Baker's recording of Saved and Ruth Brown's Lucky Lips. Leiber and Stoller’s produc tions revolutionized the sound of ‘American popular music, Most notably, their use of Latin percus- sion and romantic string sections — in concert with Rhythm & Blues — ushered in the era of Soul music. Stoller, Peggy Lee, Jerry Leiber - A & M Recording Studios, Los Angeles, 1975 During this same period, while Leiber and Stoller were producing The Clovers (Love Potion #9), Jay and the Americans (Only in America), and Chuck Jackson (1 Keep Forgettin’), other artists were making hits with Leiber and Stoller compositions. There was Wilbert Harrison with Kansas City, The Drifters with Ruby Baby and Fools Fall in Love, Peggy Lee withV'm A Woman, The Cheers with Leiber and Stoller, including Love Black Denim Trousers And Me, Loving You, Jailhouse Rock, Motorcycle Boots, and of course, Treat Me Nice, Don’t, (You're So Elvis Presley with Hound Dog. Square) Baby, I Don’t Care, Bossa Nova Baby, Santa Claus Is [pte creative writing genius of Back In Town, She’s Not You, and Leiber and Stoller, combined with Trouble. the kinetic energy of Elvis Presley, was the high water mark in the histo- ry of Rock & Roll. With his recording of Hound Dog, Elvis became a household word. Over the next few years Presley would go on to record more than twenty songs written by + Jerry Leiber, Corl Gardner, Mike Stoller, King Curtis, Billy Guy - Coasters recording session at Atlantic Records Studio, New York City, 1959* Jerry Leiber, Mike Stoller - New York City. 1986 In 1969, the team produced the Peggy Lee recording of their compo- sition Is That All There Is? According to music critic Robert Palmer, Is That All There Is? was the song that “...clearly pointed to the direction their new work would take.” It was this change in the cre- ative style of Leiber and Stoller which prompted Palmer to write that "...the Golden Age of Rock & Roll had come to an end.” ber and Stoller have been the recipients of many awards, including their inductions into the Songwriters’ Hall of Fame in 1985, the Record Producers’ Hall of Fame in 1986, and the Rock & Roll Hall of Fame in 1987. In February of 1988, Elvis Presley's recording of Hound Dog was placed in the Grammy Hall of Fame. And, in 1991, Leiber and Stolier were pre- sented with the prestigious Founders’ Award by the American Society of Composers, Authors and Publishers.+ Mike Stoller, Elvis Presley, Jerry Leiber - MGM Studios, Culver City, 1957 Bu the greatest compliment to any songwriter is to have his songs recorded by the best in the busi- ness. In addition to those already mentioned, artists who have recorded songs by Leiber and Stoller include The Beatles, The Rolling Stones, The Beach Boys, James Brown, Little Richard, Jerry Lee Lewis, Buddy Holly, Fats Domino, The Everly Brothers, Bill Haley and the Comets, Barbra Streisand, Jimi Hendrix, Muddy Waters, Johnny Mathis, Joe Williams, Count Basie, John Mellencamp, Lou Rawls, Tom Jones, Edith Piaf, Bobby Darin, Chet Atkins, Aretha Franklin, Luther Vandross, B.B. King, Otis Redding, and literally hundreds more+ Jerry Leiber, Mike Stoller - Flanders Film Festival, Ghent, Belgium, 1990 f they had written no other song but Hound Dog, the names of Leiber and Stoller would still have been indelibly written in the history of popular music. However, they didn’t start or stop there. Their con- tributions as songwriters and record producers have been so monumenta that it is impossible to envision what ‘American popular music would be like today without them. ~ Randy Poe‘CONT Lt ALONG CAME JONES (YOURE SO SQUARE) BABY, | DON'T CARE BLACK DENIM TROUSERS AND MOTORCYCYLE BOOTS BOSSA NOVA BABY ‘CHARLIE BROWN, DANCE WITH ME DONT DOWN IN MEXICO, DRIP DROP D.W. WASHBURN FOOLS FALL IN LOVE FRAMED HOUND DOG (ORIGINAL VERSION) HOUND DOG (PRESLEY VERSION) 1 QWHO HAVE NOTHING) KEEP FORGETTIN' 'MAWOMAN IS THAT ALL THERE IS? JACKSON JAILHOUSE ROCK KANSAS CITY uTTLE EGYPT eeeces % n a a au 2 101 103, 106 Ho wn us 418 a bs a7 m2 16 ns 1a “7 1st 133 155 ENTS LOVE ME LOVE POTION #9 Lovine You Lucky Lips ON BROADWAY. ONLY IN AMERICA POISON ivy RIOT IN CELL BLOCK #9 RUBY BABY SANTA CLAUS IS BACK IN TOWN SAVED SEARCHIN' SHE'S NOT YOU SHOPPIN' FOR CLOTHES SMOKEY JOE'S CAFE SPANISH HARLEM STAND BY ME THAT IS ROCK & ROLL TREAT ME NICE TROUBLE ‘YAKETY YAK YOUNG BLOOD10 ALONG CAME JONES Words and Music by JERRY LEIBER and MIKE STOLLER Moderately fast De7 plopped down in tumed on ‘mer-cial came on get my got so bugged tumed on A bad gun sling er called Sal - ty Sam You should have seen whatwas_ go - in’ on but there was the same old shoot - ‘em - up (© 1959 (Renewed) JERRY LEBER