Your NameKimi No Na Wa Full Soundtrack BGM

Kimi
No Na Wa
Full Soundtrack
Transcribed by Lag Is Seriously Real Music by Radwimps

[OST #1, “夢灯籠”]
Lyrics byYojiro Noda ["OST #1, Dream Lantern"] 作詞: 野田洋次郎
Music by Yojiro Noda 作曲: 野田洋次郎
            
 
  
1 "Rock Uplifting" = 171
Piccolo & Flute & B♭ Clarinet
            
ピッコロ & フルート & B♭クラリネット
 
Alto Saxophone (Backing Vocals)
アルトサックス
            
  
(バッキング・ヴォーカル)
Tenor Saxophone (Lead Vocal)
           
テナーサックス (リードボーカル)
Grand Piano &  
             

Electric Piano & Harp
グランドピアノ &
エレクトリックピアノ & ハープ
            
Violin I
 
           
第1ヴァイオリン
Violin II
 
               
第2ヴァイオリン
Viola
             
ビオラ

Violoncello
             
チェロ
 
Contrabass
            
コントラバス
Acoustic Guitar 1
 
           
第1アコースティックギター
 
  
      
Acoustic Guitar 2
               


    
第2アコースティックギター
       
    
"Clean, Sustained"

Electric Guitar 1
第1エレキギター
 
                
 
     
    
"Clean, Sustained"
Electric Guitar 2
第2エレキギター
             
 
 
"Electric Bass (Fingered)"
Electric Bass & Acoustic Bass
エレクトリックベース &
            

アコースティックベース
Drumset 1

           
第1ドラム
 

Drumset 2
            

第2ドラム
"Hand Clap"
   "Vocals"
Hand Clap & Triangle & Bass Drum
           
  
拍手 & トライアングル & バスドラム
Backing Vocals & Glockenspiel & Maracas
バッキング・ヴォーカル &
            
    
グロッケンシュピール & マラカス
         
"Warm Pad"
    




















Pad Synthesiser 1
 cresc. 
第1シンセサイザー
           
 
             

Pad Synthesiser 2
第2シンセサイザー
2
  "Slightly Faster" = 172
      
     
     
17
11 "Breeze"
                    
            
T. Sax.
 

      
     


       
El. Guit. 1
    
    

  
 




 


 

El. Guit. 2
       
 

El. B.
          
        

    








    

Synth.1
                     
    
  
 

    
20
              
 
T. Sax.
                
 
3
 
  

       
El. Guit. 1
    
    
     
 
El. Guit. 2
 
El. B.
 
                         

       
28
              
  
T. Sax.
                 

         full   
   
  
El. Guit. 1
 
  
      
 
El. Guit. 2
 
 
                           
El. B.
          
D. Set 1                          

         
 
36
37 "Faster" = 178

T. Sax.
                                       

 
"Distortion"
El. Guit. 1

sub.  
                     
   
"Distortion"
               
A♭ Cm B♭ A♭
         
El. Guit. 2
  
                               

El. B.
     
                               

            

                      
               
D. Set 1
         

Hd. Clp.&
Trgl. & B.D.

3
          
        
 
45

42
       
              
T. Sax.
  


El. Guit. 1
    
       

  
  
                 
   
Cm B♭
   
"Palm Mute"
     
El. Guit. 2
              
    


   
El. B.
                  
                                
         
D. Set 1
         

Hd. Clp.&
Trgl. & B.D.
                              
   
 


48

     
T. Sax.
    
  
"Clean"
El. Guit. 1

 
                             

           

El. Guit. 2
      
     
  
       
El. B.
    
                       

D. Set 1
               
            
    

54
  
              
T. Sax.
   
El. Guit. 1  
     



                                       
   
El. Guit. 2
   
 
  
    
El. B.
      
D. Set 1                    
                     

59
65
T. Sax.
  "Overdrive"
                                        
   
cresc.  
                                  
Fm

El. Guit. 1
   
                                      
  
 
 
"Clean" "Distortion"
   
El. Guit. 2
                
 
 cresc.  

El. B.
                                      
                  

 
                          
      

D. Set 1
        


Vo. & Glock.
& Mrcs.

4
           
         

       
   
66
  
T. Sax.
 
         
  
D♭ A♭ E♭ Fm D♭ A♭ E♭
 
El. Guit. 1
   
    
  
  
 

                               
El. Guit. 2
       

 
                                       
El. B.
  
                           
 
D. Set 1
    
        
Vo. & Glock.
& Mrcs.
 
                               
   
73
 
T. Sax.
    
    




   
   

El. Guit. 1
        
 
   
                        
El. Guit. 2
            

 
                            
El. B.
                                     
 
D. Set 1
       
  
Vo. & Glock.
& Mrcs.
              
80
83
     
  
                       
T. Sax.
      

"Distortion"

El. Guit. 1
      
   
  

      
      
     
  
"Distortion"

A♭ Cm
           
             
El. Guit. 2
            
              

El. B.
                     
           


                                    
             
D. Set 1
Hd. Clp.&          
Trgl. & B.D.

5
 
                  
        
   

  
       
     

86
El. Guit. 1
           
   
   
 
 

           
 






 
  

B♭ A♭ Cm B♭
        
   
     
El. Guit. 2
 
                              
 
 
 

El. B.
                                    
                          
          

D. Set 1
Hd. Clp.&           
Trgl. & B.D.
6
[OST #2, “三葉の通学”]
[OST#2, "School Road"]
             
 
91
91 "Moderato"  = 100
"Flute"
    
                          
  Solo.               
Picc.& Fl.& B♭ Cl.

Vln. I               
 
                                
   

     
       
Solo.
Vln. II
             

Solo.
Vla.
             
 
Solo.
        
Vc.

             
 
            
                                    
Guit.1
           

     
Guit. 2
   

      
109
    

103
  
              



Vln. I
      
        
 
      
Vln. II
                            
   
2 1/2
             
      
  

    
Guit.1

                    
   
Guit. 2
      
    
  

115
123
    
    
           
       
Vln. I
          

Vln. II
         
    

  
Vc.
                    
      

 
 
                       
Guit.1


                     
      
Guit. 2
7
          
        

       
  
131

125
  
Vln. I
 
                   
   

  
Vln. II
       
 

Vla.
          


  
   
Vc.
              
 
     
                          
Guit.1
    

        

   
Guit. 2
          
    
134
  
Vln. I
          
Vln. II 
           
Vla.  
          
   
    
Vc.
           
       
     

                       
Guit.1
          
         
 
Guit. 2
8
[OST#3, "糸守高校"]
[OST#3, "Itomori High School"]
            

143 "Allegro"  = 143
 
143
"Flute"
              

                                                             
  
                     

Pno. 
   Solo.   
  
                   


pizz.
 
  
Vln. II
 Solo.
                
pizz. 
Vla.
           
  

Solo.
Vc.
   
                                             
           

   
 
153
                         

  
Pno.
         
                                     

       
         
     
                  
Vln. II
                       
         
Vla.

               
        
               
171

163
    
                   
  
Pno.
                
       
                         
 arco.
    
   
  
        
   
Vln. II
                 
     
               
 
   
arco.
Vla.
 
                      
               

173
                   
              
Pno.
              
      
       
                 
Vln. II
         
          
      


Vla.

9
           
   

192

183
  
      

                             
          


    
                  
Pno. 
     
Vln. II        
                 
Vla.

              
                       
        
193
          
    
                                                
                
Pno.
    
                    
 
Vln. II
            


Vla.

    
           

208

202
     
                                  
           
          

              
Pno.
       
             
           
Vln. II

                    


Vla.
        
Vc.
    


                 
  

210
216
              
       
                              
 
3
     


              
 
Pno.
          
     
              
 
   
   
Vln. II
                  
sub.  cresc.
3      
Vla.
       
         
  

  
sub.  cresc.
Vc.
 cresc.
10
    
            
  
218
          6
       
                      

 
                      
3

     
Pno.
     
            
3
3

Vln. II
                


(cresc.)  
Vla.
        
       
  
3
(cresc.)  

Vc.
3
(cresc.)  
11
[OST#4, "はじめての、東京"]
[OST#4, "First View of Tokyo"]
         
                                 
228
228 "Lively"  = 156
                
  

Pno.
          

 
Tutti.
Vln. I
        
  
Tutti.
Vln. II
          
Tutti. 

Vla.
          

Tutti.
Vc.
         
 
Tutti. 
Cb.
        
                 
236
241
               
 
Pno.
   
Vln. I           

          
 
Vln. II
            

Vla.
       
  
 
Vc.
        

 
pizz.
Cb.

12
        
                   
244
249
               
 
Pno.
       
    
 
   
Vln. I

          
     
pizz.
Vln. II
         
 
 
 
 
 


Vla.
             

    
Vc. 
arco.      
       

     
Cb.
 

        
                   
252
               
 
Pno.
            

     
               

Vln. I

Vln. II                                       
                                 
              
Vla.
               
       
         
Vc.
  
Cb.

    
                               
260
265
             
 
Pno.
                   
   
                  
     
Vln. I
                      
          
    

     
arco.
         
  
Vln. II
                                     

               
Vla.
      
      

              
Vc.
     
        

Cb.
13
           
                             
267
       
         
Pno. 
 
             
       

Vln. I
  dim.  
         
3 3 3 3
 
Vln. II
           
     
  
3 3
Vla.
            
 dim.  
Vc.
           
 
 
Cb.
 dim.
14
[OST#5, "憧れカフェ"]
[OST#5, "Cafe At Last"]
Music by Akira Kuwahara 作曲: 桑原彰
          
276 "Medium Swing"  = 177
Solo. 276
    
     
    
      
                        
Vc.
                   

