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    The Graphic Novels #3

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    The Graphic Novels #3

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
    Flag for inappropriate content
    Download as pdf
    121K views193 pages

    FNaF, The Fourth Closet Graphic Novel

    Uploaded by

    Libros Gratis
    The Graphic Novels #3

    Copyright:

    © All Rights Reserved
    Download as PDF or read online from Scribd
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    Ng Pt Ss CAWTHO VY) A CO NERO LO SY 31d 8) TSO dala 2 WN ay BASED ON THE NEW YORK TINES BESTSELLING SERIES Five Nights at Freddy's FAZSEAR FRIGHTS THE FOURTH CLOSET The Graphic Novel By SCOTT CAWTHON ano KIRA BREED-WRISLEY ADAPTED BY CHRISTOPHER HASTINGS SUMMON LY Wu bane eV ale coors BY EVA DE LA CRUZ LETTERS BY MIKE FLIORENTINO - Inprint of Copyright © 2022 by Scott Cawthon. All rights reserved. Photo of TV static: © Klikk/Dreamstime GMCS al ote tcl acc ma ae incre Beso esl Coma ono food AO Cee associated logos are trademarks and/or registered trademarks of Scholastic Inc. Deeg Men eugene cau eee ot ase Tae PT em enim eo Cus A\ll rights reserved under International and Pan-American Copyright Conventions Nee TRA ga Me tem acct eee Cun eile ome ceeur cy reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known, Ceca Mes a eet kc tease elt caced information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fiction. Names, characters, places, and incidents are either the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. 2-ISBN 978-1-338-809 18-3 Cras tnae peed Feel en aon as Book design by Jeff Shake ener a) Colors by Eva de la Cruz eee aN aac) THIS 16. AN ACTIVE CONSTRUCTION ZONE. IF YOU'RE IN LA-LA | LAND, YOU'RE NOT THINKING Y\ Aout THE Sarety OF THE OTHER MEN OUT THERE. ae Fr a OF course, 700K A CHANCE ON You, BUT | UNoe; IIM NOT PUTTING My OTHER tm sony. 57 Ut GUYS LIVES AT RIS Go To work. NOW hg, (ff S En Se FINE. WORKING, MostLy. WHA WITH YOU? BE BACK FROM NEW YORK SOON! SPRING WE'RE ALL GETTING TOGETHER TONIGHT AT HIS DAD'S House. He's DYING T0 ‘SHOW OFF HIS NEW TO HIM ON THE PHONE LAST WEEK, HE WAS FAKING A BROOKLYN DO ACCENT. ( | SWEAR WHEN I TALKED JOHN, SHE MISSES WHO ELSE 18 GOING 10 BE THERE? YOU HAVE 10 TALK 10 HER ‘SOMETIME. No | DON't, | DON'T KNOW WHO THAT 16, BUT IT ISN'T CHARLIE. OW WHAT THAT NIGHT BUT | KNOW a! FY Bur | Don't CH WY: THINK ANY OF IT HURT AS 8) 6 ENOUGH MEI ILL YOU 7 ‘GRANDDAD Ir's50 TO SEE ALL OF YOU AGAIN. [5 LAMAR He sap, "IM NEVER, EV EVER SETTING FOOT IN THAT TOWN AGAIN, NOT EVER, NEVER FOR AS LONG AS I LIVE, AND HOULDN'T, ETHER," WHAT'S UP WITH You, JESSICA? | HEARD You've ACTUALLY, Moveo Bur, YEAH COME HELP MEIN THE (ONE DAY | FOUND CHARLIE PACKING UP WHATEVER ‘SHE COULD CARRY. SHE LEFT ME ‘AND JOHN 70 CLEAN UP THE REST. | ON'T THINK SHE WAS EVEN GOING TO TELL ME SHE WAS LEAVIN DIDN'T TELL ME WHERE, EITHER. JUST THAT | ( i | Dy = se We 1060. F | 13 Net WHAT'S UP? ME TO OPEN A KETCHUP BOTT \ YOu PULLED ME IN FOR A PEP TALK! U EARLIER DAY DW IT'S BEEN A WHILE SINCE YOU AND CHARLIE FRIENDS HERE, JOHN. TRY TO RELAX. ALL OF THIS HEARTACHE YOU'RE PUTTING YOURSELF THROUGH... THIS ISN'T WHAT I WANT. | SHOULDN'T HAVE, V 10101 YOU HAVEN'T ORIVEN PAST HER HOUSE, OR THE OLD FREDDY FAZBEAR’S SITE, IN MONTHS. WHEN YOU THINK OF WHAT THAT MOMENT DID TO You WHAT MUST IT HAVE DONE 10 HER? WHAT KIND OF NIGHTMARES 00 Y YOU HAVE, CHARLIE— REMEMBER THE LAST THING I SAID 10 YOU, BEFORE vou’... ? SORRY, IN'T REMEM | REMEMBER BEING UT THAT NIGHT, THE SUIT. | PASSED WHOLE PIECES ARE OUT, | THINK FOR ust HOURS. JOHN, WOULD YOU MEET ME TomoRROW? | JUST WANT TO TALK. GWE ME A CHANG > fa 20 Great! COLLEGE. CITY. LEARNING. FRIENDS . . TWAS IN A PLAY ABOUT AHORSE. ‘AgouT YOU, MARLA? WELL, OHIO ION'T New York, BUT | NEVER GO OUT ANYWAY. PREMED 1A TON GF WORK. WORTH I, THOUGH! JESSICA SAID YOU LEFT SCHOOL? VM SORRY TO HEAR ABOUT ‘Your HOUSE. OH, AND ALSO THE...UH... MAYBE YOU COULD BUILD A NEW HOUSE THERE? DAD SAID THEY RECENTLY CLEARED OUT 1E RUBBLE AND TOOK HE oipw'r say ANYTHING ‘ABOUT KILLER NO, NO. I'M GOOD. 1's ACTUALLY A HUGE ‘ARE YOU. « RELIEF THE KILLER ROBOTS BEING "ARE UNACCOUNTED FOR, SARCAS CARLTON, THANK you. y ee 7” \cou.on'T IND ANYONE, THOUGH. NO He IL LET YOU KNOW i | ‘SOMETHING TURNS UP. THANK YOU, OFFICER. / O14, PAROON ME, \ MAAM. NO. SOME NIDD SNUCK IN LAST NGHT. NomiNG ‘UNUSUAL. FEEL FREE TO HEAD ON IN. AND ‘AROUND. SCRAP IS FIFTY CEN’ A POUND. 7 FOR SOMETHING SPECIFIC . « WELL, | DON'T KNOW WHAT TO TELL YOU. Bop, YOU RECEWEE SEVERAL TRUCKLOADS. OF SCRAP METAL ON THIS DATE, AND FROM THIS \ LOCATION. WHERE IN THE YARD DID IT GO? ‘How muct OF THAT PHONE CALL DID YOU OVERHEAR? NY You JUST TOLD THE POLICE YOU THOUGHT OF COURSE | IN THE SCRAP HEAPS QUT THERE. YOU HEARD SCREAMING. A CHILD, PERHAPS. MAYBE SEVERAL, ARE THESE ‘YOUR DAUGHTERS J Wh =.\\ LOOK, WE RUN A CLEAN BUSINESS AND WE HAVE A GOOD REPUTATION. Wo ANO Five. BEAUTIFUL. Do YOU TREAT THEM wei? J N WHAT o10 You FIND? WHEN YOU GOT ON Your { HANDS AND KNEES AND CRAWLED THROUGH THE BEAMS AND THE WIRE? WHAT WAS THERE? = = CUTTING ‘YOUR LEGS ON YAGGED SCRAPS OF METAL AS YOU RAN BLINDLY THROUGH ‘THE YARD. 1 DON'T FEEL coMroRTaste TALKING ACOUT THD. IF 'M IH SOME.) KIND OF TROUBLE, THEN / IT THINK— A { BOB, AS LONG AS \Surtte ravor, / SUT Se \ / You're nor IN ANY TROUBLE, ) 23 I'M NOT CRAZY, WHAT HAPPENED TO CHARLIE? MAYBE WHEN SAMANTHA WAS KIDNAPPED, SHE WASN'T MURDERED. WHAT IF CHARLIE'S TWIN 19 STILL ALIVE? AND NOT ONLY ALIVE, OUT RAIGED BY SPRINGTRAP, BY WILLIAM AFTON. LR Cf SHAPED AND MoLDi PSYCHOPATH FOR SEVENTEEN , YEARS, PRIMED WITH ALL THE FROM CHARLIE'S LIFE? NOW SENT TO TAKE CHARLIE'S PLACE? THEODOR! SAMMY? CHARLIE'S TWIN? IT COULD BE SHORT FOR SAMANTHA. Buri? ‘WAND HOW COULD AFTON KNOW WHAT WOULD OE” ANYTHING ABOUT CHARLIE'S LE? THE POINT? 