Adagio

(in G minor) - For Solo Piano

Giazotto/Albinoni
Arr. Nakashi

 
                       
Adagio = 53

      
  



tema basso sempre portato

    
    
           
        
con pedale per effetto armonico

      
                  
         
7

     
3

      
        

     

                             
     
14

 poco cresc. - - - -


     


  
              

                   

                         
22

     
          

 
       
                             
27

  
  
    

             
         
2

                

              
34

     

    
      
     

                  
                
      
39

     
      
            

    
                                   
  
45

    
      
 

          

     

     
  
           
                 
51

        
      
  
rubato

        
 

           
            
57

              

           
espressivo

 
        

        
  
61

             

       
   

 
    
3

                         

64

 
  
      
          
   
  

    
 

            
                        
69

  
  
          
     

   
 

   
    
      
              
73

  

           
         
svanire il basso


      
(fade out the bass)


 

     
                             
77

 a tempo   


      
basso molto delicato

                
      
      

                               
             
83

 
   


    
         
        
   
                       
4

                                  
88

   
    
   
            
         

 
             
                                     
93

   



        
poco rit.

                
            

    
          
     
         
100

   
 
             
       
        


    
      
           
     
105

                            
    a tempo
   
                
           

                         
                                       
111

        

        


  




       
   
                 
5

           

         
                   
116

       




   
   
     
 

   
 
                
            
         
121

            
        


  


        
     
      
 
 
                        
             
129

   

       


      

      
       

 
                       
        
137

     
   
  
     
       


142


   
 