  
  
     

   
Guit. 2
 
     
     


"Jazz"

El. Guit. 1
             
  


"Jazz"
El. Guit. 2
       
                 

          
"Acoustic Bass"

Bass
                                                   

D. Set 1   

      
         
    
   
             
          
       
 
    
       
284

   
Guit. 2
         
          

2

      
      
El. Guit. 1

          
   
El. Guit. 2
                                    
        
     
Bass
D. Set 1                             

    

 

 
     
                         
              
292
       
291
 
            
Guit. 2
    
       
 
   
         
      
    
 
   
El. Guit. 1
          

        
El. Guit. 2
             
           

                                         
Bass
    
D. Set 1   
15
                                 

    
             
         
298
         
     

        
Guit. 2
    

             

             
El. Guit. 1

     
            
El. Guit. 2
      
        

                            
Bass
        
D. Set 1       
                   
              
     
305
         
  
Guit. 2

          
         
 
full
   

                    
El. Guit. 1
           
   
full

 
      
El. Guit. 2
      
  


                        
Bass
            
D. Set 1        

   
     
314
320
    
        
Vc.
                                        

3 3
  
3 3
     
    
       
GMaj
  
Guit. 2
        
       
   

  
 

        
El. Guit. 1
       

          

  
     
El. Guit. 2
                          
           

Bass
                               

     
 
D. Set 1        
      
              
           
321 C7 GMaj
              
           
Guit. 2
          

                    
El. Guit. 1
           


                     
El. Guit. 2
Bass

                              
D. Set 1                    
16
                     
                        
     
C7 Dm CMaj

326
  
              
Guit. 2
               

           

  
                   
El. Guit. 1

                        
3 3 3 3
C7 CMaj
                   
El. Guit. 2
            

         
Bass
                     
D. Set 1                    
         
                    
  
GMaj C♯Aug GMaj
            
Em CMaj 1/2
  
331
         
             
Guit. 2
          
    

  

       
         
El. Guit. 1
     










      

3 3 3 3 3 3
      
              
El. Guit. 2
         
    

         
Bass
                       
               

D. Set 1
17
[OST#6, "奥寺先輩のテーマ"]
[OST#6, "Theme of Ms Okudera"]
                 
 = 83
 
336
336 "Gracefully"
"B♭ Clarinet"
                    
B♭ Cl.
     

    
     
1/2

            
Guit.1
                 


 
          
       
Guit. 2
           
     
 
 Follow the chords instead of actual notes
Bass
     
                               
352
   
352


           
Guit.1
  

























    
   
Guit. 2
          
Bass

             
               
368
 
   
366 full 3
   
  
Guit.1
                 
       







     
       
Guit. 2
     
    

Bass
 
          
384
       
  
379
 

          
B♭ Cl.
              
        
 cresc.   

 
Guit.1
 
                  
  
     
       
 
  
Guit. 2
             
Bass
   
      
   
         
400

393
      

 
             
B♭ Cl.
     

      
   




Guit.1
        
                 
  
         
Guit. 2
     
Bass
  
18
    
    
      

         

407
B♭ Cl.
           
          

   

  
 
full 2 full
  
3

         
Guit.1
       
        
      


    
Guit. 2
          
Bass
  
19
[OST#7, "ふたりの異変"]
[OST#7, "Unusual Changes Of Two"]
Music by Akira Kuwahara 作曲: 桑原彰
      
420 "Fantasy"  = 134
 
420 "Electric Piano"
      

El. Pno.
                               
     
Guit.1
    
                        
        

                 
 
Guit. 2


                          
             
"Clean"
El. Guit. 1
                        
       
                     

        
    
"Overdriven"
El. Guit. 2
                   
    
 
   


   
     
"Electric Bass"

            
El. B.
   
                                     
              

      
          
D. Set 1

           

          
            
        
   
426
428
   
Guit.1
       
          

         

      

          
Guit. 2
    

            

     
El. Guit. 1
        
        
 
        
El. Guit. 2
        

         
                                            
El. B.
                             
           
D. Set 1
       
                       

       
               
436

432
    
Guit.1
           
                 
             
cresc.
   
Guit. 2
                  

"Overdrive"
El. Guit. 1
            

   cresc.
        
El. B.

    
                                     


 cresc.
                              
              
D. Set 1
20
      
                        
          
438
 
Guit.1
           
                        
(cresc.)
         
 
Guit. 2
                 
                        
  
El. Guit. 1
          
     


(cresc.)
        
El. B.

                     
                    
(cresc.)
                              
           
D. Set 1
  
                  

444
444
             
Guit.1
                       

                              

   
   
El. Guit. 1
                   

      

        
"Clean"
      
                 
El. Guit. 2
                   
          

      
El. B.
      
                                      
 
      

                    
              
D. Set 1
             
                      
451 G.P.
454
   
Guit.1
      
                        

            
Guit. 2
  
 
 
                            
"Clean"
El. Guit. 1
             

        

           

      
 
"Feedback" "Overdrive"
       
El. Guit. 2
         
       
 

   
El. B.
        
                              
               

               
        
D. Set 1

21
         

           
                              
458
462
   
Guit.1
     
                          
      

        
 
Guit. 2
  
       
                     

 
         
El. Guit. 1
           
                
  
             
El. Guit. 2
      
     
 

        
   
El. B.
                                   
   
 

 
  
         

           

            
D. Set 1
  
     


             

                

        
    
464
 
Guit.1
         
 

   

            
    
    
 
Guit. 2
      

"Overdriven"
El. Guit. 1
     
   
"Feedback"  

      
   
El. Guit. 2
    
 

       
                                 
El. B.
 
           
                  
          
D. Set 1
     
       
   

             
                        
470
470
    
Guit.1
       
       



  
      
  
   
     
Guit. 2
             
El. Guit. 1                                 

       
  

         
        
 





  
cresc.
      
    
                                
El. B.
    
                             
            
D. Set 1
22
 
      
         
 
478

476
 
Guit.1
        
     
    

 
                              
Guit. 2
                          
               
  
 
El. Guit. 1
        
  
(cresc.) 

"Distortion"
                   full     
El. Guit. 2
           
         
   

  
El. B.
  
      
  

                 
  
      
                   

               
             
D. Set 1
   
                            
483
488

             
El. Pno.
     


          
      
Guit.1
                                 

                 
  full   
 
El. Guit. 1
         
              

 
  
“Clean"
  
"Distortion"
     
El. Guit. 2
                 
               

    
  
El. B.
          

      
                                     

                         
         
D. Set 1
   
                      
489
       
         
                              
       
El. Pno.
       
                        
       
 
El. Guit. 1
                
El. Guit. 2 
        
            
        
                                
El. B.
       
D. Set 1                     
23

            
494
495

        

El. Pno.
         

                      
    
Guit.1
     
           
 
  
 
  
     

       
Guit. 2
          
                    

                    
"Clean"
El. Guit. 1
        "Overdriven"               
            
             

    
    
          
El. Guit. 2
             
 

   
  
   

 
   
  
El. B.
            
                   


                  
      
D. Set 1
 
                         
       
499
   
Guit.1
  
            
           
 
      
Guit. 2

                     
         
          
 
El. Guit. 1
       
                
   
         
       
El. Guit. 2
   
     
     
                  
       
El. B.
  
               
      
D. Set 1
       

503
 
Guit.1
 
       
 
Guit. 2
   
                 
   
 
El. Guit. 1
 
                          
 
El. Guit. 2
    
               
    
El. B.
          
       
    
D. Set 1            
 
24
With reference to the transcription The Dougie Fresh の
by The Dougie Fresh [OST#8, "前前前世(Movie Ver.)"] 助けを借りて
Lyrics byYojiro Noda [OST#8, "Zenzenzense (Movie Ver.)"] 作詞: 野田洋次郎
            
    
   
    
            
   
"Rock Uplifting" = 190
  
507
507 "Distortion"
El. Guit. 1
  "Distortion"   
        

          
        
El. Guit. 2
     
     

          
"Fingered" 2 2
El. B.
                          


D. Set 1                         
             515       

          
                                   
 
513
           
El. Guit. 1

                        

     

    
3 3
     
3 3
El. Guit. 2
             
                    

       
3 3
 3   3 
El. B.
                               
   

                          
           
D. Set 1
3 3

           
           
523

520
                                
T. Sax.
            
 
 "Clean"
El. Guit. 1
 
     

         
              
“Palm Mute"
El. Guit. 2
                            
   


3
El. B.
                           
 

                        
   
D. Set 1
                            
      
527
                         
                
T. Sax.
 
 
El. Guit. 1
                    
                       
El. Guit. 2
      
                                       
         
El. B.
       
D. Set 1                         
25
             
            
533
                 

                      
T. Sax.
El. Guit. 1  
  
                     
      
"Distortion"
 
       3
El. Guit. 2
                           
           
full 
   
                 
El. B.
   
D. Set 1                             
           

          
540
543
      
                
T. Sax.
            
  
"Distortion"

                  
El. Guit. 1
                     

 

                 
El. Guit. 2
     
    
3
      

  
     
El. B.
                                 

   
                        
      
D. Set 1

    
                         

547
       
 
                     
T. Sax.
 
 
                  
El. Guit. 1
                       



           
El. Guit. 2
    
        
              


El. B.
                              
                 

                                  
            
D. Set 1
   
                     
554
  
             
T. Sax.
  
  
El. Guit. 1
El. Guit. 2                   
                                 
    
3
              
El. B.
                                                   
                            
         
D. Set 1
26
      
        
 
 
561
        
561
     
A. Sax.
         
                      
   

   
      
T. Sax.
                                  
         
           
         
El. Guit. 1
   
                                  

El. Guit. 2
                                    
       

      
  
El. B.
                                 
    

                                
   
D. Set 1

 
 
                    
  
568

A. Sax.
            
                          
      
   
T. Sax.
                                        
    
   
      
El. Guit. 1
   
                                      
 
El. Guit. 2
                               
              
3
 
                               
El. B.
                      
                          
     
D. Set 1
                        
    
576
581
         
                
T. Sax.
        
  
El. Guit. 1
              
    


       
El. Guit. 2
   
      
  

     
El. B.
  
    
           
     
        
                                
3 3
   
D. Set 1

27
        
     
583
589
          
                  
T. Sax.
  
   

     
El. Guit. 1
  
      
 

   
 



 
   


    

El. Guit. 2
    
                  
           
                            
El. B.
        