MUSIC and MIKE STOLLER MUSIC “his arrangement © 1993 JERRY LEBER MUSIC and MIKE STOLLER MUSIC AN igs Pasartrapped her in Down in the old Sal - Sam — sawmill and said with ane vil laugh: (Spoken): “if doned mine Sweet Sue was- a hav - in’ fits. — (Spoken): That ty’n’ to stuff Sweet Sue. in’ a bur - lap sack (Spoken): He said, “if you don't gim-me the fo your ranch = 'll saw you all in vil-lian said, "Gim-me the 10 Your ranch or I'll blow you all to you don't gim-me the 10 Your ranch I'm gon-na throw you” on the rail - road == Sreely i then he — grabbed then he — grabbed then he grabbed14 (You're So Square) BABY, | DON'T CARE Words and Music by JERRY LEIBER and MIKE STOLLER Moderately bright (JJ= 9) don't like cra - don't like hot wan-na go wanna park © 1957 (Renewed) ERRY LEIGER MUSIC and MIKE STOLLER MUSIC “This wrangemane © 197 JERRY LEIBER MUSIC and MIKE STOLLER MUSIC ‘A Rigs Reserved16 sit there hold - in’ ands. just’ wan - ne hold me tight. } You're 50 square. Se A EEEhO You dont know Instrumental16 noone else. can—_love. me like you do, —_— dont know why my heart flips; on = ly know = it does, 1 won = der why 17 To Coda DSM al Coda Barby, I don'tBLACK DENIM TROUSERS AND MOTORCYCLE BOOTS Words and Music by JERRY LEIBER and MIKE STOLLER cm cme D7 0 Fast, driving tempo G7 Chorus Cm mo - tor - cy = cle boots, and a lack eath - er jack - et with «an (© 1955 (farmed ERRY LEIBER MUSIC and MIKE STOLLER MUSIC “Ths arangnnt © 1983 JERRY LEIBER MSI ae PIKE STOLLER MISC ‘A ihe RasarvedHigh- way One - 0 tacet t f (U:Weh he nev «er washed nis face and he nev = er combed his 2. Ma’- ry Lou, poor girl, she —plead-ed and she begged him not to ax - el- grease im - bed - ded + der ~ fin - ger said, "Tve “got a feel ~ ing ~ night Ti20 On the But her pic - wre of rum - ble of “Moth - ex. 1 smoke from his girl- friend by the but Gey ~ il: there was his he He heart, en - pine weat - ed her said, TH say - in and 80 the justlike thou -sand miles ev - ‘ry - bod - y hit a scream- in’ pit - ied her ‘cause dies - el that was, mo - tor - cy = cle loved that dog - gone wreckage all they when they cleared the He wore 2.Cmmo - tor - cy - cle leath - er jack - et ea - gle on the back. But they could- wt find the sic - le that and they nev - er found the cm D7 cm23 BOSSA NOVA BABY Words and Music by Fast JERRY LEIBER and MIKE STOLLER C7, I said, ca-sy, ba- by, 1 worked all day and. my — feet feel just like it - de ma- ma lets sit. down, have a drink and «dig the on, ba by, i's hot. in here and. ifs ob, $0. cool out - side. — You got my shim - tails fly-in’ all o- ver the place— She said,— "Drink, drink, fid- dle - de- dink,— If you lend’ me a can buy some gas—— © 1962, 196 JERRY LEBER MUSIC and MKE STOLLER MUSIC Rare “Ths srangomare ©1993 JERRY LEBERMUSIC and ME STOLLER MUSIC ‘A Righs Reservedsweat pop- pin’ out of my head." “Hey Bos- sa No- va Ba- by, dance with a drink in "Hey, Bos-sa No-va Ba- by, go for a iit tle y, Bos-sa No-va_Ba- by, —s SS = SF —_—— Keep on work «Sse his «aint no time rs tine child. 1 aint got time bout to have my- self aint got time find_my - self_an- oth -co Ht Hts oe Dmec No - va— F9 Repeat and fade c Bos - sa 25 i a Bos = sa No~ va 12. 37 & ath ff 1 said, ; Z Dac Dave i i No- va,— Bos - sa No- va— g cr ieCHARLIE BROWN Moderate Rock sseeeees F Words and Music by i JERRY LEIBER and MIKE STOLLER 3 3 3 af ‘smoke the Tev-en" down Brown Char - Tie Brown Hes a an? Pane) ERA LEBER MUSIC: HIKE STOLLER MUSE ed CHAPEL BO. Thamar © 19 ERY LEBER MUHE, MIRE STOLLER PSC and QUEL, BCO. ‘AiR RasaF Bic F 2 clown that Char - lie Brown ‘caught ((Spoken)"Why is ev - ry - bo - dy al - ways ~ pick - in’ on fey - | Laces when sung ~ |. - al = ways He's That's writ = inta walls? who “Who me?” ‘Yeah you! ‘WhoDS. Sal Coda 3 = teach-er dad - dy - 0? Char - ie “Why is ven -DANCE WITH ME Words and Music by JERRY LEIBER, MIKE STOLLER, GEORGE TREADWELL, LOUIS LEBISH and IRV NAHAN Moderately ¢ Dance with © 1959 (Ranewad) RY LEIBER MUSIC, MIKE STOLLER MUSIC and UNICHAPPELL MUSIC INC. ‘This arangemect © 1993 JERRY LEIBER MUSIC, MIRE STOLLER MUSIC and UNICHAPPELL MUSIC INC. ‘A fighes RasarveAm while the mu - sic while the rhy - thm 1. G7 My lit - de dar- lin’ won't you Put your lips to mine.sie G7 ps alCoda 3DON'T Words and Music by JERRY LEIBER and MIKE STOLLER, telySlow (JI= 1d) D ff = oe fee oF (© 1957 fanewed) JER LEIRER MUSIC an MIKE STOLLER MUSIC “Tir arangurare © 1992 JERRY LETBER MUSIC and MIKE STOLLER MUSIC ‘A igh Reservedcere t h & é 3 SS want to kiss want. to hold will nev = ef leave 3E7 pe.) A, EZ Al DLC. al Coda @ Coda D Em? GADOWN IN MEXICO Words and Music by Moderatety, with a Latin beat JERRY LEIBER and MIKE STOLLER Am E7susa E29 Verse: am, cra > zy iit - we place that 1 know where the sit_-_tin ona pi = a = 00 stool. ao — 2 ———_ ge drinks are hot, = ter than the chil = i sauce, ‘andthe when does the fun be - gin” He = just’ a © 1956 (Renewed) JERRY LEIBER MUSIC, MIE STOLLER MUSK and CHAPPELL ACO. “Thr arangoment © 1993 ERRY LEIBER MUSIC, IKE STOLLER MUSK and CHAPPELL B CO, ‘AER ReservesEnS 37 Ff Chorus: red ban - dan = ona, plays, a blues pio a: nina Last time to Coda @Lam Intertude: Am be Joe stat - ed play - co) { She start - ed dane - She threw her armscma. 