4 AFTER HER OAD DIED, SHE MOVED AWAY. NOBODY SAW HER FOR YEARS WHEN SHE LIVED WITH HER ‘AUNT JEN— I WANTED To SEE HOW YOU WERE REALLY? DION'r WE HAVE THAT TALK ‘YESTERDAY? YEAH, WELL, YOU CAN NEVER BE TOO | UNDERSTAND. I'9 JUST, WE FOUND CHARLIE 15 HOLDING SOME THINGS IN THE SOMETHING WRECKAGE BACK. | Don'r KNOW HOW TO DESCRIBE THEM, SCARY THINGS. DAVE/WILLIAM ‘AFTON/SPRINGTRAP/ WHATEVER? I'M NOT READY 10 DECLARE HIM DEAD. Ls AND | THINK. WHAT 0 YOU KNOW ABOUT CHARLIE'S AUNT JEN? SHE BECAME VERY EAGER TO SEE YOU ‘AGAIN WHEN | MENTIONED THAT YOU HAD ‘SEEN HER AUNT JEN DEFORE THE HOUSE COLLAPSED. It MADE ME REALIZE THAT THERE IS ‘ALOT WE DON'T KNOW ABOUT THAT NIGHT. I KNOW YOU'RE SEEING CHARLIE TONGHT. IF | YOU'RE ACTING ‘SHE COULD TELL YOU WHERE / AWFULLY DIFFERENT HER AUNT JEN I6— a THAN “PEP TALK" CLAY FROM THE OTHER NIGHT. MIGHT FEEL COMFORTAL SHARING THAT WITH ME? THAT FEELS MORALLY ‘AMBIGUOUS. FEELS LIKE IT'S BEEN A YEAR SINCE | WAS LAST IN TOWN. | THINK JESSICA MOVED OUT OF HER DORM TO AN APARTMENT ‘AROUND HERE. WHAT KINO OF FRIEND HAVE | BEEN? / SHOULD KNOW BASIC STUFF MAYBE CHARLIE AND | CAN GO 9EE A MOVIE. AFTER THE DINNER-AND-INTERROGATION. THE THEATER'S JUST AROUND THE CORNER. | WONDER WHAT'S PLAYING WS Ve it . You a RE WITH ANY CHILOREN— soMEONE... / y CHILDREN? « SOMEWHERE ELSE. BYE, cio} Goop NOTHING HAS CHANGED. 1G OINNER WITH JOHN? 70 LIKE MY Kk. MAYBE HE'D DME TIME WITH YC fe'S DEEN THROU = Lor. Re tM gust woRRIED \ ABour Hin, JESSICA, D0 YOU ee Someninc... REMEMBER HM TELLING Smectine % THAT I SHOULD REVIEMBER, ME SOMETHING mr ? ‘SOMETHING HE SAID a IMPORTANT? IMPORTANT THAT NIGHT? ND JOHN WERE ALONE FOR A FEW MINUTES, V'M NOT SURE WHAT HE ‘SAID. WHY? I THINK I’ IMPORTANT TO HIM THAT | REMEMBER. SORRY AGAIN FOR BREAKING IN. | MEAN, | DIDN'T BREAK IN. THE 0008 WAS My HEAD i REALLY EVER WAS ALWAYS THINKING POUT Fd We missed ITwaon'r BECAUSE OF I'VE KIND OF GOTTEN USED TO ORDERING BEFORE YOU GET HERE. I eMLL DON'T DON'T REMEMBER WHAT REMEMBER. ‘YOU SAID TO ME THAT NIGHT. | KNOW YOU THINK ABOUT ME, REMEMBER. | CAN'T CHANGE TH — Arter THar NigHT, | \ HAD 10 GET AWAY. | HAD WVE EVERYTHING DEHIND, = ——_ f siicestites ) - ‘AND NOW I'M HERE, VERY MUCH AuVE—TELLING You Y 'M ALive! JOHN, PLEASE, I DON'T UNDERSTAND. IF YOU THINK I'M NOT ME, THEN WHAT 00 YOU THINK? WHO CAN You POSSIBLY THINK | AM? My WHOLE LIFE HAS BEEN / Bur | COULN'T BE YOUR CHARLIE FOREVER. THAT NAIVE LITTLE GIRL FOREVER. SELFISH. J) SCATTERBRAINED. HAUNTED BY WHAT HAPPENED HERE. | WANTED 10 BE) ‘SOMEBODY DIFFERENT. 