                           

D. Set 1


  
     
"Warm Pad"
  
        


Synth.1
"Warm Pad"
            
            
590
 
 
T. Sax.
     
 
 
El. Guit. 1
      
   
 
El. Guit. 2
    
                
 
   

   
3

                                     
El. B.

                                
3
     
   
D. Set 1
      
Synth.1  
           

            
598
    
      
T. Sax.
            

El. Guit. 1
  
             
 
    
     
El. Guit. 2
   
            
 
           
full
El. B.
             3                               3             
D. Set 1                                 
     
    


   
Synth.1  
28
    
                       
606
609
                     
T. Sax.
          
  


                  
El. Guit. 1
        
            



El. Guit. 2
  
             

    
 
        
3

El. B.
                           
        

                            
      

D. Set 1
 
       

Synth.1  
   
                          
613
617
                               
 
T. Sax.
 
 
                  
El. Guit. 1
                     



           
El. Guit. 2
             
             

    
El. B.
    
            
                             
                                    
3
3
          
D. Set 1
        
              
619
         
   
T. Sax.
 
 
El. Guit. 1
             
3      

El. Guit. 2
             
      
     
3
               
                       
El. B.
                         
                            
          
D. Set 1
29
 
            
           
626
627
 
A. Sax.
           
                
   

  
                
T. Sax.
                         
            
    
  
       
El. Guit. 1
 
                                        

El. Guit. 2
                                 
       

      
 
El. B.
                                              
                          
  
D. Set 1

 
                       

634
 
A. Sax.
                                         
    
     
T. Sax.
                                         
     
      
El. Guit. 1
  
    
                                 

El. Guit. 2
                              
     
        
   
3
 
   
El. B.
                 
     
                 
     
  
                 
    
D. Set 1
 
                              
642
647
             
T. Sax.
           
  
El. Guit. 1
      
        
 
El. Guit. 2
     
       

 
El. B.
            
                                              
                               
3
 
D. Set 1
                 

 
Hd. Clp.&
     
         
Trgl. & B.D.
  
 



Vo. & Glock.
& Mrcs.

30
        
              
            
650
D. Set 1
            

       
Hd. Clp.&
      
     
Trgl. & B.D.
 
Vo. & Glock.
& Mrcs.
                            
                                               
                             
653
D. Set 1
                                

                 
  
Hd. Clp.&

            
                
  
Trgl. & B.D.
    
Vo. & Glock.
& Mrcs.
663                                                
 
 
663
    
El. Guit. 1
  
        
 cresc.
El. Guit. 2
   
        
 cresc.


El. B.
            
            
        

   


 cresc.
D. Set 1                         
                        
cresc.
           
Hd. Clp.&
        
            
Trgl. & B.D.
    
cresc.
  
Vo. & Glock.
& Mrcs.
                                       
cresc.
         
 
669
    
El. Guit. 1
       
(cresc.)
El. Guit. 2
       3        
   
        
(cresc.)
 
3
 
El. B.
      
             

   

            
(cresc.)
   
D. Set 1                           
                        
(cresc.)
           
Hd. Clp.&
        
            
Trgl. & B.D.
      
(cresc.)
  
Vo. & Glock.
& Mrcs.
(cresc.)
31
                                               
 
 
675
    
El. Guit. 1

        
(cresc.) 
El. Guit. 2
                     

 
(cresc.)
               
3
full

El. B.
    
                          
(cresc.) 
                    
       

D. Set 1
                        
(cresc.) 
          
Hd. Clp.&
         
           
Trgl. & B.D.
     
(cresc.) 
  
Vo. & Glock.
& Mrcs.

                               
(cresc.)
 
 
681
 
El. Guit. 1
 
      
        
 
El. Guit. 2
           
         
   
El. B.
                      
D. Set 1                
                
       
  
Hd. Clp.&
          
    
Trgl. & B.D.
 
Vo. & Glock.
& Mrcs.
       
 
 
685
  
El. Guit. 1
   
cresc.
El. Guit. 2
  
   
cresc.
El. B.

     
   
cresc.
D. Set 1
    

cresc.
    
Hd. Clp.&
     
Trgl. & B.D.

Vo. & Glock.
  Change Instrument to Cymbals

& Mrcs.
Cym.                                                                   

32
         
  
      
686
      
El. Guit. 1
       

(cresc.) 
El. Guit. 2
       
    
(cresc.) 
El. B.

  
            



(cresc.)
        

D. Set 1
     
(cresc.) 
   
Hd. Clp.&
  
   
Trgl. & B.D.

Vo. & Glock.

                                                                    
& Mrcs.
Change Instrument to Synthesiser

Cym.
         
    
688
692

A. Sax.
         
  

      
                                
T. Sax.

                  
     

              
El. Guit. 1
                   
3 3
      2   3   3 
El. Guit. 2
                        
  
1/2

     
El. B.
 
                                              
3 3


                      
3 3
      
D. Set 1
3 3 
       
          
        
693
  
A. Sax.
                               
        
   
                        
  
T. Sax.
                   
  
             

     

        
El. Guit. 1
       
                               


    
  
El. Guit. 2
                                    
                   
          
                                      
El. B.
                        
  
                       
     
D. Set 1
33
  
             
       
701
  
A. Sax.
  
                        
   
  

      
T. Sax.
                                    
   
                             
         
El. Guit. 1
   
                                       
             
El. Guit. 2
                    
                      
3
  
                                  
El. B.
     
            
                    
    
D. Set 1

                           
708
712
            

         
T. Sax.
         
   
    
El. Guit. 1
     

   
 
 
      
    

El. Guit. 2
       
               

   
El. B.
             


        
       
     

                        
      
D. Set 1
                            
       

     
716
 
  
El. Guit. 1
                 
     
  
El. Guit. 2
         
            

          
El. B.
   
 

     
                       
              
3 3
3 3
      
D. Set 1
34
[OST#9, "御神体"]
[OST#9, "Goshintai"]
           
722

"Spiritually" = 118
722 Tutti.
730
Vln. I
          
     

Tutti.
Vln. II
                                 


 
Solo.
Vla.
                 
   

Solo.
Vc.
          
 
Tutti. 
Cb.
                     
              
  
732
Vln. II
                       
             
  



  
Vla.
             
     

Vc.
           
Cb.
   

   
                   
742 750

742 pizz.

Vln. I
                    
             

   
Vln. II
                        

  
Vla.
                   


Vc.
           
Cb.
 
      
                                                  
    
752
Vln. I
          
        
 
    
Vln. II
      
    

            


Vla.
               
Vc.
          
Cb.
 
35
         
                        
 
766
 
762 arco.

Vln. I
       
             
 
          
Vln. II
                  

Tutti.
 

Vla.
            
   
Tutti.  

Vc.
           
 

Cb.

        
          
 
772
782
Vln. I
         
   

 
  
     
Vln. II
      
              
 
Vla.
               
 
   
Vc.
          

 
Cb.
 
             
      
784
790
Vln. I
         
          

Vln. II
                                                 

Vla.
            
Cb.
 

                           
     
796
798 "Slightly Slower" = 115 806 "Original speed" = 118

Vln. I
       
                          


Vln. II
                  

 Solo.
Vla.
 
            


Solo.
Vc.
            
 

Cb.
36
                   
         

808 Solo.

Vln. I
      
                           
 
          
Vln. II
Vla.            

           
          


Vc.
   

37
[OST#10, "デート"]
[OST#10, "Date"]
                             
      
           
821
   
"Grand Piano"
"Gently"  = 62
821
       
                  

Pno. 
  Tutti.               
Vln. I          
               
         
Tutti.
Vln. II
                 
        
Solo.
Vc.
             
        
                        
829
829
         
Pno. 
   
     
                                                    
835
837
Pno.
        
          
                                           
" ＝ "（ = 124) 847

842
      
                        
  
Pno.


      
    

      

      
       
850
                     
                                       
     
Pno.
  
                      
  
866
 
861
         

B♭ Cl.
       
   

           

Pno. 
        

       
Vln. I  
     
     
 
Vln. II
 
 
38
    
     
872
   
     
B♭ Cl.
          

 
         
Pno.
       
   
       
       
Vln. I



Vln. II
               
       
881
886 "Original Tempo"  = 62
 
B♭ Cl.
                                         
           
            
Pno.
    
           
       
 
Vln. II
                  
      
full
Vc.

                         

         
               
 
    
891
                 
            
Pno.
                   
Vln. I         
               
           

Vln. II

    

      
         

902
              
900
    
     
Pno. 
    
   
         
Vln. I
 
      
        
 
 
  
Vln. II
       
  
 
Vc.
39
          
       
  
 
           
905
   
       
Pno.
        
  
   
Vln. I
        
    
 
Vln. II
       
   

Vc.
40
[OST#11, "秋祭り"]
[OST#11, "Autumn Festival"]
                 

                                     
910
910 "Spiritually" = 110
               

Pno. 
  

             
Tutti.
Vln. I
             
 
Tutti.
Vln. II
              
Tutti.
Vla.
              

Tutti.
Vc.
             
 
Tutti.
Cb.
                             

         
922
926
                       
Pno.     
                                                  

932
934
              
      
cresc.
 
Pno.

   
    
        
Vln. I     
   
     
   
 
Vln. II
      
  
 
  
Vla.
            
  
Vc.
         
 
  
Cb.
  
41
                             
           

940
3
      
      

      
3
Pno. (cresc.)  3 3
 
            
    
   
Vln. I
     
       
 
Vln. II
   
  
      
 
Vla.
      
       
  
   
Vc.
         
 
  
Cb.
  
42
[OST#12, "記憶を呼び起こす瀧"]
[OST#12, "Evoking Memories"]
   "Harp"
          
950 "Arising"   = 130
           
                   
950
  
     
Hrp. 
                         

    
 
Tutti. pizz.
  
Vln. I
       
Tutti. 
Vln. II
             
    
Tutti. pizz.
Vc.
      