39 fi fH Tacet —_—-— —2 SSS SSS = — oS ——__ — then she did a dance I nev : er saw be - fore, — So. if you're south of the bor der, To mean-a down in Mex - i c0,— —_— and you wan- na get straight, man, don't hes - i - tate. Just E29 Coda o DS.$al Coda} Tacet look up a cat named Joe. He wears aDRIP DROP Words and Music by JERRY LEIBER and MIKE STOLLER Moderately Fast, with a beat Bis rains fall- in’ on my BT By © 1958 (Ranewed JERRY LEIBER MUSIC, MIKE STOLLER MUSIC an CHAPPELL 4 CO. ‘Tar arangemre © 1993 JERRY LEIBER MUSIC, MIKE STOLLER MURC and CHAPPELL B CO. ‘Rites vereBT packed up her bags Bb and she moved out on the mid- night EW Packed up her bags and she moved out she's got fon the =mid-night— the girls in - sane = — SSS = SS mF SS tears roll in’ down my ‘drain, just like ‘My TacetBiys9 Be = mind your own biznes, shut your lip, lip, ip. 1 know why my girl — giveme the > > > ze Bi Ft slip, slip". [said the roof is leak in’ andthe rain’ fall- in’ on my BT Bb oh, yeah. tear - drops— on myD.W. WASHBURN Moderately S7= JF é Words and Music by JERRY LEIBER and MIKE STOLLER BY AT D7 L"D. Double UY Wash - heard a sweet voice sa 2°D. Double U Wash I ‘said to my - sel Bh AT D7 fPERO Dou-ble U Wash = bum, this is your luckey day. "D, Dou-ble U Wash - burm,—_whydon'tthey go save some-body else By f F c cs Ee A hot bowl of | soup You see, T gor 0 job (© 1960, 1993 SCREEN GEMS.26i MUSIC INC, ‘Ai Rigs RvervedTo Coda @ 45 hot bow! of soup and a shave. D. — Dou-ble U Wash- work and I dont get —paid— "Can't you hear the flue-gel-horn? the bell? ‘tf CF you naugh- ty —neer~ do - well—don't get out-ta that gutter. D. Double U Wash - bum you'regon-na_ wash right down f "Up! Up! C-mon get up! Get up off the. street.__ I = 7 D745 G7 ¢ DS.%al Coda | youcan— on- ly make it to your hands andknees- -I_-know youcan makeit to your feet. | 3 3Coda 7 ¢ C7 ons “ Gk7 T gota bot-tle of wine. and Tm feel ~ ing fine and I be - c cs &R rh 4 et Hi tH HE D. Dou-ble U Wash Repeat and Fade Al ¢ BH AT feel et ‘bum andFOOLS FALL IN LOVE Words and Music by JERRY LEIBER and MIKE STOLLER Em Dm7 Fast swing tel (7-24) Ho © 1957 (Renewed JERRY LEIBER MUSIC, MIKE STOLLER MUSIC and CHAPPELL & CO. “Ths arangornat © 1992 JERRY LEIBER MUSIC, MIKE STOLLER MUSIC and CHAPPELL B CO, ‘ARs BaseredDm D7 DmiG G7 Dm? Bio ay should be play should be right51 FRAMED Words and Music JERRY LEIBER and MIKE STOLLER F Moderately % (Spoken) 1.1 was wall’ down the steer mindin”my_own offre 3 ney put me inthe “Une-ip and tet eke bight gh shne 5 The poset’ utes sited orate oe 3 4. 7 denied the charges of robbin' the liquor store. 3 at 53 =e ¥ (out me [ee at a mf —3— —- == E = when two policemen grabbed me— unawares. There were ten poor souls like me standin’ in that tine. Man, that cat gave me the third degree. 1 denied the charges of carryin’ a forty-four 3 3 —i— Last time to Coda They said, "Is your name Henry?" said, "Um, hum, why sure" 1 knew Twas “the victim of someone's evil plan He said, "Where were you the night of June twenty-nine?” 1 denied the charges of 100, 2 vagrancy (© 1954 (Renewed) JERRY LEBER MUSIC &MIKE STOLLER MUSIC “Thisarangmane © 193 EY LEIBER MUSIC B MIKE STOLLER MUSIC 1 Rigs Fasered52 es - o They when I Said, said, "You're the stool pigeon “Twas ‘home boy we've been lookin’ for” walked in and said, "That's the man". in bed.” He said, “Judge, this man is lyin’ HH racer ways get x Ds KalCoda @but when the judge came down, poured whiskey on my head, turned around to the jury and said, a Bi "Convict this man, he's drunk,” Framed. 1 was what could I do? a oI BHT oI I— do noth - in 3 tacet i but Jal ~ ways get blamed. 9 maHOUND DOG Words and Music by JERRY LEIBER and MIKE STOLLER Original version 2s recorded by Willie Mae “Big Mama" Thornton Medium Blues Sey ALA You aint no-thin’ but a hound dog Quit snoop - in’ ‘roundmy ALA nf You aint no thin’ but EH {Cope © 1956 by ELVIS PRESLEY MUSIC & LION PUBLISHING CO.. NC. Con Rand, Asined to GLADYS MUSIC (admntrad by WILLIAMSON MUSIC) and MCA MUSIC PUBLISHING, "A Din of MCA NC. 175 Bonde, Naw York, NY. 1019 “The aranguent © 1993 by GLADYS MUSIC and MCA MUSIC PUBLISHING, A Don of MCAINC, ‘raraional Copyrih Secired A ght ReservedBi ‘Yes, you told me you was, ABH An dai - dy T know you aint — no By ] By so blue. You made me weep and moan, You made me feel so blue You made me weep and moan,87 BT BHT = ‘cause you aint look- in’ for a Ds.Sat Coda All you look- in’ for— is. a—home.