2 | , 1 HAD To oR '9 Go INSANE. ANY OF THOSE THINGS. =i Yur irs /j ‘ Jf,{ sri me. Oon't Uf \ Vou know 1's aN ‘STiLL ME? J ITA LOT. ALMOST CONSTANTLY, ACTUALLY. | ues MAYBE | THOUGHT YOU WERE SAMMY. 35 WELL, YEAH, | KNOI AND MAYBE JOHN, YOU TOOK BUT YOU ONLY SAW 7 SAMMY 1S SHORT FOR Me TO SEE SAMMY'S Jif TO THE CEMETERY, BUT SAMMY BEING J] SAMANTHA! Sammy cou JINR GRAVE YOURSELF, IINeVER SAW SAMMY'S Kiowarreo! Nor HAVE DEEN A GIRL ALL RA REMEMBER? ALC I can't \_ ALONE BELIEVE THEN GO LOCK METIME, IT'S NOT THEY'RE GOING ANYWHERE. AUNT JEN WARNED ME NOT TO COME BAC! TO HURRICANE, SHE'S THREE FOR THREE AT ‘Have vou THIS POINT. HEARD FROM HER, BY THE WAY? AUNT? | FIGURED YOU WERE LIVING WITH HER AFTER YOU MOVED Ot \ at pore. Loon'T | WOKE UP IN HER HOUSE, AND SHE TOLD ME WHAT HAPPENED. | HAVEN'T SEEN HER INA WHILE. SHE RESCUED ME THAT NIGHT, YOU KNOW. 4 7 V9 Like 70 Y Piel KNOW WHERE [PPA wet, | von'r KHOW. SHE TOOK ME HOME AND cusaneo eur, waoe } | \ ‘BURE | WAS OKAY, _/, cur. JGHT You SAi0 You WANT HER TO you? WHAT 90 YOU THINK, I sHouro we see ie THE } ABOUT FIFTEEN MINUTE: THE NEW THEATER ISN'T FAR FROM HERE. Ant. IVE Gor vemtene Twa ) mre. leaw CHARLIE. THoueHt | SAW — SOMETHING. I'M JUST = ALITTLE ON EDGE WITH ALL THESE WEIRDOS: WALKING AROUND IN FACE PAINT. EVERYTHING ‘ANYTHING FROM THAT NIGHT? ‘SHE WANTED TO KNOW IF I'D SEEN HER, Dip vo! + EVER MEET WORD TO SAY ABOUT CHARLIE'S MOTHER, BUT | DO KNOW SHE RAN OFF DEFORE HENRY AND CHARLIE MOVED TO HURRICANE. ALWAYS GAVE ME THE IMPRESSION ‘SHE WAS KIND. OF COLD. (iwas surrriceo WHEN JEN TO CHARLIE AFTER HeNey cIED. I KNEW THEY'D LOST THEIR OTHER KID. | ASSUMED SHE HAD SOME KIND OF BREAKDOWN. ‘YEAH, WHAT ABOUT CHARLIE'S MOTHER? ONE Day HELP BUT ASK HENRY ABOUT HER. HE THOUGHT A LONG TIME BEFORE ANSWERING. EVENTUALLY HE GAVE ME THIS SAD LOOK, AND HE SAID "SHE WOULDN'T KNOW WHAT 70 00 WITH MY LITTLE GR.” ROAMING THE STREETS HAVE YOU JUMPY, TOO, THAT WAS. JUST THE WIND, THE 00? ‘YEAH, IT WAS IN THE “ RUBBLE OF THE HOUSE. THE OTHER NIGHT | ASKED IF CHARLIE WANTED IT, 1 ‘SHE Wasn't? WM THAVE A HARO TIME BELIEVING THAT. Ie THar CHARLIE'S DAD MADE ELLA FoR \+ HER. SHE LSED 10 Go || ‘AROUND ON A TRACK WITH A TEA Oi Wuar's, THIS? A CHILD WAS ABDUCTED THIS MORNING. IT's THE SECOND ONE THIS MONTH. —4 D0 YOU THINK IT HAS SOMETHING 0 00 WiTH— ‘AND | TOLD YOU I'M NOT READY TO. ASSUME THAT WILLIAM AFTON 16 OUT OF | MEAN, IT'S. NOT THE FIRST TIME 17'S HAPPENED HERE, ANO— MICHAEL. AND THE '™M DOING EVERYTHING | CAN, I FEEL LIKE I'M RELIVING THOSE DAYS. CHILDREN, THE ‘SAME AGE AS My LITTLE BOY BACK