"Electric Drum Machine"

D. Set
      
      
"Concert Bass Drum"
             
    
Con. BD
   
"Warm Pad"
  
     
Synth. 1 "Warm Pad" 


 
    
955
       
Hrp.
 
                      
     
 
Vln. I
     
             

  
Vc.
         

       
Synth. 1

 
    
960
       
Hrp.
  
               
            
       

  
                            
Vln. I
  
       
 
 
Vc.
       
43

 
    
965
966
       
Hrp.
  
                  

  

 arco. 
Vln. I
  

       
Vln. II
                 
 cresc.
D. Set          
       

        
    
Con. BD


       
Synth. 1 

                     
                   
970
        
Hrp.
      

arco.
      
Vln. I
  


               
Vln. II
                   

          
           
       
(cresc.)
D. Set      
       
   
             
Con. BD
  
 
        
Synth. 1
44

 
    
975
       
Hrp.
      
    
  

Vln. I
      
   arco.
Vln. II
     
 
arco. 
               
Vc.
                   
                 

D. Set                   
         
            
    
Con. BD

       
Synth. 1 


 
    
980
       
Hrp.
       


Vln. I
Vln. II       
       
 
 
               
                   
Vc.
D. Set                      
       
    
    
  
Con. BD
       
Synth. 1
45

 
    
985
988
         
Hrp.
           
   

Vln. I
         

Vln. II
       
 

        
                       
Vc.
                 
D. Set                         
       
      
  
Con. BD
         
Synth. 1 

                 
                               
990
         
Hrp.
    
 
 
   
Vln. I
   

                       
Vln. II
D. Set                                  
      
         
Con. BD

  
  
                       
       

Hrp. 
         
     
  
Vln. I
  
   
     
           
Vln. II
D. Set          
       


      
998
El. Pno.
46
  
  
1003
El. Pno.

47
[OST#13, "飛騨探訪"]
[OST#13, "Visit to Hida"]
                
                   
1004 "Allegro" = 143

                               
          
"Grand Piano"
  
1004
                    

Pno. 
   Solo.          
   
          


pizz.
 
  
Vln. II
         
      
Solo. pizz. 
Vla.
           
  

Solo.
Vc.
  "Drumset"          
D. Set  
     
                         
     
       
                       

1014
                         

  
Pno.
   
   
                                      
                 
  
     
     
             
Vln. II
                                   
Vla.

                   
                                         
1032

1024
 
                  
  
Pno.
                
                               
 arco.
 
  

 
  
        
      
Vln. II
 
                 
    
                  
 
   
arco.
Vla.
         

 
D. Set

                                      
1033
                    
              
Pno.
              
       
      
                   
Vln. II
 
                   
 
    
Vla.

48

                                     
  
1043
                 
             
Pno.
            
             
    
 
           
  
Vln. II
   
             
Vla.
 
    
      
                     
                     
1059

1052
             
    
Pno. 
       
     


Vln. II
              
Vla.


           
                                 

1062
1063
 
                  
       
Pno.
            
     
             
Vln. II
   
     

 cresc.   
Vla.
   
sub. cresc.   
49
[OST#14, "消えた町"]
[OST#14, "Disappeared Town"]
Music by Yusuke Takeda 作曲: 武田祐介
                
 
1073 "Mysterious"  = 122
1073
"Glockenspiel"
Glock.
      
    
     
     
 

Synth. 1 
              
 

      
    
"String Synthesiser"
         

          
   

1095
  
1088

Glock.
              
    


   
Synth. 1
             

   
             
                      
   
1102
Glock.
           
  

          
Synth. 1
           
           
           
                      
 
1114
1115
Glock.
                 
  
 
    
Synth. 1  
              

 
          
        
50
[OST#15, "図書館"]
[OST#15, "Library"]
   
             
        



 



"Slowly"  = 56
1129
1129
            
Pno. 


           

Tutti.
Vln. I
           

Tutti.
Vln. II
            
Tutti.
Vla.
            
Tutti.
Vc.
            
 
Tutti.
Cb.
     
   
       
       

Synth. 1
           
 
                      
 
          
           
1145
  
1141
              


Pno.
              
Vln. I  
  

            
       
  

sub.
Vln. II

               
  
Vla.
               
   

Vc.
              
 
  
   
Cb.
      
  
   
    
      
    
Synth. 1  
   
51
[OST#16, "旅館の夜"]
[OST#16, "The Night Inn"]
     
            
 
1153 "Spiritually"  = 106
"Flute 1 & 2"

1153
Fl.
       
    
 Stagger Breath Required
            
   
1174
  
1169
   
Fl.
       
     
       
         
Pno. 
         
   

1182

                      
Fl.
              

    
    

 
Pno.
 
52
[OST#17, "御神体へ再び"]
[OST#17, "Again to Goshintai"]

               
1193 "Allegro"  = 120
       
1193
   
5 5 5 5 5 5 5 5 5 5 5 5
       
     
Pno.

    


Tutti.
Vln. I
   

Solo.
Vln. II
   
Solo.
Vla.
   
Solo.
Vc.
   

Tutti.
   
Cb.
"Triangle"
    
Trgl.

"Vocals"
Vo.

  




    
     
   
1197
   
       
1196
5 5 5 5 5 5 5 5 5 5 5 5
    
        
Pno.
    
    
Solo.
Vc.

         
            
                
1199
5 5 5 5 5 5 5 5 5 5 5 5

             
Pno.
     
  
Solo.
   
Vla.
   


Vc.
            
    
      







  







1202
5 5 5 5 5 5 5 5 5 5 5 5

             
Pno.
    

Solo.
Vln. II
     

Vla.
     
Vc.

53

             
               
        
1205
5 5 5 5
  
5 5 5 5 5 5 5 5

            
Pno.
  
Vln. II   
   

Vla.
   


Vc.

            
           
                 
1208
5 5 5 5 5 5 5 5 5 5 5 5

              
Pno.
 
Vln. II    
     

Vla.
   


Vc.


              
1212
                

     
1211
5 5 5 5 5 5 5 5 5 5 5 5
   
          
Pno.
  
       
 
Vln. II
   


Vla.
   


Vc.


                
    
1214
      
5 5 5 5 5 5 5 5 5 5 5 5
        
    
Pno.
    

 
Vln. II
     

3
 
Vla.
  
Vc.

54

             
                
        
1217
5 5 5 5 5 5 5 5 5 5 5 5
        
    
Pno.
  

   
   
  

Vln. II
3
 

sub. 
 


Vla.
   
3

sub. 
Vc.
 
      






   
1220
                


1220
5 5 5 5
  
5 5 5 5 5 5 5 5

            
Pno.
    
Vln. II   
     


Vc.
            


"Grand Piano"
Synth. 2
     
             
          
1223
  
5 5 5 5 5 5 5 5 5 5 5 5

            
Pno.
     
Vln. II 
Vla.      
   


      
Vc.
      

Synth. 2
55

            
           
             
1226
5 5 5 5 5 5 5 5 5 5 5 5

             
Pno.
     
Vln. II 
   

Vla.
  

 
  
Vc.


 
Cb.
        
 cresc.
Synth. 2
            
             
               
1229
5 5 5 5 5 5 5 5 5 5 5 5

             
Pno.
    
Vln. I 
   


Vln. II
Vla.    
   

  
Vc.

Cb.

   
             
(cresc.)
3 3
Synth. 2
   
56

             
             
       
1232
5 5 5 5 5 5 5 5 5 5 5 5

           
Pno.
     
       


3
Vln. I
       
  
sub. 
   
Tutti. 3
   
Vln. II
        
sub. 

Vla.
         

 sub.  3
   

Tutti.
Vc.
     


3
 
 sub. 
 

Cb.
         
3

(cresc.)  sub. 
Synth. 2
  
 
                    
1235
   
1235
       
5 5 5 5 5 5 5 5 5 5 5 5
           
 
Pno.
       
    
   
Vln. I
   
 
3



         
Vln. II
      
 
3


Vla.
      
3

3 3
  
Vc.
     


    
  
Cb.
      

Synth. 2
57

              
                
   
1238
5 5 5 5 5 5 5 5 5 5 5 5
    
        
Pno.
 
Vln. I      

 
  


Vln. II
  

  
Tutti.

Vla.
   

Vc.
   
 
 
Cb.
  
 
 
Vo.
     
 
"Bowed Glass"

Synth. 1


             
    
1242
                

1241
  
5 5 5 5 5 5 5 5 5 5 5 5
              

Pno.
   
Vln. I    

   

Vln. II
    
 
Vla.
 
Vc. 
   

 
Cb.
     

Vo.
58
  
    

1244
Fl.

                 

           
5 5 5 5 5 5 5 5 5 5 5 5
     
       
Pno.
  
Vln. I      

Vln. II    
   

Vla.
     

Vc.
  
Cb.

             1248
  

1247
Fl.
 
                 
3 3 3 3
             
5 5 5 5 5 5 5 5 5 5 5 5
             

Pno.
    
Vln. I 
  
Vln. II  
   
 
Vla.
 
   
Vc.
Cb.

59

            
           
           
1250
5 5 5 5 5 5 5 5 5 5 5 5
            

Pno.
    
Vln. I 
 
  

Vln. II
   

Vla.
   

Vc.
   

Cb.


  
                          
            

           
1253
5 5 5 5 5 5 5 5 5 5 5 5
 
                 
Pno.
60
[OST#18, "口噛み酒トリップ"]
[OST#18, "Kuchikamizake Trip"]
       
   
"Unconsciously"  = 150
  
  
1257 "Piccolo"
1257
Picc.
          
        
 dim.

"Electric Piano"
           
                   

El. Pno.
            

Solo. 
Vln. I
           

Solo.
Vln. II
              
Solo.
Vla.
            
 
Solo.
              
Vc.
 

                               
    

D. Set
                
  
  
Trgl.
             


"Fantansia"
           


"Guitar Feedback"
             

Synth. 2 "Guitar Feedback" 

         
        
  
1267
1273
                                                      
 

El. Pno.
             
 
pizz.
 