- You ain't no- thin’ but a Coda EBT > Bh but Taint gon - na feed you no more!HOUND DOG Words and Music by JERRY LEIBER and MIKE STOLLER As recorded by Elvis Presley Baby Moderate shume (JJ =) b) You ain't noth- in’ but Hound Dog, To Coda @ Fbo Copy © 1956 by ELMS PRESLEY MUSIC & LON PUBLISHING CO... Copyright Renewed, Asigred to GLADYS MUSIC (admired by WILLIAMSON MUSIC) and MCA MUSIC PUBLISHING, “ADrilon of MCA INC. 755 Broadway. New York New York Nv. 10019 ‘Thi arangement © 1992 by GLADYS MUSIC and MCA MUSIC PUBLISHING, A Dion of MCA IN. Incamatonl Coprigh Secured "Ad Rahes Rasaa7 7 ¢ 59 nev - er caught a rab- bit and you Well, they saidnev - er caught a rab- bit and you ain't DS.$hal CodaI (WHO HAVE NOTHING) English language lyric by Music JERRY LEIBER and MIKE STOLLER func (Original Italian lyric by CARL MOGOL Stowly, cn expressively fe. 1 1 who have noth. ing 1 1 whoam He, he buys you dia~ monds,- bright spar-ki- ing 1, T who have I T whoam 1 3 one a - dore you. ‘and want you 50. Tm just 2 monds, but be - lieve me dear when I say that “he can one— ust watch you go dan-cing by wrapped in the no one with noth- ing to give you but ob, I give you the world but hell ne ver Tove you the way I arms of some-bo - dy else, when dar-ling its T who © 1961, 1969 JERKY LEIBER MUSIC, MIKE STOLLER MUSIC an RADIO RECORD RUCORDI ris Renewed > “Ths rangement © 1993 JERRY LEBER MUS. MIKE STOLLER MUSIC and RADIO RECORD RICORD} "Al ighes Reservedlove_you. love_you, & ake you an- y place he wamts,. to fan- cy clubsand rest-au-rants_where I canon -ly watch you with my nose pressed up against the window pane. love you. =| KEEP FORGETTIN' Words and Music by JERRY LEIBER and MIKE STOLLER Fm Brightly it I keepfor- get-tin’ you don't love me no more.— Lidaag vel C19 T keep for- get-tin’ you getetin’ {that you told me that you——. Keep forsget-tn’ (0, hose Near brek = in nights — © 1962 (Renewed) JERRY LEBER MUSIC and MIKE STOLLER MUSIC ‘This arargeran © 1993 JERRY LEBER MUSIC ao MIKE STOLLER MUSIC ‘Ab igs Resendwant ome a - round an heart = break — in’ things that AW DT head for your street ‘soma - ny drift - ed a ~ par, be - lieve our Fn Di fore and this stub born old dead. ‘Though its plain as can atthe that you're VERend of my wrist keeps knock im on a your front fin iea hue Tet cant get through my —— ———. et = = = % ¥ — 5 ———— 5 = * rE sq * oe oe z Em = E love I keep for-get-tin’ you dorit 1 keep for-get-tin’ you dont —_love you don't love me no. more.— 1 keepfor-get-tin’ > 6I'M A WOMAN Words and Music by Moderately JERRY LEIBER and MIKE STOLLER F CE Cc FOCE C FC 37 m4 ria can wash out forty-four pairs of socks and have them hangin’ out onthe line, 1 21 can rub and scrub till skis old house is shinin’ like a dime, 3.1f you come to me sickly, you know I'm gonna make you well, ALT Gan stretch a greenback dollar Bill from here to kingdom come, és Ican starch and iron two dozen shirts before you can count from one to nine, Feed the baby, grease the car and powder my face at the same tine, 1 You come to me hexed up. you know Im gonna break the spell, 1 can play the mumbers, pay my bills, and still end up with some. 3 T can scoop up a great big dipper full of lard from the drippin’s can, Get all dressed up, go out and swing sill four am. and then If you come to me hungry,’ gonna fill you full 0° grits, T got a twenty dollar gold piece says there aint nothing T can't do B= x + (©1961, 1963 JERRY LIBER MUSIC and MIKE STOLLER MUSIC Copp Rerd “This arangoment © 1993 ERR LEBER MUSIC and MIKE STOLLER MUSIC ‘Al Riles Reserved9 —— x z = # Throw it in the skillet, go out and do my shopping and be back before it melts in the pan, Lay down at five, jump up at six and start all over again, “ If its love you're lackin’, I'l kiss you and give you the shiverin’ fits, ‘Cause Tm a T can make a dress out of a feedbag and I can make a man out of you, 8, And that's al on my 35 Tt Tn es es | AIS THAT ALL THERE 1S? Words and Music by JERRY LEIBER and MIKE STOLLER Moderately 4 1 remember when 1 was a very tle {2 y caught my father’s face ashe ~— gathered = me up in his. arms and raced thru © 1966, 1969 JERRY LEIBER MUSIC and MIKE STOLLER MUSIC. Tha ranger © 179 JERRY LEBER PUSH aed PIKE STOULER USC ‘At Rigs Raverthe burning building out onto the pavement... 