THEN. THEY GET SNATCHED ONE AFTER ‘ANOTHER | Hore THESE ARE JUST SOME custooy vispuTes ANO THE KIDS TURN UP. Bur iF i's SOMETHING ELSE. I'M GONG TO NEED YOU. AND I'm GOING TO NEE CHARLIE, TOO. | KNOW ITIGN'T Fs BuT— or cd Way 010 THE (| DON'T KNOW. CALL YOU a S| | pin'r real TO QUESTION RAN RIGHT MY SON IS THE OTHER MISSING. OFFICERS DIDN'T TAKEME SERIOUSLY. THEY WANTED 70 CALL MY _———_§¥ EX-HUSBAND, BUT | KNEW / He's cone 10 \ HE DION'T TAKE JACCB! RECOVER. WE JUST HE MOULONS EHOW: TALKED TO HIM, He’LL WHAT 10 90 FIND YOUR SON. _/ WITH HIM! oT . OKAY. THANK YOU. ILL BE BUT WHEN IEF BURKE FOUND OUT, HE ASKED BETTER QUESTIONS. He SAID HE'D FIND JACOB, AND I euT NOW SOMETHING STRANGE IS HAPPENING, AND THE ONLY COP THAT BELIEVES IN ANY OF IT IS IN THE HOSPITAL INoniceo YOU BROUGHT A FRIEND IN YOUR BAG. OR AT LEAST A FRIEND'S HEAD. SuveR JR nor ras reo HERE. Does THAT MEAN ANYTHING? Iruust STARTED. Don't TELL CHARLIE | HAVE IT. | THINK SHE'D JUST WANT IT THROWN OUT WITH ALL OF THE OTHER STUFF THAT REMINDS HER OF HER DAD. MUST BE SOME STAGES: (OF-GRIEF THING. I's weiro. CHARLIE'S EXPERIMENTS ‘AUNAYS CREEPED ME (OUT, BUT IT'S NICE 10 SEE ONE NOW. I1'9 A TOWN. We SHOULD Gol DRIVE. Mayee CHaR.ie's FAMILY USED 10 LIVE THERE, No. Bur We're TRYING 10 HELP HER. Io THERE ANYTHING CHARLIE Is MY CONCERN. SHE'S MY RESPONSIBILITY. CHARLIE'S OUR FRIEND. SHE'S ‘OUR CONCERN, 00. ‘A FRIEND OF OURS WAS TAKING PICTURES OF CHARLIE, LIKE HE WAS ‘STALKING HER, AND WE DON'T KNOW WHY. I KNOW YOU MEAN WELL. | GHOULD TELL ‘YOU TO GO AWAY, TO FORGET HER. SECRETS PETRIFY YOU. ‘YOU HARDEN YOURS THE ENOUGH... You're Nor GOING 10 TELLUS ANYTHING? BECAUSE HE WAS NEARLY MURDERED LAST NIGHT. LF AGAINST ORLD TO KEEP THEM SAFE, UT YOU KEEF THEM LONG Or How is sie? Does SHE ALSO KNOW ABO IT THIS HE SAID SOMETHING BEFORE HE LOST CONSCIO HAS TO HAVE A MAXIM Do You KNOW » YOU DISCOVER ONE DAY YOU'VE TURNED TO ‘STONE. I MAY NOT KNOW WHATEVER YOUR SEC KNOW THAT GIRL ISN'T CHARLIE, OR SHE'S UNDER SOME KIND OF INFLUENCE. SHE SOMETHING ISN'T RIGHT HERE. THIS MIGHT BE CUR ‘ONLY CHANCE TO FIND OUT WHAT OHe'S uP 1 IT'S BEEN 700 LON I'VE BEEN TRYIN YOU WERE a RIGHT. }) 3 oso) aA ae Ne OEE | re 7 We Don’ even snow HE 7 WiAr's WRONG | WITH HER. aoe W tars * You race’ Toa 1 D0N'T er WHY.) HER. 4 HOSPITAL, JI THINK SHE'LL [aaa > y 7 WHAT ARE . YOU LOOKING = a i a? You THINK’ * f F/ SHE'S SAFE 7 f nent La & \ oun? J YOr7 NY q Vives X y OF CHARLIEWE S rouno AT Hee cL | HOUSE, BEFORE IT COLLAPSED, ae SHE / 2 LOOKS A LOT SEO DN une. / J = Se WATTS SOMETHING al WHERE ARE = P i) YOU Gone? oD | WHAT AM | ‘i SUPPOSED TO DO / \ Tauware Ware stows ur?! ( IF NOT-CHARLIE a ceesry n090T > iN LN te ‘CLOSET. BOLT THE x

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