(water dripping)
     
Vln. I
     


"Soundtrack"
Synth. 1

            
 
Synth. 2
61
       
  
1284
  
 
1277
    
Picc.
           

 dim. 

                    
 
El. Pno.

         
D. Set    
         

 
Synth. 1

           

Synth. 2
 
         
  
       
 
          
        
1286
             

       
El. Pno.

Synth. 2             
          

1296
1296
  Solo.   
             

Vln. I
   
      

        
Solo.
Vln. II
            


"Bass Guitar"
El. B.
     
      


                   
                      
1306
      
        

pizz.
Vln. I
    
      

      
pizz.
Vln. II
           
 
Solo. 
   
  
Vc.
     

 cresc.
El. B.
          
  

62
                     
                         
1316
             
       

    
Vln. I
     
Vln. II    
  
 
       
      
 
Vc.
         

(cresc.)  cresc. 
El. B.
          

  
          
Synth. 1 
      
    
 
1326
1328
 
Picc.

         
   
                                              
       
El. Pno.
          
     


Vln. I
        
Vln. II    
  
          
Vc.
 
          


"Bass Guitar"
El. B.
     
      

  
         
Synth. 1 
         

"Guitar Feedback" 
Synth. 2
63
    
        
  
1335

Picc.
   
     
 
   
 
   
    
    
             
   
El. Pno.
          
El. B. 
   3   3   3   3        
D. Set
         

  
       
    
Synth. 1 

Synth. 2            
       
    
 
 
1344
  
Picc.
          
  
                                                

El. Pno.
          
El. B. 
  
        
 
Synth. 2           
      
               
    
1352 1359
 
1352
  
                                                      
  
El. Pno.
        arco. (solo.)
 
 
 
Vln. I
        


El. B.
  
   

             
"Electric Drum Machine"
D. Set
        
  

       


 
Synth. 2

64
     
     
           
1361
1367

            
   

El. Pno.
       
  
Vln. I  
        
 
 

arco. (Solo.)
Vln. II
           
 
arco. (Solo.)
Vla.
arco. (Solo.)
   
      
 

 

Vc.
          

 
       
            
El. B.
D. Set                            
      
    

   


     
Synth. 2
           

     
1370
1375
  
                

Vln. I
     
 







marcato.
Vln. II
Vla.   
           
           
     

  
  
Vc.
     

 
        
            
El. B.
                           

D. Set
         
  

Synth. 2            
65
         
   
1379
1383
               

  
 
El. Pno.
          
        
      
Vln. I
   
 

   
Vln. II
               


     
Vla.
         
   
 
        
Vc.
 


        
             
El. B.
D. Set                            
       
    

Synth. 2            
                            
           

1388
                      
      
       
     
Vln. I
             
               


   
Vln. II
                        
       

               
Vla.
    
                   

  
   
Vc.
            
 

    
       
El. B.
                       

 
D. Set
            
 
              
   
Synth. 1  
   
Synth. 2      
        
 
66
[OST#19, "作戦会議"]
[OST#19, "Council of War"]
    
                     
1400 "Rock Uplifting" = 174
        
1400 "Grand Piano"
                 

       
  
Pno.
           
  
 2 3/4
2 3/4
2 3/4

El. B.
                 
                                                          
  
  
"Drumset"
                                
"Wobble"
  
D. Set 1

        
  

          
          
  
      
1407
 
         
          
                   
Pno.
             
         
                                                
                                   
  
D. Set 1
        
                   
1416
           
1413
   
           
          
             
Pno.
  
  
     
  

   
         
                                  
         
dim.
                             
    
D. Set 1
 dim.
 
     
           
1419
 
        
        
Pno.
   
()     
  
                                                        


(dim.)
                                
     
D. Set 1
(dim.)
     
  

   
      
1426
                

    
Pno.

     
                                                               

                 

     
D. Set 1
(dim.)  
67
        
       
             
           
1434
     
1433
 
      
   
                     
                 
Pno.
    
          

    
        

   
"Overdrive" 1/2
El. Guit. 1
               
          
     

    
    
El. B.
        
                     
                          
     
                 
 
D. Set 1

      
                  
           
       
1439
 
     
           
     
    

      
        
Pno.
            
            
      
     
   
El. Guit. 1
                
    
"Guitar Feedback"
El. Guit. 2
               
           
       

  
 
El. B.
                  
                                   
                           
 
D. Set 1
           
                      

   
    
       
1445
  
         
                   
     
           
Pno.
     
      1/2
           
       
    
   
El. Guit. 1
               
El. Guit. 2
           
           
            
         

                
          
El. B.
                       

                         

      
 
D. Set 1
68
             

       
1451
           
"Harmonics" 1/2 1/2 1/2
 
full
1450
5
  
El. Guit. 1
     
      
 
El. Guit. 2
             
    
             
  
5

El. B.
      
                           

                       
Play if the bass has six-strings
                             
     
D. Set 1
     

    
      
1459
     
"Overdrive" 1/2
1457
El. Guit. 1
      

         

   
    
"Overdrive" 1/2

El. Guit. 2
          
 
                    
       

 
  
         
El. B.
                     

            

                 
                         
   
D. Set 1

    

   
 
       
     
   
1/2
    
1464
   

         

   
  
El. Guit. 1
    
1/2
El. Guit. 2
        
 
 
 
                                  
                
               
El. B.
                                  
                               
  
D. Set 1
  

 
               
       

1475
  

1470 "Distorted"
       

      
  
El. Guit. 1
   


El. Guit. 2
           
 
   
                              
                 
                           
El. B.
                        
                                 
   
D. Set 1
                                                         

1476
       
El. Guit. 1
     
              
      
                       
El. B.
                                                         
                  
      
D. Set 1
69
                                                             

1483
1483
    
El. Guit. 1
                  
"Distorted"
El. Guit. 2
  
     
  
 
       
 
                   

                    
El. B.
                                 
    
  
    
            
           
            
D. Set 1

     
                                                   
    
1490
El. Guit. 1
                                 
                  
cresc. 
El. Guit. 2 
     
                                           
cresc. 
                
El. B.
     
                                     
                                   

      
cresc.
   cresc.              
D. Set 1

70
[OST#20, "町長説得"]
[OST#20, "Persuading Mayor"]
   
   
                    

 
 
1496 "Slowly"  = 53
 
1496
1504 "Slightly Faster"  = 55
"Electric Piano"
     
           
El. Pno.                
   
          
         
Tutti. 
Vln. I
              
        
  
Tutti.  
Vln. II

                
    
    
  
Solo. Solo.
Vla.
              
    
Solo.  
Vc.
               
         
"Warm"
"Warm"     
          
   
Synth. 1 

 
            
    
          
1506
              
El. Pno.                
                       
            


Vln. I
                     
       
      
 
            
Vln. II
                            
      
 
Vla.
    
          

    
Solo.
Vc.
    
      

 
 

   
      

Synth. 1
71
 
          

1516
1514 "Grand Piano"
       
  
El. Pno.    
          
Vln. I   
         
  
 
Vln. II
Vla.             
            
 
  
            
Vc.
          
    
 
  
        
 
         

Synth. 1 

        
        
                      
1524
1524
Pno.
 
3
          
3


         
           
                 
        
    
 


                


      
Synth. 1
 

 
72
[OST#21, "三葉のテーマ"]
[OST#21, "Theme of Mitsuha"]
                             
     
             
1533 "Gently"  = 62
  
1533
       
  

               
Pno. 
  Solo.               
Vln. II          
    

 

 

 

 

 

 


Solo.
Vla.
                 
        
Solo.
Vc.
             
        
                        
1541
1541
         
Pno. 
               
                                            
1547
1549
Pno.
        
   
              
 

Vla.
       
 
3

3 3

Vc.
         
                      

                       
1554
1558

           
          
Pno.
   
 

            
Vla.      
                 
Vc.
      
 
                                     
                      
     
1562
                 
             
3 3 3 3 3 3 3 3 3 3 3 3
Pno.
       
           

Vln. II
   

 

  

  


 
  
Vla.
           
     

Vc.
 
73

                    
                       
a tempo.
 
rit. 1572

1569
           
      

3 3 3
Pno. 

          
   

Vln. II
       

     

Vla.
      
Vc.
      
    
                            
                            
1579
   
1575

           
          
Pno.
   
1588
                                     
    
" ＝ "（ = 124)
    
1583
           
             
Pno.
               
Vc.     


                                  

 
  
  

 
1591
                           
            
Pno.
          
Vln. II 
            
     

   
Vla.
            

    
 

Vc.
 
                  
            
 
1599
                             
            
Pno.
 
           
   

Tutti.
Vln. II
       
       
  

Tutti.
Vla.
   
            
  

Tutti.
Vc.
  
74
[OST#22, "見えないふたり"]
[OST#22, "Unseen Two"]
 
                            
      
1607 "Rubato" = 112
 
                
  
El. Pno.
 
 
          
                          
 
3 3 3 3 3 3
 
D. Set 1
                   
  
  
Synth. 2

 
             
      
 
 
             
1621
                  
    
El. Pno.
                        
      
3 3 3 3
   
D. Set 1
               
     
"Warm Pad"
 
   
 
              
     
Synth. 2 "Guitar Feedback"
 
75
With reference to the [OST#23, "かたわれ時"]
transcription by Quellatalo Nin [OST#23, "Katawaretoki"] Quellatalo Nin の助けを借りて
                     
  
1632 "Spiritually"  = 133
   
1632 "Grand Piano" 1642 "Slightly Slower"  = 130
             
    



Pno.
  Tutti.                
  
 
Vln. I
                
  
  
Tutti.
Vln. II
    
    
  
       
Tutti.  
Vla.
                
 
   
Tutti.
Vc.
 
               
 
   
Tutti.
Cb.
 
                      
           
1653

1646
   
      

3
Pno.
    
      
                   
            
1656
              
    
Pno.
  
                         3    
            
1670

1666
 
         
   
 
   
3
Pno.
   



 

 

           
   
Vln. I
                  
     

Vln. II

            
             
         
1678
1682
  
        
Pno. cresc.
          