1 stood there shivering in my pajamas c7 i Bh & e watched the whole world i And when it was all’ over.. & 1 said 10 myself, that all thereCoss Emo Em Bo Em? Fm Abm6 Ehmaj7 BS Ty Coda @ tacet rere ie? Test” L No Chord. ‘And when I was twelve years old my father took me to the circus... the greatest show on earth there were clowns and elephants and dancing bears . and a beauiful pink tights flew high above our heads ... sat there watching the marvelous spectacle 1 had the feeling thatR something was missing. I don't know what, but when it was over... I said to myself, —e |, = “Is that all there is 10 the all Then I fell in love. head over heels in love with the most wonderful (oa the world. we would take long walks bythe river, or just sit for hours gazing into each others eyes. tfEhmaj7 we were so very much in love. then one day. PP et F Em? Abm6, thought Td die... Abm6 Ebmaj7 "Is that all there is 10 love? all there and 1 (AS Jwent oway Emo and when I didn't I said ist. tacet74 C945) 1 know what you must be saying 10 yourselves. if that’s the way {3M } feels about it why doesn't Gry just end it all. tf Bhnaj7 Bs Emo i hurry for that final disappointment... ‘for I know just as well as I'm standing hereac Emo Alm6 talking to you...when that inal moment comes and I'm breathing my last breath. Ebmaj7 a DS.% al Cola ff tacet that all there ist”. saying 10 myself, Coda D7 DT.-S/Ab g cm tee FR |e wtJACKSON Words and Music by BILLY EDD WHEELER and JERRY LEIBER Moderately Eb (© 1963 QUARTET MUSIC. INC and BEXHILL MUSIC CORP. ‘Copy Renewed ad msgs to JERRY LEBER MUSC snd BEXHILL MUSIC CORP. "Th wrangrert © 1993 JERRY LEIBER MUSIC and GEXHILL MUSIC CORP. ‘AUR Reserved4-4 — 2 = SS ¢. + > - —S We been talk = out Tack Play your hang like a lov = man, ‘All them wom - em gon = ma bee Jead you ‘round town like a scol - ded hound Hh 4 you big talk = in! man78 Yeah, Tm goin’ to (He) Got” = ta snow ‘ball. Tm to Mm be wait - “in! in Bi 7 (She:)Well, Ge: When (She:) When theyJAILHOUSE ROCK Words and Music by JERRY LEIBER and MIKE STOLLER Moderately D7 EW D7 sf The = war-dentwew a par-ty in the coun - ty jail. The See additional lyrics BT D7 bia ea a prison band was there and they be - gan to wail, ‘The band was jump- in’ and the joint be - (© 1957 Renewed) JERRY LEBER MUSIC ad MIKE STOLLER MUSIC Ths ergot © 197 IBY LEBER MIC ae MIRE STOULER MUSIC ‘Aas ReservedD7 EM fy i You should have heard those knocked - out AT . BM ee att To Coda ty “ 1 $ ql & bod-y in the whole cell block was danc - ing to the Jail - house D7 BT DS.% al Coda @ Rock! ing to the Jail - house Rock!Repeat and fade 81 Coda BAT ay BY D7 Eb bod-y in the whole cell block was danc - ing to the Jail- house Additional Lyrics ‘Spider Murphy played the tenor saxophone Little Joe was blowin’ on the slide trombone. ‘The drummer boy from Illinois went crash, boom, bang: ‘The whole rhythm section was te Purple Gang. (Chorus) Number Forty-seven said to number Three: “You're the cutest jailbird I ever did see. I sure would be delighted with your company, Come on and do the anouse Rock wit me.” ras) ‘The sad sack was a-sitin’ on a block of stone, Way over in the comer weepit ‘The warden said: "Hey, Buddy, don't you be no square, Ifyou can’t find a parmer, use a wooden chair!” (Chorus) ‘Shifty Henry said to Bugs: "For heaven's sake, ‘No one's lookin’, now's our chance to make a break.’ Bugsy tured to Shifty and he said: "Nix, nix; wanna stick around a while and get my kicks." (Chorus)KANSAS CITY Words and Music by JERRY LEIBER and MIKE STOLLER. Medium Blues (73 G7 aft FD Tmgo- in’ to Kan - sasCi- ty 3 SSS SS ee pe Fo ae Kan - sasCi- tyhere I come,-————— Tmgo- in’ to 2 © 1952 Renewed) ERY LEBER MUSIC, MIKE STOLLER MUSIC and NANCY NATHAN GOLDSTEIN “The arangemere © 1793 JERRY LEBER MUSIC, MIKE STOLLER MUSIC and NANCY NATHAN GOLDSTEIN ‘Adige Rasa——. —_ - _ e ae SSS SSS SS oe —S Kana Kin as Cy tere seme, They got a cra - zy way of lov - in'there and Tmgon-na be stand - int on the cor = ‘Twelfth Sweet and Vine.— ‘Pack my clothes, leave at te" crack “or dawthe cor ~ my clothes, sas C= ty ba ith my Kan - sas G My old la - dy will Kan - sas— know Ge-ty wine. where Tm gone. vy - byand a be sleep - iit an" shetake a Tm_gon - m_egn ne —_—_ o> SS SS a =} + es z+ goin! just the same. Tm g0- in’ 10 that's the rea = son why Tm go- in’ 0 —_ —— —_———— ae aaa + —+ Ss SSS —c7 Fy F7 zy way of lov - in’ there and = I'm gon > na They got a cra - zy way of ov 7 get me some. in’ there and87 LITTLE EGYPT Words and Music by JERRY LEIBER and MIKE STOLLER Slowly in tempo Fy wi a @ (Spoken:) Step right up folks and see Little Egypt do her famous dance of the pyramids! She walks! She talks! =f 68 @ 8 a8 .