     
    
Vln. I
             
Vln. II
 
76
  
        
                   
1688
  
 
 
    
Pno. (cresc.)  
        

   
Vln. I
        

Vln. II
       



Vla.
                   
           
     
1702
1696
 
 
        
                         
cresc. 
   
Pno.
    
   
    
   
     
(Play downbeat + melody with left hand)
   
Vln. I
      



cresc.
Vln. II
           
cresc. 

Vla.
      
cresc. 
Vc.
       

 cresc. 
Cb.
 
                      
 
 


             

1703
                               

     
 
Pno.
    
            
     
  

()
   
      
Vln. I
          
    
    
Vln. II
      
      
 
   
Vla.
    
Vc. 
      
Cb.
   
77
          
              
 
1710
   
         
              
Pno. 

   


 


     
   
       
   
Vln. I
             
       
 dim. 
    
Vln. II
   
  







 

 


 


Vla.
                
        
 dim. 

Vc.
                
         

Cb.
78
[OST#24, "スパークル (movie ver.)"]
Lyrics by Yojiro Noda [OST#24, "Sparkle (movie ver.)"] 作詞: 野田洋次郎
                      
                                              
"Allegro"   = 124
1717
1717
"Grand Piano"
     
            
  
Pno. 
       
     
    
Tutti.
  
Vln. I
    
      
Tutti.
Vln. II

   
        
Tutti.
Vla.
           
   
Tutti.
  
Vc.
       
  
"Clean Guitar"
  
El. Guit. 1
           
"Clean Guitar"
El. Guit. 2
           
    
"Electric Bass"

El. B.
         
 
"Drum Kit"
D. Set 1
         
  
"Drum Kit"
D. Set 2
                    
    
1726
  
1722
1. 2.
 
T. Sax.
                                                                           

    
          
       
Pno.
     
                                            
       
    
 
1728

T. Sax.
           

                  
    
        
    
Pno.
     
                                        
      
1734
      
1734
 
T. Sax.
              

              
     
          

Pno.
     
79
                    
   
1742
  
1740
                
T. Sax.
               
                         
       
       

Pno.
     
     
  

           
 
     
     

"Clean"
El. Guit. 1
 "Clean"
  
       

El. Guit. 2
 

                    
   
1750
  
1746
    
T. Sax.
               

    
          

     
        

Pno.
              
                         
  
     

 
     
El. Guit. 1
        
El. Guit. 2

 
                                        
       
     

  
1752
                                                
T. Sax.
       
    
    

             
  
Pno.
     
 
                                                   
1758
        
1758
 
T. Sax.
                 
                  
     
         

Pno.
     
80
                 
      
1766
  
1764

T. Sax.
                   
                     
     
       

Pno.
      
          
             
    
    
   
El. Guit. 1
       

 

  
El. Guit. 2
               
  

  
D. Set 1
                 
 
D. Set 2

 

              
                    
1769
     
      

Pno.
              
                 
    
    
   

    

El. Guit. 1
      
 
      
El. Guit. 2
                     
 
     
D. Set 1
                     
D. Set 2

                                                  
   
1774
       
1774

T. Sax.
                         
                          

     
            

Pno.
          

              

   
El. Guit. 2
                          
  

   
     
El. B.
      
               

 
    
D. Set 1
     
                 

 
D. Set 2

81
 
                                      

1782
       
1780

T. Sax.
                   
                     
    
          

Pno.
               
    
    

             
  
El. Guit. 1
  
          
  
El. Guit. 2
                  
   
 

                
El. B.
 
            

   
D. Set 1
  
 
             

D. Set 2
                             
    

     
   
1785

T. Sax.
              

          
     
          

Pno.
             
       
 
    


            
El. Guit. 1
              
"Distortion"
 
El. Guit. 2
                  
    

      
        
El. B.
               
           

    
D. Set 1
  
            

D. Set 2
82
       
                          
 
1790
     
1790
    
A. Sax.
   
                          
      
 
     

T. Sax.
                     
                             

                  
      
 
 
     

 
     


Pno. 
      
                           
            
 
El. Guit. 1
      

El. Guit. 2
                   
  

  
El. B.
               
            

               
    
   
D. Set 1
                   
   

D. Set 2

                  
         
 
    




   
 
1794
 
T. Sax.
  
                                       
 
         
                     
        
        
Pno.
    
                         
El. Guit. 1       

                

          
full
     
                  
El. B.
              
                     
       
D. Set 1
                      
       

D. Set 2
83
     
        
 
1799
1802
         
T. Sax.
                
         

            

 
      
Pno. 
     
 
       
  
Vln. I
         

Vln. II

      

Vla.
      
   

   
Vc.
    
     

 
2 1/2 
   
     
El. Guit. 1
  
   


3
                
El. B.
                    
     

                  
 
                     
D. Set 1
         
               
 
D. Set 2
   
     
    
               

 

 
1803
                      
  
Pno.
                    
                      
   
 
Vln. I
              

 

Vln. II
       

    
Vla.
           
  
  
Vc.
      
          
    
     
El. Guit. 1
                 
          
    
                             
El. B.
  
                      
 
  
          
D. Set 1
      
                   
 
D. Set 2
84
           
                          
1810
 
1808
 
                    
        
Pno.
      
    
   
               
Vln. I

Vln. II               
Vla.              
                
   
 
Vc.
      
    
  
 
                      
El. Guit. 1
   
           
    
                                            
El. B.
                             

     
   
D. Set 1
     
                         

D. Set 2
 
                    

 

   
1814
         
      
Pno.
  
      
    
 
Vln. I
               
 
 
Vln. II
          
dim. 
Vla.
       
   
  
Vc.
    
                          
       
      

El. Guit. 1
 
                
         
                                           
El. B.
                                        
 
 
     
D. Set 1
                                  

 
D. Set 2
85
                     
                      
1820
1820
  
        

Pno. 
     
                           
     
    
El. Guit. 1
  "Clean"
  
      
  

El. Guit. 2
         
     

     (6-string bass)   
1 1/2 2 1/2
  
El. B.
                
  

  
D. Set 1
                  
 
D. Set 2

 
                                  
      
1825
    
      

Pno.
    
 
   
           

Vln. I
  
 

           
            
Vln. II
   
                        
   
      


      
El. Guit. 1
  
     
  
El. Guit. 2
               
 
     (6-string bass)      
1 1/2 2 1/2
     
El. B.
                   
    
D. Set 1
                   
D. Set 2

86
                 
                              
1829
    
      

Pno.
  
 
   
                                   

Vln. I

   
   
                                   
       
Vln. II
                   
                       
  
      
El. Guit. 1
        

  
El. Guit. 2
      
     
 
     (6-string bass)      
1 1/2 2 1/2
     
El. B.
                   
    
D. Set 1
                   
D. Set 2


                      
 
1833
1834
    
        

Pno.
          
                    
    
   
pizz.
Vln. I
          
                   

   
pizz.
    
Vln. II
         

El. Guit. 1
                 
      (6-string bass)       
1 1/2 2
 
       
El. B.
                   


  
D. Set 1
                 
D. Set 2


87
                     
                      
1838
1842
  
 
           
 
Pno.
      
 
    

(Ghost notes)
El. Guit. 1
                   

              (6-string bass)
1 1/2 2 1 1/2
 
       
El. B.
                  

(6-string bass)
 
D. Set 1
               
D. Set 2


                    

      
1843
    
         

Pno.
                                                             
                            
    
El. Guit. 1
                    
           (6-string bass)  
2 1 1/2
  
         
El. B.
             

   
D. Set 1
                
D. Set 2

88
                     
                          
1848
1850
   
      
    
Pno.
     
           
        
    
  
(pizz.)
Vln. I
   
                      

               
arco. pizz.
Vln. II
                 
  

arco.
             
Vla.
              
              
 
         

El. Guit. 1
El. Guit. 2           
                  

      
  (6-string bass)   
2 1 1/2 2
 
       
El. B.
           
        
(6-string bass) 

  
D. Set 1
    
  
          


D. Set 2

                     
                      
1853
   
      
        
Pno.
   
          
            
    
El. Guit. 2
                   
       (6-string bass)      
1 1/2 2

   
El. B.
    
           
(6-string bass)

  
D. Set 1
 
      
        

D. Set 2
89
                 
                                  
1858
1858
   
       

Pno.
                    
   
  
   
         

El. Guit. 1
   
           

El. Guit. 2
       
         
  
   
  
1 1/2 2
  
        
El. B.
            
          
(6-string bass)

   
D. Set 1
     
          


D. Set 2

                                   
    
1862
  
     

Pno.
  arco.
                                     
  
Vln. I
 arco.
 
 
                                    

     
Vln. II
           
 
 

       
El. Guit. 1
El. Guit. 2          
          
    
     
1 1/2 2
   
   
El. B.
             
           
(6-string bass)

  
D. Set 1
   
         

D. Set 2
90
     
                       
   
1866
   
1865
  
   


Pno.
    
          


Vln. I
    
  

      
   
Vln. II
   
   


El. Guit. 2
     
         

  (6-string bass)

El. B.
                               
         

  
         
 
D. Set 1
           

 

  "Choir"
 
D. Set 2
       

 
   "Choir"
  



Synth. 1
                                               
          
1868
     
 
Pno.

    
          
 
El. Guit. 1
        
   

El. Guit. 2
        
   
   
    

 (6-string bass)
 
    
         
   
El. B.

                              
               
   
D. Set 1
                    


      
D. Set 2
         

       
     

Synth. 1
91
   
      
  
     
1872
  

Pno.
   
   
 
El. Guit. 2
     
  
  
 
El. B.
         
   
                       
D. Set 1
  

 
D. Set 2
    

 
   

Synth. 1
   
               
1873
  

Pno.

 

 
 
El. B.
          
  
                                               
D. Set 1
 

  
D. Set 2
  

 
   

Synth. 1
           
                                                         
1874
1874
       

Pno.
             

          

El. Guit. 2
               
    

   
                                
El. B.
                    

D. Set 1
       
D. Set 2

 
92
          
                                                                   
1879
1882
      
 
Pno.
            