—- . She crawls on her belly like a reptile! Just one thin dime, one tenth of a dollar. Step right up folks! © 196 (anewed) JERRY LEIBER MUSIC and MIKE STOLLER MUSIC “Ths wrangemne © 1992 JERRY LEBER MUSIC and MIKE STOLLER MUSIC "Al Rihs Rasarvedalr ~ é They pulled the cur tin up and when they tamed the spotlight way down She let her hair down and she did the hoot - chy-koot- chy She'stoo bus - y mop-pin’ and a- tak- ing care of shop-pin’ at the Bi — Hi Lit- Ue _E- gypt came out strut- tin’ wear- slow, When she did her spe cial num- ber on sto ‘cause we got sev- en kids a a and No Chord. nuttin’ but a but - ton and a Ze bra skin} thought theyd stop the ‘all day long they crawl a round the al89 Bw EW E] Ey id a ti- ple som-er-sault an’ when she hit the ground she winked at the aud-i- ence an’ then shetumed a-round. She had a — pic-ture of a cow- boy tattooed on her spine, say in’, +sAl By DSS al Coda zo - na, nine - teen Repeat and fade AM iH Coda 6. Ying BMLOVE ME Words and Music by JERRY LEIBER and MIKE STOLLER Sz F7 Moderately slow (J = J.) iff H ‘Treat me like a foal, teat me mean and cruel, bur £0, dar - lin’ be ob so pray to the that shine ae Break my faithful heart. Tear it all a - TU be sad and blue, cry ing 0 - ver beg-ging on my knees all To ask is y or L F FR7 C7sus4/G C7gus4 fe pat but dove, me If you ev- er (© 1954 Ranewed) JERKY ZEIER MUSIC an MIKE STOLLER MUSIC ‘Thi arrangement © 1992 ERY LEIBER MUSIC and PIKE STOLLER MUSIC ‘Al ips Reserveddear on- ly. please love me. i i ai ae Hae cr G75, aod Coda ne DS$alCoda rs93 LOVE POTION NO. 9 Words and Music by JERRY LEIBER and MIKE STOLLER Moderately bright Chorus: Dfm Em AL Em aan tt bed it T took my trou-blesdown to. Ma - dam Ruth,— You know.that Gyp-sy with the I told her that J was a flop with chicks. Tye been this way since nine-teen- gold - capped tooth. She's gota pad down at —thir- ty- fourthand vine, fifty-six She looked at’ my palm and she made a mag- ic sign, She BI tacet a Sell-in' it~ tle bot-tles of Love Po-tionNumber Nine. seid: What you need — is Love Po- tion Num- ber © 1959 (Rarawad) JERRY LEIBER MUSIC ae MIKE STOLLER MUSIC ‘Tht arangerare © 1992 JERRY LEIBER MUSIC and MIKE STOLLER MUSIC ‘A Righes RasarvedAl th She bent down and tumed a- round and here inthe sink". It smelled like tur - pen - tine and looked like held my nose; 1 closedmy eyes;did~ n't know if ——_ ——— < — . SS 7 But when 1 kissed the cop down at Thir-ty-fourthand Vine, te > B7 racer LEm med broke my lit = tle bot tle Love Po- tion Num- berLOVING YOU Words and Music by JERRY LEIBER and MIKE STOLLER Moderately dow (J1= 1D) C13 D7 CIE F fe Go aR whole life through. some - one new, tov ing you,— Jov - ing you— Win-ter, sum - mer, dont be blue, — don't be Blue — Ti be faith - ful, a © 1957 (Renewed JERRY LEIBER MUSIC ard MIKE STOLLER MUSIC. “Tsarrangrane © 1992 JERRY LEBER MUSIC and MIKE STOLLER MUSIC ‘Alig RaverBh Bhai? BG Bho mm Bhn Bhs 7 ih Makes no There is dif- frence on - ly [E cr 7 "Even eighth notes.LUCKY LIPS Words and Music by JERRY LEIBER and MIKE STOLLER Moderately BG BH-9 ed BY-9 Els BY BH Jong and silk - y nev - er get the Fm7 BH Fm7 BH _— my Ma - ma told me, “Hon - ey, youve got and if T play that game of dove, ST © 1957 (Ranew) JERRY LEIBER MUSIC, MIKE STOLLER MUSIC ad CHAPPELL & CO. The urargemane © 1993 JERRY LEIBER MUIC, MIKE STOLLER MUSIC and CHAPPELL CO. ‘AT igs asarvedBiy.9 Bi7-9 tr ae HBS o x + = + SS = —— more than other gis Now yoo may mot_——be good know oT just cant se When they spin that wheel “of Bi7-9 Bo Em? Em? Bi areal - ways kiss- clips hips dia- mond kiss my Refrain fuck-y luck-y you've got Tve got lips are nev-er Luck - y int1080 lips will al- ways find lips that will be Ab & need a four leaf clov-er,_—rab-bit's foot or _— good luck charm. With i BT By al - ways have 8ON BROADWAY Words and Music by JERRY LEIBER, MIKE STOLLER, BARRY MANN and CYNTHIA WEIL Moderately, with a beat F By F EWE say the ne = on lights say the girls are some - thin’ say that “T won't last F Eye F EME F Be TI catch a Grey-hound _ fo EWE F EWE F EYP 1 1962 (Renewed 1990), 1969 Ranowed 191) SCREEN GEMS-EHI FUSING ‘Thang © 199 SCREN GEMS MUSINGfo2 Bb Aysb Bh Abph Bi Abb e ¢ F BYE ° a and you aint had € = nought eat, the glitter rubs right when “ail you got is ‘one thin dime — and one thin dime won't and 1 won't quit till ‘cause I can play this here 1.2. p EY F EVE EF EVE | i a — = & Se # F s ww ESF ss ! off and youre no ~ where — on Broad = way— © - ven Shine your shoes on Broad > Way — Im a star on Broad - way. > = <ONLY IN AMERICA tteseeestensee 108 Words and Music by JERRY LEIBER, MIKE STOLLER, Modery BARRY MANN and CYNTHIA WEL ee Chorus ¢ Be ¢ He aR ae On-ly In A - meri On-ly