    
  
El. Guit. 1
           
     
       

     
El. Guit. 2
             
    


  (6-string bass)  
full
 
                     
El. B.
        
D. Set 1                        
           

   
D. Set 2
         

        
 
Synth. 1 
  
                                                          
          
1884
      
     
Pno.
    
                        
        
  
             
El. Guit. 1
El. Guit. 2               
            
            
       

1 1/2
     
     
El. B.
         
                          
(6-string bass)
D. Set 1
               

 
      
D. Set 2
       
  

     
         
 
Synth. 1
93
    
                     
 
  
      
1889
1890
                           
               


Pno. 
     

  
          
                        
Vln. I
        
  
 cresc.

        

 
El. Guit. 1
   
      
"Distortion"

 
El. Guit. 2
                    
  
 
    
El. B.
                   

                           

              
     
   
D. Set 1
                     
   

   
D. Set 2
   
    

 
      


Synth. 1
                                          
        
1894
            
                                 
    
Pno.
        
  
   
Vln. I
                     
      
(cresc.)   cresc.
El. Guit. 1

                 

          
full
   
                
El. B.
 

   

          
   

      
    
     
      
  
D. Set 1
                         
       

D. Set 2
94

               
                       
1899
1902
  
         
        
Pno.
             
     
 
  


Vln. I
   
        
(cresc.)  
acro.
Vln. II

       

Vla.
       
   

   
Vc.
     
      

  
     
     
El. Guit. 1
         
 

 
2 1/2 2 1/2
    
           
El. B.
                                    
                  
    

                   
     
        
      

   
      
D. Set 1
         
                            
     
D. Set 2
 
 

 
       
          

 
      
 
1904
                          
    
Pno.
           
            
   
  
Vln. I
                  



Vln. II
         

    
Vla.
                 
  
 
Vc.
        
       
  
         

 
El. Guit. 1
                         
    
  
                                             
El. B.
                                
  
   
     
D. Set 1
 
                                  
  
D. Set 2
95
         
                        
1910
 
1910
 
             
      
   
Pno.
  
       
          
  
 
       
               
Vln. I
     
           

Vln. II
            

Vla.
            
    
  
Vc.
       
         
      

             
El. Guit. 1
    
                
            
                              
El. B.
  
                          

     
   
D. Set 1
   
                         

D. Set 2
   
              
1920
     
1916
        
    
Pno.  dim.
    
   
 
 
    
Vln. I
     
 
dim.  
 
Vln. II
          

Vla.
         
  

  
Vc.
  
                       

   
         

El. Guit. 1
                   
  
                             
El. B.
  
                           

   
D. Set 1
  
                        

D. Set 2
96
         
                

1922
1924
      
Pno.
  
  
(dim.)

Vln. I
        
 

 
Vln. II
     
                                             
  

     
"New Age"
  
Synth. 1
 cresc.
                                           
             
1929
 
1928
                  
T. Sax.
    
    

          
 
Pno. 
          
  
  
   
Vln. I
     
   

      
Vln. II
      


Synth. 1
4

                            
                                         
1937
     
1934
          
T. Sax.
       
                      
         

Pno.
            
  
()   
"Warm"
         


Synth. 1

"New Age"
97
            
                                   
1947
       
1941
 
T. Sax.
   
                             

         

Pno.

         
   
  
Vla.
        
  

 
D. Set 1
        
   

 cresc.
 cresc.

D. Set 2
               

Synth. 1
                 

                 
1948
               
           
Pno. 

     
   
         
    
    

Vln. I
      
   
         
       
 cresc. 7
 
Vln. II
 
               
 cresc. 7
   
Vla.
       
  
 cresc.
Vc.
     
  
     
 cresc.
El. B.
      
                                     
  

 cresc.
    
  
D. Set 1
                                      

  
   

(cresc.)
D. Set 2
(cresc.)
98
    
           
   
1957
    
1953
      
A. Sax.
               
 

 
                                            
T. Sax.
 

         
        
    
Pno. 
                
          
   
        
Vln. I
            
         
(cresc.)  
Vln. II
            
                        
(cresc.)  
Vla.
    
                
(cresc.)  
 
Vc.
    
     
 
(cresc.)  
 
 
El. Guit. 1
          
         

El. B.
 
    

                          
   


(cresc.)
                                

                                   
D. Set 1
                                   
 
(cresc.) 

D. Set 2
(cresc.) 
99
      
               
    
1959
          
A. Sax.

                                  
    

  
   
T. Sax.
                             

      

             


          
     
Pno.

         
      
 
Vln. I
Vln. II           
          
    
Vla.
              
  
 
Vc.
    
       
      
     
   
El. Guit. 1
                            
    
    
                                     
El. B.
             
                             
  
   
       
D. Set 1
                                    


  
D. Set 2

100
    
                   
   
1965
          
1965
         
A. Sax.

                                  
  

    
      
T. Sax.
    
                     

 
             
        
 
Pno.
  
      
   
 
   
Vln. I
Vln. II           
Vla.             
            
    
  
Vc.
    
         
         
           
El. Guit. 1
         
       
     
                                        
El. B.
                   
                 

     
  
D. Set 1
                             


D. Set 2
101
   
        
1975
      
1971

       
A. Sax.
                       
 
 
T. Sax.
                  
    

          
       
Pno. 
      
 
 

 
Vln. I
      
 
 
Vln. II
Vla.          
        
  
      
Vc.
 
                  
  
El. Guit. 1
  "Clean"

        

        
    
El. Guit. 2
                
   
3
 
El. B.
                       
                 

                       

      
D. Set 1
          
                       

D. Set 2
            
     

1976
  
T. Sax.
               
                           
   
 
      
 
Pno.
                  
 
                
 

     

 
El. Guit. 1
     
      
El. Guit. 2
  
  
102
[OST#25, "デート 2"]
[OST#25, "Date 2"]
     
                                       
     
1980 "Gently"  = 62

1980
       
  

               
Pno. 
  Tutti.               
Vln. I          
               
         
Tutti.
Vln. II
    

 

 

 

 

 

 


Tutti.
Vla.
                 
        
Tutti.
Vc.
           
" ＝ "（  = 124)   
           
  

                   
1988
1988
        
Pno. 
          

Vln. I   
       
 
Vln. II 
         
 

pizz. pizz.
Vla.
         



pizz. pizz.
Vc.

               

    

       
1996
   3
1996
              
3 3 3


Pno.
          
 
         
   
Vln. I
     


Vln. II
           
 
 
pizz.
Vla.
            

pizz.
Vc.
103
 
   

                                      
    
2005
2008 "Original Tempo"  = 62
          
             
Pno.
  
             
        
  
Vln. I
             
Vln. II
       
             
                                
             
2014 rit.
                     
            
Pno.
104
[OST#26, "なんでもないや (movie edit.)"]
Lyrics by Yojiro Noda [OST#26, "Nandemonaiya (movie edit.)"] 作詞: 野田洋次郎
        

 
       
2029
2024
2024 "Finale"  = 84 "Jazz"

El. Guit. 1
  
                     
   

        
"Distortion"
 
    
El. Guit. 2
             
    

  (2) 
El. B.
  
(1) (3) (4) 
D. Set 1
       
 

"Low Floor Tom"
D. Set 2
  
"Drum Kit"
 
    
"Concert Bass Drum"
      
Con. BD

   "Maracas"

Sh.
     
     
    
"Warm"
    
         


Synth. 1
"Warm"
             
     
Change Instrument to Cymbals
Cr. Cym.
 
         
                  
          

2031
    
El. Guit. 1
      
                                   
               
  


   

  


  
  
El. Guit. 2
    
El. B.
   
D. Set 1 


     
Con. BD
          
     
  
             

Synth. 1
105
        
                    
   
 

       
   
2037

         
                     
El. Guit. 1
              
   
                 
     
        
El. Guit. 2
    
El. B.
 
D. Set 1 


     
Con. BD
          
     
  
        
    
   

Synth. 1
                    
              
2046

2043

      
T. Sax.
               
          

  
El. Guit. 1

                  
 

    
 
  

     
El. Guit. 2
      
El. B.
   
 (2) 
     
  

(1) (3) (4)
D. Set 1
  
 
 
Con. BD
         
  
 

Sh.
  
    
      






           

Synth. 1
Cr. Cym.
   

              
 
106
                                  
                     
2054

2049
        
         
T. Sax.
         
       
         
         
El. Guit. 1
      
    
     

"Jazz"
      
El. Guit. 2
     
   

  (2) 
El. B.
    

(1) (3) (4)

D. Set 1
 
           
 
D. Set 2
   
    
 

Con. BD
         
 

Sh.
  

     

                                  

     
2055
    
T. Sax.
                
              
 
    
El. Guit. 1
           

          

   
  
              
El. Guit. 2
  
   

El. B.


         
                                      
D. Set 1
                    
D. Set 2


 
Con. BD

Sh.
  
107
         
                
 
    
2060
2063
   
            
T. Sax.
 



      

           

     
El. Guit. 1
 
               

       

     
cresc.
 
    
  
El. Guit. 2
    
 

      
 
El. B.
  (2) 
   

(1) (3) (4)

   
D. Set 1
 
                       
       
 
D. Set 2
                 
   
 
cresc. 
Con. BD
         
 

Sh.
  
             
 

Cr. Cym.
 
        

     
                                      
   
2065
   
T. Sax.
                                   
  
       
El. Guit. 1
    
       
       


     
     
           
    

El. Guit. 2
  
   

El. B.

                   
D. Set 1
           

D. Set 2
     

 
Con. BD

Sh.
  
108
   
                                           
          
2070
2071
               
T. Sax.
                           
 
         
El. Guit. 1
     
             
     

      
     
   
            
El. Guit. 2
       
    
  (2) 
El. B.
  
(1) (3) (4)
D. Set 1
                   
     
 
D. Set 2
                
  
 
Con. BD
         
 

Sh.
  
               
 

Cr. Cym.
 
                                     
       
2075
2078
    
T. Sax.
                       
    
   
   
El. Guit. 1
                
        

         

           
     
 
El. Guit. 2
    
      
  (2) 
El. B.
    

(1) (3) (4) (6-strings bass)
D. Set 1
                   


 
D. Set 2
               
    
 
   
Con. BD

  
 
   
Sh.
   
          



        
      
 
Synth. 1 

             
Cr. Cym.  
 
109

      
        
          
   
      
2080
    
              

El. Guit. 1
          
               
          
"Distortion"
   
El. Guit. 2
   
                 
    


           
      
3

El. B.
   
 


D. Set 1
                      
                 
 
D. Set 2
   
            
       
Con. BD
                       

      
        
          
        

 
Synth. 1 

                
Cr. Cym.    
 
      
               
     
   
 
 

2086
       
       
El. Guit. 1
                    
         

     

      
    
      
El. Guit. 2
      
  

 
                 (2) 
El. B.
    
(1) (2) (3) (4) (1) (3)
D. Set 1
   
             
   
  
     
 
Con. BD
            
   
    
            
 
Synth. 1
                   
Cr. Cym.    
 
110
[OST#27, "なんでもないや (movie ver.)"]
Lyrics by Yojiro Noda [OST#27, "Nandemonaiya (movie ver.)"] 作詞: 野田洋次郎
                                         
                               
2091 "Sorrowfully"  = 84
     
 
2091
T. Sax.
           
  
 "Electric Piano"
 
Pno.
       
  
"Clean Guitar"
El. Guit. 1
        
     
"Clean Guitar"
El. Guit. 2
          
    
"Electric Bass"

El. B.
         

"Drum Kit"
D. Set 1
         
 
"Drum Kit"
D. Set 2
      
          
2098
2099
             
T. Sax.
               
                
   
Guit. 2
             

      

       
 
   

"Jazz"
       
El. Guit. 1
       
    
     

El. B.
                     (2)
 
 

 
(1) (2) (3) (4) (1) (3) (4)
               
D. Set 1
        
    
 
             
Con. BD
   
   
   
Cr. Cym.
 
                 
                      
2103

2103
         

T. Sax.
            
          


      

  
Guit. 2
           

       

 
  
       
El. Guit. 1
      
 
 (2)   (2) 
El. B.
      

(1) (3) (4) (1) (3) (4)
D. Set 1
      

   
   
Con. BD
   
111
      
            
           
2107
          

T. Sax.
        
         

        
Guit. 2
     

     
   
      


    
  
  
       
   
El. Guit. 1
    

  
 (2)   (2) 
El. B.
      

(1) (3) (4) (1) (3) (4)
D. Set 1
      

   
   
Con. BD
   
      
                          
2111

2111
   
T. Sax.
      
                 
     
Guit. 2
    
       

  
   
        
           
El. Guit. 1
   
 (2) 
El. B.
               
(1) (3) (4)
D. Set 1
               
  
 
Con. BD
         
 

Sh.
  

112
   

                              
   
2115

              
T. Sax.
        
   
           
       
Guit. 2
              
                 

cresc. 

   
  
            
  
El. Guit. 1

     

El. B.
D. Set 1 

 
Con. BD

Sh.
  
          
Cr. Cym. 

   
 
2120
                   
2120
 
       
                                  
A. Sax.
 
    

           
               
 
T. Sax.
   
     

      
El. Guit. 1
   
                 
"Jazz"


      
        
        
El. Guit. 2
    
 

El. B.
  (2) 
            
  

(1) (3) (4)
D. Set 1
               

 
 
D. Set 2
              
               
  

Con. BD
         
 

Sh.
  
          
 

Cr. Cym.
113
  
  
                 
2124
                       
A. Sax.
     
       
  

          
          
T. Sax.
       
     
El. Guit. 1
 
     
     

   
          
   
El. Guit. 2
   
   

El. B.
           

D. Set 1
         
D. Set 2
      

 
Con. BD

Sh.
  
        
Cr. Cym. 

      
       
2127
2127
              
 
T. Sax.
 

             

        
El. Guit. 1
                    
             

              
  
              
El. Guit. 2
         
    
              
  
3
  (2) 
El. B.
  
(1) (3) (4) (6-strings bass)
D. Set 1
                       

 
D. Set 2
                  
  
 
Con. BD
          
       
         
 
    
 
         
       

"Warm"
         
         
   
 
   
Synth. 1
     
"Warm"
          
     
Cr. Cym.      
  
114
        
                     
2135

2133

T. Sax.
  
           
   

  
              
  
El. Pno. 
  
      



       

      

El. Guit. 1
  
     
 
 

El. Guit. 2
         
          


El. B.
   

  
                 
D. Set 1
        
              

D. Set 2
   
   
         
Con. BD
      

     
         
       
Synth. 1 
               
 

Cr. Cym.
 
            
                       
                    
2138
   
T. Sax.

       
 
    
 


    
      

 
 
       
                     
  
El. Pno.

      
   
 


            
  

El. Guit. 1
        
                 
 
                          
El. B.
           
D. Set 2                
115
    
           
2145

2143
T. Sax.
  
        
         
 
El. Pno.
 
                                   
                        
         
Guit. 2
   
  
  

  
            
"Jazz"
  
"Funk"

   
El. Guit. 1
 
                   
"Funk"  
El. Guit. 2
       
         

 
            
El. B.
                
D. Set 2           
      
   

   
"Warm"
   
      


Synth. 1
"Warm"
            
Cr. Cym.  
 
  
                               
    
2147
  
                                 
T. Sax.
                                                   
                          
 
Guit. 2
 
   

      

El. Guit. 1         
   
   
                  
  

   
          
      
El. B.
        
D. Set 2          
      
         

       
 

Synth. 1
116
     
                               

2150
     
            
T. Sax.
                                            
                                                
                         
Guit. 2
        
       

    
El. Guit. 1             
       
          
 
  
           
El. B.
              
   
D. Set 2      
      
          
   
      

Synth. 1
     
                     
2153

2153
   
T. Sax.
      
             
     
Guit. 2
 
        

  
   
      
        
El. Guit. 1
   
  


2 1/2
El. B.
  (2) 
  

(1) (3) (4)
      
D. Set 1
     
                          
 
D. Set 2
            
  
 

Con. BD
         
 

Sh.
  

117
   

                               
 
 
2157
    
       
T. Sax.
          
   
           
       
Guit. 2
       

                  
    

cresc. 

 
  
              
  
El. Guit. 1

      


El. B.


      
                                      
D. Set 1
               
D. Set 2
     
 cresc.
 
Con. BD

Sh.
  
            
Cr. Cym. 

    
  
2162
 

          
2162
 
        

              
A. Sax.
              
 

       
 
           
      
T. Sax.
             
cresc.
El. Guit. 1
                  
 
      
cresc.
               

"Jazz"
            
   
     
  
El. Guit. 2
  
      
    


El. B.
                         



                   
  
D. Set 2
         


  

Sh.
                  
  

Cr. Cym.
  
118
          
          

       
  
2167
2168
              
T. Sax.
                             
  
 
El. Guit. 1
                                 

    
            
                 
 
         
(cresc.)
         
  
El. Guit. 2
             
          
       
       


                 
El. B.
                        
                              
        
 
D. Set 2
     
  

Sh.
                                        
     
2172
          
                    
   
T. Sax.
El. Guit. 1     
                            

                                    







                           
 
El. Guit. 2
                      
El. B.
                 
                 
                                         
       
          
D. Set 2
           
Cr. Cym. 

                  
         
2177
   
2177
               
El. Guit. 1
      
         
         






 

           
   
       
  
El. Guit. 2
             
            
3
  

El. B.
                                                   


                             
(6-strings bass)
       
          
D. Set 2
          
 
                      

"Warm"
 
         
   

     
Synth. 1
        
     
"Warm"
                  
Cr. Cym.   
  
119
            
        
2183
2186
T. Sax.
 

          





 
 
Guit. 2
   
        
  

    
        
El. Guit. 1
          
              


 
El. Guit. 2
        
  
    

El. B.
   


                           


                   
 

D. Set 2
 
   
  
 
    
     
 
  
     
        
Synth. 1
   
         
Cr. Cym.       
 

                                             
           
2188
      
T. Sax.
        
                 
    
      
Guit. 2
                   
          
   
El. Guit. 1
     

                
   

Cr. Cym.
 
   
  
2193
                     
2193
                               
A. Sax.
       
    
   
T. Sax.
                  
            


 
     
El. Guit. 1
     
       
 
"Jazz"
  

  


El. Guit. 2
       
          

  
El. B.
   
                       
 

                  
      
D. Set 2
        


Cr. Cym.

120
   
  
                
2197
              
          
A. Sax.
              
 
   
T. Sax.
                           
  
      
El. Guit. 1
      
          
          
 
El. Guit. 2
    
         
      
   
El. B.
               
                 
                     
      
D. Set 2
       
Cr. Cym. 

  
  
                
2201
                       
A. Sax.
       
    

   
T. Sax.
        
              
 
     
El. Guit. 1
  
El. Guit. 2     
            
      
   
El. B.
          
                     
          
   
D. Set 2
      
Cr. Cym. 

    
    
2204
2204
    
        
T. Sax.
               

        
 
   
Guit. 2
      
     
 


 

El. Guit. 1
       


El. B.
  
   

D. Set 2   
       


Cr. Cym.
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Your NameKimi No Na Wa Full Soundtrack BGM

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Your NameKimi No Na Wa Full Soundtrack BGM

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Kimi

Transcribed by Lag Is Seriously Real Music by Radwimps

Tenor Saxophone (Lead Vocal)

Grand Piano &  

                         

       

            

      

                         

               

                                        

       

                               

           

                 

      

                       

                   

             

                                 

                          

                 

El. Guit. 2                   

           

                                

  Change Instrument to Cymbals

Change Instrument to Synthesiser

            

                                 

                        

         

          

                                         

                 

                             

                         

              

              

        

                

  

  

         

     

                

             

           

               

                 

                

                 

                    

                               

           

              

               

       

          