in A meri cana guy from can a guy who's go t0 sleep take agi - © 1963 (Renawed 191) SCREEN GEMS. 44 MUSIC INC. ‘Thesrangerere © 1993 SCREEN GEMS.Em1 MUSIC INCcan a kid with ~ could a dream — like get a break and could a boy — like land of op- por - w- ni- ty105 g A. poco a poco crese.we POISON IVY Words and Maisie by JERRY LEIBER and MIKE STOLLER Moderate! e BOF Boo comes on like a rose,—- ev-'ry- bod- y knows— pret-ty as a dai- sy, ook out, man, she's cra- zy. she'll get you in dutch. — real-ly do you in, (Tacet) Ht Took but you bet = ter not Jet her get un der your— (© 1959 taped) ERRY LEIDER MUSIC ad HIKE STOLLER MUSIC “Thi wranganae © 199 JERRY LEBER MUSIC and MIKE STOLLER MUSICLate at night while youre sleep- in’, Poi-son I- vy comes a creep-in’ a - round, ‘Mea-sles make you bump-y, and mumps-'ll make you lump-y, and chick-en pox - ‘Il make you jump andtwitch A com-mon cold- "ll fool ya, and whoop-in’ cough can cool ya, but a crs9 Poi- son I= vy, Lord,-'Il make you itch, — Youre gon-na need an 0- cean seratch-in’ Tike a hound— the min - ule you stat to mess a -ag 3 round Poi - son To. vy Poi Son Ht, Late at night while you're sleep- in’, Poi- son 1+ vycomes a creep-in’ 8 = © round, She110 RIOT IN CELL BLOCK NUMBER NINE Words and Music by JERRY LEIBER and MIKE STOLLER C7, No Chord cy NC Ti i Moderate Rock (Spoken:) 1, On July the second nineteen fifty - three, Twas a servin'time for 2. The trouble started in cell block number four. It spread like fire a- 3. The warden said, "Come out with your hands up in the air, If you don't stop this riot you ne] ‘At four o’clock in the mornin’ I was sleepin’ in my cell. I said, "Okay boys ‘get_ready 10 run. Scarface Jones said, "It’s 100 late to quit. 4. Inthe forty-seventh hour the tear gas got our men. os armed robbery. ‘ross the prison floor. all gonna get the chair”. os NC. os T heard a whistle blow. Then I heard somebody yell, Here comes the warden ‘witha tommy gun.” . . Pass the dynamite ‘cause the fuse is lt There's a i= ot go-in’ on We're ail back in our cells ‘ut every now and then 7 (© 1954 (Renewed) JERRY LEIBER MUSIC and MIKE STOLLER MUSIC “This arangemere © 1993 ERY LEBER MUSIC and MIKE STOLLER MUSIC ‘Ad Rigs ReservedF7 FH C/G G7 F7 Tocoda ¢ [" oR Eee a cell block. num-ber DS.% al Coda BRT cr FCG G7" NC Repeat and fade F] FIVCIG G7 NC. C7RUBY BABY Words and Music by JERRY LEIBER and MIKE STOLLER Moderately, with a beat (7 c it Gm? im s = = = = 2 I got a girl and Ru - by is her name.— Each time I see yeu ba = oby my heart cries — © 1955 (Renewed) JBRY LEIBER MUSIC se MIKE STOLLER MUSIC “This wrangemane © 199) JERRY LEBER MUSIC ae MIKE STOLLER MUSIC AL Righes arn¢ 113, Gm a7‘ Po DS¥Bat Coda @ Repeat and fade Coda, ToCoda @146 SANTA CLAUS IS BACK IN TOWN Words and Music by JERRY LEIBER and MIKE STOLLER ‘Moderately ( nap Bi B Bb FT Hy it = 3 (Christ- mas) (Christ-mas (Christmas) Cnist-mas ine, pe-y ba OF andite now i fal-in'on the pou Well, it's Christ- mas time, pret-ty ba- by, and the snow is fall-in’ on the ground. (©1957 @anewed) JERRY LEBER MUSIC ad MIKE STOLLER MUSIC “Tis arangemert © 1972 JERRY LEIBER MUSIC nd MIKE STOLLER MUSIC "ADRs Reserved16 oy EM Bb “cause San-ta Claus. is back in town. Got nosleigh with rein Hang up your pretty stock- ings; You're gon-na see mecom - in’ ina black- cause San- ta Claus is com - in’ down your : Ey real good _lit- de gisl, Ca-dil- lac. Ho, ho, ney to-night. Ho, ho, B17 EM Bb Christ- mas time, pret-ty ba- by, You be a realgood litle girl, “cause San-ta Claus is back in town. Coda EM DS.% alCoda®e -& ye “eause San-taClaus. is back in town (Chwist -mas,) — (Christ-mas,) (Chwrist- mas.) —__ qd) ql118 SAVED Words and Music by JERRY LEIBER and MIKE STOLLER Fast Gospel feel Bb 1 used to smoke, used to drink, 1 used to cuss, T used to fuss, 1 used to lie, 1 used to cheat, T used to dance the hoo - chy - ko. boo - gie all aight long. sep on peo = ple's. feet. smoke and” drink and dance the hoo - chy - cuss and furs and boo - gie all-night Tie__and cheat and step on peo - ple’s © 1961 Ranewed) JERRY LEIBER MUSIC ané MIKE STOLLER MUSIC “This arargware © 1992 ERRY LEBER MUSIC and PIKE STOLLER MUSIC ‘A Rigs RasarvedBb 119 koo but now Im long but now Tm feet but now I'm stand - ja’ on this. cor = ner pray infor me and stand - in| on this cor - ner, know— right from step - pin’ on 0 glo - ry, sal va- ton is my you. Be - cause Tm vwirong. beat, Peo- ple let me tell you "bout a120 king - dom come. You know Tm saved. Tm By q Preach un- til you're deaf and dumb I'm in that121 SEARCHIN' Words and Music by JERRY LEIBER and MIKE STOLLER Medium Slow Groove (JJ=) }) cr FG CT FG (Gon-na find © 1957 (Renewed JERRY LEIBER MUSIC, MIKE STOLLER MUSIC and CHAPPELL 8 CO. ‘That wrangrare © 1993 RAY LEIBER MUSIC, MIKE STOLLER MUSIC and CHAPPELL 8 CO, ‘A ihe RasarvedyouC2 ToCoda 4 Se SS day (Gon-na find her) bring her mow ff 1 have swim a ne ver Welt Sher - lock Holmes, ‘Sam "Spade, — got I have - gent Fri - day,Lo 124 cy FIG FG CT F us hid = int where she's know—___________ 1 will ‘Cause 1 been street Tike Repeat andfade cy DsBalCode ng — Coua C} 1G C7 it 6 ae i125 SHE'S NOT YOU Words and Music by JERRY LEIBER, MIKE STOLLER and DOC POMUS Medium Shute (fe!) F $8 Her hair is soft and her She knows just f” {© 1962 (Renewed) JERRY LEER MUSIC, MIKE STOLLER MUSIC and ELVIS PRESLEY MUSIC “This arrangemnt © 1993 ERY LETBER MUSIC, MIKE STOLLER MUSIC and ELV PRESLEY MUSIC Tigres on behalf ELVIS PRESLEY MUSIC sdminctared by B&H MUSIC "Al igs sarodDs alCoda & tacet c: F coda C1, Be & Ireart_ ‘cause she's not you. r f" i r127 SHOPPIN' FOR CLOTHES Words and Music by JERRY LEIBER, MIKE STOLLER Slow and Groovy (SJ=) )) 8d KENT HARRIS FE 1 ii Customer: Spoken: I was shoppin’ for a suit the other day and walked into the department store, stepped onto the elevator and told the girl, BOE a Ee Ei “Dry Goods floor.” When I got offa salesman come up to me. He said, * Now, what can I do for you?” a F fm I said, "Well go in there and show me all them sport clothes like you s/posed to”. He said, “Sure, c'mon in buddy, dig these fabrics © 1960 (farmed) JERRY LEBER MUSIC, MIKE STOLLER MUSIC and FIVE POINT MUSIC “Ts arangrent © 1993 JERRY LEBER MUSC, MIKE STOLLER MUSIC an FIVE PONT MUSIC “Alias on baal of FIVE POINT MUSIC adrnutared by TRIO MUSIC CO, INC. (AI Righe Rares128 we got laid out on the shelf.” He said, "Pick yourself out one. Try it on. Stand in the mirror and dig yourself", ‘Salesman: (Ooh_—___~________} "That suit’s pure herringbone.” (Ooh. hell! wis Kal! wit! a Customer: Salesman: — "Yeah, that's a suit I'd like to own." (Ooh) "Buddy, that suit is you!" Customer: J Yeah I believe it too. Isee for the businessman you're featurin’ the natural‘And for the playboy you have the latest in tweed with the cutaway flapover twice. Its a box back two button western model. He said, Ht dit Fe SS "Now ain't that nice.” (Ook = ) "Them buttons are solid gold” F Gm oF Gm oF BE ge om Gh om OE Customer: You made a deal. Sold!Customer: ‘Salesman: collar’ tl hair” = You can just set rhat right down — That collar's pure camel ha (Ooh____~__ y Youcan just igh Now you go back there and get that paper and let me sign on the dotted line and I'l make sure I get all of my BE Fr BOE ee i a = ‘payments in right on time. “Now, wait a minute, buddy. Let me go back there and do a litle checking on you". Then the ‘man he come back. He say/'!'m sorry my man but your credit didn't go through.” Why what you mean?a fees b oe oa Sj ee SS (Ooh —___"_________) Ain't this a shame, (Ooh — ‘My heart's in pain. (Ook. Repeat and fade” —" Gm oF Gm F Bg, Fo Gm oF Gm o£ af S- Salesman: } "That's a suit you'll never own.” (Ooh.132 SMOKEY JOE'S CAFE Words and Music by JERRY LEIBER and MIKE STOLLER bs Rae a Smo + key Joe's Ca - fe) 3 Hebi = Smo- key Joes Ca - f —— just si- tin’ dig - gin’ all the scenes. at ome sty dos GS a ee oe = = # amr ? = “hy Tu u « 4 (© 1355 anawed) JERRY LEIBERMUSIC and MIKE STOLLER MUSIC The arangerent © 1993 ERRY LEIBER MUSIC and MIKE STOLLER MUSIC ‘Aig RavarvedSmo » key ‘Smo ~ key ‘Smo - key FT G7 ver seen be ~ fore, at my heart went boom and or John's or _Jean's than. 1 had smiled at Tim's or Jack's 133, thru chi_-_ i the door per - fume. beans chick came walk - in’ T could smell her ra_+ ther eat my cr that She at co yer down ‘the room in’ down. ver dy ces eat - east 1 then some - take my ne < bo ~ chan ~ c Bc 8 G79 Fi & a i Hii i —— ——<——— +o Zs —= = res e J j T Smo - key Joes Ca = £6, Ax sot sed sha = kit Smo - key Joe's Ca - f€ said, "Man be care - ful Smo - key Toes Cas Why isk ny ite when134 To Coda 4, FT BIS when she sat right down next 10 me. Her that chick be-longs to Smo-key that Smo-key Joe's a cra- zy a Joe! From be- hind the count - er chef hat on his head135 DSK al Coda Qe B G9 ae: boy and clear right on tacet wah at Smo - key Joe's Ca + f)136 SPANISH HARLEM Words and Music by JERRY LEIBER and PHIL SPECTOR Moderately SPAN - ISH SPAN - ISH (©1940, 196 ERRY LEIBER MUSIC and MOTHER BERTHA MUSIC, INC. ‘Copyriges Rerawed “Thi srangement © 199 JERRY LEIBER MUSIC and MOTHER BERTHAMUSIC, INC. ‘Atigesonbeal'o! MOTHER BERTHA MUSIC, INC. admired by ABKCO MUSIC INC, ‘At Rigs Rasarvedcomes out when ‘all the stars fire there l. pave 10 beg =in the street right up thru the con - crete but soft and sweet and pick that rose andwatch her as she grows.